1742 Résultats
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR2012:0011:019
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Halifax, Canada; - German series; - Jerusalem; - A slice of a garden; - Power Plant Gallery, Toronto; - Parable series; - Koolhaas, Toronto; - Silo no. 2; - White cities; - Israel Museum; - Un dictionnaire ...; - Parable 22.
DR2012:0011:019
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Halifax, Canada; - German series; - Jerusalem; - A slice of a garden; - Power Plant Gallery, Toronto; - Parable series; - Koolhaas, Toronto; - Silo no. 2; - White cities; - Israel Museum; - Un dictionnaire ...; - Parable 22.
Personnes et institutions:
Date:
1994-1995
1994-1995
Titre:
Notes and sketches by Melvin Charney on his later works
Actions:
DR2012:0011:019
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Halifax, Canada; - German series; - Jerusalem; - A slice of a garden; - Power Plant Gallery, Toronto; - Parable series; - Koolhaas, Toronto; - Silo no. 2; - White cities; - Israel Museum; - Un dictionnaire ...; - Parable 22.
Notes and sketches by Melvin Charney on his later works
Actions:
DR2012:0011:019
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Halifax, Canada; - German series; - Jerusalem; - A slice of a garden; - Power Plant Gallery, Toronto; - Parable series; - Koolhaas, Toronto; - Silo no. 2; - White cities; - Israel Museum; - Un dictionnaire ...; - Parable 22.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
1994-1995
1994-1995
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
L’artiste montréalaise Gina Badger propose un atelier autour de la confection de véritables « bombes de semences », ces boules faites de compost, d’argile, d’eau et de graines que l’on peut lancer en ville pour créer des jardins. L’atelier est présenté en collaboration avec DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). En complément de l’exposition(...)
L’artiste montréalaise Gina Badger propose un atelier autour de la confection de véritables « bombes de semences », ces boules faites de compost, d’argile, d’eau et de graines que l’on peut lancer en ville pour créer des jardins. L’atelier est présenté en collaboration avec DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). En complément de l’exposition(...)
Date:
14 mars 2009
14 mars 2009
Titre:
Confectionner des bombes de semences
Actions:
Description:
L’artiste montréalaise Gina Badger propose un atelier autour de la confection de véritables « bombes de semences », ces boules faites de compost, d’argile, d’eau et de graines que l’on peut lancer en ville pour créer des jardins. L’atelier est présenté en collaboration avec DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). En complément de l’exposition(...)
Confectionner des bombes de semences
Actions:
Description:
L’artiste montréalaise Gina Badger propose un atelier autour de la confection de véritables « bombes de semences », ces boules faites de compost, d’argile, d’eau et de graines que l’on peut lancer en ville pour créer des jardins. L’atelier est présenté en collaboration avec DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). En complément de l’exposition(...)
Classification:
événements
événements
Date:
14 mars 2009
14 mars 2009
Classification:
documents textuels
documents textuels
Numéro de référence:
DR1995:0188:936-1056
Description:
correspondence, and four folders that include, building programme, poster, land use application, site plans, 1966 flyer of Glasgow Fun Palace, report on Pilot Project, trust deed, report on proposed arts centre in Manchester, notes and sketches on architectural sketches, report on Fun Palace Project, drawings, minutes of meeting, cost estimate for Pilot Project, photographs, draft notes on Children's Learning Garden, financial record of Summer Fair 1974, planning application forms, sketches of temporary project at Salway and Great Eastern Roads, grant application, questionnaire, report on land redevelopment, 'Bubble City' publication by Joan Littlewood, renovation proposal for Theatre Royal, poster, kids village colouring book, and application for children's playground
DR1995:0188:936-1056
Description:
correspondence, and four folders that include, building programme, poster, land use application, site plans, 1966 flyer of Glasgow Fun Palace, report on Pilot Project, trust deed, report on proposed arts centre in Manchester, notes and sketches on architectural sketches, report on Fun Palace Project, drawings, minutes of meeting, cost estimate for Pilot Project, photographs, draft notes on Children's Learning Garden, financial record of Summer Fair 1974, planning application forms, sketches of temporary project at Salway and Great Eastern Roads, grant application, questionnaire, report on land redevelopment, 'Bubble City' publication by Joan Littlewood, renovation proposal for Theatre Royal, poster, kids village colouring book, and application for children's playground
Personnes et institutions:
Titre:
Correspondence, and four folders that include, building programme
Actions:
DR1995:0188:936-1056
Description:
correspondence, and four folders that include, building programme, poster, land use application, site plans, 1966 flyer of Glasgow Fun Palace, report on Pilot Project, trust deed, report on proposed arts centre in Manchester, notes and sketches on architectural sketches, report on Fun Palace Project, drawings, minutes of meeting, cost estimate for Pilot Project, photographs, draft notes on Children's Learning Garden, financial record of Summer Fair 1974, planning application forms, sketches of temporary project at Salway and Great Eastern Roads, grant application, questionnaire, report on land redevelopment, 'Bubble City' publication by Joan Littlewood, renovation proposal for Theatre Royal, poster, kids village colouring book, and application for children's playground
Correspondence, and four folders that include, building programme
Actions:
DR1995:0188:936-1056
Description:
correspondence, and four folders that include, building programme, poster, land use application, site plans, 1966 flyer of Glasgow Fun Palace, report on Pilot Project, trust deed, report on proposed arts centre in Manchester, notes and sketches on architectural sketches, report on Fun Palace Project, drawings, minutes of meeting, cost estimate for Pilot Project, photographs, draft notes on Children's Learning Garden, financial record of Summer Fair 1974, planning application forms, sketches of temporary project at Salway and Great Eastern Roads, grant application, questionnaire, report on land redevelopment, 'Bubble City' publication by Joan Littlewood, renovation proposal for Theatre Royal, poster, kids village colouring book, and application for children's playground
Classification:
documents textuels
documents textuels
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Personnes et institutions:
Date:
1989-2002
1989-2002
Titre:
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Niveau de description archivistique:
Project
Project
Date:
1989-2002
1989-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
Personnes et institutions:
Date:
1983-2005
1983-2005
Titre:
National Gallery of Canada, Ottawa, Ontario (1983-1990)
Actions:
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
National Gallery of Canada, Ottawa, Ontario (1983-1990)
Actions:
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
Niveau de description archivistique:
Project
Project
Date:
1983-2005
1983-2005
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1996.PR01
Description:
This project series documents the Kolonihaven - Exposição ao ar livre in Copenhagen, Denmark. While the records were held in the office’s archives this project was assigned the number 73/90 The office assigned the date 1996 to this project. At the end of the 19th century, there was an important migration of people from the rural areas to the cities in Denmark. Some migrants missed the contact with the soil and decided to built small houses with gardens to help them to adapt to their new urban life. These small Danish houses we're later named Kolonihavehus and became emblematic in Denmark. The exhibition Kolonihaven - The International challenge was held in Copenhagen by the Arken Museum of Modern Art. Fourteen international architects, including Álvaro Siza, Aldo Rossi, Mario Botta, Michael Graves, Arata Isozaki, and Leon Krier were invited to design a 7.5 square meter Danish house. Siza's design was based on his idea of a house as a child mixed with his memories of a trip to Scandinavia. The fourteen architects also participated in the exhibition "Major Projects" at the Køge Museum, in Køge, Danmark. The exhibition focused on the sketches and preliminary drawings of majort projects by each architect. Documenting this project are sketches and documentation.
AP178.S1.1996.PR01
Description:
This project series documents the Kolonihaven - Exposição ao ar livre in Copenhagen, Denmark. While the records were held in the office’s archives this project was assigned the number 73/90 The office assigned the date 1996 to this project. At the end of the 19th century, there was an important migration of people from the rural areas to the cities in Denmark. Some migrants missed the contact with the soil and decided to built small houses with gardens to help them to adapt to their new urban life. These small Danish houses we're later named Kolonihavehus and became emblematic in Denmark. The exhibition Kolonihaven - The International challenge was held in Copenhagen by the Arken Museum of Modern Art. Fourteen international architects, including Álvaro Siza, Aldo Rossi, Mario Botta, Michael Graves, Arata Isozaki, and Leon Krier were invited to design a 7.5 square meter Danish house. Siza's design was based on his idea of a house as a child mixed with his memories of a trip to Scandinavia. The fourteen architects also participated in the exhibition "Major Projects" at the Køge Museum, in Køge, Danmark. The exhibition focused on the sketches and preliminary drawings of majort projects by each architect. Documenting this project are sketches and documentation.
Personnes et institutions:
Date:
1996
1996
Titre:
Kolonihaven - The International Challenge, Copenhagen, Denmark (1996)
Actions:
AP178.S1.1996.PR01
Description:
This project series documents the Kolonihaven - Exposição ao ar livre in Copenhagen, Denmark. While the records were held in the office’s archives this project was assigned the number 73/90 The office assigned the date 1996 to this project. At the end of the 19th century, there was an important migration of people from the rural areas to the cities in Denmark. Some migrants missed the contact with the soil and decided to built small houses with gardens to help them to adapt to their new urban life. These small Danish houses we're later named Kolonihavehus and became emblematic in Denmark. The exhibition Kolonihaven - The International challenge was held in Copenhagen by the Arken Museum of Modern Art. Fourteen international architects, including Álvaro Siza, Aldo Rossi, Mario Botta, Michael Graves, Arata Isozaki, and Leon Krier were invited to design a 7.5 square meter Danish house. Siza's design was based on his idea of a house as a child mixed with his memories of a trip to Scandinavia. The fourteen architects also participated in the exhibition "Major Projects" at the Køge Museum, in Køge, Danmark. The exhibition focused on the sketches and preliminary drawings of majort projects by each architect. Documenting this project are sketches and documentation.
Kolonihaven - The International Challenge, Copenhagen, Denmark (1996)
Actions:
AP178.S1.1996.PR01
Description:
This project series documents the Kolonihaven - Exposição ao ar livre in Copenhagen, Denmark. While the records were held in the office’s archives this project was assigned the number 73/90 The office assigned the date 1996 to this project. At the end of the 19th century, there was an important migration of people from the rural areas to the cities in Denmark. Some migrants missed the contact with the soil and decided to built small houses with gardens to help them to adapt to their new urban life. These small Danish houses we're later named Kolonihavehus and became emblematic in Denmark. The exhibition Kolonihaven - The International challenge was held in Copenhagen by the Arken Museum of Modern Art. Fourteen international architects, including Álvaro Siza, Aldo Rossi, Mario Botta, Michael Graves, Arata Isozaki, and Leon Krier were invited to design a 7.5 square meter Danish house. Siza's design was based on his idea of a house as a child mixed with his memories of a trip to Scandinavia. The fourteen architects also participated in the exhibition "Major Projects" at the Køge Museum, in Køge, Danmark. The exhibition focused on the sketches and preliminary drawings of majort projects by each architect. Documenting this project are sketches and documentation.
Niveau de description archivistique:
Project
Project
Date:
1996
1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Personnes et institutions:
Date:
1970-1995
1970-1995
Titre:
Robson Square Provincial Government Complex, Vancouver, British Columbia (1974-1982)
Actions:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Robson Square Provincial Government Complex, Vancouver, British Columbia (1974-1982)
Actions:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Niveau de description archivistique:
Project
Project
Date:
1970-1995
1970-1995
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH257223
Description:
"Permanent Files" - Lake Superior Centre, University of North Carolina Master Plan (Greensboro), University of British Columbia New Library Project, New Federal Court of Canada Building (Ottawa), Bayshore Gardens zoning admendment, Coal Harboor Arts Complex, Port Moody City Hall Library and Theatre Building, Furry Creek Development Project, Emily Carr College of Art and Design, Greater Victoria Hospital Diagnostic Treatment Facilities, Vancouver Dance Centre, University of British Columbia Performing Arts Facility, DCAD North Terminal Expansion (Miami)
ARCH257223
Description:
"Permanent Files" - Lake Superior Centre, University of North Carolina Master Plan (Greensboro), University of British Columbia New Library Project, New Federal Court of Canada Building (Ottawa), Bayshore Gardens zoning admendment, Coal Harboor Arts Complex, Port Moody City Hall Library and Theatre Building, Furry Creek Development Project, Emily Carr College of Art and Design, Greater Victoria Hospital Diagnostic Treatment Facilities, Vancouver Dance Centre, University of British Columbia Performing Arts Facility, DCAD North Terminal Expansion (Miami)
Personnes et institutions:
Date:
1990-1991
1990-1991
Titre:
Permanent Files for various projects
Actions:
ARCH257223
Description:
"Permanent Files" - Lake Superior Centre, University of North Carolina Master Plan (Greensboro), University of British Columbia New Library Project, New Federal Court of Canada Building (Ottawa), Bayshore Gardens zoning admendment, Coal Harboor Arts Complex, Port Moody City Hall Library and Theatre Building, Furry Creek Development Project, Emily Carr College of Art and Design, Greater Victoria Hospital Diagnostic Treatment Facilities, Vancouver Dance Centre, University of British Columbia Performing Arts Facility, DCAD North Terminal Expansion (Miami)
Permanent Files for various projects
Actions:
ARCH257223
Description:
"Permanent Files" - Lake Superior Centre, University of North Carolina Master Plan (Greensboro), University of British Columbia New Library Project, New Federal Court of Canada Building (Ottawa), Bayshore Gardens zoning admendment, Coal Harboor Arts Complex, Port Moody City Hall Library and Theatre Building, Furry Creek Development Project, Emily Carr College of Art and Design, Greater Victoria Hospital Diagnostic Treatment Facilities, Vancouver Dance Centre, University of British Columbia Performing Arts Facility, DCAD North Terminal Expansion (Miami)
Classification:
documents textuels
documents textuels
Date:
1990-1991
1990-1991
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH275072
Description:
Presentation slides for various projects, including: Al-Buhairat City; Air Defense Command Headquarters; Arrowhead Village; Beirut Park Hotel; Bayshore Gardens; Cowan Pt, Brown Island, B.C.; Cull Residence, Surrey, B.C.; Eglinton Subway Station; 1800 Georgia Street; Garmisch Hotel and Recreation Center, Germany; Gateway Factory Outlet; Harold Washington Library Center, Chicago; International Trade Center, Vietnam; Irvine Coastal Development, California; Jawl Industries, Saawich, B.C.; Johor Coastal Development, Malaysia; King's Landing, Spadina Quay; Kuwait Waterfront Project.
ARCH275072
Description:
Presentation slides for various projects, including: Al-Buhairat City; Air Defense Command Headquarters; Arrowhead Village; Beirut Park Hotel; Bayshore Gardens; Cowan Pt, Brown Island, B.C.; Cull Residence, Surrey, B.C.; Eglinton Subway Station; 1800 Georgia Street; Garmisch Hotel and Recreation Center, Germany; Gateway Factory Outlet; Harold Washington Library Center, Chicago; International Trade Center, Vietnam; Irvine Coastal Development, California; Jawl Industries, Saawich, B.C.; Johor Coastal Development, Malaysia; King's Landing, Spadina Quay; Kuwait Waterfront Project.
Personnes et institutions:
Date:
late 1980s- mid 1990s
late 1980s- mid 1990s
Titre:
Presentation slides for various projects
Actions:
ARCH275072
Description:
Presentation slides for various projects, including: Al-Buhairat City; Air Defense Command Headquarters; Arrowhead Village; Beirut Park Hotel; Bayshore Gardens; Cowan Pt, Brown Island, B.C.; Cull Residence, Surrey, B.C.; Eglinton Subway Station; 1800 Georgia Street; Garmisch Hotel and Recreation Center, Germany; Gateway Factory Outlet; Harold Washington Library Center, Chicago; International Trade Center, Vietnam; Irvine Coastal Development, California; Jawl Industries, Saawich, B.C.; Johor Coastal Development, Malaysia; King's Landing, Spadina Quay; Kuwait Waterfront Project.
Presentation slides for various projects
Actions:
ARCH275072
Description:
Presentation slides for various projects, including: Al-Buhairat City; Air Defense Command Headquarters; Arrowhead Village; Beirut Park Hotel; Bayshore Gardens; Cowan Pt, Brown Island, B.C.; Cull Residence, Surrey, B.C.; Eglinton Subway Station; 1800 Georgia Street; Garmisch Hotel and Recreation Center, Germany; Gateway Factory Outlet; Harold Washington Library Center, Chicago; International Trade Center, Vietnam; Irvine Coastal Development, California; Jawl Industries, Saawich, B.C.; Johor Coastal Development, Malaysia; King's Landing, Spadina Quay; Kuwait Waterfront Project.
Classification:
photographies
photographies
Date:
late 1980s- mid 1990s
late 1980s- mid 1990s
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Peter Carter
Fonds Peter Carter
Numéro de référence:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Personnes et institutions:
Date:
1943-1996
1943-1996
Titre:
Fonds Peter Carter
Actions:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Fonds Peter Carter
Actions:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1943-1996
1943-1996
Personnes et institutions:
