3669 Résultats
Classification:
expositions
expositions
Titre:
Seagram Plaza
Seagram Plaza
Actions:
Description:
La conception de la place de l’édifice Seagram à New York par Ludwig Mies van der Rohe, terminée en 1958, a amené un questionnement sur ce que pouvait être cet espace ouvert dans la ville. Surélevée de trois marches par rapport au trottoir de Park Avenue, la place représente une oasis de calme, à l’écart du vacarme et de l’agitation de la rue. L’utilisation de la place(...)
La conception de la place de l’édifice Seagram à New York par Ludwig Mies van der Rohe, terminée en 1958, a amené un questionnement sur ce que pouvait être cet espace ouvert dans la ville. Surélevée de trois marches par rapport au trottoir de Park Avenue, la place représente une oasis de calme, à l’écart du vacarme et de l’agitation de la rue. L’utilisation de la place(...)
Localisation:
Vitrines
Vitrines
Date:
1 mai 2013 au 18 août 2013
1 mai 2013 au 18 août 2013
Titre:
Seagram Plaza
Actions:
Description:
La conception de la place de l’édifice Seagram à New York par Ludwig Mies van der Rohe, terminée en 1958, a amené un questionnement sur ce que pouvait être cet espace ouvert dans la ville. Surélevée de trois marches par rapport au trottoir de Park Avenue, la place représente une oasis de calme, à l’écart du vacarme et de l’agitation de la rue. L’utilisation de la place(...)
Seagram Plaza
Actions:
Description:
La conception de la place de l’édifice Seagram à New York par Ludwig Mies van der Rohe, terminée en 1958, a amené un questionnement sur ce que pouvait être cet espace ouvert dans la ville. Surélevée de trois marches par rapport au trottoir de Park Avenue, la place représente une oasis de calme, à l’écart du vacarme et de l’agitation de la rue. L’utilisation de la place(...)
Classification:
expositions
expositions
Date:
1 mai 2013 au
18 août 2013
1 mai 2013 au
18 août 2013
Localisation:
Vitrines
Vitrines
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Personnes et institutions:
Date:
2000 - 2007
2000 - 2007
Titre:
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Niveau de description archivistique:
Series
Series
Date:
2000 - 2007
2000 - 2007
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP142.S1.D113
Description:
File documents a partly executed project for restructuring the public spaces of the Fiera district in Lanciano, Italy. This project created a great polemic in Lanciano, notably because of the important expenditures it generated to the community. Material in this file was produced between 1987 and 1992. File contains reference drawings and design development drawings. File also contains textual records, including correspondence, administrative records, financial records, clippings on the project's controversy and photographic material.
AP142.S1.D113
Description:
File documents a partly executed project for restructuring the public spaces of the Fiera district in Lanciano, Italy. This project created a great polemic in Lanciano, notably because of the important expenditures it generated to the community. Material in this file was produced between 1987 and 1992. File contains reference drawings and design development drawings. File also contains textual records, including correspondence, administrative records, financial records, clippings on the project's controversy and photographic material.
Personnes et institutions:
Date:
1987-1992
1987-1992
Titre:
Riqualificazione e recupero del sistema di spazi pubblici all'interno del quartiere Fiera di Lanciano
Actions:
AP142.S1.D113
Description:
File documents a partly executed project for restructuring the public spaces of the Fiera district in Lanciano, Italy. This project created a great polemic in Lanciano, notably because of the important expenditures it generated to the community. Material in this file was produced between 1987 and 1992. File contains reference drawings and design development drawings. File also contains textual records, including correspondence, administrative records, financial records, clippings on the project's controversy and photographic material.
Riqualificazione e recupero del sistema di spazi pubblici all'interno del quartiere Fiera di Lanciano
Actions:
AP142.S1.D113
Description:
File documents a partly executed project for restructuring the public spaces of the Fiera district in Lanciano, Italy. This project created a great polemic in Lanciano, notably because of the important expenditures it generated to the community. Material in this file was produced between 1987 and 1992. File contains reference drawings and design development drawings. File also contains textual records, including correspondence, administrative records, financial records, clippings on the project's controversy and photographic material.
Niveau de description archivistique:
File 113
File 113
Date:
1987-1992
1987-1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1989.PR08
Description:
This project series documents the winning competition entry and subsequent construction for Kitchener City Hall in Kitchener, Ontario from 1989-1993. The office identified the project number as 8928. This project consisted of a U-shaped civic building comprised of a circular rotunda in the centre, an office tower to the right, the council chambers to the left, and two rectangular arms on either side to create the arms of the U. These elements, which wrapped around a large reflecting pool that doubled as a skating rink, were visually separated but coherent in their design and use of materials. Located on the block between Young, College, Duke and King Streets, the interior and exteriors of the property were designed for city government, but also for the larger public with community, public spaces, and open interaction with local government as key design concepts for the project. After entering the Civic Square outside the building, patrons can pass through the main portico, into the Interior Civic Square were the round Civic Rotunda rests in the centre. The rotunda’s interior was designed for use as a public gathering space, where events and activities could be held. The top of the rotunda had sandblasted glass windows with patinated copper frames, letting natural light shine into the large space below. A staircase from the main Civic Square led to an exterior terrace that wrapped around the top of the rotunda. The Administrative Office Tower was ten-storeys with a mechanical penthouse, and was used for civic offices. The Council Chamber was comprised of limestone with refinished metal panels forming a curved roof on top. The two wings along the sides of the property contained tenant areas, a restaurant, information offices, alderman’s offices and the mayor’s office, among other spaces. The back of the property had landscaped exteriors and outdoor play areas for the building’s daycare. The project is recorded through drawings, photographic materials, presentation paintings and models dating from 1989-1993. The drawings consist of concepts for both the competition entry and the subsequent construction of the project. These include sketches, base maps and area surveys produced by the city and contractors, presentation boards and paintings, plans, elevations, sections, perspectives, details and axonometric drawings. There are also photographic reproductions of presentation drawings. The photographs show finished interiors and exteriors and the project model.
AP056.S1.1989.PR08
Description:
This project series documents the winning competition entry and subsequent construction for Kitchener City Hall in Kitchener, Ontario from 1989-1993. The office identified the project number as 8928. This project consisted of a U-shaped civic building comprised of a circular rotunda in the centre, an office tower to the right, the council chambers to the left, and two rectangular arms on either side to create the arms of the U. These elements, which wrapped around a large reflecting pool that doubled as a skating rink, were visually separated but coherent in their design and use of materials. Located on the block between Young, College, Duke and King Streets, the interior and exteriors of the property were designed for city government, but also for the larger public with community, public spaces, and open interaction with local government as key design concepts for the project. After entering the Civic Square outside the building, patrons can pass through the main portico, into the Interior Civic Square were the round Civic Rotunda rests in the centre. The rotunda’s interior was designed for use as a public gathering space, where events and activities could be held. The top of the rotunda had sandblasted glass windows with patinated copper frames, letting natural light shine into the large space below. A staircase from the main Civic Square led to an exterior terrace that wrapped around the top of the rotunda. The Administrative Office Tower was ten-storeys with a mechanical penthouse, and was used for civic offices. The Council Chamber was comprised of limestone with refinished metal panels forming a curved roof on top. The two wings along the sides of the property contained tenant areas, a restaurant, information offices, alderman’s offices and the mayor’s office, among other spaces. The back of the property had landscaped exteriors and outdoor play areas for the building’s daycare. The project is recorded through drawings, photographic materials, presentation paintings and models dating from 1989-1993. The drawings consist of concepts for both the competition entry and the subsequent construction of the project. These include sketches, base maps and area surveys produced by the city and contractors, presentation boards and paintings, plans, elevations, sections, perspectives, details and axonometric drawings. There are also photographic reproductions of presentation drawings. The photographs show finished interiors and exteriors and the project model.
Personnes et institutions:
Date:
1989-1993
1989-1993
Titre:
Kitchener City Hall Competition, Ontario (1989-1993)
Actions:
AP056.S1.1989.PR08
Description:
This project series documents the winning competition entry and subsequent construction for Kitchener City Hall in Kitchener, Ontario from 1989-1993. The office identified the project number as 8928. This project consisted of a U-shaped civic building comprised of a circular rotunda in the centre, an office tower to the right, the council chambers to the left, and two rectangular arms on either side to create the arms of the U. These elements, which wrapped around a large reflecting pool that doubled as a skating rink, were visually separated but coherent in their design and use of materials. Located on the block between Young, College, Duke and King Streets, the interior and exteriors of the property were designed for city government, but also for the larger public with community, public spaces, and open interaction with local government as key design concepts for the project. After entering the Civic Square outside the building, patrons can pass through the main portico, into the Interior Civic Square were the round Civic Rotunda rests in the centre. The rotunda’s interior was designed for use as a public gathering space, where events and activities could be held. The top of the rotunda had sandblasted glass windows with patinated copper frames, letting natural light shine into the large space below. A staircase from the main Civic Square led to an exterior terrace that wrapped around the top of the rotunda. The Administrative Office Tower was ten-storeys with a mechanical penthouse, and was used for civic offices. The Council Chamber was comprised of limestone with refinished metal panels forming a curved roof on top. The two wings along the sides of the property contained tenant areas, a restaurant, information offices, alderman’s offices and the mayor’s office, among other spaces. The back of the property had landscaped exteriors and outdoor play areas for the building’s daycare. The project is recorded through drawings, photographic materials, presentation paintings and models dating from 1989-1993. The drawings consist of concepts for both the competition entry and the subsequent construction of the project. These include sketches, base maps and area surveys produced by the city and contractors, presentation boards and paintings, plans, elevations, sections, perspectives, details and axonometric drawings. There are also photographic reproductions of presentation drawings. The photographs show finished interiors and exteriors and the project model.
Kitchener City Hall Competition, Ontario (1989-1993)
Actions:
AP056.S1.1989.PR08
Description:
This project series documents the winning competition entry and subsequent construction for Kitchener City Hall in Kitchener, Ontario from 1989-1993. The office identified the project number as 8928. This project consisted of a U-shaped civic building comprised of a circular rotunda in the centre, an office tower to the right, the council chambers to the left, and two rectangular arms on either side to create the arms of the U. These elements, which wrapped around a large reflecting pool that doubled as a skating rink, were visually separated but coherent in their design and use of materials. Located on the block between Young, College, Duke and King Streets, the interior and exteriors of the property were designed for city government, but also for the larger public with community, public spaces, and open interaction with local government as key design concepts for the project. After entering the Civic Square outside the building, patrons can pass through the main portico, into the Interior Civic Square were the round Civic Rotunda rests in the centre. The rotunda’s interior was designed for use as a public gathering space, where events and activities could be held. The top of the rotunda had sandblasted glass windows with patinated copper frames, letting natural light shine into the large space below. A staircase from the main Civic Square led to an exterior terrace that wrapped around the top of the rotunda. The Administrative Office Tower was ten-storeys with a mechanical penthouse, and was used for civic offices. The Council Chamber was comprised of limestone with refinished metal panels forming a curved roof on top. The two wings along the sides of the property contained tenant areas, a restaurant, information offices, alderman’s offices and the mayor’s office, among other spaces. The back of the property had landscaped exteriors and outdoor play areas for the building’s daycare. The project is recorded through drawings, photographic materials, presentation paintings and models dating from 1989-1993. The drawings consist of concepts for both the competition entry and the subsequent construction of the project. These include sketches, base maps and area surveys produced by the city and contractors, presentation boards and paintings, plans, elevations, sections, perspectives, details and axonometric drawings. There are also photographic reproductions of presentation drawings. The photographs show finished interiors and exteriors and the project model.
Niveau de description archivistique:
Project
Project
Date:
1989-1993
1989-1993
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Personnes et institutions:
Date:
1996-2002
1996-2002
Titre:
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1996-2002
1996-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1992.PR01
Description:
The project series documents Pettena's preliminary study and proposal for the restoration and conversion of the Forte Inglese, a Napoleonic era fortification in Portoferraio, Italy. Pettena worked on this project in 1992. The restauration and conversion project for the fort was not realized because of changes in the local government. The proposal consisted of converting the fort into an exhibition space, an auditorium and a public garden "by simply adding spaces that utilized volumes created underground or at the rear: thus the respect of the preexisting context was assured, from the viewpoint of history as well as landscape." [1] The project series contains a preliminary study report by Pettena, sketches, site plans, floor plans, elevations, and sections for Pettena's proposal, reference photographs, research material, such as photocopies of publications on the fort and reference plans for the historic building. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-study-for-the-restoration-1992/ (last accessed 21 January 2020).
AP207.S1.1992.PR01
Description:
The project series documents Pettena's preliminary study and proposal for the restoration and conversion of the Forte Inglese, a Napoleonic era fortification in Portoferraio, Italy. Pettena worked on this project in 1992. The restauration and conversion project for the fort was not realized because of changes in the local government. The proposal consisted of converting the fort into an exhibition space, an auditorium and a public garden "by simply adding spaces that utilized volumes created underground or at the rear: thus the respect of the preexisting context was assured, from the viewpoint of history as well as landscape." [1] The project series contains a preliminary study report by Pettena, sketches, site plans, floor plans, elevations, and sections for Pettena's proposal, reference photographs, research material, such as photocopies of publications on the fort and reference plans for the historic building. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-study-for-the-restoration-1992/ (last accessed 21 January 2020).
Personnes et institutions:
Date:
1992-2015
1992-2015
Titre:
Studio Per Il Restauro E La Riconversione Del Forte Inglese [Study for the Restoration and Conversion of the Fort Inglese], Portoferraio, Italy (1992)
Actions:
AP207.S1.1992.PR01
Description:
The project series documents Pettena's preliminary study and proposal for the restoration and conversion of the Forte Inglese, a Napoleonic era fortification in Portoferraio, Italy. Pettena worked on this project in 1992. The restauration and conversion project for the fort was not realized because of changes in the local government. The proposal consisted of converting the fort into an exhibition space, an auditorium and a public garden "by simply adding spaces that utilized volumes created underground or at the rear: thus the respect of the preexisting context was assured, from the viewpoint of history as well as landscape." [1] The project series contains a preliminary study report by Pettena, sketches, site plans, floor plans, elevations, and sections for Pettena's proposal, reference photographs, research material, such as photocopies of publications on the fort and reference plans for the historic building. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-study-for-the-restoration-1992/ (last accessed 21 January 2020).
Studio Per Il Restauro E La Riconversione Del Forte Inglese [Study for the Restoration and Conversion of the Fort Inglese], Portoferraio, Italy (1992)
Actions:
AP207.S1.1992.PR01
Description:
The project series documents Pettena's preliminary study and proposal for the restoration and conversion of the Forte Inglese, a Napoleonic era fortification in Portoferraio, Italy. Pettena worked on this project in 1992. The restauration and conversion project for the fort was not realized because of changes in the local government. The proposal consisted of converting the fort into an exhibition space, an auditorium and a public garden "by simply adding spaces that utilized volumes created underground or at the rear: thus the respect of the preexisting context was assured, from the viewpoint of history as well as landscape." [1] The project series contains a preliminary study report by Pettena, sketches, site plans, floor plans, elevations, and sections for Pettena's proposal, reference photographs, research material, such as photocopies of publications on the fort and reference plans for the historic building. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-study-for-the-restoration-1992/ (last accessed 21 January 2020).
Niveau de description archivistique:
Project
Project
Date:
1992-2015
1992-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1987.PR02
Description:
This project series documents upgrades and additions to the Servants of the People Society Lajpat Rai Bhawan in Chandigarh, India from 1987-2004. The project consisted of acoustical treatments to the auditorium, the upgrade of the public bathrooms, the addition of research cabins in the library, a children's play area and a parking kiosk. In 2004, there was also a proposal to add a meditation and well-being space to the building. Due to the lengthy timeline, some of these changes may have been separate projects. The project is recorded through original drawings of plans, elevations, sections, details and an axonometric view dating from 1987-2004.
AP206.S1.1987.PR02
Description:
This project series documents upgrades and additions to the Servants of the People Society Lajpat Rai Bhawan in Chandigarh, India from 1987-2004. The project consisted of acoustical treatments to the auditorium, the upgrade of the public bathrooms, the addition of research cabins in the library, a children's play area and a parking kiosk. In 2004, there was also a proposal to add a meditation and well-being space to the building. Due to the lengthy timeline, some of these changes may have been separate projects. The project is recorded through original drawings of plans, elevations, sections, details and an axonometric view dating from 1987-2004.
Personnes et institutions:
Date:
1987-2004
1987-2004
Titre:
Servants of the People Society Lajpat Rai Bhawan, Chandigarh, India (1987-2004)
Actions:
AP206.S1.1987.PR02
Description:
This project series documents upgrades and additions to the Servants of the People Society Lajpat Rai Bhawan in Chandigarh, India from 1987-2004. The project consisted of acoustical treatments to the auditorium, the upgrade of the public bathrooms, the addition of research cabins in the library, a children's play area and a parking kiosk. In 2004, there was also a proposal to add a meditation and well-being space to the building. Due to the lengthy timeline, some of these changes may have been separate projects. The project is recorded through original drawings of plans, elevations, sections, details and an axonometric view dating from 1987-2004.
Servants of the People Society Lajpat Rai Bhawan, Chandigarh, India (1987-2004)
Actions:
AP206.S1.1987.PR02
Description:
This project series documents upgrades and additions to the Servants of the People Society Lajpat Rai Bhawan in Chandigarh, India from 1987-2004. The project consisted of acoustical treatments to the auditorium, the upgrade of the public bathrooms, the addition of research cabins in the library, a children's play area and a parking kiosk. In 2004, there was also a proposal to add a meditation and well-being space to the building. Due to the lengthy timeline, some of these changes may have been separate projects. The project is recorded through original drawings of plans, elevations, sections, details and an axonometric view dating from 1987-2004.
Niveau de description archivistique:
Project
Project
Date:
1987-2004
1987-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1996.PR03
Description:
This project series documents the Bank of Montreal in Toronto from 1996-1997. The office identified the project number as 9631. The project consisted of the design of public and private spaces in the bank, including reception, transaction tables, offices and conference rooms on three levels. Planning for future changes to the interior were also outlined. The project is recorded through drawings dating from around 1996-1997, which consist of sketches, plans, elevations, sections, perspectives and axonometric drawings.
AP056.S1.1996.PR03
Description:
This project series documents the Bank of Montreal in Toronto from 1996-1997. The office identified the project number as 9631. The project consisted of the design of public and private spaces in the bank, including reception, transaction tables, offices and conference rooms on three levels. Planning for future changes to the interior were also outlined. The project is recorded through drawings dating from around 1996-1997, which consist of sketches, plans, elevations, sections, perspectives and axonometric drawings.
Personnes et institutions:
Date:
circa 1996-1997
circa 1996-1997
Titre:
Bank of Montreal, Toronto (1996-1997)
Actions:
AP056.S1.1996.PR03
Description:
This project series documents the Bank of Montreal in Toronto from 1996-1997. The office identified the project number as 9631. The project consisted of the design of public and private spaces in the bank, including reception, transaction tables, offices and conference rooms on three levels. Planning for future changes to the interior were also outlined. The project is recorded through drawings dating from around 1996-1997, which consist of sketches, plans, elevations, sections, perspectives and axonometric drawings.
Bank of Montreal, Toronto (1996-1997)
Actions:
AP056.S1.1996.PR03
Description:
This project series documents the Bank of Montreal in Toronto from 1996-1997. The office identified the project number as 9631. The project consisted of the design of public and private spaces in the bank, including reception, transaction tables, offices and conference rooms on three levels. Planning for future changes to the interior were also outlined. The project is recorded through drawings dating from around 1996-1997, which consist of sketches, plans, elevations, sections, perspectives and axonometric drawings.
Niveau de description archivistique:
Project
Project
Date:
circa 1996-1997
circa 1996-1997
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1997.D7
Description:
The project series documents the restructuring of public space in Ramos, a neighborhood in Rio de Janeiro. The design was for an international competition “Rio cidade 2,” organized by Rio de Janeiro City Council. In 1997, Héctor Vigliecca (Héctor Vigliecca e Associados), Eduardo Horta and Fabiana Izaga (Izaga e Horta Arquitectos Associados Ltda.), and Abalos & Herreros won the competition. The project was built and final touches were left to German artist Albert Oehlen, who designed the pavement. The firm identified this project as number 106. Documenting this project are conceptual and design development drawings, correspondence, reports, guides, contracts, clippings and digital materials.
AP164.S1.1997.D7
Description:
The project series documents the restructuring of public space in Ramos, a neighborhood in Rio de Janeiro. The design was for an international competition “Rio cidade 2,” organized by Rio de Janeiro City Council. In 1997, Héctor Vigliecca (Héctor Vigliecca e Associados), Eduardo Horta and Fabiana Izaga (Izaga e Horta Arquitectos Associados Ltda.), and Abalos & Herreros won the competition. The project was built and final touches were left to German artist Albert Oehlen, who designed the pavement. The firm identified this project as number 106. Documenting this project are conceptual and design development drawings, correspondence, reports, guides, contracts, clippings and digital materials.
Personnes et institutions:
Date:
1996-1998
1996-1998
Titre:
Recualificación del espacio público de Ramos, Rio de Janeiro, Brazil (1997)
Actions:
AP164.S1.1997.D7
Description:
The project series documents the restructuring of public space in Ramos, a neighborhood in Rio de Janeiro. The design was for an international competition “Rio cidade 2,” organized by Rio de Janeiro City Council. In 1997, Héctor Vigliecca (Héctor Vigliecca e Associados), Eduardo Horta and Fabiana Izaga (Izaga e Horta Arquitectos Associados Ltda.), and Abalos & Herreros won the competition. The project was built and final touches were left to German artist Albert Oehlen, who designed the pavement. The firm identified this project as number 106. Documenting this project are conceptual and design development drawings, correspondence, reports, guides, contracts, clippings and digital materials.
Recualificación del espacio público de Ramos, Rio de Janeiro, Brazil (1997)
Actions:
AP164.S1.1997.D7
Description:
The project series documents the restructuring of public space in Ramos, a neighborhood in Rio de Janeiro. The design was for an international competition “Rio cidade 2,” organized by Rio de Janeiro City Council. In 1997, Héctor Vigliecca (Héctor Vigliecca e Associados), Eduardo Horta and Fabiana Izaga (Izaga e Horta Arquitectos Associados Ltda.), and Abalos & Herreros won the competition. The project was built and final touches were left to German artist Albert Oehlen, who designed the pavement. The firm identified this project as number 106. Documenting this project are conceptual and design development drawings, correspondence, reports, guides, contracts, clippings and digital materials.
Niveau de description archivistique:
Project
Project
Date:
1996-1998
1996-1998
Personnes et institutions:
Classification:
événements
événements
Description:
Phyllis Lambert, directeur fondateur du CCA, et Elizabeth Diller, de Diller Scofidio + Renfro, présentent leurs ouvrages parus en 2013, Building Seagram et Lincoln Center Inside Out, et discutent de l’architecture et de l’espace public à New York.
Phyllis Lambert, directeur fondateur du CCA, et Elizabeth Diller, de Diller Scofidio + Renfro, présentent leurs ouvrages parus en 2013, Building Seagram et Lincoln Center Inside Out, et discutent de l’architecture et de l’espace public à New York.
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
13 mai 2013, 18h - 20h
13 mai 2013, 18h - 20h
Titre:
En conversation : Phyllis Lambert et Elizabeth Diller
Actions:
Description:
Phyllis Lambert, directeur fondateur du CCA, et Elizabeth Diller, de Diller Scofidio + Renfro, présentent leurs ouvrages parus en 2013, Building Seagram et Lincoln Center Inside Out, et discutent de l’architecture et de l’espace public à New York.
En conversation : Phyllis Lambert et Elizabeth Diller
Actions:
Description:
Phyllis Lambert, directeur fondateur du CCA, et Elizabeth Diller, de Diller Scofidio + Renfro, présentent leurs ouvrages parus en 2013, Building Seagram et Lincoln Center Inside Out, et discutent de l’architecture et de l’espace public à New York.
Classification:
événements
événements
Date:
13 mai 2013
18h - 20h
13 mai 2013
18h - 20h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
