Best practices: A companion to architecture and Its messy relationship with building materials
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A thought-provoking guide to the endearing and enigmatic ways in which the built environment takes shape,this publication proposes a new way of thinking about neighborhoods, housing developments, streetscapes, and storefronts, not so much as places defined by building codes, dimensions, or geographic features, but as assemblages of ad hoc interventions and incidental(...)
Théorie de l’architecture
novembre 2021
Best practices: A companion to architecture and Its messy relationship with building materials
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$39.95
(disponible sur commande)
Résumé:
A thought-provoking guide to the endearing and enigmatic ways in which the built environment takes shape,this publication proposes a new way of thinking about neighborhoods, housing developments, streetscapes, and storefronts, not so much as places defined by building codes, dimensions, or geographic features, but as assemblages of ad hoc interventions and incidental ephemera. It is an invitation to thoroughly reconsider issues of expertise, professionalism, power, ubiquity, defaults, communication environments, construction practices, and how these things confront architecture.
Théorie de l’architecture
livres
Description:
414 pages : illustrations (chiefly color) ; 25 cm
Zürich, Switzerland : Lars Muller Publishers, [2016], ©2016
The building / edited by José Aragüez.
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Description:
414 pages : illustrations (chiefly color) ; 25 cm
livres
Zürich, Switzerland : Lars Muller Publishers, [2016], ©2016
Oxymoron & pleonasm : conversations on American critical and projective theory of architecture
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This book contains twelve interviews focusing on the problem of critical and projective approach to architectural thinking and design discussed by leading American theorists, historians and practitioners of architecture, such as Kenneth Frampton, K. Michael Hays, Beatriz Colomina and Sylvia Lavin.
Oxymoron & pleonasm : conversations on American critical and projective theory of architecture
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$48.95
(disponible sur commande)
Résumé:
This book contains twelve interviews focusing on the problem of critical and projective approach to architectural thinking and design discussed by leading American theorists, historians and practitioners of architecture, such as Kenneth Frampton, K. Michael Hays, Beatriz Colomina and Sylvia Lavin.
Théorie de l’architecture
Greg Lynn : form
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Greg Lynn has defined how designers and architects use computers as a medium, operating in an expanded field that fuses cutting-edge technology, contemporary art, and science fiction aesthetics with architectural form. With contributions by : J. G. Ballard, Chris Bangle, Rene Daalder, Sonia Eram, Imaginary Forces, Brian C. Goodwin, Jeffrey Kipnis, Sylvia Lavin, Ross(...)
Architecture, monographies
novembre 2008, New York
Greg Lynn : form
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$71.00
(disponible sur commande)
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Greg Lynn has defined how designers and architects use computers as a medium, operating in an expanded field that fuses cutting-edge technology, contemporary art, and science fiction aesthetics with architectural form. With contributions by : J. G. Ballard, Chris Bangle, Rene Daalder, Sonia Eram, Imaginary Forces, Brian C. Goodwin, Jeffrey Kipnis, Sylvia Lavin, Ross Lovegrove, Ari Marcopoulos, Peter Schroder, and Bruce Sterling.
Architecture, monographies
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This publication results from a conference intended to reopen the debate on the development of architectural discourse in America from 1923 to 1949. Contributors include: Bernard Tschumi, Terence Riley, Robert E. Somol, Phyllis Lambert, Philip Johnson and Jeffrey Kipnis, Colin Rowe, Peter Eisenman, Joan Ockman, Paulette Singley, Sylvia Lavin, Francesco(...)
Autonomy and ideology: positioning an avant-garde in America
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This publication results from a conference intended to reopen the debate on the development of architectural discourse in America from 1923 to 1949. Contributors include: Bernard Tschumi, Terence Riley, Robert E. Somol, Phyllis Lambert, Philip Johnson and Jeffrey Kipnis, Colin Rowe, Peter Eisenman, Joan Ockman, Paulette Singley, Sylvia Lavin, Francesco Dal Co, Detlef Mertins, Mitchell Schwarzer, Sanford Kwinter, Rem Koolhaas, and Beatriz Colomina.
Publications du CCA
$89.95
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Prix' architectural visions shaped the studio, which from the very beginning came to stand for radicalism and utopias built into the real. The publication features a selection of projects and diploma works of students as well as statements of international guests such as architects like Hitoshi Abe, Greg Lynn, and Zaha Hadid and theoreticians like Sylvia Lavin, Christian(...)
août 2016
Wolf D. Prix, Studio Prix: University of Applied Arts 1990-2011
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$89.95
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Prix' architectural visions shaped the studio, which from the very beginning came to stand for radicalism and utopias built into the real. The publication features a selection of projects and diploma works of students as well as statements of international guests such as architects like Hitoshi Abe, Greg Lynn, and Zaha Hadid and theoreticians like Sylvia Lavin, Christian Reder and Hans Ulrich Reck.
$15.00
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Log 15 is a slice through the present, featuring the current work and thinking of some of today’s leading architectural historians and theorists: Barry Bergdoll, Mario Carpo, Jean-Louis Cohen, Beatriz Colomina, Hubert Damisch, Peter Eisenman, Kurt Forster, Mark Jarzombek, Irving Lavin, Sylvia Lavin, Mark Wigley, and Mirko Zardini. Assembled to honor Phyllis Lambert on her(...)
Revues
mars 2009, New York
Log 15, winter 2009: observations on architecture and the contemporary city
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Log 15 is a slice through the present, featuring the current work and thinking of some of today’s leading architectural historians and theorists: Barry Bergdoll, Mario Carpo, Jean-Louis Cohen, Beatriz Colomina, Hubert Damisch, Peter Eisenman, Kurt Forster, Mark Jarzombek, Irving Lavin, Sylvia Lavin, Mark Wigley, and Mirko Zardini. Assembled to honor Phyllis Lambert on her 80th birthday, these essays range from an architectural and archaeological reading of Chris Marker’s post-apocalyptic film La Jetée to Dravidian architecture in India; from Gordon Matta-Clark’s erasure of architecture to the persistence of asphalt; from the influence of Andy Warhol on ambient architecture past and present to the house in the museum and the museum in the house.
Revues
$17.00
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This issue includes: Jeffrey Kipnis on Reiser + Umemoto's 0-14 tower; Anthony Vidler on Colin Rowe's review of La Tourette; Todd Gannon on Jason Payne's "Rawhide: The New Shingle Style" at SCI-Arc; Charles Jencks on contextual counterpoint in recent work of Herzog & de Meuron and Edouard François; Craig Buckley on Lacaton & Vassal's transformation of Bois-le-Pretre tower(...)
Log 24, winter/spring 2012: architecture criticism
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This issue includes: Jeffrey Kipnis on Reiser + Umemoto's 0-14 tower; Anthony Vidler on Colin Rowe's review of La Tourette; Todd Gannon on Jason Payne's "Rawhide: The New Shingle Style" at SCI-Arc; Charles Jencks on contextual counterpoint in recent work of Herzog & de Meuron and Edouard François; Craig Buckley on Lacaton & Vassal's transformation of Bois-le-Pretre tower in Paris; Sylvia Lavin on Piplotti Rist's installation at the Wexner Center; Daniel Sherer on Preston Scott Cohen's Tel Aviv Museum; and many other contributions from Rome, Athens, Ningbo, London, New York, and Los Angeles.
Revues
Modern views: inspired by the Mies van der Rohe Farnsworth House and the Philip Johnson Glass House
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Mies van der Rohe’s 1941–45 Farnsworth House and Philip Johnson’s 1947 Glass House in New Caanan, Connecticut: two haikus of glass and concrete that rewrote the history of modern residential architecture. Much ink has already been spilled on the subject by critics and historians intent on deconstructing our notions of domesticity; however these two masterpieces have also(...)
Modern views: inspired by the Mies van der Rohe Farnsworth House and the Philip Johnson Glass House
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$70.00
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Mies van der Rohe’s 1941–45 Farnsworth House and Philip Johnson’s 1947 Glass House in New Caanan, Connecticut: two haikus of glass and concrete that rewrote the history of modern residential architecture. Much ink has already been spilled on the subject by critics and historians intent on deconstructing our notions of domesticity; however these two masterpieces have also taken on lives of their own in the minds of countless artists, architects, and designers. They have inspired nearly ninety creations for an exclusive project with the National Historic Preservation Trust, collected here in Modern Views . With an introduction by critic Paul Goldberger and essays by Phyllis Lambert and Sylvia Lavin; contributors include David Adjaye, Tadao Ando, Peter Eisenman, Zaha Hadid, Maira Kalman, Annie Leibowitz, Daniel Libeskind, Thom Mayne, and Rafael Viñoly, among others.
Modernisme
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During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of(...)
décembre 2009
First works: emerging architectural experimentation of the 1960s and 1970s
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During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of architectural careers through a selection of projects undertaken during the 60s and 70s. The book, accompanying a major travelling exhibition, presents a single key early project, in the form of models, sketches, photographs and drawings, by 20 young architectural practices, including Archigram, Aldo Rossi, Robert Venturi, Renzo Piano, Peter Eisenman, Herzog & de Meuron and Zaha Hadid. Alongside these ‘first works’, 20 invited critics, including Kenneth Frampton, Sylvia Lavin and Pier Vittorio Aureli, offer contemporary commentaries on these projects and their place within the architects’ subsequent careers.