2961 Résultats
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2007
Chercheurs en résidence 2007
Actions:
Description:
S.M. Can Bilsel, University of San Diego, San Diego, États-Unis Sujet : The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Université Concordia, Montréal, Canada Sujet : Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
S.M. Can Bilsel, University of San Diego, San Diego, États-Unis Sujet : The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Université Concordia, Montréal, Canada Sujet : Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
Date:
mai 2007 au septembre 2007
mai 2007 au septembre 2007
Titre:
Chercheurs en résidence 2007
Actions:
Description:
S.M. Can Bilsel, University of San Diego, San Diego, États-Unis Sujet : The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Université Concordia, Montréal, Canada Sujet : Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
Chercheurs en résidence 2007
Actions:
Description:
S.M. Can Bilsel, University of San Diego, San Diego, États-Unis Sujet : The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Université Concordia, Montréal, Canada Sujet : Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
Classification:
recherche
recherche
Date:
mai 2007 au
septembre 2007
mai 2007 au
septembre 2007
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1994.PR03
Description:
This project series documents a park in Oakville, Ontario in 1994. The office identified the project number as 9401. This project was the winning entry in a competition to design a park in an area known as the Uptown Core, which was undergoing major transformations at the time. The park, now known as Oak Park, stretched several blocks north-east from the Sixth Line. The large part of the design included a greenhouse pavilion overlooking a lake, accompanied by a bridge that extended south-west towards a wooded area. The project is recorded through drawings and presentation watercolour paintings dating from around 1994. The drawings are mostly originals and primarily include site surveys, sketches, plans, elevations and perspectives.
AP056.S1.1994.PR03
Description:
This project series documents a park in Oakville, Ontario in 1994. The office identified the project number as 9401. This project was the winning entry in a competition to design a park in an area known as the Uptown Core, which was undergoing major transformations at the time. The park, now known as Oak Park, stretched several blocks north-east from the Sixth Line. The large part of the design included a greenhouse pavilion overlooking a lake, accompanied by a bridge that extended south-west towards a wooded area. The project is recorded through drawings and presentation watercolour paintings dating from around 1994. The drawings are mostly originals and primarily include site surveys, sketches, plans, elevations and perspectives.
Personnes et institutions:
Date:
circa 1994
circa 1994
Titre:
Oakville Parks, Oakville, Ontario (1994)
Actions:
AP056.S1.1994.PR03
Description:
This project series documents a park in Oakville, Ontario in 1994. The office identified the project number as 9401. This project was the winning entry in a competition to design a park in an area known as the Uptown Core, which was undergoing major transformations at the time. The park, now known as Oak Park, stretched several blocks north-east from the Sixth Line. The large part of the design included a greenhouse pavilion overlooking a lake, accompanied by a bridge that extended south-west towards a wooded area. The project is recorded through drawings and presentation watercolour paintings dating from around 1994. The drawings are mostly originals and primarily include site surveys, sketches, plans, elevations and perspectives.
Oakville Parks, Oakville, Ontario (1994)
Actions:
AP056.S1.1994.PR03
Description:
This project series documents a park in Oakville, Ontario in 1994. The office identified the project number as 9401. This project was the winning entry in a competition to design a park in an area known as the Uptown Core, which was undergoing major transformations at the time. The park, now known as Oak Park, stretched several blocks north-east from the Sixth Line. The large part of the design included a greenhouse pavilion overlooking a lake, accompanied by a bridge that extended south-west towards a wooded area. The project is recorded through drawings and presentation watercolour paintings dating from around 1994. The drawings are mostly originals and primarily include site surveys, sketches, plans, elevations and perspectives.
Niveau de description archivistique:
Project
Project
Date:
circa 1994
circa 1994
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Bar "le Business"
Bar "le Business"
Numéro de référence:
AP066.S2.D14
Description:
Le dossier documente l'aménagement intérieur (conception et réalisation) du bar "Le Business", situé au 3500 boul. St-Laurent, à Montréal, Québec. Le budget aloué pour ce projet était de 450 000$. Aussi, le projet s'est mérité le Prix d'excellence de l'OAQ, Mention en architecture, en 1986. Le dossier contient des dessins, des photographies, des reprographies, des documents textuels et des documents photographiques. Description du projet par l'architecte: "Le bar sera le projet de la transformation d'un espace brut au rez-de-chaussée d'un bâtiment industriel construit au centre-ville de Montréal. Il sera un bar pour danser où auront lieu des événements spectaculaires de toutes sortes. À ce programme concret, un projet thématique fait écho: la ville et l'industrie, le bar et le théâtre seront des clés structurantes auxquelles le processus de conception sera lié. Certaines indications du programme révèlent des aspects recherchés qui caractérisent ces thème." Jacques Rousseau, 66-B014-015T.
AP066.S2.D14
Description:
Le dossier documente l'aménagement intérieur (conception et réalisation) du bar "Le Business", situé au 3500 boul. St-Laurent, à Montréal, Québec. Le budget aloué pour ce projet était de 450 000$. Aussi, le projet s'est mérité le Prix d'excellence de l'OAQ, Mention en architecture, en 1986. Le dossier contient des dessins, des photographies, des reprographies, des documents textuels et des documents photographiques. Description du projet par l'architecte: "Le bar sera le projet de la transformation d'un espace brut au rez-de-chaussée d'un bâtiment industriel construit au centre-ville de Montréal. Il sera un bar pour danser où auront lieu des événements spectaculaires de toutes sortes. À ce programme concret, un projet thématique fait écho: la ville et l'industrie, le bar et le théâtre seront des clés structurantes auxquelles le processus de conception sera lié. Certaines indications du programme révèlent des aspects recherchés qui caractérisent ces thème." Jacques Rousseau, 66-B014-015T.
Personnes et institutions:
Date:
1985-1987
1985-1987
Titre:
Bar "le Business"
Actions:
AP066.S2.D14
Description:
Le dossier documente l'aménagement intérieur (conception et réalisation) du bar "Le Business", situé au 3500 boul. St-Laurent, à Montréal, Québec. Le budget aloué pour ce projet était de 450 000$. Aussi, le projet s'est mérité le Prix d'excellence de l'OAQ, Mention en architecture, en 1986. Le dossier contient des dessins, des photographies, des reprographies, des documents textuels et des documents photographiques. Description du projet par l'architecte: "Le bar sera le projet de la transformation d'un espace brut au rez-de-chaussée d'un bâtiment industriel construit au centre-ville de Montréal. Il sera un bar pour danser où auront lieu des événements spectaculaires de toutes sortes. À ce programme concret, un projet thématique fait écho: la ville et l'industrie, le bar et le théâtre seront des clés structurantes auxquelles le processus de conception sera lié. Certaines indications du programme révèlent des aspects recherchés qui caractérisent ces thème." Jacques Rousseau, 66-B014-015T.
Bar "le Business"
Actions:
AP066.S2.D14
Description:
Le dossier documente l'aménagement intérieur (conception et réalisation) du bar "Le Business", situé au 3500 boul. St-Laurent, à Montréal, Québec. Le budget aloué pour ce projet était de 450 000$. Aussi, le projet s'est mérité le Prix d'excellence de l'OAQ, Mention en architecture, en 1986. Le dossier contient des dessins, des photographies, des reprographies, des documents textuels et des documents photographiques. Description du projet par l'architecte: "Le bar sera le projet de la transformation d'un espace brut au rez-de-chaussée d'un bâtiment industriel construit au centre-ville de Montréal. Il sera un bar pour danser où auront lieu des événements spectaculaires de toutes sortes. À ce programme concret, un projet thématique fait écho: la ville et l'industrie, le bar et le théâtre seront des clés structurantes auxquelles le processus de conception sera lié. Certaines indications du programme révèlent des aspects recherchés qui caractérisent ces thème." Jacques Rousseau, 66-B014-015T.
Niveau de description archivistique:
Projet
Projet
Date:
1985-1987
1985-1987
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Espaces oscillants
Espaces oscillants
Actions:
Localisation:
Salle octogonale
Salle octogonale
Date:
25 avril 2025 au 1 février 2026
25 avril 2025 au 1 février 2026
Classification:
expositions
expositions
Date:
25 avril 2025 au
1 février 2026
25 avril 2025 au
1 février 2026
Localisation:
Salle octogonale
Salle octogonale
Classification:
articles
articles
Actions:
Une introduction à Espaces oscillants
Classification:
expositions
expositions
Titre:
Sur les traces des... gens
Sur les traces des... gens
Actions:
Description:
L’un des indicateurs de la modernité à partir du XVIIIe siècle est l’apparition des « gens » comme nouvelle entité politique respectée. En réponse à ce phénomène, les architectes se sont engagés dans la transformation des villes, ont exploré de nouvelles technologies, testé de nouveaux discours en architecture et ont pris part dans des conflits culturels enflammés – le(...)
L’un des indicateurs de la modernité à partir du XVIIIe siècle est l’apparition des « gens » comme nouvelle entité politique respectée. En réponse à ce phénomène, les architectes se sont engagés dans la transformation des villes, ont exploré de nouvelles technologies, testé de nouveaux discours en architecture et ont pris part dans des conflits culturels enflammés – le(...)
Localisation:
Vitrines
Vitrines
Date:
5 octobre 2011 au 22 janvier 2012
5 octobre 2011 au 22 janvier 2012
Titre:
Sur les traces des... gens
Actions:
Description:
L’un des indicateurs de la modernité à partir du XVIIIe siècle est l’apparition des « gens » comme nouvelle entité politique respectée. En réponse à ce phénomène, les architectes se sont engagés dans la transformation des villes, ont exploré de nouvelles technologies, testé de nouveaux discours en architecture et ont pris part dans des conflits culturels enflammés – le(...)
Sur les traces des... gens
Actions:
Description:
L’un des indicateurs de la modernité à partir du XVIIIe siècle est l’apparition des « gens » comme nouvelle entité politique respectée. En réponse à ce phénomène, les architectes se sont engagés dans la transformation des villes, ont exploré de nouvelles technologies, testé de nouveaux discours en architecture et ont pris part dans des conflits culturels enflammés – le(...)
Classification:
expositions
expositions
Date:
5 octobre 2011 au
22 janvier 2012
5 octobre 2011 au
22 janvier 2012
Localisation:
Vitrines
Vitrines
Classification:
expositions
expositions
Actions:
Description:
L’exposition souligne le rôle primordial du Panthéon dans la vie artistique et politique française depuis les débuts du projet en 1774 jusqu’au 20e siècle. Coïncidant avec les célébrations internationales du bicentenaire de la Révolution française, elle porte essentiellement sur l’une des principales manifestations architecturales de la Révolution : la transformation de(...)
L’exposition souligne le rôle primordial du Panthéon dans la vie artistique et politique française depuis les débuts du projet en 1774 jusqu’au 20e siècle. Coïncidant avec les célébrations internationales du bicentenaire de la Révolution française, elle porte essentiellement sur l’une des principales manifestations architecturales de la Révolution : la transformation de(...)
Localisation:
Salles principales
Salles principales
Date:
19 septembre 1989 au 19 novembre 1989
19 septembre 1989 au 19 novembre 1989
Titre:
Le Panthéon, symbole des révolutions
Actions:
Description:
L’exposition souligne le rôle primordial du Panthéon dans la vie artistique et politique française depuis les débuts du projet en 1774 jusqu’au 20e siècle. Coïncidant avec les célébrations internationales du bicentenaire de la Révolution française, elle porte essentiellement sur l’une des principales manifestations architecturales de la Révolution : la transformation de(...)
Le Panthéon, symbole des révolutions
Actions:
Description:
L’exposition souligne le rôle primordial du Panthéon dans la vie artistique et politique française depuis les débuts du projet en 1774 jusqu’au 20e siècle. Coïncidant avec les célébrations internationales du bicentenaire de la Révolution française, elle porte essentiellement sur l’une des principales manifestations architecturales de la Révolution : la transformation de(...)
Classification:
expositions
expositions
Date:
19 septembre 1989 au
19 novembre 1989
19 septembre 1989 au
19 novembre 1989
Localisation:
Salles principales
Salles principales
Classification:
recherche
recherche
Actions:
Description:
Lian Chang, McGill University Sujet : Festival and Fortification: the Ritual Transformations of Henry IIs Royal Entries, 1548-50 Stephanie Davidson, Dalhousie University Sujet : Scrapbook City: Representing Contemporary Montréal
Lian Chang, McGill University Sujet : Festival and Fortification: the Ritual Transformations of Henry IIs Royal Entries, 1548-50 Stephanie Davidson, Dalhousie University Sujet : Scrapbook City: Representing Contemporary Montréal
Date:
juin 2004 au septembre 2004
juin 2004 au septembre 2004
Titre:
Programme pour les étudiants à la maîtrise 2004
Actions:
Description:
Lian Chang, McGill University Sujet : Festival and Fortification: the Ritual Transformations of Henry IIs Royal Entries, 1548-50 Stephanie Davidson, Dalhousie University Sujet : Scrapbook City: Representing Contemporary Montréal
Programme pour les étudiants à la maîtrise 2004
Actions:
Description:
Lian Chang, McGill University Sujet : Festival and Fortification: the Ritual Transformations of Henry IIs Royal Entries, 1548-50 Stephanie Davidson, Dalhousie University Sujet : Scrapbook City: Representing Contemporary Montréal
Classification:
recherche
recherche
Date:
juin 2004 au
septembre 2004
juin 2004 au
septembre 2004
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1982:0240
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0240) depicts the third transformation that was wrought on the Place au Vendredi: the statue of Charles V, ornamented with an illuminated monogramme of Charles VI, became the centerpiece of a temporary fenced compound for fireworks - a firework display layout standard for at least a century, and still in use today.
DR1982:0240
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0240) depicts the third transformation that was wrought on the Place au Vendredi: the statue of Charles V, ornamented with an illuminated monogramme of Charles VI, became the centerpiece of a temporary fenced compound for fireworks - a firework display layout standard for at least a century, and still in use today.
Personnes et institutions:
Date:
printed between 1717 and 1719
printed between 1717 and 1719
Titre:
A Fireworks Display in the Place au Vendredi on October 19th
Actions:
DR1982:0240
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0240) depicts the third transformation that was wrought on the Place au Vendredi: the statue of Charles V, ornamented with an illuminated monogramme of Charles VI, became the centerpiece of a temporary fenced compound for fireworks - a firework display layout standard for at least a century, and still in use today.
A Fireworks Display in the Place au Vendredi on October 19th
Actions:
DR1982:0240
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0240) depicts the third transformation that was wrought on the Place au Vendredi: the statue of Charles V, ornamented with an illuminated monogramme of Charles VI, became the centerpiece of a temporary fenced compound for fireworks - a firework display layout standard for at least a century, and still in use today.
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed between 1717 and 1719
printed between 1717 and 1719
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S4.D12
Description:
This project series documents House IV, an unexecuted project designed for unknown clients in Falls Village, Connecticut. Materials in this file were produced in 1970 and 1971. Documents include fifty-eight conceptual drawings (files: DR1994:0132:001-058) and presentation plans that show the internal organization of the house. Although never realized, House IV was extensively published, particularly as a series of axonometrics showing the transformations of the original cube. Some of the files documenting this are a set of axonometric drawings (DR1994:0132:120-184) and copies mounted on board (DR1994:0132:185-198). Other files, including files of photographic materials, document the layout of these drawings for publication. Also included are studies for exterior and interior elevations and silhouettes painted on mylar (DR1994:0132:214-230). Conceptual drawings and design development drawings include plans, elevations, and axonometrics. Presentation/publication drawings also include plans, elevations, sections, and axonometrics. Also included in this project series is a completed model.
AP143.S4.D12
Description:
This project series documents House IV, an unexecuted project designed for unknown clients in Falls Village, Connecticut. Materials in this file were produced in 1970 and 1971. Documents include fifty-eight conceptual drawings (files: DR1994:0132:001-058) and presentation plans that show the internal organization of the house. Although never realized, House IV was extensively published, particularly as a series of axonometrics showing the transformations of the original cube. Some of the files documenting this are a set of axonometric drawings (DR1994:0132:120-184) and copies mounted on board (DR1994:0132:185-198). Other files, including files of photographic materials, document the layout of these drawings for publication. Also included are studies for exterior and interior elevations and silhouettes painted on mylar (DR1994:0132:214-230). Conceptual drawings and design development drawings include plans, elevations, and axonometrics. Presentation/publication drawings also include plans, elevations, sections, and axonometrics. Also included in this project series is a completed model.
Personnes et institutions:
Date:
1970-1971
1970-1971
Titre:
House IV, Falls Village, Connecticut (1970-1971)
Actions:
AP143.S4.D12
Description:
This project series documents House IV, an unexecuted project designed for unknown clients in Falls Village, Connecticut. Materials in this file were produced in 1970 and 1971. Documents include fifty-eight conceptual drawings (files: DR1994:0132:001-058) and presentation plans that show the internal organization of the house. Although never realized, House IV was extensively published, particularly as a series of axonometrics showing the transformations of the original cube. Some of the files documenting this are a set of axonometric drawings (DR1994:0132:120-184) and copies mounted on board (DR1994:0132:185-198). Other files, including files of photographic materials, document the layout of these drawings for publication. Also included are studies for exterior and interior elevations and silhouettes painted on mylar (DR1994:0132:214-230). Conceptual drawings and design development drawings include plans, elevations, and axonometrics. Presentation/publication drawings also include plans, elevations, sections, and axonometrics. Also included in this project series is a completed model.
House IV, Falls Village, Connecticut (1970-1971)
Actions:
AP143.S4.D12
Description:
This project series documents House IV, an unexecuted project designed for unknown clients in Falls Village, Connecticut. Materials in this file were produced in 1970 and 1971. Documents include fifty-eight conceptual drawings (files: DR1994:0132:001-058) and presentation plans that show the internal organization of the house. Although never realized, House IV was extensively published, particularly as a series of axonometrics showing the transformations of the original cube. Some of the files documenting this are a set of axonometric drawings (DR1994:0132:120-184) and copies mounted on board (DR1994:0132:185-198). Other files, including files of photographic materials, document the layout of these drawings for publication. Also included are studies for exterior and interior elevations and silhouettes painted on mylar (DR1994:0132:214-230). Conceptual drawings and design development drawings include plans, elevations, and axonometrics. Presentation/publication drawings also include plans, elevations, sections, and axonometrics. Also included in this project series is a completed model.
Niveau de description archivistique:
File 12
File 12
Date:
1970-1971
1970-1971
Personnes et institutions:
