107 Résultats
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livres
livres
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67 pages : illustrations (chiefly color) ; 18 cm
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67 pages : illustrations (chiefly color) ; 18 cm
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Berlin : Aedes, [2022], ©2022
Berlin : Aedes, [2022], ©2022
Titre:
neri&hu design and research office : reflective nostalgia / [Preface: Kristin Feireiss and Hans-Jürgen Commerell].
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Description:
67 pages : illustrations (chiefly color) ; 18 cm
neri&hu design and research office : reflective nostalgia / [Preface: Kristin Feireiss and Hans-Jürgen Commerell].
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Description:
67 pages : illustrations (chiefly color) ; 18 cm
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livres
livres
Publication:
Berlin : Aedes, [2022], ©2022
Berlin : Aedes, [2022], ©2022
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livres
livres
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Description:
xii, 262 pages, 16 unnumbered pages of plates : illustrations (some color), maps, plans ; 27 cm.
Description:
xii, 262 pages, 16 unnumbered pages of plates : illustrations (some color), maps, plans ; 27 cm.
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Publication:
Philadelphia : University of Pennsylvania Press, ©2008.
Philadelphia : University of Pennsylvania Press, ©2008.
Titre:
Islamic gardens and landscapes / D. Fairchild Ruggles.
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Description:
xii, 262 pages, 16 unnumbered pages of plates : illustrations (some color), maps, plans ; 27 cm.
Islamic gardens and landscapes / D. Fairchild Ruggles.
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Description:
xii, 262 pages, 16 unnumbered pages of plates : illustrations (some color), maps, plans ; 27 cm.
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livres
livres
Publication:
Philadelphia : University of Pennsylvania Press, ©2008.
Philadelphia : University of Pennsylvania Press, ©2008.
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livres
livres
Titre:
Photography by the book : Wall, Matta-Clark and the photobook after Ruscha / by Gregory J. Harris.
Photography by the book : Wall, Matta-Clark and the photobook after Ruscha / by Gregory J. Harris.
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1 online resource (iii, 83 leaves) : illustrations (chiefly color), facsimiles
Description:
1 online resource (iii, 83 leaves) : illustrations (chiefly color), facsimiles
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Publication:
2010.
2010.
Titre:
Photography by the book : Wall, Matta-Clark and the photobook after Ruscha / by Gregory J. Harris.
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Description:
1 online resource (iii, 83 leaves) : illustrations (chiefly color), facsimiles
Photography by the book : Wall, Matta-Clark and the photobook after Ruscha / by Gregory J. Harris.
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Description:
1 online resource (iii, 83 leaves) : illustrations (chiefly color), facsimiles
Classification:
livres
livres
Publication:
2010.
2010.
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livres
livres
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$56.95
(disponible sur commande)
Résumé:
What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called "the organic line." For much of the history of art, Clark’s(...)
$56.95
(disponible sur commande)
Résumé:
What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called "the organic line." For much of the history of art, Clark’s(...)
Titre:
The organic line: Toward a topology of modernism
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$56.95
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Résumé:
What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called "the organic line." For much of the history of art, Clark’s discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity that binds discrepant entities together, the organic line transforms planes into flexible topologies, borders into membranes, and interstices into points of connection. As a paradigm, the organic line has profound historiographic implications as well, inviting us to set aside traditional notions of influence and origin in favor of what Small terms weak links and plagiotropic relations.
The organic line: Toward a topology of modernism
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$56.95
(disponible sur commande)
Résumé:
What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called "the organic line." For much of the history of art, Clark’s discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity that binds discrepant entities together, the organic line transforms planes into flexible topologies, borders into membranes, and interstices into points of connection. As a paradigm, the organic line has profound historiographic implications as well, inviting us to set aside traditional notions of influence and origin in favor of what Small terms weak links and plagiotropic relations.
Classification:
livres
livres
Publication:
octobre 2024
octobre 2024
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$39.95
(disponible sur commande)
Résumé:
In the twenty-first century, the widespread integration of computer technologies has brought text-based information into many facets of everyday life. This has caused an ever-growing interest in typography across many fields of visual communication, where text and letterform play a central role in disseminating social trends and reflecting the spirit of the times.(...)
$39.95
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Résumé:
In the twenty-first century, the widespread integration of computer technologies has brought text-based information into many facets of everyday life. This has caused an ever-growing interest in typography across many fields of visual communication, where text and letterform play a central role in disseminating social trends and reflecting the spirit of the times.(...)
Publication:
mars 2002, London
mars 2002, London
Titre:
Arabic typography : a comprehensive sourcebook
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$39.95
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Résumé:
In the twenty-first century, the widespread integration of computer technologies has brought text-based information into many facets of everyday life. This has caused an ever-growing interest in typography across many fields of visual communication, where text and letterform play a central role in disseminating social trends and reflecting the spirit of the times. "Arabic Typography" takes the reader through a comprehensive study of Arabic letterforms, starting with a concise historical overview of their development and styles, and proceeding to the latest design and technological advances. It attempts to establish the foundations for Arabic type-design by drawing lessons from past practices and aesthetic conventions, in order to retain the enduring traits that are of relevance for improvement and innovation in future type-design creations. Going beyond the historical facts to discuss current design issues pertaining to the creation and production of letterforms, it presents Arabic typographic design as an essential communication tool that should marry functionality and legibility to aesthetic delight.
Arabic typography : a comprehensive sourcebook
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Prix:
$39.95
(disponible sur commande)
Résumé:
In the twenty-first century, the widespread integration of computer technologies has brought text-based information into many facets of everyday life. This has caused an ever-growing interest in typography across many fields of visual communication, where text and letterform play a central role in disseminating social trends and reflecting the spirit of the times. "Arabic Typography" takes the reader through a comprehensive study of Arabic letterforms, starting with a concise historical overview of their development and styles, and proceeding to the latest design and technological advances. It attempts to establish the foundations for Arabic type-design by drawing lessons from past practices and aesthetic conventions, in order to retain the enduring traits that are of relevance for improvement and innovation in future type-design creations. Going beyond the historical facts to discuss current design issues pertaining to the creation and production of letterforms, it presents Arabic typographic design as an essential communication tool that should marry functionality and legibility to aesthetic delight.
Classification:
livres
livres
Publication:
mars 2002, London
mars 2002, London
Classification:
livres
livres
Titre:
Typographic systems
Typographic systems
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$34.95
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Résumé:
Typographic organization has always been a complex system in that there are so many elements at play, such as hierarchy, order of reading, legibility, and contrast. In Typographic Systems, Kim Elam, author of our bestselling books, Geometry of Design and Grid Systems, explores eight major structural frameworks beyond the grid—including random, radial, modular, and(...)
$34.95
(disponible sur commande)
Résumé:
Typographic organization has always been a complex system in that there are so many elements at play, such as hierarchy, order of reading, legibility, and contrast. In Typographic Systems, Kim Elam, author of our bestselling books, Geometry of Design and Grid Systems, explores eight major structural frameworks beyond the grid—including random, radial, modular, and(...)
Titre:
Typographic systems
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$34.95
(disponible sur commande)
Résumé:
Typographic organization has always been a complex system in that there are so many elements at play, such as hierarchy, order of reading, legibility, and contrast. In Typographic Systems, Kim Elam, author of our bestselling books, Geometry of Design and Grid Systems, explores eight major structural frameworks beyond the grid—including random, radial, modular, and bilateral systems. By taking the reader through exercises, student work, and professional examples, Elam offers a broad range of design solutions. Once essential visual organization systems are understood the designer can fluidly organize words or images within a structure, combination of structures, or a variation of a structure. With clarity and substance, each system—from the structured axis to the nonhierarchical radial array—is explained and explored so that the reader comes away with a better understanding of these intricate complex arrangements. Typographic Systems is the seventh title in our bestselling Design Briefs series, which has sold more than 100,000 copies worldwide.
Typographic systems
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Prix:
$34.95
(disponible sur commande)
Résumé:
Typographic organization has always been a complex system in that there are so many elements at play, such as hierarchy, order of reading, legibility, and contrast. In Typographic Systems, Kim Elam, author of our bestselling books, Geometry of Design and Grid Systems, explores eight major structural frameworks beyond the grid—including random, radial, modular, and bilateral systems. By taking the reader through exercises, student work, and professional examples, Elam offers a broad range of design solutions. Once essential visual organization systems are understood the designer can fluidly organize words or images within a structure, combination of structures, or a variation of a structure. With clarity and substance, each system—from the structured axis to the nonhierarchical radial array—is explained and explored so that the reader comes away with a better understanding of these intricate complex arrangements. Typographic Systems is the seventh title in our bestselling Design Briefs series, which has sold more than 100,000 copies worldwide.
Classification:
livres
livres
Publication:
avril 2007, New York
avril 2007, New York
Classification:
livres
livres
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$65.95
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Résumé:
The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In(...)
$65.95
(disponible sur commande)
Résumé:
The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In(...)
Titre:
Saturation: Race, art, and the circulation of value
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$65.95
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Résumé:
The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In science, saturation points describe not only the moment in which race exceeds legibility, but also how diversity operates for institutions. Contributors consider how racialization, globalization, and the production and consumption of art converge in the art market, engaging such topics as racial capitalism, the aesthetics of colonialism, and disability cultures. They examine methods for theorizing race and representation, including “aboutness,” which interprets artworks by racialized subjects as being “about” race; modes of unruly, decolonized, and queer visual practices that resist disciplinary boundaries; and a model by which to think with and alongside blackness and indigeneity.
Saturation: Race, art, and the circulation of value
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$65.95
(disponible sur commande)
Résumé:
The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In science, saturation points describe not only the moment in which race exceeds legibility, but also how diversity operates for institutions. Contributors consider how racialization, globalization, and the production and consumption of art converge in the art market, engaging such topics as racial capitalism, the aesthetics of colonialism, and disability cultures. They examine methods for theorizing race and representation, including “aboutness,” which interprets artworks by racialized subjects as being “about” race; modes of unruly, decolonized, and queer visual practices that resist disciplinary boundaries; and a model by which to think with and alongside blackness and indigeneity.
Classification:
livres
livres
Publication:
décembre 2021
décembre 2021
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$24.95
(disponible sur commande)
Résumé:
When Guy Debord identified the image consumerism of “the society of the spectacle” in the 1960s, he could not have forecast that language would threaten to eclipse the image in the medium of personal technology, creating a world of ubiquitous legibility. Today, we read anytime and anywhere, on screens of all sizes; we read not only newspaper articles, but also databases,(...)
$24.95
(disponible sur commande)
Résumé:
When Guy Debord identified the image consumerism of “the society of the spectacle” in the 1960s, he could not have forecast that language would threaten to eclipse the image in the medium of personal technology, creating a world of ubiquitous legibility. Today, we read anytime and anywhere, on screens of all sizes; we read not only newspaper articles, but also databases,(...)
Titre:
I read where I am : exploring new information cultures
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$24.95
(disponible sur commande)
Résumé:
When Guy Debord identified the image consumerism of “the society of the spectacle” in the 1960s, he could not have forecast that language would threaten to eclipse the image in the medium of personal technology, creating a world of ubiquitous legibility. Today, we read anytime and anywhere, on screens of all sizes; we read not only newspaper articles, but also databases, online archives, search engine results and navigational structures. We read while out on the street, at home or in the office, with a complete library to hand - but less and less we read a book at home on the couch. In other words, we are, or are becoming, a different kind of reader. I Read Where I Am contains texts about the future of reading and the status of the word in the digital age from designers, philosophers, journalists and politicians, looking at both sides of the argument for printed and digital reading matter.
I read where I am : exploring new information cultures
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Prix:
$24.95
(disponible sur commande)
Résumé:
When Guy Debord identified the image consumerism of “the society of the spectacle” in the 1960s, he could not have forecast that language would threaten to eclipse the image in the medium of personal technology, creating a world of ubiquitous legibility. Today, we read anytime and anywhere, on screens of all sizes; we read not only newspaper articles, but also databases, online archives, search engine results and navigational structures. We read while out on the street, at home or in the office, with a complete library to hand - but less and less we read a book at home on the couch. In other words, we are, or are becoming, a different kind of reader. I Read Where I Am contains texts about the future of reading and the status of the word in the digital age from designers, philosophers, journalists and politicians, looking at both sides of the argument for printed and digital reading matter.
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Épistémologie et réseau
Épistémologie et réseau
Classification:
livres
livres
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$74.95
(disponible sur commande)
Résumé:
This book aims to better understand the working process of the most interesting and challenging contemporary typographic designers, and to show a great variety of different examples of typography in the publishing world. It is a detailed look into editorial design, in books, magazines, newspapers, catalogues, annual reports and brochures. Type at Work presents:(...)
$74.95
(disponible sur commande)
Résumé:
This book aims to better understand the working process of the most interesting and challenging contemporary typographic designers, and to show a great variety of different examples of typography in the publishing world. It is a detailed look into editorial design, in books, magazines, newspapers, catalogues, annual reports and brochures. Type at Work presents:(...)
Titre:
Type at work : the use of type in editorial design
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$74.95
(disponible sur commande)
Résumé:
This book aims to better understand the working process of the most interesting and challenging contemporary typographic designers, and to show a great variety of different examples of typography in the publishing world. It is a detailed look into editorial design, in books, magazines, newspapers, catalogues, annual reports and brochures. Type at Work presents: ‘Conceptual and Visible Thinking’, in which typography is deliberately used to support the expression of a certain concept or idea; ‘Xplicit Typography’, in which the selected projects use type as image; and "unctional Knowledge" gathering projects whose main criteria are clarity and legibility. "Type at Work" is packed with visual inspiration and provides profound insight into the use of type. The book includes work by today’s best typographic designers around the world, including Cahan & Associates, Peter Bil'ak, Martin Venezky, EumoGràphic, Frost Design, Plazm, Tau Diseño, Max Kisman, Moniteurs, Typerware, Jon Barnbrook, Orange Juice and Mieke Gerritzen. Author Andreu Balius is co-founder of the Typerware studio in Barcelona and has received numerous international design awards.
Type at work : the use of type in editorial design
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$74.95
(disponible sur commande)
Résumé:
This book aims to better understand the working process of the most interesting and challenging contemporary typographic designers, and to show a great variety of different examples of typography in the publishing world. It is a detailed look into editorial design, in books, magazines, newspapers, catalogues, annual reports and brochures. Type at Work presents: ‘Conceptual and Visible Thinking’, in which typography is deliberately used to support the expression of a certain concept or idea; ‘Xplicit Typography’, in which the selected projects use type as image; and "unctional Knowledge" gathering projects whose main criteria are clarity and legibility. "Type at Work" is packed with visual inspiration and provides profound insight into the use of type. The book includes work by today’s best typographic designers around the world, including Cahan & Associates, Peter Bil'ak, Martin Venezky, EumoGràphic, Frost Design, Plazm, Tau Diseño, Max Kisman, Moniteurs, Typerware, Jon Barnbrook, Orange Juice and Mieke Gerritzen. Author Andreu Balius is co-founder of the Typerware studio in Barcelona and has received numerous international design awards.
Classification:
livres
livres
Publication:
mars 2003, Amsterdam
mars 2003, Amsterdam
Classification:
livres
livres
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$225.95
(disponible sur commande)
Résumé:
The current phase of capitalist development manifests itself through a very diverse range of spatial byproducts: data centers, warehouses, container terminals, logistics parks, and many others. These architectural episodes express specific power relations, exacerbate issues of labor, and generate dramatic processes of subjectivity. Most importantly, these architectures,(...)
$225.95
(disponible sur commande)
Résumé:
The current phase of capitalist development manifests itself through a very diverse range of spatial byproducts: data centers, warehouses, container terminals, logistics parks, and many others. These architectural episodes express specific power relations, exacerbate issues of labor, and generate dramatic processes of subjectivity. Most importantly, these architectures,(...)
Titre:
Exteriorless architecture: Form, space, and urbanities of neoliberalism
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$225.95
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Résumé:
The current phase of capitalist development manifests itself through a very diverse range of spatial byproducts: data centers, warehouses, container terminals, logistics parks, and many others. These architectural episodes express specific power relations, exacerbate issues of labor, and generate dramatic processes of subjectivity. Most importantly, these architectures, despite their formal and typological heterogeneity, belong to a common paradigm: the exteriorless. How can an architecture of the exteriorless be defined? How does it differentiate from examples and manifestations of the past? How do notions of legibility, form versus function, typological articulation come into play? In situating the spatialities of contemporary capitalism within the larger debate on Anthropocene, Post-Anthropocene, and Capitalocene, the book attempts to answer those questions by delineating three main characteristics for an architecture of the exteriorless: its physical and symbolic role as interface; its ambiguous condition of being at the same time local and global, isolated and connected, compressed and expanded; and, lastly, its contribution to new forms of urbanity in absence of the traditional city.
Exteriorless architecture: Form, space, and urbanities of neoliberalism
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Prix:
$225.95
(disponible sur commande)
Résumé:
The current phase of capitalist development manifests itself through a very diverse range of spatial byproducts: data centers, warehouses, container terminals, logistics parks, and many others. These architectural episodes express specific power relations, exacerbate issues of labor, and generate dramatic processes of subjectivity. Most importantly, these architectures, despite their formal and typological heterogeneity, belong to a common paradigm: the exteriorless. How can an architecture of the exteriorless be defined? How does it differentiate from examples and manifestations of the past? How do notions of legibility, form versus function, typological articulation come into play? In situating the spatialities of contemporary capitalism within the larger debate on Anthropocene, Post-Anthropocene, and Capitalocene, the book attempts to answer those questions by delineating three main characteristics for an architecture of the exteriorless: its physical and symbolic role as interface; its ambiguous condition of being at the same time local and global, isolated and connected, compressed and expanded; and, lastly, its contribution to new forms of urbanity in absence of the traditional city.
Classification:
livres
livres
Publication:
juin 2023
juin 2023
Sujet:
Théorie de l’architecture
Théorie de l’architecture
