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Photographer Takashi Homma began producing a series of books as an homage to Edward Ruscha in 2014, with each publication taking a new form through its changing subject matter. While the technique is an imitation of Ruscha’s 1964 book ‘Various Small Fires’, this fifth instalment in the series attempts its own adaption of the original by focusing on a theme not examined by(...)
Takashi Homma: various shaped hoses
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Photographer Takashi Homma began producing a series of books as an homage to Edward Ruscha in 2014, with each publication taking a new form through its changing subject matter. While the technique is an imitation of Ruscha’s 1964 book ‘Various Small Fires’, this fifth instalment in the series attempts its own adaption of the original by focusing on a theme not examined by Ruscha. Thus we are presented with all manner of hoses, but mostly garden hoses, looping and snaking randomly as they were abandoned after the last use. Also, as the title suggests, one of the hoses is actually a snake
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Takashi Homma: Tokyo Olympia
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Pendant six ans, Homma a photographié les évolutions du paysage urbain de Tokyo, en pleines préparations des Jeux olympiques de Tokyo 2020. Le livre présente des images qui rendent compte de l'ampleur de la mégapole, à travers les transformations du stade national, le marché de Tsukiji juste avant sa relocalisation au marché de Toyosu, les bâtiments en constante évolution(...)
Takashi Homma: Tokyo Olympia
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Pendant six ans, Homma a photographié les évolutions du paysage urbain de Tokyo, en pleines préparations des Jeux olympiques de Tokyo 2020. Le livre présente des images qui rendent compte de l'ampleur de la mégapole, à travers les transformations du stade national, le marché de Tsukiji juste avant sa relocalisation au marché de Toyosu, les bâtiments en constante évolution et les vastes terrains vagues de Tokyo Bayside.
Monographies photo
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This collection of new work by celebrated photographer Takashi Homma approaches one of the most iconic and widely represented images in Japan and the world: Mount Fuji. With its title referencing Hokusai’s famous series of ukiyo-e woodblock prints, Homma evokes his country’s traditions of representation and depiction while offering a haunting new encounter with his(...)
Takashi Homma: Thirty-Six views of Mount Fuji
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This collection of new work by celebrated photographer Takashi Homma approaches one of the most iconic and widely represented images in Japan and the world: Mount Fuji. With its title referencing Hokusai’s famous series of ukiyo-e woodblock prints, Homma evokes his country’s traditions of representation and depiction while offering a haunting new encounter with his subject. Using pinhole cameras as well as digital technology, Homma forms ghostly images of the mountain as it resides to the southwest of Tokyo in collaged views that place it ambiguously in the wider landscape – both invoking and subverting the spectacle it has come to be associated with. With this new book, Homma writes a subtle and essential new chapter in the history of Japanese visual culture.
Expositions en cours
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Published on the occasion of the Tokyo Art Book Fair 2023, which included a section dedicated to publishers and artists from Nordic countries, Takashi Homma presents his new photobook "Islands, islets, and their mushrooms" in collaboration with Tove Jansson translator Keiko Morishita. Homma’s photographs capture the beauty of the islands and the sea between them, but(...)
Takashi Homma: Islands, islets, and their mushrooms
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Published on the occasion of the Tokyo Art Book Fair 2023, which included a section dedicated to publishers and artists from Nordic countries, Takashi Homma presents his new photobook "Islands, islets, and their mushrooms" in collaboration with Tove Jansson translator Keiko Morishita. Homma’s photographs capture the beauty of the islands and the sea between them, but also offer a brief photographic account of the various mushrooms that grow in the region. The photographs are interspersed with personal essays written by Keiko Morishita (who served as Homma’s coordinator) about his own experiences on the islands and the lives of the people who live there.
Monographies photo
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Architects construct models in order to better visualise their projects, to make them more tangible. Even after a building is realised, its model can offer new insights about the creative process of the designer. Photographed by Takashi Homma, the selection in this book comes exclusively from Japanese practices, spanning from the heyday of the Metabolists in the 1960s and(...)
Japanese architectural models: photography by Takashi Homma
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Architects construct models in order to better visualise their projects, to make them more tangible. Even after a building is realised, its model can offer new insights about the creative process of the designer. Photographed by Takashi Homma, the selection in this book comes exclusively from Japanese practices, spanning from the heyday of the Metabolists in the 1960s and 70s to the bubble economys collapse and the 21st century. Included are many notable works, among them Tadao Andos Church of the Light, Kisho Kurokawas Nakagin Capsule Tower, Toyo Itos Serpentine Gallery Pavilion, houses by Itsuko Hasegawa, and Ryue Nishizawas Teshima Art Museum.
Maquettes
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This catalogue was published in conjunction with the exhibition 'Takashi Homma: Architectural Landscapes' at Gallery White Room Tokyo. November 1 to December 16, 2007.
Homma: Architectural landscapes
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This catalogue was published in conjunction with the exhibition 'Takashi Homma: Architectural Landscapes' at Gallery White Room Tokyo. November 1 to December 16, 2007.
Monographies photo
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A reflection on a series of T-shirt works produced throughout Takashi Homma’s career, documented using the Risograph printing technique and translated into a zine format. Homma’s conversational approach to process is expanded upon through the inclusion of social media screenshots. Throughout the zine, the viewer embarks on a dialogical journey through the act of seeing,(...)
Hato Zines 50 : My Nice T-shirts by Takashi Homma
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A reflection on a series of T-shirt works produced throughout Takashi Homma’s career, documented using the Risograph printing technique and translated into a zine format. Homma’s conversational approach to process is expanded upon through the inclusion of social media screenshots. Throughout the zine, the viewer embarks on a dialogical journey through the act of seeing, encountering the distant gaze of a model, the smile of a baby, or the lens of a camera. Takashi Homma is a Japanese photographer, born and based in Tokyo. His work is recognised for its tender and thoughtful portrayal of identity and culture in suburban Tokyo.The zine is available in blue or pink, with both colours featuring the same images and artworks. Cover colours are supplied randomly.
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Takashi Homma: Portrait of J
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"Portrait of J" joins the rich tradition of socially engaged portraiture, echoing seminal works such as August Sander’s "Face of Our Time," Irving Penn’s "Small Trades," and, Wolfgang Tillmans’s "Portraits." What distinguishes "Portrait of J" is its intentional focus on ordinary individuals photographed with the same care and reverence often reserved for cultural icons.(...)
Takashi Homma: Portrait of J
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"Portrait of J" joins the rich tradition of socially engaged portraiture, echoing seminal works such as August Sander’s "Face of Our Time," Irving Penn’s "Small Trades," and, Wolfgang Tillmans’s "Portraits." What distinguishes "Portrait of J" is its intentional focus on ordinary individuals photographed with the same care and reverence often reserved for cultural icons. Shot across a variety of familiar, recognizable locations, mainly in urban environments, Homma’s portraits have an illuminating quality that reveal a psychological depth in their subjects. His portraits are guided by empathy and a desire to observe people as they are—free from manipulation or staging. The result is a more inclusive, nuanced visual representation of Japanese identity—expanding the lens through which Japanese people are seen both within Japan and internationally.
Monographies photo
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Takashi Homma first encountered the work of Le Corbusier and Pierre Jeanneret in Chandigarh in 2013, while producing photographs commissioned by the CCA, some of which are included in this book. Following that experience, he decided to research and photograph the spatial and perceptual richness of windows in other works by Le Corbusier across the world. His research is(...)
Looking Through Le Corbusier Windows by Takashi Homma
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Takashi Homma first encountered the work of Le Corbusier and Pierre Jeanneret in Chandigarh in 2013, while producing photographs commissioned by the CCA, some of which are included in this book. Following that experience, he decided to research and photograph the spatial and perceptual richness of windows in other works by Le Corbusier across the world. His research is part of the Windowology program initiated by the Window Research Institute, which aims to define the position of windows in the history of architecture across cultures—in this particular case, their role as spaces, rather than surfaces, that connect the interior of a building and the surrounding landscape, or the private and the public. An essay by Tim Benton complements Homma’s photographs by tracing the evolution of the concept of windows in Le Corbusier’s work.
Publications du CCA
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Homma’s daughter, captured in various stages of toddlerhood in everyday locations, stares serenely just beyond the camera lens, unselfconscious and generally appearing more interested in the person holding the camera than the device itself: in one photograph, she peers out curiously from the backseat of a car, while in another she points her own tiny pink camera back at(...)
Takashi Homma: Tokyo and my daughter
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Homma’s daughter, captured in various stages of toddlerhood in everyday locations, stares serenely just beyond the camera lens, unselfconscious and generally appearing more interested in the person holding the camera than the device itself: in one photograph, she peers out curiously from the backseat of a car, while in another she points her own tiny pink camera back at her father. Homma’s photography is imbued with a warmth and sincerity that belies his total familiarity with the subjects at hand; he documents Tokyo’s urban landscape with the same tenderness he brings to portraying his daughter.