921 Résultats
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In 2003, Columbia University began planning an expansion into neighboring Manhattanville, the site of the soon-to-open campus designed by the Renzo Piano Building Workshop and Skidmore, Owings & Merrill. The story of the project is a complex one—a university bursting at the seams, the changing imperatives of research facilities, large-scale investment in underground(...)
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In 2003, Columbia University began planning an expansion into neighboring Manhattanville, the site of the soon-to-open campus designed by the Renzo Piano Building Workshop and Skidmore, Owings & Merrill. The story of the project is a complex one—a university bursting at the seams, the changing imperatives of research facilities, large-scale investment in underground(...)
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Columbia in Manhattanville. Renzo Piano. Diller, Scofidio + Renfro.
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In 2003, Columbia University began planning an expansion into neighboring Manhattanville, the site of the soon-to-open campus designed by the Renzo Piano Building Workshop and Skidmore, Owings & Merrill. The story of the project is a complex one—a university bursting at the seams, the changing imperatives of research facilities, large-scale investment in underground infrastructures, a controversial use of eminent domain, the commissioning of celebrated architects, and a remarkable campaign of community engagement all combining to reshape the public face of a venerable institution. Bringing together conversations with the architects and planners designing the Manhattanville campus, the educators who will inhabit its buildings, and essays from urban and architectural historians, this book both documents the making of Manhattanville and engages the contested history of public planning and the private university.Featuring contributions from Amale Andraos, Carol Becker, Elizabeth Diller, Steven Gregory, Maxine Griffith, Tom Jessell, Robert Kasdin, Laura Kurgan, Reinhold Martin, Lois Mazzitelli, Philip Palmgren, Charles Renfro, Marilyn Taylor, and Anthony Vaccione.
Columbia in Manhattanville. Renzo Piano. Diller, Scofidio + Renfro.
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In 2003, Columbia University began planning an expansion into neighboring Manhattanville, the site of the soon-to-open campus designed by the Renzo Piano Building Workshop and Skidmore, Owings & Merrill. The story of the project is a complex one—a university bursting at the seams, the changing imperatives of research facilities, large-scale investment in underground infrastructures, a controversial use of eminent domain, the commissioning of celebrated architects, and a remarkable campaign of community engagement all combining to reshape the public face of a venerable institution. Bringing together conversations with the architects and planners designing the Manhattanville campus, the educators who will inhabit its buildings, and essays from urban and architectural historians, this book both documents the making of Manhattanville and engages the contested history of public planning and the private university.Featuring contributions from Amale Andraos, Carol Becker, Elizabeth Diller, Steven Gregory, Maxine Griffith, Tom Jessell, Robert Kasdin, Laura Kurgan, Reinhold Martin, Lois Mazzitelli, Philip Palmgren, Charles Renfro, Marilyn Taylor, and Anthony Vaccione.
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livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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vidéo
vidéo
Description:
1 online resource (1 video file (29 minutes)) : sound, color
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Publication:
London, England : Pidgeon Digital, 1988.
London, England : Pidgeon Digital, 1988.
Titre:
The Architecture of Adolf Loos / [presented by] Yehuda Safran.
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1 online resource (1 video file (29 minutes)) : sound, color
The Architecture of Adolf Loos / [presented by] Yehuda Safran.
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Description:
1 online resource (1 video file (29 minutes)) : sound, color
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vidéo
vidéo
Publication:
London, England : Pidgeon Digital, 1988.
London, England : Pidgeon Digital, 1988.
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archives
archives
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1,562 items, 3.25 l.m. of textual records., Arranged by series and files.
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1,562 items, 3.25 l.m. of textual records., Arranged by series and files.
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Guy Desbarats fonds, 1947-1998.
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1,562 items, 3.25 l.m. of textual records., Arranged by series and files.
Guy Desbarats fonds, 1947-1998.
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1,562 items, 3.25 l.m. of textual records., Arranged by series and files.
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archives
archives
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livres
livres
Titre:
Decolonize multiculturalism
Decolonize multiculturalism
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For those interested in continuing the struggle for decolonization, the word "multiculturalism" can seem like a sad joke. After all, institutionalized multiculturalism today is a muck of buzzwords, branding strategies, and virtue signaling that has nothing to do with real struggles against racism and colonialism. But "Decolonize multiculturalism" unearths a buried(...)
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For those interested in continuing the struggle for decolonization, the word "multiculturalism" can seem like a sad joke. After all, institutionalized multiculturalism today is a muck of buzzwords, branding strategies, and virtue signaling that has nothing to do with real struggles against racism and colonialism. But "Decolonize multiculturalism" unearths a buried(...)
Titre:
Decolonize multiculturalism
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For those interested in continuing the struggle for decolonization, the word "multiculturalism" can seem like a sad joke. After all, institutionalized multiculturalism today is a muck of buzzwords, branding strategies, and virtue signaling that has nothing to do with real struggles against racism and colonialism. But "Decolonize multiculturalism" unearths a buried history. The book focuses on the student and youth movements of the 1960s and 1970s, inspired by global movements for decolonization and anti-racism, which aimed to fundamentally transform their society, as well as the fierce repression of these movements by the state, corporations, and university administrations. Part of the response has been sheer violence—campus policing, for example, only began in the ’70s, paving the way for the militarized campuses of today—with institutionalized multiculturalism acting like the velvet glove around the iron fist of state violence. And yet today’s multiculturalism also contains residues of the original radical demands of the student and youth movements that it aims to repress: to open up the university, to wrench it from its settler colonial, white supremacist, and patriarchal capitalist origins, and to transform it into a place of radical democratic possibility.
Decolonize multiculturalism
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For those interested in continuing the struggle for decolonization, the word "multiculturalism" can seem like a sad joke. After all, institutionalized multiculturalism today is a muck of buzzwords, branding strategies, and virtue signaling that has nothing to do with real struggles against racism and colonialism. But "Decolonize multiculturalism" unearths a buried history. The book focuses on the student and youth movements of the 1960s and 1970s, inspired by global movements for decolonization and anti-racism, which aimed to fundamentally transform their society, as well as the fierce repression of these movements by the state, corporations, and university administrations. Part of the response has been sheer violence—campus policing, for example, only began in the ’70s, paving the way for the militarized campuses of today—with institutionalized multiculturalism acting like the velvet glove around the iron fist of state violence. And yet today’s multiculturalism also contains residues of the original radical demands of the student and youth movements that it aims to repress: to open up the university, to wrench it from its settler colonial, white supremacist, and patriarchal capitalist origins, and to transform it into a place of radical democratic possibility.
Classification:
livres
livres
Publication:
mai 2023
mai 2023
Sujet:
Social
Social
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livres
livres
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Description:
149 pages : illustrations ; 23 x 29 cm.
Description:
149 pages : illustrations ; 23 x 29 cm.
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Toronto : Coles Pub. Co., ©1978.
Toronto : Coles Pub. Co., ©1978.
Titre:
Yesterday's Toronto, 1870-1910 / edited by Linda Shapiro.
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Description:
149 pages : illustrations ; 23 x 29 cm.
Yesterday's Toronto, 1870-1910 / edited by Linda Shapiro.
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149 pages : illustrations ; 23 x 29 cm.
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livres
livres
Publication:
Toronto : Coles Pub. Co., ©1978.
Toronto : Coles Pub. Co., ©1978.
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livres
livres
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$36.95
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a(...)
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a(...)
Publication:
juillet 2007, London, Baden
juillet 2007, London, Baden
Titre:
Serpentine Gallery Pavillon 2007
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a constitutive element of spaces, private or public. We both work within a field of spatial experimentation that renders conceptual differences between art and architecture superfluous.” The publication comprises extensive visual material documenting the development and realisation of the pavilion; two essays by Doreen Massey, Professor of Geography at The Open University (UK), and Andreas Ruby, architecture critic; a conversation between Olafur Eliasson, Kjetil Thorsen, Hans Ulrich Obrist and Julia Peyton-Jones (Co-directors, Serpentine Gallery).
Serpentine Gallery Pavillon 2007
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a constitutive element of spaces, private or public. We both work within a field of spatial experimentation that renders conceptual differences between art and architecture superfluous.” The publication comprises extensive visual material documenting the development and realisation of the pavilion; two essays by Doreen Massey, Professor of Geography at The Open University (UK), and Andreas Ruby, architecture critic; a conversation between Olafur Eliasson, Kjetil Thorsen, Hans Ulrich Obrist and Julia Peyton-Jones (Co-directors, Serpentine Gallery).
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livres
livres
Publication:
juillet 2007, London, Baden
juillet 2007, London, Baden
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livres
livres
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Anne Lacaton and Jean-Philippe Vassal are known for an architecture that privileges inhabitants freedom and pleasure through generous, open designs. The Paris-based architects opened their 2015 lecture at Harvard University with a manifesto: study and create an inventory of the existing situation; densify without compressing individual space; promote user mobility,(...)
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Anne Lacaton and Jean-Philippe Vassal are known for an architecture that privileges inhabitants freedom and pleasure through generous, open designs. The Paris-based architects opened their 2015 lecture at Harvard University with a manifesto: study and create an inventory of the existing situation; densify without compressing individual space; promote user mobility,(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
décembre 2015
décembre 2015
Titre:
The incidents: freedom of use
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Anne Lacaton and Jean-Philippe Vassal are known for an architecture that privileges inhabitants freedom and pleasure through generous, open designs. The Paris-based architects opened their 2015 lecture at Harvard University with a manifesto: study and create an inventory of the existing situation; densify without compressing individual space; promote user mobility, access, choice; and most importantly, never demolish. Freedom of Use reflects on these core values to present a fluid narrative of Lacaton and Vassal s oeuvre, articulated through processes of accumulation, addition, and extension. The architects describe built and unbuilt work, from a house in Niger made of little more than branches; to the expansive Nantes School of Architecture; to a public square in Bordeaux where, after months of study, their design solution was: do nothing.
The incidents: freedom of use
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Anne Lacaton and Jean-Philippe Vassal are known for an architecture that privileges inhabitants freedom and pleasure through generous, open designs. The Paris-based architects opened their 2015 lecture at Harvard University with a manifesto: study and create an inventory of the existing situation; densify without compressing individual space; promote user mobility, access, choice; and most importantly, never demolish. Freedom of Use reflects on these core values to present a fluid narrative of Lacaton and Vassal s oeuvre, articulated through processes of accumulation, addition, and extension. The architects describe built and unbuilt work, from a house in Niger made of little more than branches; to the expansive Nantes School of Architecture; to a public square in Bordeaux where, after months of study, their design solution was: do nothing.
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livres
livres
Publication:
décembre 2015
décembre 2015
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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335 pages : illustrations (chiefly color), color maps ; 21 cm
Description:
335 pages : illustrations (chiefly color), color maps ; 21 cm
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Barcelona : LISt ; New York : [distributor] ACTAR D USA, 2009.
Barcelona : LISt ; New York : [distributor] ACTAR D USA, 2009.
Titre:
Hyper Adriatica : OP_2 : public works and the Adriatic city : guidelines for the qualification of urban and territorial projects, PRIN 2006/2008 / edited by Pepe Barbieri.
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335 pages : illustrations (chiefly color), color maps ; 21 cm
Hyper Adriatica : OP_2 : public works and the Adriatic city : guidelines for the qualification of urban and territorial projects, PRIN 2006/2008 / edited by Pepe Barbieri.
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335 pages : illustrations (chiefly color), color maps ; 21 cm
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livres
livres
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Barcelona : LISt ; New York : [distributor] ACTAR D USA, 2009.
Barcelona : LISt ; New York : [distributor] ACTAR D USA, 2009.
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$33.95
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Five years ago, the American Institute of Graphic Arts launched Fresh Dialogue, a series aimed at bringing together emerging design talent and providing them with an open forum to discuss their own work and the direction of the field. This year's participants come from the disparate worlds of fashion, publishing, web design, advertising, and art: Alice Chung and Karen(...)
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Five years ago, the American Institute of Graphic Arts launched Fresh Dialogue, a series aimed at bringing together emerging design talent and providing them with an open forum to discuss their own work and the direction of the field. This year's participants come from the disparate worlds of fashion, publishing, web design, advertising, and art: Alice Chung and Karen(...)
Publication:
mai 2005, New York
mai 2005, New York
Titre:
Fresh dialogue five : new voices in graphic design
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Five years ago, the American Institute of Graphic Arts launched Fresh Dialogue, a series aimed at bringing together emerging design talent and providing them with an open forum to discuss their own work and the direction of the field. This year's participants come from the disparate worlds of fashion, publishing, web design, advertising, and art: Alice Chung and Karen Hsu founded the design firm Omnivore and have collaborated with the Whitney Museum and the Princeton University School of Architecture. Agnieszka Gasparska has produced award-winning work for LEGO, the American Museum of Natural History, and the Experience Music Project. Rodrigo Corral has pursued a fresh look for fiction in his book covers for Farrar, Strauss – Giroux and independently for Rodrigo Corral Design. Alan Dye was design director and partner at B.I.G. (Ogilvy – Mather's Brand Integration Group) before joining Kate Spade as design director.
Fresh dialogue five : new voices in graphic design
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Five years ago, the American Institute of Graphic Arts launched Fresh Dialogue, a series aimed at bringing together emerging design talent and providing them with an open forum to discuss their own work and the direction of the field. This year's participants come from the disparate worlds of fashion, publishing, web design, advertising, and art: Alice Chung and Karen Hsu founded the design firm Omnivore and have collaborated with the Whitney Museum and the Princeton University School of Architecture. Agnieszka Gasparska has produced award-winning work for LEGO, the American Museum of Natural History, and the Experience Music Project. Rodrigo Corral has pursued a fresh look for fiction in his book covers for Farrar, Strauss – Giroux and independently for Rodrigo Corral Design. Alan Dye was design director and partner at B.I.G. (Ogilvy – Mather's Brand Integration Group) before joining Kate Spade as design director.
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livres
livres
Publication:
mai 2005, New York
mai 2005, New York
Classification:
livres
livres
Titre:
Complaint!
Complaint!
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$40.95
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Résumé:
In ''Complaint!'' Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and(...)
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In ''Complaint!'' Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and(...)
Titre:
Complaint!
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$40.95
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In ''Complaint!'' Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens. To make complaints within institutions is to learn how they work and for whom they work: complaint as feminist pedagogy. Ahmed explores how complaints are made behind closed doors and how doors are often closed on those who complain. To open these doors---to get complaints through, keep them going, or keep them alive---Ahmed emphasizes, requires forming new kinds of collectives. This book offers a systematic analysis of the methods used to stop complaints and a powerful and poetic meditation on what complaints can be used to do. Following a long lineage of Black feminist and feminist of color critiques of the university, Ahmed delivers a timely consideration of how institutional change becomes possible and why it is necessary.
Complaint!
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$40.95
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In ''Complaint!'' Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens. To make complaints within institutions is to learn how they work and for whom they work: complaint as feminist pedagogy. Ahmed explores how complaints are made behind closed doors and how doors are often closed on those who complain. To open these doors---to get complaints through, keep them going, or keep them alive---Ahmed emphasizes, requires forming new kinds of collectives. This book offers a systematic analysis of the methods used to stop complaints and a powerful and poetic meditation on what complaints can be used to do. Following a long lineage of Black feminist and feminist of color critiques of the university, Ahmed delivers a timely consideration of how institutional change becomes possible and why it is necessary.
Classification:
livres
livres
Publication:
septembre 2021
septembre 2021
Sujet:
Social
Social
