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The Gilded Age, also referred to as the American Renaissance, is an era associated with unparalleled growth, technological advancement, prosperity, and cultural change. Spanning from the 1870s to the 1930s, it marks the first time that the titans of American finance and industry had more wealth than their European counterparts. As the center of this dynamic economy, New(...)
An American Renaissance: Beaux-Artsarchitecture in New York City
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The Gilded Age, also referred to as the American Renaissance, is an era associated with unparalleled growth, technological advancement, prosperity, and cultural change. Spanning from the 1870s to the 1930s, it marks the first time that the titans of American finance and industry had more wealth than their European counterparts. As the center of this dynamic economy, New York City attracted immigrant workers and millionaires alike. It was not enough for the self-appointed elite to just build their own grand châteaux and palazzos along Fifth Avenue- collectively they dreamed of creating a new metropolis to rival the great cultural capitals of London, Paris, and Rome. To flaunt their newly acquired wealth they needed an architecture dripping in embellishment and historical reference. Enter the Beaux-Arts. This book takes a close look at twenty of the finest examples of Beaux-Arts architecture in New York City. While showing public exteriors, its focus is on the lavish interiors that are associated with the opulence of the Gilded Age- often providing a glimpse inside buildings not otherwise viewable to the public. While some of the buildings and monuments featured are world-renowned landmarks recognizable and accessible to all, others are obscure buildings that history has forgotten.
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During the two hundred millennia we've been on the planet, nothing has shaped us more profoundly than the city. In a fascinating narrative that ranges through cities famous and forgotten, acclaimed historian Ben Wilson tells the glorious story of how urban living has allowed human culture to flourish. Beginning with Uruk, the world's first city, he shows that cities(...)
Metropolis: a history of the city, mankind's greatest invention
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During the two hundred millennia we've been on the planet, nothing has shaped us more profoundly than the city. In a fascinating narrative that ranges through cities famous and forgotten, acclaimed historian Ben Wilson tells the glorious story of how urban living has allowed human culture to flourish. Beginning with Uruk, the world's first city, he shows that cities created such a blossoming of human endeavor--new professions, new forms of art, worship, and trade--that they kick-started civilization itself. Despite outbreaks of plague and war, and outlasting empires, the city endured and new cities sprang up to capture the inimitable energy of human beings together. Wilson reveals the innovations nurturned amid the density of urban centers over the centuries: civics in the agora of Athens, global trade in ninth-century Baghdad, finance in the coffeehouses of London, domestic comforts in the heart of Amsterdam, peacocking in Belle Epoque Paris. In the modern age, the skyscrapers of New York City inspired utopian visions of community design, while the trees of twenty-first-century Seattle and Shanghai point to a sustainable future in the age of climate change. Page turning and irresistible, ''Metropolis'' is a history of cities that is also a history of how humanity lives.
Théorie de l’urbanisme
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Selling Paris : property and commercial culture in the fin-de-siècle capital / Alexia M. Yates.
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353 pages : illustrations, maps ; 25 cm.
Cambridge, Massachusetts : Harvard University Press, 2015.
Selling Paris : property and commercial culture in the fin-de-siècle capital / Alexia M. Yates.
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353 pages : illustrations, maps ; 25 cm.
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Cambridge, Massachusetts : Harvard University Press, 2015.
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206 pages, folded leaf. illustrations, maps, portraits 23 cm
Newton Abbot, David and Charles; Harrisburg, Stackpole Books, 1972.
Grand Bahama, by P.J.H. Barratt.
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206 pages, folded leaf. illustrations, maps, portraits 23 cm
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Newton Abbot, David and Charles; Harrisburg, Stackpole Books, 1972.
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2 volumes : illustrations (chiefly color) ; 34 cm.
Florence : Villa I Tatti, the Harvard University Center for Italian Renaissance Studies ; Leiden : Primavera Press, 2009.
Sassetta : the Borgo San Sepolcro altarpiece / edited by Machtelt Israëls.
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2 volumes : illustrations (chiefly color) ; 34 cm.
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Florence : Villa I Tatti, the Harvard University Center for Italian Renaissance Studies ; Leiden : Primavera Press, 2009.
Scapegoat 04: currency
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Currency is structured by a fundamental contradiction between its necessary circulation and its stubborn foundation in sovereign territories. On the one hand, it is designed to represent value and facilitate its exchange in standardized, fungible units; on the other, its relative scarcity generates a strong incentive to hoard it, withdrawing and storing its value,(...)
Scapegoat 04: currency
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Currency is structured by a fundamental contradiction between its necessary circulation and its stubborn foundation in sovereign territories. On the one hand, it is designed to represent value and facilitate its exchange in standardized, fungible units; on the other, its relative scarcity generates a strong incentive to hoard it, withdrawing and storing its value, converting it into fixed assets such as property whose existence relies on the same institutions of coercion that maintain national borders. Today's globalized capitalism only exacerbates this paradox. The ascendency of finance capital in North America and Europe has created a condition where the accumulation of capital is based almost purely on speculation, and money is multiplied through its circulation. At the same time, the struggle to secure the territories and bodies that guarantee it has become ever more desperate as civilian spaces have been more and more militarized. The result has been an increasingly complex space of value, where the borders that produce its distinctions are no longer located at a nation's edges, but rather lie both within and beyond it. The diverse contributions to Scapegoat's fifth issue, Currency, investigate these contradictory tendencies within the spatiality of currency and present ways that they can be resisted. We follow a line that runs from the material to the immaterial, exploring divergent scales and topologies in the process.
Revues
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v, 266 pages, 32 unnumbered pages of plates : illustrations ; 24 cm
New York : New York University Press, ©2011.
Highway under the Hudson : a history of the Holland Tunnel / Robert W. Jackson.
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v, 266 pages, 32 unnumbered pages of plates : illustrations ; 24 cm
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New York : New York University Press, ©2011.
livres
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vi, 280 pages : illustrations (some color) ; 27 cm
London : Michael Joseph in association with the Royal Collection, 1997.
Restoration : the rebuilding of Windsor Castle / Adam Nicolson.
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vi, 280 pages : illustrations (some color) ; 27 cm
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London : Michael Joseph in association with the Royal Collection, 1997.
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London : bread and circuses
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Wherever and whenever state and church, state and autocracy, political and architectural ambition have met and loved one another hungrily, domes have raised their imperious, lofty heads. At once magnificent and messy, old-fashioned and ultra-modern, opulent and squalid, London is something of a mongrel city, cross-bred over the centuries from cut-throat commerce, high(...)
London : bread and circuses
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Wherever and whenever state and church, state and autocracy, political and architectural ambition have met and loved one another hungrily, domes have raised their imperious, lofty heads. At once magnificent and messy, old-fashioned and ultra-modern, opulent and squalid, London is something of a mongrel city, cross-bred over the centuries from cut-throat commerce, high finance and unrestrained creativity. For all its inventiveness, however, it is now also a city unable to provide its citizens with decent public transport, housing or services, beset and betrayed by governments who take from it but refuse to give back. In the lead-up to the much-hyped Millennium, a fortune was spent on lavish building projects—giant wheels, great courts, titanic art galleries, ambitious museums, a Brobdingnagian dome—but little in the way of public services, intelligent urban planning and infrastructure except by default. Has the right kind of money been spent on the wrong sort of projects? Who, in this pluralistic age, will cut through the layers of bureaucracy to restore some of the city’s unruly splendour? In this elegant and polemical book, the architecture critic Jonathan Glancey explores London’s Millennial follies and asks how and where London might now channel its energies. Combining anecdote and analysis with a sustained critique of the way the city is governed and financed, he draws a detailed picture of the state London’s in and speculates on how it might be transformed.
livres
novembre 2001, London
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Based on the popular online photo series and now published in print for the first time, ''The debt project'' collects 99 portraits of debt across the United States, featuring people of all different backgrounds and stories, to recontextualize an often stigmatized experience. In 2013, Brittany Powell made the difficult decision to file for bankruptcy for her photography(...)
The debt project: 99 portraits across America
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Based on the popular online photo series and now published in print for the first time, ''The debt project'' collects 99 portraits of debt across the United States, featuring people of all different backgrounds and stories, to recontextualize an often stigmatized experience. In 2013, Brittany Powell made the difficult decision to file for bankruptcy for her photography business. In the years following the 2008 economic collapse, she found herself in a significant amount of debt, a position many Americans across the country still share, a common yet isolating and private experience often steeped in shame. Her personal experience, bolstered by the We Are the 99% slogan that came out of the Occupy movement, brought her to start The Debt Project, an exploration of the role debt and finance plays in our personal identity and social structure. This book presents an intimate look into 99 different lives: each shares an arrestingly honest portrait in the person’s home, surrounded by all their belongings, accompanied by a handwritten note of the amount of debt that person is in and the story behind the numbers. ''The debt project,'' with a foreword by writer and filmmaker Astra Taylor plus resources at the back of the book to support people in debt, examines the social and personal hold financial debt has on us and invites others into a private world, while at the same empowering people to share their stories and overcome the shame they may feel.
Monographies photo