13316 Résultats
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Cet ouvrage a été réalisé dans le cadre de l'exposition We Can Make Rain But No One Came To Ask: Documents des archives du Atlas Group organisée par Michèle Thériault. Un projet du Atlas Group en collaboration avec Walid Raad présenté à la Galerie Leonard et Bina Ellen de l'Université Concordia du 26 janvier au 4 mars.
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Cet ouvrage a été réalisé dans le cadre de l'exposition We Can Make Rain But No One Came To Ask: Documents des archives du Atlas Group organisée par Michèle Thériault. Un projet du Atlas Group en collaboration avec Walid Raad présenté à la Galerie Leonard et Bina Ellen de l'Université Concordia du 26 janvier au 4 mars.
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We can make rain but no one came to ask
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Cet ouvrage a été réalisé dans le cadre de l'exposition We Can Make Rain But No One Came To Ask: Documents des archives du Atlas Group organisée par Michèle Thériault. Un projet du Atlas Group en collaboration avec Walid Raad présenté à la Galerie Leonard et Bina Ellen de l'Université Concordia du 26 janvier au 4 mars.
We can make rain but no one came to ask
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Cet ouvrage a été réalisé dans le cadre de l'exposition We Can Make Rain But No One Came To Ask: Documents des archives du Atlas Group organisée par Michèle Thériault. Un projet du Atlas Group en collaboration avec Walid Raad présenté à la Galerie Leonard et Bina Ellen de l'Université Concordia du 26 janvier au 4 mars.
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octobre 2006, Montreal
octobre 2006, Montreal
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Mari Eastman: Lady in dark
Mari Eastman: Lady in dark
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Published on occasion of Nieves Library at Ooga Booga in Los Angeles March 7th – April 3rd, 2008
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Published on occasion of Nieves Library at Ooga Booga in Los Angeles March 7th – April 3rd, 2008
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Mari Eastman: Lady in dark
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Published on occasion of Nieves Library at Ooga Booga in Los Angeles March 7th – April 3rd, 2008
Mari Eastman: Lady in dark
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Published on occasion of Nieves Library at Ooga Booga in Los Angeles March 7th – April 3rd, 2008
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mars 2008, Los Angeles
mars 2008, Los Angeles
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This book offers a survey of emergent Asian architects from India to Japan, including Philippines. The Asian continent today acts as a theatre to some of the most rapid changes in the urban environment ever to occur anywhere in the world. As cities and economies expand at an almost immeasurable pace, Asian architects face new challenges and opportunities. Through(...)
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This book offers a survey of emergent Asian architects from India to Japan, including Philippines. The Asian continent today acts as a theatre to some of the most rapid changes in the urban environment ever to occur anywhere in the world. As cities and economies expand at an almost immeasurable pace, Asian architects face new challenges and opportunities. Through(...)
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Instant Asia: fast foward through the architecture of a changing continent
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This book offers a survey of emergent Asian architects from India to Japan, including Philippines. The Asian continent today acts as a theatre to some of the most rapid changes in the urban environment ever to occur anywhere in the world. As cities and economies expand at an almost immeasurable pace, Asian architects face new challenges and opportunities. Through interviews, conversations, and visits to architecture studios across the continent, "Instant Asia" documents the most recent built projects of the emerging generation of designers shaping the architectural identity of Asia today.
Instant Asia: fast foward through the architecture of a changing continent
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This book offers a survey of emergent Asian architects from India to Japan, including Philippines. The Asian continent today acts as a theatre to some of the most rapid changes in the urban environment ever to occur anywhere in the world. As cities and economies expand at an almost immeasurable pace, Asian architects face new challenges and opportunities. Through interviews, conversations, and visits to architecture studios across the continent, "Instant Asia" documents the most recent built projects of the emerging generation of designers shaping the architectural identity of Asia today.
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avril 2008, Milan
avril 2008, Milan
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Leading social critic Carol Becker offers a timely analysis of the nature of art and its role in politics and society. Completed just before the September 11, 2001 World Trade Center catastrophe, this book is remarkably prescient of the new concerns that have now become foremost in our thoughts since the attack. Becker raises the question of the place of art and the(...)
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Leading social critic Carol Becker offers a timely analysis of the nature of art and its role in politics and society. Completed just before the September 11, 2001 World Trade Center catastrophe, this book is remarkably prescient of the new concerns that have now become foremost in our thoughts since the attack. Becker raises the question of the place of art and the(...)
Publication:
janvier 1900, Lanham, Boulder, New York, Oxford
janvier 1900, Lanham, Boulder, New York, Oxford
Titre:
Surpassing the spectacle: global transformations and the changing politics of art
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Leading social critic Carol Becker offers a timely analysis of the nature of art and its role in politics and society. Completed just before the September 11, 2001 World Trade Center catastrophe, this book is remarkably prescient of the new concerns that have now become foremost in our thoughts since the attack. Becker raises the question of the place of art and the function of public intellectuals in a society desperately in need of creativity and leadership. Visit our website for sample chapters!
Surpassing the spectacle: global transformations and the changing politics of art
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$29.95
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Leading social critic Carol Becker offers a timely analysis of the nature of art and its role in politics and society. Completed just before the September 11, 2001 World Trade Center catastrophe, this book is remarkably prescient of the new concerns that have now become foremost in our thoughts since the attack. Becker raises the question of the place of art and the function of public intellectuals in a society desperately in need of creativity and leadership. Visit our website for sample chapters!
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janvier 1900, Lanham, Boulder, New York, Oxford
janvier 1900, Lanham, Boulder, New York, Oxford
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The artist-couple Gerda Steiner and Jorg Lenzlinger are two of the most imaginative figures on the young Swiss scene. This publication contains numerous colour photographs and appears to accompany their Good and Silly Miracles exhibitions in the church of San Stae at last year's Venice Biennale.
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The artist-couple Gerda Steiner and Jorg Lenzlinger are two of the most imaginative figures on the young Swiss scene. This publication contains numerous colour photographs and appears to accompany their Good and Silly Miracles exhibitions in the church of San Stae at last year's Venice Biennale.
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janvier 2005
janvier 2005
Titre:
Gerda Steiner & Jorg Lenzlinger: brainforest
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The artist-couple Gerda Steiner and Jorg Lenzlinger are two of the most imaginative figures on the young Swiss scene. This publication contains numerous colour photographs and appears to accompany their Good and Silly Miracles exhibitions in the church of San Stae at last year's Venice Biennale.
Gerda Steiner & Jorg Lenzlinger: brainforest
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The artist-couple Gerda Steiner and Jorg Lenzlinger are two of the most imaginative figures on the young Swiss scene. This publication contains numerous colour photographs and appears to accompany their Good and Silly Miracles exhibitions in the church of San Stae at last year's Venice Biennale.
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janvier 2005
janvier 2005
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$63.00
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This volume documents Gerhard Richter's 65-foot-tall, abstract, stained-glass window for Germany's historic Cologne Cathedral, the original of which was destroyed by bombs in World War II, and thereafter replaced with clear glass. Composed of more than 11,000 four-inch squares, or "pixels," in 72 colors, the window is based on Richter's 1974 painting, "4096 Colors," a(...)
$63.00
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This volume documents Gerhard Richter's 65-foot-tall, abstract, stained-glass window for Germany's historic Cologne Cathedral, the original of which was destroyed by bombs in World War II, and thereafter replaced with clear glass. Composed of more than 11,000 four-inch squares, or "pixels," in 72 colors, the window is based on Richter's 1974 painting, "4096 Colors," a(...)
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Gerhard Richter - Zufall, das Kölner Domfenster und 4900 farben the cologne cathedral window, and 4900 colours
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This volume documents Gerhard Richter's 65-foot-tall, abstract, stained-glass window for Germany's historic Cologne Cathedral, the original of which was destroyed by bombs in World War II, and thereafter replaced with clear glass. Composed of more than 11,000 four-inch squares, or "pixels," in 72 colors, the window is based on Richter's 1974 painting, "4096 Colors," a grid of monochromatic squares 64 tall and 64 wide (for a total of 4096 squares) which was organized and designed according to a mathematical formula that systematically mixed red, yellow, blue and gray. Photographs of the work are accompanied by three essays which integrate this important work into the context of Richter's oeuvre, and shed light on the principle of randomness on which it is based. Gerhard Richter was born in Dresden and escaped to West Germany in 1961. He has lived and worked in Cologne, where he was made an honorary citizen last year, since the early 1980s.
Gerhard Richter - Zufall, das Kölner Domfenster und 4900 farben the cologne cathedral window, and 4900 colours
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This volume documents Gerhard Richter's 65-foot-tall, abstract, stained-glass window for Germany's historic Cologne Cathedral, the original of which was destroyed by bombs in World War II, and thereafter replaced with clear glass. Composed of more than 11,000 four-inch squares, or "pixels," in 72 colors, the window is based on Richter's 1974 painting, "4096 Colors," a grid of monochromatic squares 64 tall and 64 wide (for a total of 4096 squares) which was organized and designed according to a mathematical formula that systematically mixed red, yellow, blue and gray. Photographs of the work are accompanied by three essays which integrate this important work into the context of Richter's oeuvre, and shed light on the principle of randomness on which it is based. Gerhard Richter was born in Dresden and escaped to West Germany in 1961. He has lived and worked in Cologne, where he was made an honorary citizen last year, since the early 1980s.
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février 2008, Köln
février 2008, Köln
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States of Mind: Dan and Lia Perjovschi accompanies the mid-career retrospective of the work of Romanian artists Dan Perjovschi and Lia Perjovschi at the Nasher Museum of Art at Duke University.
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States of Mind: Dan and Lia Perjovschi accompanies the mid-career retrospective of the work of Romanian artists Dan Perjovschi and Lia Perjovschi at the Nasher Museum of Art at Duke University.
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States of mind: Dan & Lia Perjovschi
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States of Mind: Dan and Lia Perjovschi accompanies the mid-career retrospective of the work of Romanian artists Dan Perjovschi and Lia Perjovschi at the Nasher Museum of Art at Duke University.
States of mind: Dan & Lia Perjovschi
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States of Mind: Dan and Lia Perjovschi accompanies the mid-career retrospective of the work of Romanian artists Dan Perjovschi and Lia Perjovschi at the Nasher Museum of Art at Duke University.
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janvier 2008, Durham
janvier 2008, Durham
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now(...)
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now(...)
Publication:
juin 2008, New York
juin 2008, New York
Titre:
The Concrete Dragon: China's urban revolution and what it means for the world
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now has 102 such cities. And in a single decade more Chinese families have been displaced by redevelopment than by thirty years of urban renewal in the United States. The scale of this urban revolution is breathtaking: China is now home to the largest malls on earth, the biggest airport, many of the planet's tallest buildings and longest bridges, the biggest gated community, the largest bowling alley, and even the worlds largest skateboard park. China's rich urban architectural legacy is being sacrificed to make way for icons of progress and modernity.
The Concrete Dragon: China's urban revolution and what it means for the world
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now has 102 such cities. And in a single decade more Chinese families have been displaced by redevelopment than by thirty years of urban renewal in the United States. The scale of this urban revolution is breathtaking: China is now home to the largest malls on earth, the biggest airport, many of the planet's tallest buildings and longest bridges, the biggest gated community, the largest bowling alley, and even the worlds largest skateboard park. China's rich urban architectural legacy is being sacrificed to make way for icons of progress and modernity.
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juin 2008, New York
juin 2008, New York
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Holly Stevenson (1978) is one of New York City young and upcoming illustrators, her work blend pure simple drawings with highly refined and subtle taste. She is inspired from the little things in her everyday life like old photographs and books, and for Mexican Love Story she wanted to share with the viewers her fascination for Mexican culture and their festive approach(...)
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Holly Stevenson (1978) is one of New York City young and upcoming illustrators, her work blend pure simple drawings with highly refined and subtle taste. She is inspired from the little things in her everyday life like old photographs and books, and for Mexican Love Story she wanted to share with the viewers her fascination for Mexican culture and their festive approach(...)
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Holly Stevenson. A mexican love story
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Holly Stevenson (1978) is one of New York City young and upcoming illustrators, her work blend pure simple drawings with highly refined and subtle taste. She is inspired from the little things in her everyday life like old photographs and books, and for Mexican Love Story she wanted to share with the viewers her fascination for Mexican culture and their festive approach to death as well as to life. Her illustrations have been included in American Illustration annuals 21 & 22 and her artworks & designs have been published on a variety of renowned publications such as Dazed and Confused, Nylon and Nylon Japan, Rojo, Arkitip, Oyster, Vice, Teen Vogue and Bust.
Holly Stevenson. A mexican love story
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Holly Stevenson (1978) is one of New York City young and upcoming illustrators, her work blend pure simple drawings with highly refined and subtle taste. She is inspired from the little things in her everyday life like old photographs and books, and for Mexican Love Story she wanted to share with the viewers her fascination for Mexican culture and their festive approach to death as well as to life. Her illustrations have been included in American Illustration annuals 21 & 22 and her artworks & designs have been published on a variety of renowned publications such as Dazed and Confused, Nylon and Nylon Japan, Rojo, Arkitip, Oyster, Vice, Teen Vogue and Bust.
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mars 2007, Zurich
mars 2007, Zurich
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for(...)
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for(...)
Titre:
Geoff McFetridge. Bend the void
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for Plaid, Simian, and recently also for The Whitest Boy Alive, and he created film title sequences for The Virgin Suicides and Adaptation. He is one of the Beautiful Losers, and makes solo exhibitions from Los Angeles to Paris and from London to Tokyo. "Bend the Void. The Space between Yeah and Yes" is his first large solo exhibition in the Netherlands.
Geoff McFetridge. Bend the void
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for Plaid, Simian, and recently also for The Whitest Boy Alive, and he created film title sequences for The Virgin Suicides and Adaptation. He is one of the Beautiful Losers, and makes solo exhibitions from Los Angeles to Paris and from London to Tokyo. "Bend the Void. The Space between Yeah and Yes" is his first large solo exhibition in the Netherlands.
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Publication:
mars 2007, Zurich
mars 2007, Zurich
