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Rachel Whiteread (b. 1963) creates spare, poetic sculptures that challenge perceptions of the commonplace. Working from everyday domestic items, she casts - in rubber, concrete, plaster, and polyester resin - the negative spaces inside closets and underneath beds, sinks, bathtubs, and chairs. Now, in what may be her most personal project to date, the Turner Prize-winning(...)
octobre 2001, New York
Rachel Whiteread : transient spaces
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Rachel Whiteread (b. 1963) creates spare, poetic sculptures that challenge perceptions of the commonplace. Working from everyday domestic items, she casts - in rubber, concrete, plaster, and polyester resin - the negative spaces inside closets and underneath beds, sinks, bathtubs, and chairs. Now, in what may be her most personal project to date, the Turner Prize-winning artist has been commissioned by Deutsche Guggenheim Berlin to make two large-scale casts from distinct spaces in a London building that she recently purchased to become her home and studio. Although the building has a history as both a synagogue and a factory, it is a product of austere postwar architecture, lacking many of the traditional embellishments associated with such structures. This fully illustrated volume documents Whiteread's process as she creates casts from this religious-cum-industrial-cum-personal space, which blurs boundaries between the spiritual and secular, as well as the public and private.
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octobre 2001, New York
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The book is designed to give a stimulating idea of the current direction of international interior design. Nigel Coates has selected approximately 30 international designers whose work he thinks is especially interesting. The book presents a selection of work by these designers in such a way that the relations between different designers are brought out as well as(...)
décembre 2004, London
New interior design collidoscope
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The book is designed to give a stimulating idea of the current direction of international interior design. Nigel Coates has selected approximately 30 international designers whose work he thinks is especially interesting. The book presents a selection of work by these designers in such a way that the relations between different designers are brought out as well as broader themes in current interior design. While each selected project is featured over a series of pages, the same project may crop up at various other points through book. The purpose of this is to draw comparisons between each project by letting them cross over into one another’s territory. Hence the title: ‘Collidoscope’. As such, it works both as a sourcebook with reference to current tendencies in design and to the ideas that underpin them. It foregrounds the designers while raising challenging differences and overlaps between them.
Aún te espero
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On the eve of the Women’s Day manifestations of 2021, the Mexican government erected metal barricades surrounding the National Palace—the seat of federal executive power—in the heart of Mexico City. This was meant to prevent damage by demonstrators and, therefore, "protect the heritage of all Mexicans and avoid confrontation...a wall of peace that guarantees liberty and(...)
Aún te espero
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On the eve of the Women’s Day manifestations of 2021, the Mexican government erected metal barricades surrounding the National Palace—the seat of federal executive power—in the heart of Mexico City. This was meant to prevent damage by demonstrators and, therefore, "protect the heritage of all Mexicans and avoid confrontation...a wall of peace that guarantees liberty and protection from provocations," in the words of the President's spokesman. On Saturday, March 6, the feminist collective Antimonumenta CDMX decided to paint the barricades with the names of recent victims of femicide in Mexico. Over the next few hours, hundreds of women spontaneously gathered to honor the absent women, writing their names and leaving flowers: an offering to remember them, to not forget, and, by doing so, to honor them.This series of photographs documents the barricades that were intervened in those days so that they may still be read.
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The minor gesture
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Erin Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture. The minor gesture, although it may pass almost unperceived, transforms the field of relations. More than a chance variation, less than a volition, it requires rethinking common assumptions about human agency and political action. To embrace the minor gesture's(...)
The minor gesture
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Erin Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture. The minor gesture, although it may pass almost unperceived, transforms the field of relations. More than a chance variation, less than a volition, it requires rethinking common assumptions about human agency and political action. To embrace the minor gesture's power to fashion relations, its capacity to open new modes of experience and manners of expression, is to challenge the ways in which the neurotypical image of the human devalues alternative ways of being moved by and moving through the world in particular what Manning terms "autistic perception." Drawing on Deleuze and Guattari's schizoanalysis and Whitehead's speculative pragmatism, Manning's far-reaching analyses range from fashion to depression to the writings of autistics, in each case affirming the neurodiversity of the minor and the alternative politics it gestures toward."
Théorie/ philosophie
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Are we deranged? The acclaimed Indian novelist Amitav Ghosh argues that future generations may well think so. How else to explain our imaginative failure in the face of global warming? In his first major book of nonfiction since In an Antique Land, Ghosh examines our inability—at the level of literature, history, and politics—to grasp the scale and violence of climate(...)
The great derangement: climate change and the unthinkable
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Are we deranged? The acclaimed Indian novelist Amitav Ghosh argues that future generations may well think so. How else to explain our imaginative failure in the face of global warming? In his first major book of nonfiction since In an Antique Land, Ghosh examines our inability—at the level of literature, history, and politics—to grasp the scale and violence of climate change. The extreme nature of today’s climate events, Ghosh asserts, make them peculiarly resistant to contemporary modes of thinking and imagining. This is particularly true of serious literary fiction: hundred-year storms and freakish tornadoes simply feel too improbable for the novel; they are automatically consigned to other genres. In the writing of history, too, the climate crisis has sometimes led to gross simplifications; Ghosh shows that the history of the carbon economy is a tangled global story with many contradictory and counterintuitive elements.
Charleston Farmhouse 1981: a photographic recollection of the home of the Bloomsbury group of Sussex
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After Duncan Grant died in 1978, Charleston Farmhouse in Sussex lost the last of its original Bloomsbury Group residents. With its fate unclear, the house and contents remained undisturbed for many years. In May 1981, Kim Marsland (then an art student) made a visit to take notes and photographs for an essay on the Bloomsbury Group. Her unique record of Charleston shows(...)
Charleston Farmhouse 1981: a photographic recollection of the home of the Bloomsbury group of Sussex
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After Duncan Grant died in 1978, Charleston Farmhouse in Sussex lost the last of its original Bloomsbury Group residents. With its fate unclear, the house and contents remained undisturbed for many years. In May 1981, Kim Marsland (then an art student) made a visit to take notes and photographs for an essay on the Bloomsbury Group. Her unique record of Charleston shows the house just as Grant left it cluttered with years of painting, collecting and family life. These twenty-six photographs capture the atmosphere of a house full of memories and artistic importance. They also show Charleston before its restoration, allowing the reader a peek into a lost past. Some pictures will be familiar to lovers of Charleston Farmhouse, but others (such as the ones of the garden) less so. This beautifully produced book of previously unseen photographs is the perfect keepsake for Bloomsbury Group aficionados.
Théorie de la photographie
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The artists Cy Twombly and Sally Mann may at first seem an unlikely pairing. He was a leading contemporary artist who defied easy categorization, a painter and sculptor whose enigmatic work often referenced mythology and epic poetry. She is a photographer with an uncanny ability to tap raw human emotion, whether depicting members of her family or the landscape of the(...)
Remembered light: Cy Twombly in Lexington
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The artists Cy Twombly and Sally Mann may at first seem an unlikely pairing. He was a leading contemporary artist who defied easy categorization, a painter and sculptor whose enigmatic work often referenced mythology and epic poetry. She is a photographer with an uncanny ability to tap raw human emotion, whether depicting members of her family or the landscape of the American South. What they had in common was place—both grew up in rural Lexington, Virginia, where Twombly kept a studio and produced some of his most important work until his death in 2011, and where Mann has lived and worked all her life.Over the course of several years, Mann photographed inside Twombly’s studio. The result is a rare insider’s view of Twombly’s process—we sense him in the room at every turn, although he is always just beyond the frame—and a poetic dialogue between two artistic visions.
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Celebrating our 15 years of creative publishing, we proudly present our biggest publication to date, our 15th anniversary book. It features the work of hundreds of world-renowned creatives, looking back over the last 15 years, and forward to the next 15 years. Illustration is the backbone of graphic design, be it for publications, advertisments, commercials, billboards(...)
Revues
janvier 1900, Hong Kong
Idn 15 no 1 The Semiotics of Illustration
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Celebrating our 15 years of creative publishing, we proudly present our biggest publication to date, our 15th anniversary book. It features the work of hundreds of world-renowned creatives, looking back over the last 15 years, and forward to the next 15 years. Illustration is the backbone of graphic design, be it for publications, advertisments, commercials, billboards or even graffiti. Regardless of its medium, most illustrators develop a very recognisable style. In this issue's feature, we look at the work and read the words of 8 leading designers who share what may be broadly termed a child-like approach to illustration. Contents: Pick of the Month Studio: Swiss graphics calling Feature: A Clash of Symbols Music + Image II: On the Case Top Talent: Introducing the first of our super-students Sketch: Three Hands Sketching Videogame: Heavenly Sword — putting Ninja theory to practice Exhibition: Dutch Designers buck cleek trend
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My place
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Madoka Takagi’s first monograph, "My place", previously existed only as a self-published artists’ book. The Museum of Modern Art and The Getty Museum each acquired a set for their permanent collection. Traveling throughout the city with an 8 x 10-inch view camera and making elegant contact platinum prints, Takagi may not have found happiness but she did start a story: a(...)
My place
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Madoka Takagi’s first monograph, "My place", previously existed only as a self-published artists’ book. The Museum of Modern Art and The Getty Museum each acquired a set for their permanent collection. Traveling throughout the city with an 8 x 10-inch view camera and making elegant contact platinum prints, Takagi may not have found happiness but she did start a story: a tale etched in light and metal about finding a place and making it special. From the Municipal Building to the Cathedral Saint John the Divine, from Coney Island to Roosevelt Island, from East Houston Street to Frederick Douglas Boulevard, from the Brooklyn Navy Yard to the Bronx Zoo, Takagi finds a city transformed by a magical light into a place of stillness and beauty. This book is a facsimile of one of the original artists’ books, printed in a limited first edition of 1,000 copies.
Monographies photo
Adorn new jewelry
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This showcase of new jewellery offers a global view of exciting work from 200 cutting-edge jewellery designers. Highlighting the diverse forms that contemporary jewellery takes, from simple wedding or commitment rings, to elaborate body jewellery that blurs the boundaries between art and adornment, to catwalk jewellery specially commissioned for couture collections,(...)
Adorn new jewelry
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This showcase of new jewellery offers a global view of exciting work from 200 cutting-edge jewellery designers. Highlighting the diverse forms that contemporary jewellery takes, from simple wedding or commitment rings, to elaborate body jewellery that blurs the boundaries between art and adornment, to catwalk jewellery specially commissioned for couture collections, "Adorn" includes pieces made using the latest industrial technologies and processes, as well as more traditional methods and materials. Because most jewellers' work crosses themes, categories and styles, and is produced using a variety of techniques, the chapters are arranged by type of jewellery and each designer may feature in a number of chapters. In this way, from headpiece to toe ring, the book takes the reader on a visual journey around the body and provides a rich source of inspiration for anyone looking to design, commission or buy their own jewellery.
Métiers d'art