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Présentation des travaux des six équipes lauréates du Palmarès des jeunes urbanistes 2020. Ayant assimilé le caractère peu soutenable du modèle de développement dominant, tous ont cherché à bousculer les barrières mentales et ont élaboré des démarches expérimentales à la recherche de nouvelles méthodes de projet pour faire société.
Terrains d'entente : palmères des jeunes urbanistes 2020
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Présentation des travaux des six équipes lauréates du Palmarès des jeunes urbanistes 2020. Ayant assimilé le caractère peu soutenable du modèle de développement dominant, tous ont cherché à bousculer les barrières mentales et ont élaboré des démarches expérimentales à la recherche de nouvelles méthodes de projet pour faire société.
Théorie de l’urbanisme
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The ''Tall Buildings: their problems and some ideas'' publication humbly deconstructs and reconstructs what a tall building can be. Its content is informed by a half-day symposium held in Melbourne in 2018 that investigated new and radical approaches to vertical city-building, co-curated by Molonglo, London-based 6a architects and Chilean art and architecture studio Pezo(...)
Théorie de l’architecture
janvier 2020
U-P , Tall Buildings: their problems and some ideas
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The ''Tall Buildings: their problems and some ideas'' publication humbly deconstructs and reconstructs what a tall building can be. Its content is informed by a half-day symposium held in Melbourne in 2018 that investigated new and radical approaches to vertical city-building, co-curated by Molonglo, London-based 6a architects and Chilean art and architecture studio Pezo von Ellrichshausen. The publication features interviews, essays and original photography by Melbourne design studio U-P.
Théorie de l’architecture
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The word Gothic conjures associations with the dark and melancholy, the weird and feared, and haunted places and people. In this book, Roger Luckhurst offers readers an unprecedented look at the ways this uncanny style has manifested itself through architecture, literature, film, art, video games, and more. From the works of Victor Hugo and E. T. A. Hoffmann to Southern(...)
Gothic: an illustrated history
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The word Gothic conjures associations with the dark and melancholy, the weird and feared, and haunted places and people. In this book, Roger Luckhurst offers readers an unprecedented look at the ways this uncanny style has manifested itself through architecture, literature, film, art, video games, and more. From the works of Victor Hugo and E. T. A. Hoffmann to Southern Gothic, ancient folklore, and classic horror movies, Luckhurst explores how an aesthetic that began in the margins has been reinvented through the centuries to become part of mainstream global culture.
Théorie de l’art
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Computational models of urbanism — smart cities that use data-driven planning and algorithmic administration — promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. 'A City Is Not a Computer' reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge(...)
A city is not a computer: other urban intelligences
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Computational models of urbanism — smart cities that use data-driven planning and algorithmic administration — promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. 'A City Is Not a Computer' reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models.
Théorie de l’urbanisme
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What should our buildings look like? Or is their usability more important than their appearance? Paul Guyer argues that the fundamental goals of architecture first identified by the Roman architect Marcus Pollio Vitruvius - good construction, functionality, and aesthetic appeal - have remained valid despite constant changes in human activities, building materials and(...)
A philosopher looks at architecture
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What should our buildings look like? Or is their usability more important than their appearance? Paul Guyer argues that the fundamental goals of architecture first identified by the Roman architect Marcus Pollio Vitruvius - good construction, functionality, and aesthetic appeal - have remained valid despite constant changes in human activities, building materials and technologies, as well as in artistic styles and cultures. Guyer discusses philosophers and architects throughout history, including Alberti, Kant, Ruskin, Wright, and Loos, and surveys the ways in which their ideas are brought to life in buildings across the world. He also considers the works and words of contemporary architects including Annabelle Selldorf, Herzog and de Meuron, and Steven Holl, and shows that - despite changing times and fashions - good architecture continues to be something worth striving for. This new series offers short and personal perspectives by expert thinkers on topics that we all encounter in our everyday lives.
Théorie de l’architecture
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Cities are becoming increasingly fragmented materially, socially, and spatially. From broken toilets and everyday things, to art and forms of writing, fragments are signatures of urban worlds and provocations for change. In "Fragments of the city," Colin McFarlane examines such fragments, what they are and how they come to matter in the experience, politics, and(...)
Fragments of the city: making and remaking urban worlds
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Cities are becoming increasingly fragmented materially, socially, and spatially. From broken toilets and everyday things, to art and forms of writing, fragments are signatures of urban worlds and provocations for change. In "Fragments of the city," Colin McFarlane examines such fragments, what they are and how they come to matter in the experience, politics, and expression of cities. How does the city appear when we look at it through its fragments? For those living on the economic margins, the city is often experienced as a set of fragments. Much of what low-income residents deal with on a daily basis is fragments of stuff, made and remade with and through urban density, social infrastructure, and political practice. In this book, McFarlane explores infrastructure in Mumbai, Kampala, and Cape Town; artistic montages in Los Angeles and Dakar; refugee struggles in Berlin; and the repurposing of fragments in Hong Kong and New York. Fragments surface as material things, as forms of knowledge, as writing strategies. They are used in efforts to politicize the city and in urban writing to capture life and change in the world's major cities. "Fragments of the city" surveys the role of fragments in how urban worlds are understood, revealed, written, and changed.
Théorie de l’urbanisme
Before Central Park
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With more than eight hundred sprawling green acres in the middle of one of the world's densest cities, Central Park is an urban masterpiece. Designed in the middle of the nineteenth century by the landscape architects Frederick Law Olmsted and Calvert Vaux, it is a model for city parks worldwide. But before it became Central Park, the land was the site of farms,(...)
Before Central Park
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With more than eight hundred sprawling green acres in the middle of one of the world's densest cities, Central Park is an urban masterpiece. Designed in the middle of the nineteenth century by the landscape architects Frederick Law Olmsted and Calvert Vaux, it is a model for city parks worldwide. But before it became Central Park, the land was the site of farms, businesses, churches, wars, and burial grounds--and home to many different kinds of New Yorkers. This book is the authoritative account of the place that would become Central Park. From the first Dutch family to settle on the land through the political crusade to create America's first major urban park, Sara Cedar Miller chronicles two and a half centuries of history. She tells the stories of Indigenous hunters, enslaved people and enslavers, American patriots and British loyalists, the Black landowners of Seneca Village, Irish pig farmers, tavern owners, Catholic sisters, Jewish protesters, and more. Miller unveils a British fortification and camp during the Revolutionary War, a suburban retreat from the yellow fever epidemics at the turn of the nineteenth century, and the properties that a group of free Black Americans used to secure their right to vote. Tales of political chicanery, real estate speculation, cons, and scams stand alongside democratic idealism, the striving of immigrants, and powerfully human lives. ''Before Central Park'' shows how much of the history of early America is still etched upon the landscapes of Central Park today.
Théorie du paysage
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In her stirring and influential essay ''Art on the frontline,'' American scholar and activist icon Angela Y. Davis (born 1944) asked, 'how do we collectively acknowledge our popular cultural legacy and communicate it to the masses of people, most of whom have been denied access to the social spaces reserved for arts and culture?' Originally published in ''Political(...)
Art on the frontline: Mandate for a people's culture. Two works series, Vol. 2
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In her stirring and influential essay ''Art on the frontline,'' American scholar and activist icon Angela Y. Davis (born 1944) asked, 'how do we collectively acknowledge our popular cultural legacy and communicate it to the masses of people, most of whom have been denied access to the social spaces reserved for arts and culture?' Originally published in ''Political Affairs,'' a radical Marxist magazine, in 1985, the essay calls into question the role of art in the pursuit of social and racial liberation, and asserts the inequities exacerbated by the art world. Looking to the cultural and artistic forms born of Afro-American struggles, Davis insists that we attempt to understand, reclaim and glean insight from this history in preparing a political offensive against the racial oppression endemic to capitalism. Working in the context of 2020’s racial uprising some 35 years later, New York–based painter Tschabalala Self (born 1990) responds to Davis’ words with new, characteristically vibrant and provocative collaged works on paper. Her three series emerge collectively as something greater than their parts, suggesting a joyfulness in their ebbs and flows.
Théorie de l’art
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Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of(...)
Space forces: a critical history of life in outer space
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Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of life in outer space, but these visions have real implications for life back on earth. For the Russian Cosmists of the 1890s space was a place to pursue human perfection away from the Earth. For others, such as Wernher Von Braun, it was an engineering task that combined, in the Space Race, the Cold War, and during World War II, with destructive geopolitics. Arthur C. Clarke, in his speculative books, offered an alternative vision of wonder that is indifferent to human interaction. Meanwhile NASA planned and managed the space station like an earthbound corporation. Today, the market has arrived into outer space and exploration is the plaything of superrich technology billionaires, who plan to privatise the mineral wealth for themselves. Are other worlds really possible? Bringing these figures and ideas together reveals a completely different story of our relationship with outer space, as well as the dangers of our current direction of extractive capitalism and colonisation.
Théorie de l’architecture
La beauté autour d'une ville
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Qu’est-ce qui fait la beauté d’une ville? Son site, ses bâtiments, ses jardins, ses matières, ses rivières? Ses habitants, ses milieux, son hospitalité, ses fragilités, sa mesure? Comment se définit, en fonction des projets et des contraintes de chaque siècle, l’esthétique urbaine? Quelles formes doit inventer la ville pour opérer sa transition(...)
Théorie de l’urbanisme
août 2021
La beauté autour d'une ville
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Qu’est-ce qui fait la beauté d’une ville? Son site, ses bâtiments, ses jardins, ses matières, ses rivières? Ses habitants, ses milieux, son hospitalité, ses fragilités, sa mesure? Comment se définit, en fonction des projets et des contraintes de chaque siècle, l’esthétique urbaine? Quelles formes doit inventer la ville pour opérer sa transition climatique? Architectes, écrivains, philosophes, historiens, paysagistes, artistes, écologues, sociologues, urbanistes… À partir des enjeux parisiens émergents, 56 autrices et auteurs explorent nos héritages et esquissent l’avenir de nos territoires urbains. Un pied dans l’histoire, et l’autre engagé sur les chemins de l’écologie, cet ouvrage collectif conçu comme une promenade nous invite à regarder d’un autre œil la beauté de Paris.
Théorie de l’urbanisme