10595 Résultats
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In this publication, Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics. The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled(...)
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In this publication, Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics. The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled(...)
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Formulations: Architecture, mathematics, and culture
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In this publication, Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics. The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled for design. Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects.
Formulations: Architecture, mathematics, and culture
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In this publication, Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics. The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled for design. Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects.
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livres
livres
Publication:
janvier 2022
janvier 2022
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Art writing in crisis
Art writing in crisis
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Fires burn around the world. Systemic discrimination persists, precarity is increasing, and the modern democratic project faces challenges from all sides. Art writing helps us to understand art, which in turn helps us to understand such crises. But art writing itself is in crisis. Newspapers and magazines offer fewer channels than ever for independent art criticism,(...)
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Fires burn around the world. Systemic discrimination persists, precarity is increasing, and the modern democratic project faces challenges from all sides. Art writing helps us to understand art, which in turn helps us to understand such crises. But art writing itself is in crisis. Newspapers and magazines offer fewer channels than ever for independent art criticism,(...)
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Art writing in crisis
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Fires burn around the world. Systemic discrimination persists, precarity is increasing, and the modern democratic project faces challenges from all sides. Art writing helps us to understand art, which in turn helps us to understand such crises. But art writing itself is in crisis. Newspapers and magazines offer fewer channels than ever for independent art criticism, persistent institutional biases exclude the positions of many, and a proliferation of platforms presents opportunities and challenges in equal measure. This volume presents writing by established and emerging writers who address the social and political dimensions of art and art writing in the contemporary context and the ways in which new art writing and publishing practices promote critical engagement among readerships as never before.
Art writing in crisis
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Fires burn around the world. Systemic discrimination persists, precarity is increasing, and the modern democratic project faces challenges from all sides. Art writing helps us to understand art, which in turn helps us to understand such crises. But art writing itself is in crisis. Newspapers and magazines offer fewer channels than ever for independent art criticism, persistent institutional biases exclude the positions of many, and a proliferation of platforms presents opportunities and challenges in equal measure. This volume presents writing by established and emerging writers who address the social and political dimensions of art and art writing in the contemporary context and the ways in which new art writing and publishing practices promote critical engagement among readerships as never before.
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livres
livres
Publication:
août 2021
août 2021
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Exhibition-ism
Exhibition-ism
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In "Exhibition-ism," theorist and artist Mieke Bal develops the idea that exhibiting is a significant form of the contemporary. In an exhibition, visitors are in the actual company of artworks that can perform. This book considers recent shows of Bal’s own video work, and is framed by observations on contemporary sculpture’s response to classics of the form. Looking at(...)
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In "Exhibition-ism," theorist and artist Mieke Bal develops the idea that exhibiting is a significant form of the contemporary. In an exhibition, visitors are in the actual company of artworks that can perform. This book considers recent shows of Bal’s own video work, and is framed by observations on contemporary sculpture’s response to classics of the form. Looking at(...)
Titre:
Exhibition-ism
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In "Exhibition-ism," theorist and artist Mieke Bal develops the idea that exhibiting is a significant form of the contemporary. In an exhibition, visitors are in the actual company of artworks that can perform. This book considers recent shows of Bal’s own video work, and is framed by observations on contemporary sculpture’s response to classics of the form. Looking at art as process, Bal makes the case that the being-together-in-time of an exhibition visit encourages and, if the curation is well-thought-out, can heighten the sense of the contemporaneity–art being more capable of this than anything else.
Exhibition-ism
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In "Exhibition-ism," theorist and artist Mieke Bal develops the idea that exhibiting is a significant form of the contemporary. In an exhibition, visitors are in the actual company of artworks that can perform. This book considers recent shows of Bal’s own video work, and is framed by observations on contemporary sculpture’s response to classics of the form. Looking at art as process, Bal makes the case that the being-together-in-time of an exhibition visit encourages and, if the curation is well-thought-out, can heighten the sense of the contemporaneity–art being more capable of this than anything else.
Classification:
livres
livres
Publication:
août 2021
août 2021
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more.(...)
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So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more.(...)
Sujet:
Théorie du design
Théorie du design
Publication:
décembre 2021
décembre 2021
Titre:
Extinct: a compendium of obsolete objects
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So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate ''extinct'' objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. ''Extinct'' is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.
Extinct: a compendium of obsolete objects
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So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate ''extinct'' objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. ''Extinct'' is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.
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livres
livres
Publication:
décembre 2021
décembre 2021
Sujet:
Théorie du design
Théorie du design
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livres
livres
Titre:
Architects on dwelling
Architects on dwelling
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While most books on architecture focus on the architectural outcome itself, ''Architects on dwelling'' takes a close look at how that outcome is created. To design any kind of dwelling, architects draw on both their reservoir of ideas as well as their own experiences as fellow inhabitants of such structures. This book explores how architects design the places we inhabit(...)
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While most books on architecture focus on the architectural outcome itself, ''Architects on dwelling'' takes a close look at how that outcome is created. To design any kind of dwelling, architects draw on both their reservoir of ideas as well as their own experiences as fellow inhabitants of such structures. This book explores how architects design the places we inhabit(...)
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Architects on dwelling
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While most books on architecture focus on the architectural outcome itself, ''Architects on dwelling'' takes a close look at how that outcome is created. To design any kind of dwelling, architects draw on both their reservoir of ideas as well as their own experiences as fellow inhabitants of such structures. This book explores how architects design the places we inhabit and how those places in turn inform the manner in which we live, in ways beyond lifestyle and personal taste. Through contributions by Stephen Hoey, Henry McKeown & Ian Alexander, James Mitchell, Stacey Philips, Christopher Platt, Adrian Stewart, and Miranda Webster—most of whom are Scotland-based practitioners as well as teachers in The Glasgow School of Art—it reveals the unique values and qualities that inform their design processes. In their essays, they focus mostly on one exemplary building, explaining how and why they design the way they do. Dick van Gameren, Simon Henley, and Graeme Hutton, distinguished experts and themselves architect-educators, place this work within an international context and provide insightful comment about what these design approaches inform us about contemporary design in Scotland. Complemented with a wide range of images, these essays both illuminate the architects’ motivations and inspirations and celebrate their featured works.
Architects on dwelling
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While most books on architecture focus on the architectural outcome itself, ''Architects on dwelling'' takes a close look at how that outcome is created. To design any kind of dwelling, architects draw on both their reservoir of ideas as well as their own experiences as fellow inhabitants of such structures. This book explores how architects design the places we inhabit and how those places in turn inform the manner in which we live, in ways beyond lifestyle and personal taste. Through contributions by Stephen Hoey, Henry McKeown & Ian Alexander, James Mitchell, Stacey Philips, Christopher Platt, Adrian Stewart, and Miranda Webster—most of whom are Scotland-based practitioners as well as teachers in The Glasgow School of Art—it reveals the unique values and qualities that inform their design processes. In their essays, they focus mostly on one exemplary building, explaining how and why they design the way they do. Dick van Gameren, Simon Henley, and Graeme Hutton, distinguished experts and themselves architect-educators, place this work within an international context and provide insightful comment about what these design approaches inform us about contemporary design in Scotland. Complemented with a wide range of images, these essays both illuminate the architects’ motivations and inspirations and celebrate their featured works.
Classification:
livres
livres
Publication:
juillet 2022
juillet 2022
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Social distance
Social distance
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Once only a vague metaphor to describe the relationship between different social groups, the term “social distance” has acquired a precise meaning during the Covid-19 pandemic. It is the mandatory minimum distance for face-to-face contact between persons, and can vary slightly depending on the jurisdiction. Rather than asserting a diagnosis of our contemporary global(...)
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Once only a vague metaphor to describe the relationship between different social groups, the term “social distance” has acquired a precise meaning during the Covid-19 pandemic. It is the mandatory minimum distance for face-to-face contact between persons, and can vary slightly depending on the jurisdiction. Rather than asserting a diagnosis of our contemporary global(...)
Titre:
Social distance
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Once only a vague metaphor to describe the relationship between different social groups, the term “social distance” has acquired a precise meaning during the Covid-19 pandemic. It is the mandatory minimum distance for face-to-face contact between persons, and can vary slightly depending on the jurisdiction. Rather than asserting a diagnosis of our contemporary global emergency, this issue offers perspectives from architectural history and theory. From the great plague of Venice to cholera in the industrialising city, and from the human placenta to the 1960s bubble or the office of today, here a broad range of reflections on contagion, disease, and health can be found.
Social distance
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Once only a vague metaphor to describe the relationship between different social groups, the term “social distance” has acquired a precise meaning during the Covid-19 pandemic. It is the mandatory minimum distance for face-to-face contact between persons, and can vary slightly depending on the jurisdiction. Rather than asserting a diagnosis of our contemporary global emergency, this issue offers perspectives from architectural history and theory. From the great plague of Venice to cholera in the industrialising city, and from the human placenta to the 1960s bubble or the office of today, here a broad range of reflections on contagion, disease, and health can be found.
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livres
livres
Publication:
décembre 2021
décembre 2021
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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On the importance of methodology in teaching architectural design. Can design processes constitute genuine forms of research? ''Against (and for) method'' highlights exemplary cases of how studio architects teach architectural design, address pedagogical deficiencies, and propose new possibilities for integrating methodological approaches into teaching and practice.(...)
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On the importance of methodology in teaching architectural design. Can design processes constitute genuine forms of research? ''Against (and for) method'' highlights exemplary cases of how studio architects teach architectural design, address pedagogical deficiencies, and propose new possibilities for integrating methodological approaches into teaching and practice.(...)
Titre:
Against and for method: Revisiting architectural design as research
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On the importance of methodology in teaching architectural design. Can design processes constitute genuine forms of research? ''Against (and for) method'' highlights exemplary cases of how studio architects teach architectural design, address pedagogical deficiencies, and propose new possibilities for integrating methodological approaches into teaching and practice. Contributions by leading scholars in the field, including interviews from five practicing architects, reveal how design concepts are considered, teased apart, and passed down. This book urges instructors to reflect on their methods and consider to what extent systematic and conceptually coherent approaches aid their students.
Against and for method: Revisiting architectural design as research
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$52.95
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On the importance of methodology in teaching architectural design. Can design processes constitute genuine forms of research? ''Against (and for) method'' highlights exemplary cases of how studio architects teach architectural design, address pedagogical deficiencies, and propose new possibilities for integrating methodological approaches into teaching and practice. Contributions by leading scholars in the field, including interviews from five practicing architects, reveal how design concepts are considered, teased apart, and passed down. This book urges instructors to reflect on their methods and consider to what extent systematic and conceptually coherent approaches aid their students.
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livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$19.95
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Les Editions du Seuil ont été fondées en 1935 par Henri Sjöberg, un publicitaire en mal d’engagement dans la tourmente des années d’avant-guerre. Son mentor, l’abbé Jean Plaquevent, joua un rôle considérable dans ces débuts. Deux ans plus tard, Jean Bardet et Paul Flamand, deux jeunes bourgeois partageant le même goût pour l’action, prennent les rênes du petit(...)
$19.95
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Les Editions du Seuil ont été fondées en 1935 par Henri Sjöberg, un publicitaire en mal d’engagement dans la tourmente des années d’avant-guerre. Son mentor, l’abbé Jean Plaquevent, joua un rôle considérable dans ces débuts. Deux ans plus tard, Jean Bardet et Paul Flamand, deux jeunes bourgeois partageant le même goût pour l’action, prennent les rênes du petit(...)
Titre:
Aux origines des éditions du Seuil
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Les Editions du Seuil ont été fondées en 1935 par Henri Sjöberg, un publicitaire en mal d’engagement dans la tourmente des années d’avant-guerre. Son mentor, l’abbé Jean Plaquevent, joua un rôle considérable dans ces débuts. Deux ans plus tard, Jean Bardet et Paul Flamand, deux jeunes bourgeois partageant le même goût pour l’action, prennent les rênes du petit attelage. 1935-1940 : voici racontées, pour la première fois, les tribulations de quatre aventuriers de l’esprit qui fondèrent l’une des institutions intellectuelles et littéraires les plus influentes de la France contemporaine.
Aux origines des éditions du Seuil
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Les Editions du Seuil ont été fondées en 1935 par Henri Sjöberg, un publicitaire en mal d’engagement dans la tourmente des années d’avant-guerre. Son mentor, l’abbé Jean Plaquevent, joua un rôle considérable dans ces débuts. Deux ans plus tard, Jean Bardet et Paul Flamand, deux jeunes bourgeois partageant le même goût pour l’action, prennent les rênes du petit attelage. 1935-1940 : voici racontées, pour la première fois, les tribulations de quatre aventuriers de l’esprit qui fondèrent l’une des institutions intellectuelles et littéraires les plus influentes de la France contemporaine.
Classification:
livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Ewa Lajer-Burcharth
Ewa Lajer-Burcharth
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Adapted from the lecture she delivered at the Institut für Kunstkritik, Städelschule in Frankfurt am Main, Ewa Lajer-Burcharth’s essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin. Focusing on the material aspects of Chardin’s practice, Lajer-Burcharth asks: In what ways were Chardin’s painterly(...)
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Adapted from the lecture she delivered at the Institut für Kunstkritik, Städelschule in Frankfurt am Main, Ewa Lajer-Burcharth’s essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin. Focusing on the material aspects of Chardin’s practice, Lajer-Burcharth asks: In what ways were Chardin’s painterly(...)
Titre:
Ewa Lajer-Burcharth
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Adapted from the lecture she delivered at the Institut für Kunstkritik, Städelschule in Frankfurt am Main, Ewa Lajer-Burcharth’s essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin. Focusing on the material aspects of Chardin’s practice, Lajer-Burcharth asks: In what ways were Chardin’s painterly procedures “his own,” and what were the implications of his possessive and personalized approach to the process of making? The author delves into these questions by examining a crucial moment in the artist’s career, when he, for reasons we can only speculate about, temporarily abandoned his still life practice and turned to painting genre scenes. The essay is joined by responses from Daniel Birnbaum and Isabelle Graw, followed by the author’s replies.
Ewa Lajer-Burcharth
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Adapted from the lecture she delivered at the Institut für Kunstkritik, Städelschule in Frankfurt am Main, Ewa Lajer-Burcharth’s essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin. Focusing on the material aspects of Chardin’s practice, Lajer-Burcharth asks: In what ways were Chardin’s painterly procedures “his own,” and what were the implications of his possessive and personalized approach to the process of making? The author delves into these questions by examining a crucial moment in the artist’s career, when he, for reasons we can only speculate about, temporarily abandoned his still life practice and turned to painting genre scenes. The essay is joined by responses from Daniel Birnbaum and Isabelle Graw, followed by the author’s replies.
Classification:
livres
livres
Publication:
octobre 2011
octobre 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the(...)
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the(...)
Titre:
Drawing and reinventing landscape
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the onset of rapid urbanisation and our shifting relationship with nature, landscape architecture has proved a potent lens for expressing a wider dialogue taking place in the world. It is, however, only through the introduction of innovative forms of representation – whether digital, analogue or hybrid – that one most vividly sees the emergence of the new. In this book, Diana Balmori explores notions of representation in the discipline at large and across time. She takes us back to landscape design’s roots in the seventeenth century in France and the eighteenth century in England, when it first grappled with questions of imagined exterior space. She explores the discipline’s relationship to painting and the influence of cartography with its bird's-eye views, topographic sections and perspectives. She highlights how new attempts at representation by modern landscape artists such as Patricia Johanson, Ian Hamilton Finlay and David Hockney continue to wrestle with the depiction of landscape.
Drawing and reinventing landscape
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the onset of rapid urbanisation and our shifting relationship with nature, landscape architecture has proved a potent lens for expressing a wider dialogue taking place in the world. It is, however, only through the introduction of innovative forms of representation – whether digital, analogue or hybrid – that one most vividly sees the emergence of the new. In this book, Diana Balmori explores notions of representation in the discipline at large and across time. She takes us back to landscape design’s roots in the seventeenth century in France and the eighteenth century in England, when it first grappled with questions of imagined exterior space. She explores the discipline’s relationship to painting and the influence of cartography with its bird's-eye views, topographic sections and perspectives. She highlights how new attempts at representation by modern landscape artists such as Patricia Johanson, Ian Hamilton Finlay and David Hockney continue to wrestle with the depiction of landscape.
Classification:
livres
livres
Publication:
janvier 2015
janvier 2015
Sujet:
Théorie du paysage
Théorie du paysage
