941 Résultats
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In 1856, the English photographer Francis Frith set out on the first of three tours of Egypt and the Holy Lands. Traveling up the Nile and then on to the Sinai, Palestine, Syria, and Lebanon, Frith systematically crafted exquisite pictures of ruins, landscapes, and legendary sites. He then published his views in England and America in a variety of formats, becoming(...)
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In 1856, the English photographer Francis Frith set out on the first of three tours of Egypt and the Holy Lands. Traveling up the Nile and then on to the Sinai, Palestine, Syria, and Lebanon, Frith systematically crafted exquisite pictures of ruins, landscapes, and legendary sites. He then published his views in England and America in a variety of formats, becoming(...)
Publication:
janvier 2004, Princeton
janvier 2004, Princeton
Titre:
Francis Frith in Egypt and Palestine : a Victorian photographer abroad
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In 1856, the English photographer Francis Frith set out on the first of three tours of Egypt and the Holy Lands. Traveling up the Nile and then on to the Sinai, Palestine, Syria, and Lebanon, Frith systematically crafted exquisite pictures of ruins, landscapes, and legendary sites. He then published his views in England and America in a variety of formats, becoming something of a celebrity in photographic circles. This book, the first to place Frith's Egyptian and Levantine images in cultural context, reveals the distinct meanings these ostensibly "topographic" pictures held for the photographer and his Victorian audience. A Quaker by birth and an entrepreneur by nature, Frith brought to his photographic projects a sense of mission: to revive and confirm the stories of the Bible, while offering the region to armchair travelers as a seamless Oriental milieu of Romantic reverie. Francis Frith in Egypt and Palestine narrates the political, intellectual, and social concerns that make Frith representative of England's encounter with the East in the nineteenth century. Historian of photography Douglas R. Nickel brings a sophisticated interdisciplinary approach to bear on the subject in order to expose the complexity of Frith's image-making, setting the photographs against a Victorian backdrop of religious debate, imperialist thought, Romantic philosophy, and Pre-Raphaelite aesthetics.
Francis Frith in Egypt and Palestine : a Victorian photographer abroad
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In 1856, the English photographer Francis Frith set out on the first of three tours of Egypt and the Holy Lands. Traveling up the Nile and then on to the Sinai, Palestine, Syria, and Lebanon, Frith systematically crafted exquisite pictures of ruins, landscapes, and legendary sites. He then published his views in England and America in a variety of formats, becoming something of a celebrity in photographic circles. This book, the first to place Frith's Egyptian and Levantine images in cultural context, reveals the distinct meanings these ostensibly "topographic" pictures held for the photographer and his Victorian audience. A Quaker by birth and an entrepreneur by nature, Frith brought to his photographic projects a sense of mission: to revive and confirm the stories of the Bible, while offering the region to armchair travelers as a seamless Oriental milieu of Romantic reverie. Francis Frith in Egypt and Palestine narrates the political, intellectual, and social concerns that make Frith representative of England's encounter with the East in the nineteenth century. Historian of photography Douglas R. Nickel brings a sophisticated interdisciplinary approach to bear on the subject in order to expose the complexity of Frith's image-making, setting the photographs against a Victorian backdrop of religious debate, imperialist thought, Romantic philosophy, and Pre-Raphaelite aesthetics.
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livres
livres
Publication:
janvier 2004, Princeton
janvier 2004, Princeton
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livres
livres
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"Designing Detroit: Wirt Rowland and the Rise of Modern American Architecture" begins with a brief overview of Rowland’s early life and career. Author Michael G. Smith goes on to analyze Rowland’s achievements in building design and as a leader of Detroit’s architectural community throughout both World Wars and the Great Depression. The interdependence of architecture(...)
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"Designing Detroit: Wirt Rowland and the Rise of Modern American Architecture" begins with a brief overview of Rowland’s early life and career. Author Michael G. Smith goes on to analyze Rowland’s achievements in building design and as a leader of Detroit’s architectural community throughout both World Wars and the Great Depression. The interdependence of architecture(...)
Titre:
Designing Detroit: Wirt Rowland and the rise of modern American architecture
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"Designing Detroit: Wirt Rowland and the Rise of Modern American Architecture" begins with a brief overview of Rowland’s early life and career. Author Michael G. Smith goes on to analyze Rowland’s achievements in building design and as a leader of Detroit’s architectural community throughout both World Wars and the Great Depression. The interdependence of architecture with the city’s fluctuating economic prosperity and population growth is explored, illuminating the conditions for good architecture and the arts in general. The author identifies the influence of Jay Hambidge’s "dynamic symmetry" in Rowland’s work and how it allowed him to employ color as a modern replacement for traditional ornamentation, leading to the revolutionary design of the Union Trust (Guardian) Building, for which he receives nearly unanimous praise in national media. This book is concerned primarily with Rowland’s influence on Detroit architecture, but spans beyond his work in Michigan to include the designer’s broad reach from New York to Miami. A comprehensive appendix includes extensive lists of Rowland’s publications, locations he had designed, and jobs taken on by his firm during his tenure. This book represents new research and insights not previously discussed in either scholarly or general audience texts and will be of interest to casual readers of Detroit history, as well as architecture historians.
Designing Detroit: Wirt Rowland and the rise of modern American architecture
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"Designing Detroit: Wirt Rowland and the Rise of Modern American Architecture" begins with a brief overview of Rowland’s early life and career. Author Michael G. Smith goes on to analyze Rowland’s achievements in building design and as a leader of Detroit’s architectural community throughout both World Wars and the Great Depression. The interdependence of architecture with the city’s fluctuating economic prosperity and population growth is explored, illuminating the conditions for good architecture and the arts in general. The author identifies the influence of Jay Hambidge’s "dynamic symmetry" in Rowland’s work and how it allowed him to employ color as a modern replacement for traditional ornamentation, leading to the revolutionary design of the Union Trust (Guardian) Building, for which he receives nearly unanimous praise in national media. This book is concerned primarily with Rowland’s influence on Detroit architecture, but spans beyond his work in Michigan to include the designer’s broad reach from New York to Miami. A comprehensive appendix includes extensive lists of Rowland’s publications, locations he had designed, and jobs taken on by his firm during his tenure. This book represents new research and insights not previously discussed in either scholarly or general audience texts and will be of interest to casual readers of Detroit history, as well as architecture historians.
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livres
livres
Publication:
avril 2017
avril 2017
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livres
livres
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$13.50
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One day in 1973, acting on a whim, Daniel Meadows and Martin Parr, final year photography students at Manchester Polytechnic, attended a Granada TV open day to view the newly reconstructed set of Coronation Street. There they learned that location filming of the popular soap opera was shortly to end. This was because wholesale regeneration of Salford’s housing stock was(...)
$13.50
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One day in 1973, acting on a whim, Daniel Meadows and Martin Parr, final year photography students at Manchester Polytechnic, attended a Granada TV open day to view the newly reconstructed set of Coronation Street. There they learned that location filming of the popular soap opera was shortly to end. This was because wholesale regeneration of Salford’s housing stock was(...)
Titre:
Daniel Meadows & Martin Parr — June Street, Salford 1973
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One day in 1973, acting on a whim, Daniel Meadows and Martin Parr, final year photography students at Manchester Polytechnic, attended a Granada TV open day to view the newly reconstructed set of Coronation Street. There they learned that location filming of the popular soap opera was shortly to end. This was because wholesale regeneration of Salford’s housing stock was sweeping away the ranks of Victorian terraced streets and their paving of stone setts, the very features which defined how a TV audience expected ‘the north’ to look. If the drama were to continue to look like itself, exterior scenes would henceforth be shot only at the studio. This discovery inspired Meadows and Parr to go looking for a former classic ‘Street’-like location to document before the bulldozers moved in. They settled on June Street in Ordsall, twenty houses which were still fully occupied. Over eight weeks or so, using the college Hasselblad and a bright photoflood lightbulb (screwed into the ceiling socket), they photographed each household — adults, children, dogs, cats, the budgie and, in one case, a tortoise — sitting together in their front rooms. When it was all done, they invited everyone to take part in a group photograph.
Daniel Meadows & Martin Parr — June Street, Salford 1973
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One day in 1973, acting on a whim, Daniel Meadows and Martin Parr, final year photography students at Manchester Polytechnic, attended a Granada TV open day to view the newly reconstructed set of Coronation Street. There they learned that location filming of the popular soap opera was shortly to end. This was because wholesale regeneration of Salford’s housing stock was sweeping away the ranks of Victorian terraced streets and their paving of stone setts, the very features which defined how a TV audience expected ‘the north’ to look. If the drama were to continue to look like itself, exterior scenes would henceforth be shot only at the studio. This discovery inspired Meadows and Parr to go looking for a former classic ‘Street’-like location to document before the bulldozers moved in. They settled on June Street in Ordsall, twenty houses which were still fully occupied. Over eight weeks or so, using the college Hasselblad and a bright photoflood lightbulb (screwed into the ceiling socket), they photographed each household — adults, children, dogs, cats, the budgie and, in one case, a tortoise — sitting together in their front rooms. When it was all done, they invited everyone to take part in a group photograph.
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livres
livres
Publication:
janvier 2026
janvier 2026
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Dot dot dash
Dot dot dash
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Dot Dot Dash! is brought to you by the editors of Pictoplasma and Pictoplasma 2. Expanding on the widely popular subject of contemporary character design, this definitive volume showcases an up-to-date survey of the personalities and characters that have entered the third dimension. Vinyl figures, plush dolls, designer toys and action figures can be seen as a new(...)
$77.00
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Dot Dot Dash! is brought to you by the editors of Pictoplasma and Pictoplasma 2. Expanding on the widely popular subject of contemporary character design, this definitive volume showcases an up-to-date survey of the personalities and characters that have entered the third dimension. Vinyl figures, plush dolls, designer toys and action figures can be seen as a new(...)
Titre:
Dot dot dash
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$77.00
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Dot Dot Dash! is brought to you by the editors of Pictoplasma and Pictoplasma 2. Expanding on the widely popular subject of contemporary character design, this definitive volume showcases an up-to-date survey of the personalities and characters that have entered the third dimension. Vinyl figures, plush dolls, designer toys and action figures can be seen as a new movement in contemporary design, art and popular culture. Interest in these three-dimensional toys have surged, drawing on pop culture, graffiti and visual art. The new-generation-characters appear cute, cuddly and innocuous at first, but are often elicit, subversive and politically incorrect. Not intended for child's play, they are highly esteemed by teens and adults alike. Each is a work of art, often created by world-famous artists and many of them are produced independently in limited editions and become highly sought after collectibles. A recent trend of character applications aspiring from inherent crossovers of the character and art worlds is also taking form in sculptures and objects, creating a new art market where artists are progressively moving beyond the boundaries of the gallery and extending their work to a disparate audience. This voluptuous volume exhibits the expansive scope of designs and objects in the ultimate compilation of contemporary character design.
Dot dot dash
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$77.00
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Résumé:
Dot Dot Dash! is brought to you by the editors of Pictoplasma and Pictoplasma 2. Expanding on the widely popular subject of contemporary character design, this definitive volume showcases an up-to-date survey of the personalities and characters that have entered the third dimension. Vinyl figures, plush dolls, designer toys and action figures can be seen as a new movement in contemporary design, art and popular culture. Interest in these three-dimensional toys have surged, drawing on pop culture, graffiti and visual art. The new-generation-characters appear cute, cuddly and innocuous at first, but are often elicit, subversive and politically incorrect. Not intended for child's play, they are highly esteemed by teens and adults alike. Each is a work of art, often created by world-famous artists and many of them are produced independently in limited editions and become highly sought after collectibles. A recent trend of character applications aspiring from inherent crossovers of the character and art worlds is also taking form in sculptures and objects, creating a new art market where artists are progressively moving beyond the boundaries of the gallery and extending their work to a disparate audience. This voluptuous volume exhibits the expansive scope of designs and objects in the ultimate compilation of contemporary character design.
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livres
livres
Publication:
octobre 2007, Berlin
octobre 2007, Berlin
Sujet:
Zines
Zines
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livres
livres
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$67.00
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In 2004, we published Sonic, our bestseller that presented visuals for music. Along with the continuing proliferation and success of MP3s and the iPod over the last three years, engaging cover and packaging design have become even more important reasons for listeners to buy music in its traditional forms. Supersonic results from and investigates these recent(...)
$67.00
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In 2004, we published Sonic, our bestseller that presented visuals for music. Along with the continuing proliferation and success of MP3s and the iPod over the last three years, engaging cover and packaging design have become even more important reasons for listeners to buy music in its traditional forms. Supersonic results from and investigates these recent(...)
Sujet:
Design d’intérieur
Design d’intérieur
Publication:
octobre 2007, Berlin
octobre 2007, Berlin
Titre:
Supersonic: Visuals for music
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$67.00
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In 2004, we published Sonic, our bestseller that presented visuals for music. Along with the continuing proliferation and success of MP3s and the iPod over the last three years, engaging cover and packaging design have become even more important reasons for listeners to buy music in its traditional forms. Supersonic results from and investigates these recent developments. Supersonic presents over 320 striking pages of today's best-designed music products with a focus on Independent and Alterative Rock as well as Electronica. In addition to abundant visuals, the book contains an informative foreword and features portraits of selected designers and companies, who are creating outstanding work in these musical fields. The diverse examples are structured into chapters with introductory texts that put each new subject into context for the reader. With its stunning images from today's most exciting music, Supersonic is a source of inspiration for all music insiders and the graphic artists creating music packaging and visual identities for bands. Because design for music is a field where experimental work thrives and new trends develop that go on to influence other fields, this book is also a veritable "must-have" for a general audience of creatives as well as concertgoers and gift givers.
Supersonic: Visuals for music
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$67.00
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In 2004, we published Sonic, our bestseller that presented visuals for music. Along with the continuing proliferation and success of MP3s and the iPod over the last three years, engaging cover and packaging design have become even more important reasons for listeners to buy music in its traditional forms. Supersonic results from and investigates these recent developments. Supersonic presents over 320 striking pages of today's best-designed music products with a focus on Independent and Alterative Rock as well as Electronica. In addition to abundant visuals, the book contains an informative foreword and features portraits of selected designers and companies, who are creating outstanding work in these musical fields. The diverse examples are structured into chapters with introductory texts that put each new subject into context for the reader. With its stunning images from today's most exciting music, Supersonic is a source of inspiration for all music insiders and the graphic artists creating music packaging and visual identities for bands. Because design for music is a field where experimental work thrives and new trends develop that go on to influence other fields, this book is also a veritable "must-have" for a general audience of creatives as well as concertgoers and gift givers.
Classification:
livres
livres
Publication:
octobre 2007, Berlin
octobre 2007, Berlin
Sujet:
Design d’intérieur
Design d’intérieur
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livres
livres
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$30.00
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The 12 artists in Phantasmagoria: Specters of Absence--Christian Boltanski, Jim Campbell, Michel Delacroix, Laurent Grasso, Jeppe Hein, William Kentridge, Rafael Lozano-Hemmer, Teresa Margolles, Oscar Munoz, Julie Nord, Rosangela Renno and Regina Silveira--draw on forms of representation associated with phantasmagoria and reframe them around contemporary notions of(...)
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The 12 artists in Phantasmagoria: Specters of Absence--Christian Boltanski, Jim Campbell, Michel Delacroix, Laurent Grasso, Jeppe Hein, William Kentridge, Rafael Lozano-Hemmer, Teresa Margolles, Oscar Munoz, Julie Nord, Rosangela Renno and Regina Silveira--draw on forms of representation associated with phantasmagoria and reframe them around contemporary notions of(...)
Titre:
Phantasmagoria : Specters of absence
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The 12 artists in Phantasmagoria: Specters of Absence--Christian Boltanski, Jim Campbell, Michel Delacroix, Laurent Grasso, Jeppe Hein, William Kentridge, Rafael Lozano-Hemmer, Teresa Margolles, Oscar Munoz, Julie Nord, Rosangela Renno and Regina Silveira--draw on forms of representation associated with phantasmagoria and reframe them around contemporary notions of absence and loss, using spectral effects and immaterial media such as shadows, fog, mist and breath. A "phantasmagoria" was a pre-cinematic theatrical show, devised in France in the late eighteenth century, which gained popularity throughout Europe in the nineteenth century. Long before blockbuster art exhibitions, crowds were wowed by these traveling shows, in which stories were performed with magic lanterns and rear projections that created dancing shadows and frightening melodramatic effects. These lively, interactive events incorporated narrative, mythology and theater in a single art form; they entertained a wide audience and provided a space to consider the otherworldly, mobilizing viewers' anxieties regarding death and the afterlife. This catalogue, produced for the traveling exhibition of the same name, includes a text by curator Jose Roca and his interviews with the 12 artists, as well as a newly commissioned short-fiction piece by Bruce Sterling. The exhibition is co-organized by the Museo de Arte del Banco de la Republica, Bogota, Columbia.
Phantasmagoria : Specters of absence
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The 12 artists in Phantasmagoria: Specters of Absence--Christian Boltanski, Jim Campbell, Michel Delacroix, Laurent Grasso, Jeppe Hein, William Kentridge, Rafael Lozano-Hemmer, Teresa Margolles, Oscar Munoz, Julie Nord, Rosangela Renno and Regina Silveira--draw on forms of representation associated with phantasmagoria and reframe them around contemporary notions of absence and loss, using spectral effects and immaterial media such as shadows, fog, mist and breath. A "phantasmagoria" was a pre-cinematic theatrical show, devised in France in the late eighteenth century, which gained popularity throughout Europe in the nineteenth century. Long before blockbuster art exhibitions, crowds were wowed by these traveling shows, in which stories were performed with magic lanterns and rear projections that created dancing shadows and frightening melodramatic effects. These lively, interactive events incorporated narrative, mythology and theater in a single art form; they entertained a wide audience and provided a space to consider the otherworldly, mobilizing viewers' anxieties regarding death and the afterlife. This catalogue, produced for the traveling exhibition of the same name, includes a text by curator Jose Roca and his interviews with the 12 artists, as well as a newly commissioned short-fiction piece by Bruce Sterling. The exhibition is co-organized by the Museo de Arte del Banco de la Republica, Bogota, Columbia.
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livres
livres
Publication:
octobre 2007, New York
octobre 2007, New York
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livres
livres
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$240.00
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“Everything important that I have done can be put into a little suitcase," Duchamp said in 1952: finally, that suitcase is accessible to all. One of the most important and enigmatic pieces of modernist art, Boîte-en-valise was assembled by Marcel Duchamp between 1935 and 1941. The portable suitcase contains "the sum of his artistic work" up to that point. Perhaps in(...)
$240.00
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“Everything important that I have done can be put into a little suitcase," Duchamp said in 1952: finally, that suitcase is accessible to all. One of the most important and enigmatic pieces of modernist art, Boîte-en-valise was assembled by Marcel Duchamp between 1935 and 1941. The portable suitcase contains "the sum of his artistic work" up to that point. Perhaps in(...)
Titre:
Marcel Duchamp: Museum in a box
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$240.00
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“Everything important that I have done can be put into a little suitcase," Duchamp said in 1952: finally, that suitcase is accessible to all. One of the most important and enigmatic pieces of modernist art, Boîte-en-valise was assembled by Marcel Duchamp between 1935 and 1941. The portable suitcase contains "the sum of his artistic work" up to that point. Perhaps in premonition of the coming war, and over years without a fixed address, Duchamp reproduced his work in a format that enabled him to easily transport his "complete works" at any time. Though the artist eventually made 300 copies of his box, many are behind glass in museums and private collections. This is the first ever reinterpretation of the legendary book-object, conceptualized by French artist Mathieu Mercier and now available to a broader audience. At once a work in and of itself, and a reproduction in the Duchampian spirit, this miniature museum contains 81 reproductions of Duchamp's creations, including the famous "Fountain," "Nude Descending a Staircase" and the "Large Glass." Mercier has reproduced the bulk of the contents of Duchamp's original box in paper form, designing everything to scale. Playful and accessible, the "Boîte" reflects Duchamp's desire to display his works outside the museum and gallery system.
Marcel Duchamp: Museum in a box
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$240.00
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“Everything important that I have done can be put into a little suitcase," Duchamp said in 1952: finally, that suitcase is accessible to all. One of the most important and enigmatic pieces of modernist art, Boîte-en-valise was assembled by Marcel Duchamp between 1935 and 1941. The portable suitcase contains "the sum of his artistic work" up to that point. Perhaps in premonition of the coming war, and over years without a fixed address, Duchamp reproduced his work in a format that enabled him to easily transport his "complete works" at any time. Though the artist eventually made 300 copies of his box, many are behind glass in museums and private collections. This is the first ever reinterpretation of the legendary book-object, conceptualized by French artist Mathieu Mercier and now available to a broader audience. At once a work in and of itself, and a reproduction in the Duchampian spirit, this miniature museum contains 81 reproductions of Duchamp's creations, including the famous "Fountain," "Nude Descending a Staircase" and the "Large Glass." Mercier has reproduced the bulk of the contents of Duchamp's original box in paper form, designing everything to scale. Playful and accessible, the "Boîte" reflects Duchamp's desire to display his works outside the museum and gallery system.
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livres
livres
Publication:
mars 2016
mars 2016
Classification:
livres
livres
Titre:
Frédéric Teschner
Frédéric Teschner
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Ce livre donne à voir une sélection précise des différents projets conçus par Frédéric Teschner au cours de sa carrière. Son travail est présenté par un dispositif original et inédit grâce à une série de photographies de Morgane Le Gall mettant en scène 48 affiches et de nombreux objets (livres, affiches, identités visuelles, etc.). Pour appréhender son œuvre et sa(...)
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Ce livre donne à voir une sélection précise des différents projets conçus par Frédéric Teschner au cours de sa carrière. Son travail est présenté par un dispositif original et inédit grâce à une série de photographies de Morgane Le Gall mettant en scène 48 affiches et de nombreux objets (livres, affiches, identités visuelles, etc.). Pour appréhender son œuvre et sa(...)
Publication:
août 2019
août 2019
Titre:
Frédéric Teschner
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$59.95
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Ce livre donne à voir une sélection précise des différents projets conçus par Frédéric Teschner au cours de sa carrière. Son travail est présenté par un dispositif original et inédit grâce à une série de photographies de Morgane Le Gall mettant en scène 48 affiches et de nombreux objets (livres, affiches, identités visuelles, etc.). Pour appréhender son œuvre et sa démarche, treize textes ont été commandés à des personnalités du monde culturel ayant collaboré ou accompagné Teschner au cours de sa carrière. Un échantillon d’affiche imprimé en sérigraphie à l’échelle 1 sur du papier affiche au dos bleu est inséré en fin de cahier, rendant chaque exemplaire du livre unique. // This monograph is dedicated to the French graphic designer Frédéric Teschner. Whether dealing with the visual arts, music, or theatre, Teschner’s approach has relied on graphic communication as a vehicle for the values of public service. He always strives to create a visual context for a dialogue between ordinary people and public cultural activities, and essentially sees the role of the graphic designer as interlocuter between design and its audience. A number of contributors offer detailed insight into various aspects of Teschner’s oeuvre in this comprehensive overview and tribute, which also includes a large portfolio of his work and a detailed chronological biography.
Frédéric Teschner
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Ce livre donne à voir une sélection précise des différents projets conçus par Frédéric Teschner au cours de sa carrière. Son travail est présenté par un dispositif original et inédit grâce à une série de photographies de Morgane Le Gall mettant en scène 48 affiches et de nombreux objets (livres, affiches, identités visuelles, etc.). Pour appréhender son œuvre et sa démarche, treize textes ont été commandés à des personnalités du monde culturel ayant collaboré ou accompagné Teschner au cours de sa carrière. Un échantillon d’affiche imprimé en sérigraphie à l’échelle 1 sur du papier affiche au dos bleu est inséré en fin de cahier, rendant chaque exemplaire du livre unique. // This monograph is dedicated to the French graphic designer Frédéric Teschner. Whether dealing with the visual arts, music, or theatre, Teschner’s approach has relied on graphic communication as a vehicle for the values of public service. He always strives to create a visual context for a dialogue between ordinary people and public cultural activities, and essentially sees the role of the graphic designer as interlocuter between design and its audience. A number of contributors offer detailed insight into various aspects of Teschner’s oeuvre in this comprehensive overview and tribute, which also includes a large portfolio of his work and a detailed chronological biography.
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livres
livres
Publication:
août 2019
août 2019
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Description:
595 pages, 2 unnumbered pages : illustrations, maps, plans ; 23 cm
Description:
595 pages, 2 unnumbered pages : illustrations, maps, plans ; 23 cm
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New York : Allworth Press, [2022], ©2022
New York : Allworth Press, [2022], ©2022
Titre:
The Black experience in design : identity, expression & reflection / Anne H. Berry, Kareem Collie, Penina Acayo Laker, Lesley-Ann Noel, Jennifer Rittner, Kelly Walters.
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595 pages, 2 unnumbered pages : illustrations, maps, plans ; 23 cm
The Black experience in design : identity, expression & reflection / Anne H. Berry, Kareem Collie, Penina Acayo Laker, Lesley-Ann Noel, Jennifer Rittner, Kelly Walters.
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Description:
595 pages, 2 unnumbered pages : illustrations, maps, plans ; 23 cm
Classification:
livres
livres
Publication:
New York : Allworth Press, [2022], ©2022
New York : Allworth Press, [2022], ©2022
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$31.99
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Mary Siisip Geniusz has spent more than thirty years working with, living with, and using the Anishinaabe teachings, recipes, and botanical information she shares in ''Plants have so much to give us, all we have to do is ask''. Geniusz gained much of the knowledge she writes about from her years as an oshkaabewis, a traditionally trained apprentice, and as friend to the(...)
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Résumé:
Mary Siisip Geniusz has spent more than thirty years working with, living with, and using the Anishinaabe teachings, recipes, and botanical information she shares in ''Plants have so much to give us, all we have to do is ask''. Geniusz gained much of the knowledge she writes about from her years as an oshkaabewis, a traditionally trained apprentice, and as friend to the(...)
Titre:
Plants have so much to give us, all we have to do is ask: Anishinaabe botanical teachings
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Prix:
$31.99
(disponible sur commande)
Résumé:
Mary Siisip Geniusz has spent more than thirty years working with, living with, and using the Anishinaabe teachings, recipes, and botanical information she shares in ''Plants have so much to give us, all we have to do is ask''. Geniusz gained much of the knowledge she writes about from her years as an oshkaabewis, a traditionally trained apprentice, and as friend to the late Keewaydinoquay, an Anishinaabe medicine woman from the Leelanau Peninsula in Michigan and a scholar, teacher, and practitioner in the field of native ethnobotany. Keewaydinoquay published little in her lifetime, yet Geniusz has carried on her legacy by making this body of knowledge accessible to a broader audience. Geniusz teaches the ways she was taught-through stories. Sharing the traditional stories she learned at Keewaydinoquay's side as well as stories from other American Indian traditions and her own experiences, Geniusz brings the plants to life with narratives that explain their uses, meaning, and history. Stories such as "Naanabozho and the Squeaky-Voice Plant" place the plants in cultural context and illustrate the belief in plants as cognizant beings. Covering a wide range of plants, from conifers to cattails to medicinal uses of yarrow, mullein, and dandelion, she explains how we can work with those beings to create food, simple medicines, and practical botanical tools.
Plants have so much to give us, all we have to do is ask: Anishinaabe botanical teachings
Actions:
Prix:
$31.99
(disponible sur commande)
Résumé:
Mary Siisip Geniusz has spent more than thirty years working with, living with, and using the Anishinaabe teachings, recipes, and botanical information she shares in ''Plants have so much to give us, all we have to do is ask''. Geniusz gained much of the knowledge she writes about from her years as an oshkaabewis, a traditionally trained apprentice, and as friend to the late Keewaydinoquay, an Anishinaabe medicine woman from the Leelanau Peninsula in Michigan and a scholar, teacher, and practitioner in the field of native ethnobotany. Keewaydinoquay published little in her lifetime, yet Geniusz has carried on her legacy by making this body of knowledge accessible to a broader audience. Geniusz teaches the ways she was taught-through stories. Sharing the traditional stories she learned at Keewaydinoquay's side as well as stories from other American Indian traditions and her own experiences, Geniusz brings the plants to life with narratives that explain their uses, meaning, and history. Stories such as "Naanabozho and the Squeaky-Voice Plant" place the plants in cultural context and illustrate the belief in plants as cognizant beings. Covering a wide range of plants, from conifers to cattails to medicinal uses of yarrow, mullein, and dandelion, she explains how we can work with those beings to create food, simple medicines, and practical botanical tools.
Classification:
livres
livres
Publication:
avril 2015
avril 2015
Sujet:
Faune et flore
Faune et flore
