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The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour(...)
Museums matter: in praise of the encyclopedic museum
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The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour of the modern museum, from the creation of the British Museum - the archetypal encyclopedic collection - to the present, when major museums host millions of visitors annually and play a major role in the cultural lives of their cities. Engaging with thinkers such as Edward Said and Martha Nussbaum, and drawing on examples from the politics of India to the destruction of the Bramiyan Buddhas to the history of trade and travel, Cuno makes a case for the encyclopedic museum as a truly cosmopolitan institution, promoting tolerance, understanding, and a shared sense of history - values that are essential in our ever more globalized age.
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À l’heure où des crises environnementales, économiques, politiques et humanitaires se croisent et menacent jusqu’à la vie sur Terre, il est troublant de constater que nous ne faisons toujours pas de la défense du vivant une priorité. Et si le travail de soin, les modes de vie égalitaires et durables souffraient du même mépris qui a longtemps occulté le savoir et l’action(...)
Faire partie du monde : réflexions écoféministes
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À l’heure où des crises environnementales, économiques, politiques et humanitaires se croisent et menacent jusqu’à la vie sur Terre, il est troublant de constater que nous ne faisons toujours pas de la défense du vivant une priorité. Et si le travail de soin, les modes de vie égalitaires et durables souffraient du même mépris qui a longtemps occulté le savoir et l’action des femmes? Ce livre postule l’urgence de l’écoféminisme. Comprendre les similitudes dans le fonctionnement du patriarcat et de l’exploitation de la nature permet de revaloriser de puissantes stratégies de résistance. Les auteures de ce recueil réfléchissent à la décentralisation du pouvoir, à la décolonisation, aux droits des animaux, à la crise de la reproduction, aux grands projets d’exploitation des ressources, au retour à la terre, à la financiarisation du vivant, à la justice entre générations. Toutes sont engagées sur plusieurs fronts pour freiner la destruction du monde. Et pensent que nous n’y arriverons pas sans rompre radicalement avec l’idéologie de domination.
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In a new series of original texts for Drawing Matter, artist Deanna Petherbridge provides commentary on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Since her initial response to civil war, destroyed cities and enforced migrations(...)
Deanna Petherbridge: Drawing as metaphor
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In a new series of original texts for Drawing Matter, artist Deanna Petherbridge provides commentary on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Since her initial response to civil war, destroyed cities and enforced migrations through and out of Syria in the triptych ''The Destruction of the City of Homs'' Petherbridge has embarked on a series of multi-panelled drawings about migrations, walls and barriers and threatened institutions. Her commentary on ''Crossing the Abyss'' (2019) can be read in Drawing Matter’s ''Women writing architecture'' publication or online; this seminal drawing sparked off a series of related works. The Covid-19 pandemic has been her major preoccupation under lockdown, but Petherbridge is hoping that her latest on-going pieces reflecting on pollution, governmental controls and devastated landscapes prove to be the last in the series.
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This edition of Perspecta, the oldest and most distinguished student-edited architectural journal in America, investigates the transformation of capital cities in the era of globalization. This redevelopment, renewal, and recycling of the urban landscape--termed by the editors as "Re_Urbanism"--takes place as capital cities try both to cater to an influx of global capital(...)
Perspecta 39 Re_urbanism : Transforming capitals
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This edition of Perspecta, the oldest and most distinguished student-edited architectural journal in America, investigates the transformation of capital cities in the era of globalization. This redevelopment, renewal, and recycling of the urban landscape--termed by the editors as "Re_Urbanism"--takes place as capital cities try both to cater to an influx of global capital and to reassert their roles as symbols of national sovereignty. Re_Urbanism investigates this process from an architectural perspective. The contributors explore the various ways capital cities struggle to assert their vitality and continuing relevance, examining capitals that compete internally with their own global counterparts (Abu Dhabi vs. Dubai), capitals that must be rebuilt after periods of destruction (Belgrade and Baghdad), and capital cities that are responding to hyperbolic development (Beijing, New Delhi, Kuwait City). Some cities are examined for their impact on border politics (Washington D.C.) while others reveal mythologies parallel to their modernist origins (Brasilia).
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Brutalism
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In ''Brutalism'', eminent social and critical theorist Achille Mbembe invokes the architectural aesthetic of brutalism to describe our moment, caught up in the pathos of demolition and production on a planetary scale. Just as brutalist architecture creates an affect of overwhelming weight and destruction, Mbembe contends that contemporary capitalism crushes and dominates(...)
Brutalism
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In ''Brutalism'', eminent social and critical theorist Achille Mbembe invokes the architectural aesthetic of brutalism to describe our moment, caught up in the pathos of demolition and production on a planetary scale. Just as brutalist architecture creates an affect of overwhelming weight and destruction, Mbembe contends that contemporary capitalism crushes and dominates all spheres of existence. In our digital, technologically focused era, capitalism has produced a becoming-artificial of humanity and the becoming-human of machines. This blurring of the natural and artificial presents a planetary existential threat in which contemporary society’s goal is to precipitate the mutation of the human species into a condition that is at once plastic and synthetic. Mbembe argues that Afro-diasporic thought presents the only solution for breaking the totalizing logic of contemporary capitalism: repairing that which is broken, developing a new planetary consciousness, and reforming a community of humans in solidarity with all living things.
Social
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Between 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg's city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Moved by the life force of the predominantly Indian community's families, shopkeepers, and small business owners,(...)
David Goldblatt: Fragments of Fietas
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Between 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg's city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Moved by the life force of the predominantly Indian community's families, shopkeepers, and small business owners, Goldblatt said attempted to grasp something of their life and what they had built. The resulting photographs, collected and published here for the first time, form a vivid social document of Fietas before, during, and after its destruction under the Group Areas Act. Earlier images of storefronts and domestic interiors contrast poignantly with those of their demolition from the late 1970s onwards. Dignified portraits of traders in their stores capture their determined efforts to build a life for their families. Interviews with past and present Fietas residents close the book, recalling the testimonials of Goldblatt's subjects in The Transported of Kwandebele and Ex-Offenders at the Scene of Crime.
Monographies photo
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Like light passing through a prism to reveal its many colors, the myriad expressions of the Earth unfold through the seasons. We’ve long moved with their simple and sacred rhythm; they are the primary gateway through which the human engages with cycles of creation, destruction, and renewal. But today we estrange ourselves from the seasons with technology and human-centric(...)
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janvier 2026
Emergence Magazine, Vol.6: Seasons
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Like light passing through a prism to reveal its many colors, the myriad expressions of the Earth unfold through the seasons. We’ve long moved with their simple and sacred rhythm; they are the primary gateway through which the human engages with cycles of creation, destruction, and renewal. But today we estrange ourselves from the seasons with technology and human-centric myths, while an unraveling climate causes them to grow increasingly unfamiliar. Reflecting a world where snow no longer arrives, annual migrations fall out of time, yet first blossoms still burst, Seasons, our sixth print edition, moves through three themes: requiem, invitation, and celebration—each a contemplation on the paradoxical ways the seasons now beckon us into intimate relationship. This collection of haiku, essays, short fiction, photography, conversations, and poetry, infused with a spectrum of color and light, listens for the turning song of the seasons—for what vanishes and what remains—attentive to these moments that call us into communion with the Earth.
Revues
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L'un écrit, l'autre bâtit. Ils se connaissent depuis vingt ans et parlent ensemble de leurs passions communes : la poésie, l'architecture. C'est l'événement du 11 Septembre qui ouvre ce dialogue sur cette interrogation béante face à laquelle cela nous a laissé : à quelle destruction avons nous assisté ce jour-là ? Est-ce la fin d'un monde, et de quel monde ? L'un(...)
Théorie de l’architecture
novembre 2005, Paris
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L'un écrit, l'autre bâtit. Ils se connaissent depuis vingt ans et parlent ensemble de leurs passions communes : la poésie, l'architecture. C'est l'événement du 11 Septembre qui ouvre ce dialogue sur cette interrogation béante face à laquelle cela nous a laissé : à quelle destruction avons nous assisté ce jour-là ? Est-ce la fin d'un monde, et de quel monde ? L'un propose, l'autre répond, le premier reprend, le second argumente. Peut-on penser sans le langage ? Pourquoi, comment a-t-on inventé la rue ? le café ? la place ? Comment Apollinaire et Picasso se sont-ils rencontrés ? Qu'est-ce qu'un rêve prémonitoire pour un écrivain ? pour un architecte ? La musique est-elle de même essence que l'architecture ? C'est Hélène Bleskine qui a pensé, originellement, à cette rencontre, et son introduction permet aussi de comprendre pourquoi ces deux-là devaient nécessairement se rencontrer, et pourquoi Philippe Sollers et Christian de Portzamparc, qu'ils évoquent la Chine ou les tours de New York ont en commun plus qu'une langue... un espace poétique.
Théorie de l’architecture
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In recent years, philosophy and art have testified to how anthropocentrism has culturally impoverished our world, leading to the wide destruction of habitats and ecosystems. In this book, Giovanni Aloi and Michael Marder show that the field of critical plant studies can make an important contribution, offering a slew of possibilities for scientific research, local(...)
juillet 2023
Vegetal entwinements in philosophy and art
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In recent years, philosophy and art have testified to how anthropocentrism has culturally impoverished our world, leading to the wide destruction of habitats and ecosystems. In this book, Giovanni Aloi and Michael Marder show that the field of critical plant studies can make an important contribution, offering a slew of possibilities for scientific research, local traditions, Indigenous knowledge, history, geography, anthropology, philosophy, and aesthetics to intersect, inform one another, and lead interdisciplinary and transcultural dialogues. "Vegetal entwinements in philosophy and art" considers such topics as the presence of plants in the history of philosophy, the shifting status of plants in various traditions, what it means to make art with growing life-forms, and whether or not plants have moral standing. In an experimental vegetal arrangement, the reader presents some of the most influential writing on plants, philosophy, and the arts, together with provocative new contributions, as well as interviews with groundbreaking contemporary artists whose work has greatly enhanced our appreciation of vegetal being.
New York in photobooks
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in(...)
New York in photobooks
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in 2001, alongside the urban life of the New Yorkers themselves, recorded in a model style of street photography. Many of the books are the work of European and Japanese photographers, who discovered multiple perspectives (human, cultural, social, economic…) from which to view the city that shaped the twentieth century. Nueva York en fotolibros is the catalogue of a traveling exhibition curated by Horacio Fernández, who is also the editor of the book: a collaborative effort in which, in addition to the many images, there are texts by numerous pho-tography scholars.
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