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In recent years, philosophy and art have testified to how anthropocentrism has culturally impoverished our world, leading to the wide destruction of habitats and ecosystems. In this book, Giovanni Aloi and Michael Marder show that the field of critical plant studies can make an important contribution, offering a slew of possibilities for scientific research, local(...)
juillet 2023
Vegetal entwinements in philosophy and art
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In recent years, philosophy and art have testified to how anthropocentrism has culturally impoverished our world, leading to the wide destruction of habitats and ecosystems. In this book, Giovanni Aloi and Michael Marder show that the field of critical plant studies can make an important contribution, offering a slew of possibilities for scientific research, local traditions, Indigenous knowledge, history, geography, anthropology, philosophy, and aesthetics to intersect, inform one another, and lead interdisciplinary and transcultural dialogues. "Vegetal entwinements in philosophy and art" considers such topics as the presence of plants in the history of philosophy, the shifting status of plants in various traditions, what it means to make art with growing life-forms, and whether or not plants have moral standing. In an experimental vegetal arrangement, the reader presents some of the most influential writing on plants, philosophy, and the arts, together with provocative new contributions, as well as interviews with groundbreaking contemporary artists whose work has greatly enhanced our appreciation of vegetal being.
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The importance of protecting significant buildings from decay and destruction would seem to be undeniable. Yet whilst the majority of buildings of merit constructed before the Second World War have been highlighted as worthy of protection there is much indifference, and in some cases hostility towards many important post war buildings. These deserve to receive wider(...)
octobre 2007, Shaftesbury
Conservation of modern architecture
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The importance of protecting significant buildings from decay and destruction would seem to be undeniable. Yet whilst the majority of buildings of merit constructed before the Second World War have been highlighted as worthy of protection there is much indifference, and in some cases hostility towards many important post war buildings. These deserve to receive wider formal recognition but in many cases continue to be mistreated or even demolished. This book examines many of the philosophical and practical issues surrounding the conservation of modern buildings and also the problems faced by building practitioners in dealing with buildings constructed in a wider range of styles and materials than at any other time. Climate change in particular has forced change in the way in which we think about buildings, with the pressures to address issues of energy efficiency becoming more urgent and likely to have consequences that may alter the perceived architectural and historic interest of modern and traditional buildings alike.
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octobre 2007, Shaftesbury
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Gothic dark glamour
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From its origins in the eighteenth-century literature of terror to its contemporary manifestations in vampire fiction, cinema, and art, the gothic has embraced the powers of horror and the erotic macabre. “Gothic” is an epithet with a strange history – evoking images of death, destruction, and decay. Ironically, its negative connotations have made the gothic an ideal(...)
Création de mode
septembre 2008, New Haven, London
Gothic dark glamour
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From its origins in the eighteenth-century literature of terror to its contemporary manifestations in vampire fiction, cinema, and art, the gothic has embraced the powers of horror and the erotic macabre. “Gothic” is an epithet with a strange history – evoking images of death, destruction, and decay. Ironically, its negative connotations have made the gothic an ideal symbol of rebellion for a wide range of cultural outsiders. Popularly associated with black-clad teenagers and rock musicians, gothic fashion encompasses not only subcultural styles (from old-school goth to cyber-goth and beyond) but also high fashion by such designers as Alexander McQueen, John Galliano of Christian Dior, Rick Owens, Olivier Theyskens, and Yohji Yamamoto. Fashion photographers, such as Sean Ellis and Eugenio Recuenco, have also drawn on the visual vocabulary of the gothic to convey narratives of dark glamour. As the text and lavish illustrations in this book suggest, gothic fashion has deep cultural roots that give it an enduring potency.
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septembre 2008, New Haven, London
Création de mode
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now(...)
juin 2008, New York
The Concrete Dragon: China's urban revolution and what it means for the world
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now has 102 such cities. And in a single decade more Chinese families have been displaced by redevelopment than by thirty years of urban renewal in the United States. The scale of this urban revolution is breathtaking: China is now home to the largest malls on earth, the biggest airport, many of the planet's tallest buildings and longest bridges, the biggest gated community, the largest bowling alley, and even the worlds largest skateboard park. China's rich urban architectural legacy is being sacrificed to make way for icons of progress and modernity.
New York in photobooks
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in(...)
New York in photobooks
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in 2001, alongside the urban life of the New Yorkers themselves, recorded in a model style of street photography. Many of the books are the work of European and Japanese photographers, who discovered multiple perspectives (human, cultural, social, economic…) from which to view the city that shaped the twentieth century. Nueva York en fotolibros is the catalogue of a traveling exhibition curated by Horacio Fernández, who is also the editor of the book: a collaborative effort in which, in addition to the many images, there are texts by numerous pho-tography scholars.
Photographie- collections
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Disapproved of by the critics and extremely nonconformist, Carlo Mollino expressed himself through his architectural designs, his furniture and interiors, in a language assimilated from futurism and surrealism. The influence of architects ranging from Gaudí to Mendelsohn, from Aalto to Le Corbusier, can be seen in his highly individual designs. Projects such as the(...)
Carlo Mollino : architecture as autobiography
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Disapproved of by the critics and extremely nonconformist, Carlo Mollino expressed himself through his architectural designs, his furniture and interiors, in a language assimilated from futurism and surrealism. The influence of architects ranging from Gaudí to Mendelsohn, from Aalto to Le Corbusier, can be seen in his highly individual designs. Projects such as the sledge-lift station at Lago Nero, the Teatro Regio in Turin and the Lutrario ballroom demonstrated his exceptional powers of imagination. The interaction between Mollino’s professional activities and his many interests, which included aeronautics, downhill racing, set design and eroticism. With the demolition of his massive masterpiece, the Ippica in Turin, and the destruction of his most prestigious interiors, all that remains today of Mollino’s work is his furniture. Drawing on rare photographs and documents, this important monograph reconstructs Mollino’s work through more than eighty interiors and pieces of furniture spanning his career, pieces built with such bravura that they often resemble sculpture more than works of industrial design.
Architecture, monographies
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Tour à tour objet de rêverie poétique et de spéculation philosophique, symbole de grandeur politique, incarnation de l’universalité du savoir et de la fragilité de son support après la destruction par le feu, la bibliothèque d’Alexandrie fascine. En 1988, l’UNESCO lance un concours international d’architecture pour la construction d’une nouvelle bibliothèque. Inaugurée(...)
mai 2003, Paris
La nouvelle Bibliothèque d'Alexandrie
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Tour à tour objet de rêverie poétique et de spéculation philosophique, symbole de grandeur politique, incarnation de l’universalité du savoir et de la fragilité de son support après la destruction par le feu, la bibliothèque d’Alexandrie fascine. En 1988, l’UNESCO lance un concours international d’architecture pour la construction d’une nouvelle bibliothèque. Inaugurée en octobre 2001, le bâtiment cumule les fonctions de bibliothèque publique, de centre d’archives, de musée et de centre de formation des bibliothécaires. Le propos du volume est de réunir les acteurs du projet et des contributeurs choisis pour leur approche à la fois érudite et sensible des différents aspects qui concernent la réalité, l’image, le symbole et l’avenir de la bibliothèque. Sont rassemblées les contributions de Christoph Kapeller, l’un des architectes lauréats, de Gerald Grunberg, directeur de la BPI de Beaubourg, conseiller technique auprès du directeur de projet de la bibliothèque, et d’Ismail Serageldin, le directeur de la nouvelle bibliothèque.
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In a new series of original texts for Drawing Matter, artist Deanna Petherbridge provides commentary on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Since her initial response to civil war, destroyed cities and enforced migrations(...)
Deanna Petherbridge: Drawing as metaphor
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In a new series of original texts for Drawing Matter, artist Deanna Petherbridge provides commentary on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Since her initial response to civil war, destroyed cities and enforced migrations through and out of Syria in the triptych ''The Destruction of the City of Homs'' Petherbridge has embarked on a series of multi-panelled drawings about migrations, walls and barriers and threatened institutions. Her commentary on ''Crossing the Abyss'' (2019) can be read in Drawing Matter’s ''Women writing architecture'' publication or online; this seminal drawing sparked off a series of related works. The Covid-19 pandemic has been her major preoccupation under lockdown, but Petherbridge is hoping that her latest on-going pieces reflecting on pollution, governmental controls and devastated landscapes prove to be the last in the series.
Brutalism
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In ''Brutalism'', eminent social and critical theorist Achille Mbembe invokes the architectural aesthetic of brutalism to describe our moment, caught up in the pathos of demolition and production on a planetary scale. Just as brutalist architecture creates an affect of overwhelming weight and destruction, Mbembe contends that contemporary capitalism crushes and dominates(...)
Brutalism
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In ''Brutalism'', eminent social and critical theorist Achille Mbembe invokes the architectural aesthetic of brutalism to describe our moment, caught up in the pathos of demolition and production on a planetary scale. Just as brutalist architecture creates an affect of overwhelming weight and destruction, Mbembe contends that contemporary capitalism crushes and dominates all spheres of existence. In our digital, technologically focused era, capitalism has produced a becoming-artificial of humanity and the becoming-human of machines. This blurring of the natural and artificial presents a planetary existential threat in which contemporary society’s goal is to precipitate the mutation of the human species into a condition that is at once plastic and synthetic. Mbembe argues that Afro-diasporic thought presents the only solution for breaking the totalizing logic of contemporary capitalism: repairing that which is broken, developing a new planetary consciousness, and reforming a community of humans in solidarity with all living things.
Social
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Between 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg's city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Moved by the life force of the predominantly Indian community's families, shopkeepers, and small business owners,(...)
David Goldblatt: Fragments of Fietas
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Between 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg's city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Moved by the life force of the predominantly Indian community's families, shopkeepers, and small business owners, Goldblatt said attempted to grasp something of their life and what they had built. The resulting photographs, collected and published here for the first time, form a vivid social document of Fietas before, during, and after its destruction under the Group Areas Act. Earlier images of storefronts and domestic interiors contrast poignantly with those of their demolition from the late 1970s onwards. Dignified portraits of traders in their stores capture their determined efforts to build a life for their families. Interviews with past and present Fietas residents close the book, recalling the testimonials of Goldblatt's subjects in The Transported of Kwandebele and Ex-Offenders at the Scene of Crime.
Monographies photo