13317 Résultats
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In volume 16 of The Conversation Series, Hans Ulrich Obrist presents an in-depth exchange with the venerable German-born artist and activist Gustav Metzger, which illuminates the artist's fascinating life and 60-year career. In 1959, Metzger penned a manifesto of Auto-destructive art, which states in part, "Auto-destructive paintings, sculptures and constructions have a(...)
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In volume 16 of The Conversation Series, Hans Ulrich Obrist presents an in-depth exchange with the venerable German-born artist and activist Gustav Metzger, which illuminates the artist's fascinating life and 60-year career. In 1959, Metzger penned a manifesto of Auto-destructive art, which states in part, "Auto-destructive paintings, sculptures and constructions have a(...)
Publication:
janvier 2009, Köln
janvier 2009, Köln
Titre:
Hans Ulrich Obrist - Gustav Metzger: the conversation series 16
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In volume 16 of The Conversation Series, Hans Ulrich Obrist presents an in-depth exchange with the venerable German-born artist and activist Gustav Metzger, which illuminates the artist's fascinating life and 60-year career. In 1959, Metzger penned a manifesto of Auto-destructive art, which states in part, "Auto-destructive paintings, sculptures and constructions have a lifetime varying from a few moments to 20 years. When the disintegrative process is complete, the work is to be removed from the site and scrapped." In this volume, Metzger talks to Obrist about his past and present association with Auto-destructive art, how he has come to fuse his art practice with his political commitment to human rights and ecology, how he escaped the Holocaust at the age of 13 and the many projects he has yet to realize.
Hans Ulrich Obrist - Gustav Metzger: the conversation series 16
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In volume 16 of The Conversation Series, Hans Ulrich Obrist presents an in-depth exchange with the venerable German-born artist and activist Gustav Metzger, which illuminates the artist's fascinating life and 60-year career. In 1959, Metzger penned a manifesto of Auto-destructive art, which states in part, "Auto-destructive paintings, sculptures and constructions have a lifetime varying from a few moments to 20 years. When the disintegrative process is complete, the work is to be removed from the site and scrapped." In this volume, Metzger talks to Obrist about his past and present association with Auto-destructive art, how he has come to fuse his art practice with his political commitment to human rights and ecology, how he escaped the Holocaust at the age of 13 and the many projects he has yet to realize.
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livres
Publication:
janvier 2009, Köln
janvier 2009, Köln
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$31.00
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Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a(...)
$31.00
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Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a(...)
Publication:
janvier 2009, Köln
janvier 2009, Köln
Titre:
Hans Ulrich Obrist - Enzo Mari: the conversation series 15
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Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a product and furniture designer, as well as a writer, teacher and artist, has proved influential both to his peers and to younger generations. In this volume, Mari discusses his iconic designs for cutting-edge production houses Danese, Olivetti and Castelli, his experience of the contradictory aspects of postwar Italy and his unique take on the design trends of the 1960s and 1970s. Enzo Mari was born in 1932 in Novara, Italy. He has most recently completed a series of tubular aluminum chairs for Vienna's Gebrüder Thonet and a collection for the Japanese home store Muji.
Hans Ulrich Obrist - Enzo Mari: the conversation series 15
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Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a product and furniture designer, as well as a writer, teacher and artist, has proved influential both to his peers and to younger generations. In this volume, Mari discusses his iconic designs for cutting-edge production houses Danese, Olivetti and Castelli, his experience of the contradictory aspects of postwar Italy and his unique take on the design trends of the 1960s and 1970s. Enzo Mari was born in 1932 in Novara, Italy. He has most recently completed a series of tubular aluminum chairs for Vienna's Gebrüder Thonet and a collection for the Japanese home store Muji.
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livres
Publication:
janvier 2009, Köln
janvier 2009, Köln
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livres
livres
Titre:
The Klee universe
The Klee universe
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes(...)
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes(...)
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The Klee universe
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes visible” testifies, and The Klee Universe addresses his work from this perspective. In 1906, Klee noted in his diary, "All will be Klee," and in 1911, as the encyclopedist of his cosmos, he began to meticulously chronicle his works in a catalogue that, by the time he died, was to contain more than 9,000 items. Here, in the fashion of an Orbis Pictus or a Renaissance emblem book, Klee's oeuvre is made legible as a cogent entirety, in thematic units address: the human life cycle, from birth and childhood to sexual desire, parenthood and death; music, architecture, theater and religion; plants, animals and landscapes; and, finally, darker, destructive forces in the shape of war, fear and death. The Klee Universe reimagines the artist as a Renaissance man, an artist of great learning whose cosmos proves to be a coherent system of ideas and images.
The Klee universe
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes visible” testifies, and The Klee Universe addresses his work from this perspective. In 1906, Klee noted in his diary, "All will be Klee," and in 1911, as the encyclopedist of his cosmos, he began to meticulously chronicle his works in a catalogue that, by the time he died, was to contain more than 9,000 items. Here, in the fashion of an Orbis Pictus or a Renaissance emblem book, Klee's oeuvre is made legible as a cogent entirety, in thematic units address: the human life cycle, from birth and childhood to sexual desire, parenthood and death; music, architecture, theater and religion; plants, animals and landscapes; and, finally, darker, destructive forces in the shape of war, fear and death. The Klee Universe reimagines the artist as a Renaissance man, an artist of great learning whose cosmos proves to be a coherent system of ideas and images.
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Publication:
janvier 2009, Berlin
janvier 2009, Berlin
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Gerhard Richter’s 4900 Colours from 2007 is a major new work consisting of bright monochrome squares that have been randomly arranged in a grid pattern to create stunning fields of kaleidoscopic color. It was produced at the same time he developed his design for the south transept window of Cologne Cathedral, unveiled in August 2007, which is made up of 11,500 handcrafted(...)
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Gerhard Richter’s 4900 Colours from 2007 is a major new work consisting of bright monochrome squares that have been randomly arranged in a grid pattern to create stunning fields of kaleidoscopic color. It was produced at the same time he developed his design for the south transept window of Cologne Cathedral, unveiled in August 2007, which is made up of 11,500 handcrafted(...)
Publication:
janvier 2009, London, Ostfildern
janvier 2009, London, Ostfildern
Titre:
Gerhard Richter : 4900 Colours
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Gerhard Richter’s 4900 Colours from 2007 is a major new work consisting of bright monochrome squares that have been randomly arranged in a grid pattern to create stunning fields of kaleidoscopic color. It was produced at the same time he developed his design for the south transept window of Cologne Cathedral, unveiled in August 2007, which is made up of 11,500 handcrafted squares of glass in seventy-two colors. Published on the occasion of the exhibition "Gerhard Richter 4900 colours : version II" held at the Serpentine Gallery, London, 23 September - 16 November 2008.
Gerhard Richter : 4900 Colours
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Gerhard Richter’s 4900 Colours from 2007 is a major new work consisting of bright monochrome squares that have been randomly arranged in a grid pattern to create stunning fields of kaleidoscopic color. It was produced at the same time he developed his design for the south transept window of Cologne Cathedral, unveiled in August 2007, which is made up of 11,500 handcrafted squares of glass in seventy-two colors. Published on the occasion of the exhibition "Gerhard Richter 4900 colours : version II" held at the Serpentine Gallery, London, 23 September - 16 November 2008.
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livres
Publication:
janvier 2009, London, Ostfildern
janvier 2009, London, Ostfildern
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$99.00
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Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring(...)
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Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring(...)
Titre:
The third mind: american artists contemplate Asia, 1860-1989
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Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring 270 objects in an array of media including painting, works on paper, books and ephemera, sculptures, video art and installations, this richly illustrated catalogue also includes scholarly essays by museum curators and academics specializing in art history, intellectual history, Asian studies and Postcolonial religious and cultural studies and representing a range of interdisciplinary perspectives.
The third mind: american artists contemplate Asia, 1860-1989
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Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring 270 objects in an array of media including painting, works on paper, books and ephemera, sculptures, video art and installations, this richly illustrated catalogue also includes scholarly essays by museum curators and academics specializing in art history, intellectual history, Asian studies and Postcolonial religious and cultural studies and representing a range of interdisciplinary perspectives.
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livres
Publication:
janvier 2009, New York
janvier 2009, New York
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For a painter who has so successfully neutralized the declarative potential of his medium, Gerhard Richter has committed to print a surprisingly large amount of discussion on his work. For this new, complete edition of the writings, Richter has placed his private archive at the editor's disposal; most of the photographic material comes from this archive and has not been(...)
$66.00
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For a painter who has so successfully neutralized the declarative potential of his medium, Gerhard Richter has committed to print a surprisingly large amount of discussion on his work. For this new, complete edition of the writings, Richter has placed his private archive at the editor's disposal; most of the photographic material comes from this archive and has not been(...)
Titre:
Gerhard Richter: writings 1961-2007
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For a painter who has so successfully neutralized the declarative potential of his medium, Gerhard Richter has committed to print a surprisingly large amount of discussion on his work. For this new, complete edition of the writings, Richter has placed his private archive at the editor's disposal; most of the photographic material comes from this archive and has not been previously published. Includes public statements on specific exhibitions, private reflections drawn from personal correspondence, answers to questions posed by critics and journal excerpts discussing the intentions, methods and subjects of his works from various periods.
Gerhard Richter: writings 1961-2007
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$66.00
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For a painter who has so successfully neutralized the declarative potential of his medium, Gerhard Richter has committed to print a surprisingly large amount of discussion on his work. For this new, complete edition of the writings, Richter has placed his private archive at the editor's disposal; most of the photographic material comes from this archive and has not been previously published. Includes public statements on specific exhibitions, private reflections drawn from personal correspondence, answers to questions posed by critics and journal excerpts discussing the intentions, methods and subjects of his works from various periods.
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livres
Publication:
janvier 2009
janvier 2009
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livres
Titre:
Cildo Meireles
Cildo Meireles
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An important theme in the Brazilian postwar avant-garde, from which Meireles emerged at the end of the 1960s, was the relationship between the sensual and the cerebral, the body and the mind. Other works play with the sense of space or scale. Fully illustrated, this volume includes 10 short thematic essays by leading scholars - including Moacir dos Anjos, Guy Brett,(...)
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An important theme in the Brazilian postwar avant-garde, from which Meireles emerged at the end of the 1960s, was the relationship between the sensual and the cerebral, the body and the mind. Other works play with the sense of space or scale. Fully illustrated, this volume includes 10 short thematic essays by leading scholars - including Moacir dos Anjos, Guy Brett,(...)
Titre:
Cildo Meireles
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An important theme in the Brazilian postwar avant-garde, from which Meireles emerged at the end of the 1960s, was the relationship between the sensual and the cerebral, the body and the mind. Other works play with the sense of space or scale. Fully illustrated, this volume includes 10 short thematic essays by leading scholars - including Moacir dos Anjos, Guy Brett, Okwui Enwezor, Maaretta Jaukkuri, Bartomeu Mar', Lu Menezes, Suely Rolnik, Sônia Salzstein and Lynn Zelevansky - as well as previously unpublished commentaries on each work by the artist.
Cildo Meireles
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An important theme in the Brazilian postwar avant-garde, from which Meireles emerged at the end of the 1960s, was the relationship between the sensual and the cerebral, the body and the mind. Other works play with the sense of space or scale. Fully illustrated, this volume includes 10 short thematic essays by leading scholars - including Moacir dos Anjos, Guy Brett, Okwui Enwezor, Maaretta Jaukkuri, Bartomeu Mar', Lu Menezes, Suely Rolnik, Sônia Salzstein and Lynn Zelevansky - as well as previously unpublished commentaries on each work by the artist.
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livres
Publication:
janvier 2009, London, New York
janvier 2009, London, New York
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livres
livres
Titre:
Half-Light Alphabet
Half-Light Alphabet
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Contained in separate catalogues held together by magnets are two bodies of work. The first an alphabet of letters constructed by the artist, and the second, an overview of a diverse body of works recently exhibited at three regional French museums.
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Contained in separate catalogues held together by magnets are two bodies of work. The first an alphabet of letters constructed by the artist, and the second, an overview of a diverse body of works recently exhibited at three regional French museums.
Titre:
Half-Light Alphabet
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Contained in separate catalogues held together by magnets are two bodies of work. The first an alphabet of letters constructed by the artist, and the second, an overview of a diverse body of works recently exhibited at three regional French museums.
Half-Light Alphabet
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$50.00
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Contained in separate catalogues held together by magnets are two bodies of work. The first an alphabet of letters constructed by the artist, and the second, an overview of a diverse body of works recently exhibited at three regional French museums.
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livres
livres
Publication:
janvier 2009
janvier 2009
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$20.00
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Documenting small time adventures and excursions around his house, bike rides through Europe, the vast and unyielding concrete miles of Shanghai and the old paint splattered floor in London where he sometimes sleeps, Nigel Peake's hand-drawn maps blend a healthy mix of order, the fantastical and reality. Both colourful and monotone and always highly detailed, these(...)
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Documenting small time adventures and excursions around his house, bike rides through Europe, the vast and unyielding concrete miles of Shanghai and the old paint splattered floor in London where he sometimes sleeps, Nigel Peake's hand-drawn maps blend a healthy mix of order, the fantastical and reality. Both colourful and monotone and always highly detailed, these(...)
Titre:
Nigel Peake: maps fields, paths, forests, blocks, places and surrounds
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Documenting small time adventures and excursions around his house, bike rides through Europe, the vast and unyielding concrete miles of Shanghai and the old paint splattered floor in London where he sometimes sleeps, Nigel Peake's hand-drawn maps blend a healthy mix of order, the fantastical and reality. Both colourful and monotone and always highly detailed, these cartographic excursions are a fine lesson in liberation from objective rigidity.
Nigel Peake: maps fields, paths, forests, blocks, places and surrounds
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Documenting small time adventures and excursions around his house, bike rides through Europe, the vast and unyielding concrete miles of Shanghai and the old paint splattered floor in London where he sometimes sleeps, Nigel Peake's hand-drawn maps blend a healthy mix of order, the fantastical and reality. Both colourful and monotone and always highly detailed, these cartographic excursions are a fine lesson in liberation from objective rigidity.
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livres
Publication:
janvier 2009, Edinburgh
janvier 2009, Edinburgh
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livres
Titre:
Sarah Morris Lesser panda
Sarah Morris Lesser panda
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Published to accompany the exhibition Sarah Morris Lesser Panda 18 July to 6 September 2008 at White Cube London.
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Published to accompany the exhibition Sarah Morris Lesser Panda 18 July to 6 September 2008 at White Cube London.
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Sarah Morris Lesser panda
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Published to accompany the exhibition Sarah Morris Lesser Panda 18 July to 6 September 2008 at White Cube London.
Sarah Morris Lesser panda
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Published to accompany the exhibition Sarah Morris Lesser Panda 18 July to 6 September 2008 at White Cube London.
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livres
livres
Publication:
janvier 2009, London
janvier 2009, London
