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What is a horizon? A line where land meets sky? The end of the world or the beginning of perception? In this brilliant, engaging, and stimulating history, Didier Maleuvre journeys to the outer reaches of human experience and explores philosophy, religion, and art to understand our struggle and fascination with limits—of life, knowledge, existence, and death. Maleuvre(...)
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What is a horizon? A line where land meets sky? The end of the world or the beginning of perception? In this brilliant, engaging, and stimulating history, Didier Maleuvre journeys to the outer reaches of human experience and explores philosophy, religion, and art to understand our struggle and fascination with limits—of life, knowledge, existence, and death. Maleuvre(...)
Titre:
The horizon: A history of our infinite longing
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What is a horizon? A line where land meets sky? The end of the world or the beginning of perception? In this brilliant, engaging, and stimulating history, Didier Maleuvre journeys to the outer reaches of human experience and explores philosophy, religion, and art to understand our struggle and fascination with limits—of life, knowledge, existence, and death. Maleuvre sweeps us through a vast cultural landscape, enabling us to experience each stopping place as the cusp of a limitless journey, whether he is discussing the works of Picasso, Gothic architecture, Beethoven, or General Relativity. If, as Aristotle said, philosophy begins in wonder, then this remarkable book shows us how wonder—the urge to know beyond the conceivable—is itself the engine of culture.
The horizon: A history of our infinite longing
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What is a horizon? A line where land meets sky? The end of the world or the beginning of perception? In this brilliant, engaging, and stimulating history, Didier Maleuvre journeys to the outer reaches of human experience and explores philosophy, religion, and art to understand our struggle and fascination with limits—of life, knowledge, existence, and death. Maleuvre sweeps us through a vast cultural landscape, enabling us to experience each stopping place as the cusp of a limitless journey, whether he is discussing the works of Picasso, Gothic architecture, Beethoven, or General Relativity. If, as Aristotle said, philosophy begins in wonder, then this remarkable book shows us how wonder—the urge to know beyond the conceivable—is itself the engine of culture.
Classification:
livres
livres
Publication:
janvier 2011
janvier 2011
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$74.95
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A photo-collage of past and present street visuals in Asia, Aestheticizing Public Space explores the domestic, regional, and global nexus of East Asian cities through their graffiti, street art, and other visual forms in public space. Attempting to unfold the complex positions of these images in the urban spatial politics of their respective regions, Lu Pan explores how(...)
$74.95
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A photo-collage of past and present street visuals in Asia, Aestheticizing Public Space explores the domestic, regional, and global nexus of East Asian cities through their graffiti, street art, and other visual forms in public space. Attempting to unfold the complex positions of these images in the urban spatial politics of their respective regions, Lu Pan explores how(...)
Titre:
Aestheticizing Public Space: street visual politics in east asian cities
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A photo-collage of past and present street visuals in Asia, Aestheticizing Public Space explores the domestic, regional, and global nexus of East Asian cities through their graffiti, street art, and other visual forms in public space. Attempting to unfold the complex positions of these images in the urban spatial politics of their respective regions, Lu Pan explores how graffiti in East Asia reflects the relationship between aesthetics and politics. The book situates itself in a contested dynamic relationship among human bodies, visual modernity, social or moral norms, styles, and historical experiences and narratives. On a broader level, this book aims to shed light on how aesthetics and politics are mobilized in different contested spaces and media forms, in which the producer and the spectator change and exchange their identities.
Aestheticizing Public Space: street visual politics in east asian cities
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A photo-collage of past and present street visuals in Asia, Aestheticizing Public Space explores the domestic, regional, and global nexus of East Asian cities through their graffiti, street art, and other visual forms in public space. Attempting to unfold the complex positions of these images in the urban spatial politics of their respective regions, Lu Pan explores how graffiti in East Asia reflects the relationship between aesthetics and politics. The book situates itself in a contested dynamic relationship among human bodies, visual modernity, social or moral norms, styles, and historical experiences and narratives. On a broader level, this book aims to shed light on how aesthetics and politics are mobilized in different contested spaces and media forms, in which the producer and the spectator change and exchange their identities.
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livres
livres
Publication:
novembre 2015
novembre 2015
Classification:
livres
livres
Titre:
The architectural model: histories of the miniature and the prototype, the exemplar and the muse
The architectural model: histories of the miniature and the prototype, the exemplar and the muse
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For more than five hundred years, architects have employed three-dimensional models as tools to test, refine, and illustrate their ideas. But, as Matthew Mindrup shows, the uses of physical architectural models extend beyond mere representation. An architectural model can also simulate, instruct, inspire, and generate architectural designs. It can be, among other things,(...)
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For more than five hundred years, architects have employed three-dimensional models as tools to test, refine, and illustrate their ideas. But, as Matthew Mindrup shows, the uses of physical architectural models extend beyond mere representation. An architectural model can also simulate, instruct, inspire, and generate architectural designs. It can be, among other things,(...)
Titre:
The architectural model: histories of the miniature and the prototype, the exemplar and the muse
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For more than five hundred years, architects have employed three-dimensional models as tools to test, refine, and illustrate their ideas. But, as Matthew Mindrup shows, the uses of physical architectural models extend beyond mere representation. An architectural model can also simulate, instruct, inspire, and generate architectural designs. It can be, among other things, sign, souvenir, toy, funerary object, didactic tool, medium, or muse. In this book, Mindrup surveys the history of architectural models by investigating their uses, both theoretical and practical. Tracing the architectural model's development from antiquity to the present, Mindrup also offers an interpretive framework for understanding each of its applications in the context of time and place. He first examines models meant to portray extant, fantastic, or proposed structures, describing their use in ancient funerary or dedicatory practices, in which models are endowed with magical power; as a medium for architectural reverie and inspiration; and as prototypes for twentieth-century experimental designs. Mindrup then considers models that exemplify certain architectural uses, exploring the influence of Leon Battista Alberti's dictum that models be simple, lest they distract from the architect's ideas; analyzing the model as a generative tool; and investigating allegorical, analogical, and anagogical interpretations of models. Mindrup's histories show how the model can be a surrogate for the architectural structure itself, or for the experience of its formal, tactile, and sensory complexity; and beyond that, that the manipulation, play, experimentation, and dreaming enabled by models allow us to imagine architecture in new ways.
The architectural model: histories of the miniature and the prototype, the exemplar and the muse
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For more than five hundred years, architects have employed three-dimensional models as tools to test, refine, and illustrate their ideas. But, as Matthew Mindrup shows, the uses of physical architectural models extend beyond mere representation. An architectural model can also simulate, instruct, inspire, and generate architectural designs. It can be, among other things, sign, souvenir, toy, funerary object, didactic tool, medium, or muse. In this book, Mindrup surveys the history of architectural models by investigating their uses, both theoretical and practical. Tracing the architectural model's development from antiquity to the present, Mindrup also offers an interpretive framework for understanding each of its applications in the context of time and place. He first examines models meant to portray extant, fantastic, or proposed structures, describing their use in ancient funerary or dedicatory practices, in which models are endowed with magical power; as a medium for architectural reverie and inspiration; and as prototypes for twentieth-century experimental designs. Mindrup then considers models that exemplify certain architectural uses, exploring the influence of Leon Battista Alberti's dictum that models be simple, lest they distract from the architect's ideas; analyzing the model as a generative tool; and investigating allegorical, analogical, and anagogical interpretations of models. Mindrup's histories show how the model can be a surrogate for the architectural structure itself, or for the experience of its formal, tactile, and sensory complexity; and beyond that, that the manipulation, play, experimentation, and dreaming enabled by models allow us to imagine architecture in new ways.
Classification:
livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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From Gordon Matta-Clark to Lawrence Weiner, Bruce Nauman to Alison Knowles, the question of site locates itself in issues of public space, at the intersection of the imagined and the real, at the juncture of performance and architectural production. By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of(...)
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From Gordon Matta-Clark to Lawrence Weiner, Bruce Nauman to Alison Knowles, the question of site locates itself in issues of public space, at the intersection of the imagined and the real, at the juncture of performance and architectural production. By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of(...)
Titre:
Surface tension : problematics of site
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From Gordon Matta-Clark to Lawrence Weiner, Bruce Nauman to Alison Knowles, the question of site locates itself in issues of public space, at the intersection of the imagined and the real, at the juncture of performance and architectural production. By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of site-specificity, conceptualism, feminism, and architecture practice, "Surface Tension" reveals the connections between cultural production and the very spaces in which such work functions. These textual explorations are complemented by extensive documentation of related projects, both historical and contemporary, by artists, architects, and performance artists, including 'Coughing Piece', a never-before released 1961 audio work by Yoko Ono; an obscure audio work by Nauman from 1969; projects by Suzanne Lacy, a leading figure in the development of conceptual practice and public art; and an experimental text by Jane Rendell on psychic architectures. Conversations occur between the pages of "Surface Tension", between theoretical analysis and modes of practice, that activate the publication as a site itself, one participating in a broad field of knowledge. Includes an audio CD of the sound art pieces. Artists Include: Gordon Matta-Clark, Lawrence Weiner,Jan Hofer, Melissa Dyne, Kim Abeles, Carol Brown, Christof Migone, Michael Rakowitz, Eyal Weizman, Rafael Lazano-Hemmer, Tanja Jordan, Lizzie Scott, Tim Durfee, Lize Mogel, Suzanne Lacy, Michael Asher, Bruce Nauman, Lucky Kitchen, Michael Prime, Alison Knowles, and Yoko Ono, amongst others.
Surface tension : problematics of site
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From Gordon Matta-Clark to Lawrence Weiner, Bruce Nauman to Alison Knowles, the question of site locates itself in issues of public space, at the intersection of the imagined and the real, at the juncture of performance and architectural production. By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of site-specificity, conceptualism, feminism, and architecture practice, "Surface Tension" reveals the connections between cultural production and the very spaces in which such work functions. These textual explorations are complemented by extensive documentation of related projects, both historical and contemporary, by artists, architects, and performance artists, including 'Coughing Piece', a never-before released 1961 audio work by Yoko Ono; an obscure audio work by Nauman from 1969; projects by Suzanne Lacy, a leading figure in the development of conceptual practice and public art; and an experimental text by Jane Rendell on psychic architectures. Conversations occur between the pages of "Surface Tension", between theoretical analysis and modes of practice, that activate the publication as a site itself, one participating in a broad field of knowledge. Includes an audio CD of the sound art pieces. Artists Include: Gordon Matta-Clark, Lawrence Weiner,Jan Hofer, Melissa Dyne, Kim Abeles, Carol Brown, Christof Migone, Michael Rakowitz, Eyal Weizman, Rafael Lazano-Hemmer, Tanja Jordan, Lizzie Scott, Tim Durfee, Lize Mogel, Suzanne Lacy, Michael Asher, Bruce Nauman, Lucky Kitchen, Michael Prime, Alison Knowles, and Yoko Ono, amongst others.
Classification:
livres
livres
Publication:
décembre 2002, Los Angeles
décembre 2002, Los Angeles
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
Benrath Palace and park
Benrath Palace and park
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The Benrath Palace and Park ensemble harmoniously unites apparent opposites. Completed in 1770 according to plans drawn up by Nicolas de Pigage, architecture and landscape merge, complementing and enhancing one another. And so it is not surprising that the palace and gardens not only have landmark status, but that the park has also been declared a nature sanctuary. The(...)
$52.50
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The Benrath Palace and Park ensemble harmoniously unites apparent opposites. Completed in 1770 according to plans drawn up by Nicolas de Pigage, architecture and landscape merge, complementing and enhancing one another. And so it is not surprising that the palace and gardens not only have landmark status, but that the park has also been declared a nature sanctuary. The(...)
Titre:
Benrath Palace and park
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The Benrath Palace and Park ensemble harmoniously unites apparent opposites. Completed in 1770 according to plans drawn up by Nicolas de Pigage, architecture and landscape merge, complementing and enhancing one another. And so it is not surprising that the palace and gardens not only have landmark status, but that the park has also been declared a nature sanctuary. The Benrath Palace and Park Foundation has dedicated itself to the preservation of this unique symbiosis. It colorfully stages the encounter between the present and the past with its museums and events. Besides the history of the building and its use, this volume presents the work performed by the foundation at this exceptional site. Texts and magnificent pictures by the architectural photographer Marcus Schwier take readers on an extraordinary stroll through space and time.
Benrath Palace and park
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The Benrath Palace and Park ensemble harmoniously unites apparent opposites. Completed in 1770 according to plans drawn up by Nicolas de Pigage, architecture and landscape merge, complementing and enhancing one another. And so it is not surprising that the palace and gardens not only have landmark status, but that the park has also been declared a nature sanctuary. The Benrath Palace and Park Foundation has dedicated itself to the preservation of this unique symbiosis. It colorfully stages the encounter between the present and the past with its museums and events. Besides the history of the building and its use, this volume presents the work performed by the foundation at this exceptional site. Texts and magnificent pictures by the architectural photographer Marcus Schwier take readers on an extraordinary stroll through space and time.
Classification:
livres
livres
Publication:
février 2017
février 2017
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
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livres
livres
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$55.00
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the(...)
$55.00
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the(...)
Titre:
Tokyo 1955-1970: a new avant-garde
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the first publication in English to focus in depth on the full scope of postwar art in Japan. Essays by scholars Hayashi Michio and Miryam Sas and curator Mika Yoshitake discuss critical concepts in art and culture at this time, including “graphism,” which manifested itself across various mediums; the development of new sculptural languages; and the “intermedia” tendency that engendered provocative cross-pollination among artistic genres. Masatoshi Nakajima provides an illustrated chronology and Yuri Mitsuda supplies artist biographies.
Tokyo 1955-1970: a new avant-garde
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the first publication in English to focus in depth on the full scope of postwar art in Japan. Essays by scholars Hayashi Michio and Miryam Sas and curator Mika Yoshitake discuss critical concepts in art and culture at this time, including “graphism,” which manifested itself across various mediums; the development of new sculptural languages; and the “intermedia” tendency that engendered provocative cross-pollination among artistic genres. Masatoshi Nakajima provides an illustrated chronology and Yuri Mitsuda supplies artist biographies.
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livres
livres
Publication:
octobre 2012
octobre 2012
Classification:
livres
livres
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$49.95
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Observation is the most pervasive and fundamental practice of all the modern sciences, both natural and human. Its instruments include not only the naked senses but also tools such as the telescope and microscope, the questionnaire, the photographic plate, the notebook, the glassed-in beehive, and myriad other ingenious inventions designed to make the invisible visible,(...)
$49.95
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Observation is the most pervasive and fundamental practice of all the modern sciences, both natural and human. Its instruments include not only the naked senses but also tools such as the telescope and microscope, the questionnaire, the photographic plate, the notebook, the glassed-in beehive, and myriad other ingenious inventions designed to make the invisible visible,(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
février 2011
février 2011
Titre:
Histories of scientific observation
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Observation is the most pervasive and fundamental practice of all the modern sciences, both natural and human. Its instruments include not only the naked senses but also tools such as the telescope and microscope, the questionnaire, the photographic plate, the notebook, the glassed-in beehive, and myriad other ingenious inventions designed to make the invisible visible, the evanescent permanent, the abstract concrete. Yet observation has almost never been considered as an object of historical inquiry in itself. This wide-ranging collection offers the first examination of the history of scientific observation in its own right, as both epistemic category and scientific practice. Histories of Scientific Observation features engaging episodes drawn from across the spectrum of the natural and human sciences, ranging from meteorology, medicine, and natural history to economics, astronomy, and psychology.
Histories of scientific observation
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Observation is the most pervasive and fundamental practice of all the modern sciences, both natural and human. Its instruments include not only the naked senses but also tools such as the telescope and microscope, the questionnaire, the photographic plate, the notebook, the glassed-in beehive, and myriad other ingenious inventions designed to make the invisible visible, the evanescent permanent, the abstract concrete. Yet observation has almost never been considered as an object of historical inquiry in itself. This wide-ranging collection offers the first examination of the history of scientific observation in its own right, as both epistemic category and scientific practice. Histories of Scientific Observation features engaging episodes drawn from across the spectrum of the natural and human sciences, ranging from meteorology, medicine, and natural history to economics, astronomy, and psychology.
Classification:
livres
livres
Publication:
février 2011
février 2011
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$24.95
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Résumé:
In The Aura of a Hole explores the work of A Laurie Palmer an ar tist, writer, and teacher. Her work is concerned, most immediately, with resistance to privatisation, and more generally, with theoretical and material explorations of matter's active nature as it asserts itself on different scales and at different speeds. Her work takes various forms - as sculpture,(...)
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In The Aura of a Hole explores the work of A Laurie Palmer an ar tist, writer, and teacher. Her work is concerned, most immediately, with resistance to privatisation, and more generally, with theoretical and material explorations of matter's active nature as it asserts itself on different scales and at different speeds. Her work takes various forms - as sculpture,(...)
Titre:
In the aura of a hole : exploring sites of material extraction
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In The Aura of a Hole explores the work of A Laurie Palmer an ar tist, writer, and teacher. Her work is concerned, most immediately, with resistance to privatisation, and more generally, with theoretical and material explorations of matter's active nature as it asserts itself on different scales and at different speeds. Her work takes various forms - as sculpture, installation, public projects, and writing. This publication focuses specifically on a decade-long project Palmer undertook - an extended exploration of mineral extraction sites in the US. Through her narration, the project discusses themes of the raw scientific and mechanical aspects of the industry, alongside environmental justice, First Nation rights, industrial agriculture, chemical weapons, low temperature physics, the Cold War, the Iraq War, biotechnology, bio geochronology, nanotechnology, Homeland Security, globalised trade, global warming and unemployment.
In the aura of a hole : exploring sites of material extraction
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In The Aura of a Hole explores the work of A Laurie Palmer an ar tist, writer, and teacher. Her work is concerned, most immediately, with resistance to privatisation, and more generally, with theoretical and material explorations of matter's active nature as it asserts itself on different scales and at different speeds. Her work takes various forms - as sculpture, installation, public projects, and writing. This publication focuses specifically on a decade-long project Palmer undertook - an extended exploration of mineral extraction sites in the US. Through her narration, the project discusses themes of the raw scientific and mechanical aspects of the industry, alongside environmental justice, First Nation rights, industrial agriculture, chemical weapons, low temperature physics, the Cold War, the Iraq War, biotechnology, bio geochronology, nanotechnology, Homeland Security, globalised trade, global warming and unemployment.
Classification:
livres
livres
Publication:
juillet 2014
juillet 2014
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$38.95
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Résumé:
Before skyscrapers forever transformed the landscape of the modern metropolis, the conveyance that made them possible had to be created. Invented in New York in the 1850s, the elevator became an urban fact of life on both sides of the Atlantic by the early twentieth century. While it may at first glance seem a modest innovation, it had wide-ranging effects, from(...)
$38.95
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Before skyscrapers forever transformed the landscape of the modern metropolis, the conveyance that made them possible had to be created. Invented in New York in the 1850s, the elevator became an urban fact of life on both sides of the Atlantic by the early twentieth century. While it may at first glance seem a modest innovation, it had wide-ranging effects, from(...)
Titre:
Lifted: a cultural history of the elevator
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Before skyscrapers forever transformed the landscape of the modern metropolis, the conveyance that made them possible had to be created. Invented in New York in the 1850s, the elevator became an urban fact of life on both sides of the Atlantic by the early twentieth century. While it may at first glance seem a modest innovation, it had wide-ranging effects, from fundamentally restructuring building design to reinforcing social class hierarchies by moving luxury apartments to upper levels, previously the domain of the lower classes. The cramped elevator cabin itself served as a reflection of life in modern growing cities, as a space of simultaneous intimacy and anonymity, constantly in motion. In this book, Andreas Bernard explores how the appearance of this new element changed notions of verticality and urban space.
Lifted: a cultural history of the elevator
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Before skyscrapers forever transformed the landscape of the modern metropolis, the conveyance that made them possible had to be created. Invented in New York in the 1850s, the elevator became an urban fact of life on both sides of the Atlantic by the early twentieth century. While it may at first glance seem a modest innovation, it had wide-ranging effects, from fundamentally restructuring building design to reinforcing social class hierarchies by moving luxury apartments to upper levels, previously the domain of the lower classes. The cramped elevator cabin itself served as a reflection of life in modern growing cities, as a space of simultaneous intimacy and anonymity, constantly in motion. In this book, Andreas Bernard explores how the appearance of this new element changed notions of verticality and urban space.
Classification:
livres
livres
Publication:
février 2014
février 2014
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$67.50
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Résumé:
Design is changing rapidly. The ideological freedom gained over the past ten or fifteen years, combined with new insights in all design related fields, leads to playful experimentation and unprecedented proposals in design, architecture and art. You could say that design is spreading its wings to explore all opportunities for putting human creativity to good use. In(...)
$67.50
(disponible sur commande)
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Design is changing rapidly. The ideological freedom gained over the past ten or fifteen years, combined with new insights in all design related fields, leads to playful experimentation and unprecedented proposals in design, architecture and art. You could say that design is spreading its wings to explore all opportunities for putting human creativity to good use. In(...)
Titre:
Less + more : droog design in context
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$67.50
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Design is changing rapidly. The ideological freedom gained over the past ten or fifteen years, combined with new insights in all design related fields, leads to playful experimentation and unprecedented proposals in design, architecture and art. You could say that design is spreading its wings to explore all opportunities for putting human creativity to good use. In addition the new emphasis on sound, image simulation, electronic services, product context as well as corporate image, opens up an inspiring panorama of gradually decreasing materiality. In many cases objects are no longer the aim of the design process. Rather they become illustrations of intentions, use and everything that may happen around them. This way of thinking is spreading across all disciplines of applied as well as fine arts. Design is evolving into the skill of controlling the immaterial, evoking experiences and establishing identities. This richly illustrated new publication by Renny Ramakers, co-founder of Droog Design, describes and unravels all these new developments in applied expression, using examples from design, art, architecture and of course Droog Design itself.
Less + more : droog design in context
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$67.50
(disponible sur commande)
Résumé:
Design is changing rapidly. The ideological freedom gained over the past ten or fifteen years, combined with new insights in all design related fields, leads to playful experimentation and unprecedented proposals in design, architecture and art. You could say that design is spreading its wings to explore all opportunities for putting human creativity to good use. In addition the new emphasis on sound, image simulation, electronic services, product context as well as corporate image, opens up an inspiring panorama of gradually decreasing materiality. In many cases objects are no longer the aim of the design process. Rather they become illustrations of intentions, use and everything that may happen around them. This way of thinking is spreading across all disciplines of applied as well as fine arts. Design is evolving into the skill of controlling the immaterial, evoking experiences and establishing identities. This richly illustrated new publication by Renny Ramakers, co-founder of Droog Design, describes and unravels all these new developments in applied expression, using examples from design, art, architecture and of course Droog Design itself.
Classification:
livres
livres
Publication:
avril 2002, Rotterdam
avril 2002, Rotterdam
Sujet:
Design, monographies
Design, monographies
