dessins
DR1976:0012
Description:
- Drawings DR1976:0010 - DR1976:0015 apparently show the façade and assembly chamber for one of the preliminary projects by Legrand and Molinos for the new National Assembly. The columned gallery for public circulation shown in drawings DR1976:00014 and DR1976:00010, also appears in the final project submitted by Kersaint to the National Assembly in 1792.
1792 ?
Section facing the Speaker's podium for a project for a National Assembly, Paris
Actions:
DR1976:0012
Description:
- Drawings DR1976:0010 - DR1976:0015 apparently show the façade and assembly chamber for one of the preliminary projects by Legrand and Molinos for the new National Assembly. The columned gallery for public circulation shown in drawings DR1976:00014 and DR1976:00010, also appears in the final project submitted by Kersaint to the National Assembly in 1792.
dessins
1792 ?
dessins
DR1976:0013
Description:
- Drawings DR1976:0010 - DR1976:0015 apparently show the façade and assembly chamber for one of the preliminary projects by Legrand and Molinos for the new National Assembly. The columned gallery for public circulation shown in drawings DR1976:00014 and DR1976:00010, also appears in the final project submitted by Kersaint to the National Assembly in 1792.
1792 ?
Elevation for a project for a National Assembly, Paris
Actions:
DR1976:0013
Description:
- Drawings DR1976:0010 - DR1976:0015 apparently show the façade and assembly chamber for one of the preliminary projects by Legrand and Molinos for the new National Assembly. The columned gallery for public circulation shown in drawings DR1976:00014 and DR1976:00010, also appears in the final project submitted by Kersaint to the National Assembly in 1792.
dessins
1792 ?
dessins
DR1976:0015
Description:
- Drawings DR1976:0010 - DR1976:0015 apparently show the façade and assembly chamber for one of the preliminary projects by Legrand and Molinos for the new National Assembly. The columned gallery for public circulation shown in drawings DR1976:00014 and DR1976:00010, also appears in the final project submitted by Kersaint to the National Assembly in 1792.
1792 ?
Ground plan for a project for a National Assembly, Paris
Actions:
DR1976:0015
Description:
- Drawings DR1976:0010 - DR1976:0015 apparently show the façade and assembly chamber for one of the preliminary projects by Legrand and Molinos for the new National Assembly. The columned gallery for public circulation shown in drawings DR1976:00014 and DR1976:00010, also appears in the final project submitted by Kersaint to the National Assembly in 1792.
dessins
1792 ?
DR1981:0025
Description:
- A full colour rendering of a crenellated Gothick gateway set in a rural landscape. The gateway is comprised of two pairs of short towers, one pair to either side of a central arched passageway, made of stone. Through the central passageway can be seen a horsedrawn coach approaching a very large country house, or palace, which has a tall drum and cupola and a columned portico.
architecture, architecture de paysage, topographique
second half of the 18th century
A Gothick gateway, possibly for Windsor Great Park, Surrey
Actions:
DR1981:0025
Description:
- A full colour rendering of a crenellated Gothick gateway set in a rural landscape. The gateway is comprised of two pairs of short towers, one pair to either side of a central arched passageway, made of stone. Through the central passageway can be seen a horsedrawn coach approaching a very large country house, or palace, which has a tall drum and cupola and a columned portico.
architecture, architecture de paysage, topographique
DR1974:0002:004:001-022
Description:
- This book contains 8 pages of text primarily describing projects by Charles Rohault de Fleury for the Muséum national d'histoire naturelle. The text is followed by a lithograph after Lemaitre, which depicts the exterior of the "serres chaudes", and by 14 prints engraved/etched by Marlier depicting the buildings designed by Rohault de Fleury for the Muséum national d'histoire naturelle between 1833 and 1839. The "serres chaudes" are illustrated by 8 prints: interior perspectives, plans, elevations, sections and details of the prefabricated columns. Four prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs - mostly elevations, plans and sections. Also included is a site plan of the Muséum national d'histoire naturelle and one print of comparative examples - mostly plans, sections and details - of English "serres chaudes", including the Warm House and the Temperate House at the Colosseum in London, the Temperate House at the Royal Botanic Gardens in Kew, Camellia House and Palm House at Loddiges Nursery in Hackney, and a glasshouse with a semidome, also in Hackney.
architecture, architecture de paysage, ingénierie
published 1837
MUSÉUM / D'HISTOIRE NATURELLE / SERRES CHAUDES, / GALERIE DE MINÉRALOGIE, / ETC. ETC. / PAR. CH. ROHAULT FILS, / ARCHITECTE DU MUSÉUM, ANCIEN ÉLEVE DE L'ECOLE POLYTECHNIQUE
Actions:
DR1974:0002:004:001-022
Description:
- This book contains 8 pages of text primarily describing projects by Charles Rohault de Fleury for the Muséum national d'histoire naturelle. The text is followed by a lithograph after Lemaitre, which depicts the exterior of the "serres chaudes", and by 14 prints engraved/etched by Marlier depicting the buildings designed by Rohault de Fleury for the Muséum national d'histoire naturelle between 1833 and 1839. The "serres chaudes" are illustrated by 8 prints: interior perspectives, plans, elevations, sections and details of the prefabricated columns. Four prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs - mostly elevations, plans and sections. Also included is a site plan of the Muséum national d'histoire naturelle and one print of comparative examples - mostly plans, sections and details - of English "serres chaudes", including the Warm House and the Temperate House at the Colosseum in London, the Temperate House at the Royal Botanic Gardens in Kew, Camellia House and Palm House at Loddiges Nursery in Hackney, and a glasshouse with a semidome, also in Hackney.
architecture, architecture de paysage, ingénierie
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
drawings executed between 1818-1832, prints executed 1776 ?-1832
Album of mostly student drawings of the Orders
Actions:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
dessins, oeuvres d'art
drawings executed between 1818-1832, prints executed 1776 ?-1832
DR1962:0006
Description:
- DR1962:0006 shows a perspective view of a portion of a formal garden terrace laid out symmetrically before a three-storey circular structure. The terrace, which is approached on axis by two steps flanked by sculpted river allegories, is centred on a circular basin and backed by a wall surmounted by potted plants, mostly palm trees and pineapple plants; the middle section of the rear wall curves back concentric to the terrace basin. Beyond the terrace wall and on line with the steps and basin rises the circular structure. With its Corinthian peristyle, this structure has the form of an antique circular temple, such as the so-called "Temple of Vesta" at Tivoli (first century B.C.). Unlike such classical models, however, the columns of the peristyle are set on tall rusticated pedestals that flare outward as they descend to the ground, the entablature carries a balustrade topped by a series of sculpted figures, and the whole is crowned by a tall, slender lantern (although no dome is visible). Within the peristyle, the inner wall is opened regularly by two storeys of windows, each with its own frame and pediment. The overall effect of this structure is not dissimilar to that of James Gibb's Radcliffe Camera, Oxford (1739-49). - In the foreground of DR1962:0006 appear two groups of figures: that on the left consisting of two gardeners carrying a potted pineapple plant, and that on the right consisting of a seated woman attended by a man, a woman (the latter shading her mistress with a parasol), and a figure, apparently a physician, who offers the seated woman a bowl of fruit.
architecture, architecture de paysage
ca. 1744
Project for a medical amphitheatre in the Jardin royal des plantes, Paris
Actions:
DR1962:0006
Description:
- DR1962:0006 shows a perspective view of a portion of a formal garden terrace laid out symmetrically before a three-storey circular structure. The terrace, which is approached on axis by two steps flanked by sculpted river allegories, is centred on a circular basin and backed by a wall surmounted by potted plants, mostly palm trees and pineapple plants; the middle section of the rear wall curves back concentric to the terrace basin. Beyond the terrace wall and on line with the steps and basin rises the circular structure. With its Corinthian peristyle, this structure has the form of an antique circular temple, such as the so-called "Temple of Vesta" at Tivoli (first century B.C.). Unlike such classical models, however, the columns of the peristyle are set on tall rusticated pedestals that flare outward as they descend to the ground, the entablature carries a balustrade topped by a series of sculpted figures, and the whole is crowned by a tall, slender lantern (although no dome is visible). Within the peristyle, the inner wall is opened regularly by two storeys of windows, each with its own frame and pediment. The overall effect of this structure is not dissimilar to that of James Gibb's Radcliffe Camera, Oxford (1739-49). - In the foreground of DR1962:0006 appear two groups of figures: that on the left consisting of two gardeners carrying a potted pineapple plant, and that on the right consisting of a seated woman attended by a man, a woman (the latter shading her mistress with a parasol), and a figure, apparently a physician, who offers the seated woman a bowl of fruit.
architecture, architecture de paysage
dessins
AP154.S1.1973.PR01.SS2.032
Description:
Seventy-six drawings numbered AR91 through AR297 with significant gaps. Drawings include ceramic tile layout for toilets, property markers, flagpole details, other details (bronze saddle at doors to 11th floor roof, fire passage, traffic signal lights, thermostat covers, lighting hangars for plaza pool, wood platform in ceiling of main lobby for valve access, rated access doors in ceilings, powder rooms, beam clamps and trolley beam, bronze louvers), granolithic paving, fire alarm bell, revisions to railings, platform and steps for lower level machine room, west wall of YWCA, vent grilles, down anchors for window cleaning equipment, "Seagram" chute details and relocation, relocated and new walls, sliding door detials, self-closing device for sliding doors, detials of sidewalk vibration joints, bronze fixtures plaza wall, lettering on standpipe faceplate, lettering on auto-sprinkler faceplate, elevator cab and entrance details, detail revision of fire hose cab., 1st floor lobby entrance and exterior bronze details, revolving door details, attachment of ceiling moulding at perimeter columns, ramp entraces--bronze skin and rolling doors, lobby entrance to restaurant, typical spandrel detail, 11th floor roof plan showing W.P. outlets and finish, details of railings and curbs, drains and vent pipe, fire alarm box, cover plates for roadway boxes, wood bumper details, cellar part plans, hydrant and comp. air box, tile conditions, louver and bird screen, expansion joints, ceiling revisions, and parking garage sign.
1956-1959
Copies of drawings for the Seagram Building, 375 Park Avenue, New York, N.Y.
Actions:
AP154.S1.1973.PR01.SS2.032
Description:
Seventy-six drawings numbered AR91 through AR297 with significant gaps. Drawings include ceramic tile layout for toilets, property markers, flagpole details, other details (bronze saddle at doors to 11th floor roof, fire passage, traffic signal lights, thermostat covers, lighting hangars for plaza pool, wood platform in ceiling of main lobby for valve access, rated access doors in ceilings, powder rooms, beam clamps and trolley beam, bronze louvers), granolithic paving, fire alarm bell, revisions to railings, platform and steps for lower level machine room, west wall of YWCA, vent grilles, down anchors for window cleaning equipment, "Seagram" chute details and relocation, relocated and new walls, sliding door detials, self-closing device for sliding doors, detials of sidewalk vibration joints, bronze fixtures plaza wall, lettering on standpipe faceplate, lettering on auto-sprinkler faceplate, elevator cab and entrance details, detail revision of fire hose cab., 1st floor lobby entrance and exterior bronze details, revolving door details, attachment of ceiling moulding at perimeter columns, ramp entraces--bronze skin and rolling doors, lobby entrance to restaurant, typical spandrel detail, 11th floor roof plan showing W.P. outlets and finish, details of railings and curbs, drains and vent pipe, fire alarm box, cover plates for roadway boxes, wood bumper details, cellar part plans, hydrant and comp. air box, tile conditions, louver and bird screen, expansion joints, ceiling revisions, and parking garage sign.
dessins
1956-1959
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
architecture
1854-1858, printed 1854-1858
Album of prints and drawings for Hôtel Soltykoff, rue Saint-Arnaud, Paris
Actions:
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
architecture
DR1974:0002:007:001-068
Description:
- This album consists mostly of preliminary, design development and presentation drawings - plans, sections and elevations - for a château for M. de Lorgeril at Motte Beaumanoir, Brittany, and for renovations for a house for M. le Dhuy, perhaps in Paris. These buildings are in an austere classical style with minimal ornament and in some cases, Doric columns. Structural drawings, details of architectural elements, and coloured elevations for the Empire style interiors are included for both projects, as well as drawings for Empire style furniture for M. le Dhuy. A perspective and plan for a sepulchral chapel for the de Lorgeril family (DR1974:0002:007:030) are also included. The album contains several documents: notes by Rohault de Fleury, mostly illegible, which probably concern project(s) for M. de Lorgeril; detailed cost estimates for two country houses and a pavilion, possibly variant schemes for a single project; and letters to Hubert Rohault de Fleury from M. de Lorgeril concerning plans by the latter for an apartment house in Rennes (rue de la Poissonière and rue Beaumanoir) which he sent to Rohault de Fleury for his criticism and correction. M. de Lorgeril also sought Rohault de Fleury's advice on the municipal affairs of Rennes. There are five unidentified drawings, possibly for a hôtel for the de Lorgeril family in Rennes (DR1974:0002:007:037 - DR1974:0002:007:036). Four drawings for an unidentified country house may possibly be for a project of 1811 for a M. des Dederseul (name only partially legible), if the inscriptions on the page preceding them in the album are related to these drawings (DR1974:0002:007:037 - DR1974:0002:007:040). Also included in the album is a lot plan, inscribed with the names fo the owners, for property adjacent to rue de la Chaussée d'Antin, Paris (DR1974:0002:007:048).
architecture, architecture de paysage, design d'intérieur
drawings executed between 1802 and 1833, manuscripts between 1802 and 1821
Album of drawings and manuscripts, mostly for a château for M. de Lorgeril and for renovations for a house for M. le Dhuy, France
Actions:
DR1974:0002:007:001-068
Description:
- This album consists mostly of preliminary, design development and presentation drawings - plans, sections and elevations - for a château for M. de Lorgeril at Motte Beaumanoir, Brittany, and for renovations for a house for M. le Dhuy, perhaps in Paris. These buildings are in an austere classical style with minimal ornament and in some cases, Doric columns. Structural drawings, details of architectural elements, and coloured elevations for the Empire style interiors are included for both projects, as well as drawings for Empire style furniture for M. le Dhuy. A perspective and plan for a sepulchral chapel for the de Lorgeril family (DR1974:0002:007:030) are also included. The album contains several documents: notes by Rohault de Fleury, mostly illegible, which probably concern project(s) for M. de Lorgeril; detailed cost estimates for two country houses and a pavilion, possibly variant schemes for a single project; and letters to Hubert Rohault de Fleury from M. de Lorgeril concerning plans by the latter for an apartment house in Rennes (rue de la Poissonière and rue Beaumanoir) which he sent to Rohault de Fleury for his criticism and correction. M. de Lorgeril also sought Rohault de Fleury's advice on the municipal affairs of Rennes. There are five unidentified drawings, possibly for a hôtel for the de Lorgeril family in Rennes (DR1974:0002:007:037 - DR1974:0002:007:036). Four drawings for an unidentified country house may possibly be for a project of 1811 for a M. des Dederseul (name only partially legible), if the inscriptions on the page preceding them in the album are related to these drawings (DR1974:0002:007:037 - DR1974:0002:007:040). Also included in the album is a lot plan, inscribed with the names fo the owners, for property adjacent to rue de la Chaussée d'Antin, Paris (DR1974:0002:007:048).
dessins, documents textuels
drawings executed between 1802 and 1833, manuscripts between 1802 and 1821
architecture, architecture de paysage, design d'intérieur