13317 Résultats
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Spiral back, 500 ex.
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Spiral back, 500 ex.
Titre:
Henriette Heise: lommer / pockets
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Spiral back, 500 ex.
Henriette Heise: lommer / pockets
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Spiral back, 500 ex.
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livres
livres
Publication:
janvier 1900, Copenhagen
janvier 1900, Copenhagen
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livres
livres
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$65.00
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The writing of history, politics and culture have in the past concentrated on the male heterosexual subject. That is who we learn about in schools, history books and what we experience in the art museums and on TV. That is who has been chosen to represent our shared history. But what about all the others – where are they in the cultural landscape?
$65.00
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The writing of history, politics and culture have in the past concentrated on the male heterosexual subject. That is who we learn about in schools, history books and what we experience in the art museums and on TV. That is who has been chosen to represent our shared history. But what about all the others – where are they in the cultural landscape?
Titre:
Henrik Olesen: what is authority?
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The writing of history, politics and culture have in the past concentrated on the male heterosexual subject. That is who we learn about in schools, history books and what we experience in the art museums and on TV. That is who has been chosen to represent our shared history. But what about all the others – where are they in the cultural landscape?
Henrik Olesen: what is authority?
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$65.00
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The writing of history, politics and culture have in the past concentrated on the male heterosexual subject. That is who we learn about in schools, history books and what we experience in the art museums and on TV. That is who has been chosen to represent our shared history. But what about all the others – where are they in the cultural landscape?
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livres
livres
Publication:
janvier 2001, Copenhagen
janvier 2001, Copenhagen
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livres
livres
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$11.50
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The booklet you are holding, is about imitating the sound of the seaside by using two hands and a piece of carpet.
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The booklet you are holding, is about imitating the sound of the seaside by using two hands and a piece of carpet.
Titre:
SSS shore scene soundtrack: theme and variations for carpet
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The booklet you are holding, is about imitating the sound of the seaside by using two hands and a piece of carpet.
SSS shore scene soundtrack: theme and variations for carpet
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The booklet you are holding, is about imitating the sound of the seaside by using two hands and a piece of carpet.
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livres
livres
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janvier 1900, Amsterdam
janvier 1900, Amsterdam
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livres
livres
Titre:
Tapik, Poursuite
Tapik, Poursuite
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Première édition, bilingue : turque et français. Texte composé à partir de phrases tirées de 2 livres turque-français et un livre turque-japonais.
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Première édition, bilingue : turque et français. Texte composé à partir de phrases tirées de 2 livres turque-français et un livre turque-japonais.
Titre:
Tapik, Poursuite
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Première édition, bilingue : turque et français. Texte composé à partir de phrases tirées de 2 livres turque-français et un livre turque-japonais.
Tapik, Poursuite
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Première édition, bilingue : turque et français. Texte composé à partir de phrases tirées de 2 livres turque-français et un livre turque-japonais.
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janvier 1900, Istanbul
janvier 1900, Istanbul
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This two-volume publication, produced on the occasion of an exhibition at The Fruitmarket Gallery, Edinburgh and Modern Art Oxford, is both a catalogue to the exhibition and a compendium of notes and drawings for as yet unrealised works. With one volume containing texts on and images of the seven major works exhibited, and the other bringing together sketches, drawings,(...)
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This two-volume publication, produced on the occasion of an exhibition at The Fruitmarket Gallery, Edinburgh and Modern Art Oxford, is both a catalogue to the exhibition and a compendium of notes and drawings for as yet unrealised works. With one volume containing texts on and images of the seven major works exhibited, and the other bringing together sketches, drawings,(...)
Publication:
janvier 1900, Edinburg, Oxford
janvier 1900, Edinburg, Oxford
Titre:
Janet Cardiff & George Bures Miller: The house of books has no windows
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This two-volume publication, produced on the occasion of an exhibition at The Fruitmarket Gallery, Edinburgh and Modern Art Oxford, is both a catalogue to the exhibition and a compendium of notes and drawings for as yet unrealised works. With one volume containing texts on and images of the seven major works exhibited, and the other bringing together sketches, drawings, notes and ideas for works that either may or may not one day be made, the publication offers a range of routes into the Cardiff/Miller imagination.
Janet Cardiff & George Bures Miller: The house of books has no windows
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This two-volume publication, produced on the occasion of an exhibition at The Fruitmarket Gallery, Edinburgh and Modern Art Oxford, is both a catalogue to the exhibition and a compendium of notes and drawings for as yet unrealised works. With one volume containing texts on and images of the seven major works exhibited, and the other bringing together sketches, drawings, notes and ideas for works that either may or may not one day be made, the publication offers a range of routes into the Cardiff/Miller imagination.
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livres
livres
Publication:
janvier 1900, Edinburg, Oxford
janvier 1900, Edinburg, Oxford
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livres
livres
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$21.00
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'Sheds' contains 32 pages of Peake's recent work inspired by a fascination with primitive structures, travels in China and a recent cycling trip around Europe drawing barns, sheds and grain silos. Peake's style of drawing is characterised by amazing detail and beautifully muted colours.
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'Sheds' contains 32 pages of Peake's recent work inspired by a fascination with primitive structures, travels in China and a recent cycling trip around Europe drawing barns, sheds and grain silos. Peake's style of drawing is characterised by amazing detail and beautifully muted colours.
Titre:
Sheds: nails, timber, felt, slatte, stone and rust
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$21.00
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'Sheds' contains 32 pages of Peake's recent work inspired by a fascination with primitive structures, travels in China and a recent cycling trip around Europe drawing barns, sheds and grain silos. Peake's style of drawing is characterised by amazing detail and beautifully muted colours.
Sheds: nails, timber, felt, slatte, stone and rust
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$21.00
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Résumé:
'Sheds' contains 32 pages of Peake's recent work inspired by a fascination with primitive structures, travels in China and a recent cycling trip around Europe drawing barns, sheds and grain silos. Peake's style of drawing is characterised by amazing detail and beautifully muted colours.
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livres
livres
Publication:
janvier 1900, London
janvier 1900, London
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$24.95
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En publiant à la une du Figaro, le 20 février 1909, le Manifeste du futurisme, le poète italien Marinetti lance le premier mouvement d'avant-garde artistique du XXe siècle. Son propos est radical : assez des chefs-d'œuvre du passé et des musées, vive la modernité des villes et la beauté de la vitesse! Des peintres s'y rallient bientôt – Boccioni, Carrà, Russolo, Balla et(...)
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En publiant à la une du Figaro, le 20 février 1909, le Manifeste du futurisme, le poète italien Marinetti lance le premier mouvement d'avant-garde artistique du XXe siècle. Son propos est radical : assez des chefs-d'œuvre du passé et des musées, vive la modernité des villes et la beauté de la vitesse! Des peintres s'y rallient bientôt – Boccioni, Carrà, Russolo, Balla et(...)
Titre:
Le futurisme: une avant-garde radicale
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En publiant à la une du Figaro, le 20 février 1909, le Manifeste du futurisme, le poète italien Marinetti lance le premier mouvement d'avant-garde artistique du XXe siècle. Son propos est radical : assez des chefs-d'œuvre du passé et des musées, vive la modernité des villes et la beauté de la vitesse! Des peintres s'y rallient bientôt – Boccioni, Carrà, Russolo, Balla et Severini –, prônant à leur tour le «dynamisme pictural». Soirées futuristes et conférences se multiplient un peu partout en Europe, de même que les manifestes, tant politiques qu'artistiques. Gagnant rapidement tous les domaines – sculpture, architecture, musique, mais aussi cinéma, théâtre, danse, mode et cuisine –, le futurisme opère jusque dans les années 1930 une véritable révolution des idées, et une mise en cause de l'art lui-même. C'est à l'analyse de cette «philosophie du devenir» que nous convie Giovanni Lista, manifestes à l'appui.
Le futurisme: une avant-garde radicale
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En publiant à la une du Figaro, le 20 février 1909, le Manifeste du futurisme, le poète italien Marinetti lance le premier mouvement d'avant-garde artistique du XXe siècle. Son propos est radical : assez des chefs-d'œuvre du passé et des musées, vive la modernité des villes et la beauté de la vitesse! Des peintres s'y rallient bientôt – Boccioni, Carrà, Russolo, Balla et Severini –, prônant à leur tour le «dynamisme pictural». Soirées futuristes et conférences se multiplient un peu partout en Europe, de même que les manifestes, tant politiques qu'artistiques. Gagnant rapidement tous les domaines – sculpture, architecture, musique, mais aussi cinéma, théâtre, danse, mode et cuisine –, le futurisme opère jusque dans les années 1930 une véritable révolution des idées, et une mise en cause de l'art lui-même. C'est à l'analyse de cette «philosophie du devenir» que nous convie Giovanni Lista, manifestes à l'appui.
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livres
livres
Publication:
novembre 2008, Paris
novembre 2008, Paris
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livres
livres
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$40.00
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The dictionary. The ubiquitous high-gloss fashion ad. The fraught relationship between artist and critic. Sleeping Beauty ties these disparate strands of our everyday lives together only to strip away everything we thought we knew about each of them. A collaborative work by the artist John Sparagana and the critic Mieke Bal, this truly cutting-edge work takes the shape of(...)
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The dictionary. The ubiquitous high-gloss fashion ad. The fraught relationship between artist and critic. Sleeping Beauty ties these disparate strands of our everyday lives together only to strip away everything we thought we knew about each of them. A collaborative work by the artist John Sparagana and the critic Mieke Bal, this truly cutting-edge work takes the shape of(...)
Publication:
janvier 1900, Chicago
janvier 1900, Chicago
Titre:
Sleeping beauty: a one-artist dictionary
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The dictionary. The ubiquitous high-gloss fashion ad. The fraught relationship between artist and critic. Sleeping Beauty ties these disparate strands of our everyday lives together only to strip away everything we thought we knew about each of them. A collaborative work by the artist John Sparagana and the critic Mieke Bal, this truly cutting-edge work takes the shape of a conversation between his creations—distressed, or “fatigued,” magazine pages—and her words, imagining anew the relationships of image to text and of art to those who write about it.
Sleeping beauty: a one-artist dictionary
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The dictionary. The ubiquitous high-gloss fashion ad. The fraught relationship between artist and critic. Sleeping Beauty ties these disparate strands of our everyday lives together only to strip away everything we thought we knew about each of them. A collaborative work by the artist John Sparagana and the critic Mieke Bal, this truly cutting-edge work takes the shape of a conversation between his creations—distressed, or “fatigued,” magazine pages—and her words, imagining anew the relationships of image to text and of art to those who write about it.
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livres
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Publication:
janvier 1900, Chicago
janvier 1900, Chicago
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$35.00
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
Publication:
octobre 2008, Montréal, Kingston
octobre 2008, Montréal, Kingston
Titre:
Harun Farocki: one image doesn't take the place of the previous one
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
Harun Farocki: one image doesn't take the place of the previous one
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
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livres
Publication:
octobre 2008, Montréal, Kingston
octobre 2008, Montréal, Kingston
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livres
livres
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$75.00
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
Publication:
décembre 1999, Cambridge, Mass.
décembre 1999, Cambridge, Mass.
Titre:
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Classification:
livres
livres
Publication:
décembre 1999, Cambridge, Mass.
décembre 1999, Cambridge, Mass.
