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How does twenty-first-century Germany deal with the remaining Fascist architecture of the 1930s and 1940s? Between 2001 and 2006, the German photographer Ralf Meyer created a collection of 130 photographs, taken at 32 locations across the country. The photographs were not intended to be mere reproductions of facades; instead, they were meant to investigate how German(...)
Architectural rearguard, Ralf Meyer
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How does twenty-first-century Germany deal with the remaining Fascist architecture of the 1930s and 1940s? Between 2001 and 2006, the German photographer Ralf Meyer created a collection of 130 photographs, taken at 32 locations across the country. The photographs were not intended to be mere reproductions of facades; instead, they were meant to investigate how German citizens deal with the results of the overwhelming historical architecture that surrounds them. Each one of the buildings Meyer sought out was constructed for an ideological purpose: can these implicit messages still be detected in the architecture? What is life like in and around these buildings, now that so much has changed?
Monographies photo
A+U 569 : David Adjaye
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Featuring more than 25 designs by the Ghanaian-British architect, this instalment offers an in-depth look at the direction his practice has taken over the past decade, and includes an essay by the architect on his approach to light and density. ''The light determines how the building will be seen and understood, and influences how I decide to format the construction,''(...)
A+U 569 : David Adjaye
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Featuring more than 25 designs by the Ghanaian-British architect, this instalment offers an in-depth look at the direction his practice has taken over the past decade, and includes an essay by the architect on his approach to light and density. ''The light determines how the building will be seen and understood, and influences how I decide to format the construction,'' explains Adjaye. It is a formidable list of projects from around the globe, such as the Moscow School of Management in Skolkovo, IBA Hamburg, Beirut's Aishti Foundation, Museum of Contemporary Art Denver, Wakefied Market Hall in West Yorkshire, and Sugar Hill mixed-use development in New York City.
Revues
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Why did early modern architects continue copying drawings long after the invention of print should have made such copying obsolete? Carolyn Yerkes answers that question in a fresh investigation into the status of architectural drawing in the sixteenth and seventeenth centuries. Her book explores a vast network of manuscripts and drawings that each have information about(...)
Drawing after architecture: Renaissance architectural drawings and their reception
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Why did early modern architects continue copying drawings long after the invention of print should have made such copying obsolete? Carolyn Yerkes answers that question in a fresh investigation into the status of architectural drawing in the sixteenth and seventeenth centuries. Her book explores a vast network of manuscripts and drawings that each have information about ancient and modern buildings—including the Pantheon and Saint Peter’s—that is not known from any other sources. The drawings also show how the information was recorded, transferred, and analyzed by others. Yerkes examines the nature of architectural evidence to understand how Renaissance architects used images to explore structures, create biographies, and write history.
Dessin d’architecture
Herbarium
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"Herbarium" explores the histories, associations, and uses of 100 herbs, as well as providing ideas for how each herb can be used to improve both food and well-being. Each entry features a specially commissioned illustration with texts that include the botanical name, place of origin, varieties, and areas where the herb is most commonly grown. The essence of each herb is(...)
Herbarium
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"Herbarium" explores the histories, associations, and uses of 100 herbs, as well as providing ideas for how each herb can be used to improve both food and well-being. Each entry features a specially commissioned illustration with texts that include the botanical name, place of origin, varieties, and areas where the herb is most commonly grown. The essence of each herb is explored in a brief history peppered with interesting anecdotes, complemented by suggestions of classic combinations and helpful tips for gardeners. A reference section includes advice on how to grow and keep herbs, herb-food pairings, and using herbs for health and beauty treatments.
Jardins
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Good design provides solutions to problems. It improves our buildings, medical equipment, clothing, and kitchen utensils, among other objects. But what if design could also improve societal problems by prompting positive ideological change? In this book, Bruce and Stephanie Tharp survey recent critical design practices and propose a new, more inclusive field of socially(...)
Discursive design: critical, speculative, and alternative things
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Good design provides solutions to problems. It improves our buildings, medical equipment, clothing, and kitchen utensils, among other objects. But what if design could also improve societal problems by prompting positive ideological change? In this book, Bruce and Stephanie Tharp survey recent critical design practices and propose a new, more inclusive field of socially minded practice: discursive design. While many consider good design to be unobtrusive, intuitive, invisible, and undemanding intellectually, discursive design instead targets the intellect, prompting self-reflection and igniting the imagination. « Discursive design » (derived from “discourse”) expands the boundaries of how we can use design—how objects are, in effect, good(s) for thinking.
Théorie du design
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This publication offers a spectrum of views on how the myriad forms of exhibiting photographies can increase our understanding of how images operate today, as well as what they do to us when we interact with them. In the Digital Age, “photography” is best described with adjectives connoting a medium in constant flux: liquid, fluid, flexible, unstable. As such, there is no(...)
Why exhibit? Positions on exhibiting photographs
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This publication offers a spectrum of views on how the myriad forms of exhibiting photographies can increase our understanding of how images operate today, as well as what they do to us when we interact with them. In the Digital Age, “photography” is best described with adjectives connoting a medium in constant flux: liquid, fluid, flexible, unstable. As such, there is no primary format for displaying photographs. By drawing upon the diverse perspectives of a group of curators, scholars, photographers, and artists based in the field of contemporary photography, this volume aims to provide a foundation for a wider discourse about exhibiting photographies in the twenty-first century.
Théorie de la photographie
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George Plumptre traces the use of ornamental features throughout the history of the Western garden from the great formal gardens of Italy and France to the more intimate creations of contemporary design. Taking the principal categories of ornament in turn, he shows how, over the last five hundred years, garden designers have used stone, wood, and metal to enhance and(...)
Garden ornament : five hundred years of history and practice
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George Plumptre traces the use of ornamental features throughout the history of the Western garden from the great formal gardens of Italy and France to the more intimate creations of contemporary design. Taking the principal categories of ornament in turn, he shows how, over the last five hundred years, garden designers have used stone, wood, and metal to enhance and modify the natural features of the landscape. He then analyzes the role of ornament in modern garden design, showing how long-held and tested principles of design can be applied imaginatively in the typical modern garden. With special contribution by Jamie Garnock and James Rylands. Photographs by Hugh Palmer.
Jardins
The rooted city
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Cities and landscape are inextricably linked. Without landscape there is no city and without city there is no landscape as we know it. Nowadays it is hard to hold on to the distinction between landscape and city – the whole planet has become urban. This raises new questions. How can cities defend themselves against climate change? How can you guarantee the supply of(...)
The rooted city
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Cities and landscape are inextricably linked. Without landscape there is no city and without city there is no landscape as we know it. Nowadays it is hard to hold on to the distinction between landscape and city – the whole planet has become urban. This raises new questions. How can cities defend themselves against climate change? How can you guarantee the supply of drinking water in cities with tens of millions of residents? What can be done about smog choking metropoles? Is food security possible if there is less and less fertile farmland? Rooted City investigates these questions by means of an essay and examples of thirty European cities.
Paysages urbains
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Confronting the work of widely celebrated photographers Annie Leibovitz, Gregory Crewdson and Andreas Gursky, Photography’s Neoliberal Realism examines how these artists produce capitalism’s equivalent of the Soviet Union’s socialist realism by giving photographic form to widely held and rarely questioned beliefs and ideas. The ideological framework that Colberg terms(...)
Photography's Neoliberal Realism
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Confronting the work of widely celebrated photographers Annie Leibovitz, Gregory Crewdson and Andreas Gursky, Photography’s Neoliberal Realism examines how these artists produce capitalism’s equivalent of the Soviet Union’s socialist realism by giving photographic form to widely held and rarely questioned beliefs and ideas. The ideological framework that Colberg terms ‘neoliberal realism’ serves to cement an economic system whose many fault lines are becoming increasingly clear, such as staggering inequality and racial disparities. This extended essay provides an alternative reading of photographic works laden with artifice, and argues how focusing on this artifice misses the more far-reaching ways such images operate in our visual economy.
Théorie de la photographie
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New in the "100 Ideas that Changed..." series, this book demonstrates how ideas influenced and defined graphic design, and how those ideas have manifested themselves in objects of design. The 100 entries, arranged broadly in chronological order, range from technical (overprinting, rub-on designs, split fountain); to stylistic (swashes on caps, loud typography, and white(...)
avril 2012
100 ideas that changed graphic design
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New in the "100 Ideas that Changed..." series, this book demonstrates how ideas influenced and defined graphic design, and how those ideas have manifested themselves in objects of design. The 100 entries, arranged broadly in chronological order, range from technical (overprinting, rub-on designs, split fountain); to stylistic (swashes on caps, loud typography, and white space); to objects (dust jackets, design handbooks); and methods (paper cut-outs, pixelation). Written by one of the world’s leading authorities on graphic design and lavishly illustrated, the book is both a great source of inspiration and a provocative record of some of the best examples of graphic design from the last hundred years.