Potato (Object Lessons)
$21.95
(disponible sur commande)
Résumé:
''Object Lessons'' is a series of short, beautifully designed books about the hidden lives of ordinary things. Baked potatoes, Bombay potatoes, pommes frites . . . everyone eats potatoes, but what do they mean? To the United Nations they mean global food security (potatoes are the world's fourth most important food crop). To 18th-century philosophers they promised(...)
Potato (Object Lessons)
Actions:
Prix:
$21.95
(disponible sur commande)
Résumé:
''Object Lessons'' is a series of short, beautifully designed books about the hidden lives of ordinary things. Baked potatoes, Bombay potatoes, pommes frites . . . everyone eats potatoes, but what do they mean? To the United Nations they mean global food security (potatoes are the world's fourth most important food crop). To 18th-century philosophers they promised happiness. Nutritionists warn that too many increase your risk of hypertension. For the poet Seamus Heaney they conjured up both his mother and the 19th-century Irish famine. What stories lie behind the ordinary potato? The potato is entangled with the birth of the liberal state and the idea that individuals, rather than communities, should form the building blocks of society. Potatoes also speak about family, and our quest for communion with the universe. Thinking about potatoes turns out to be a good way of thinking about some of the important tensions in our world.
Bouffe
Breathing aesthetics
$33.95
(disponible sur commande)
Résumé:
In this book, Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and(...)
Breathing aesthetics
Actions:
Prix:
$33.95
(disponible sur commande)
Résumé:
In this book, Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.
Théorie/ philosophie
$49.95
(disponible sur commande)
Résumé:
Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as(...)
Iconophages: A history of ingesting images
Actions:
Prix:
$49.95
(disponible sur commande)
Résumé:
Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as to be ingested, these figured artifacts have been not only gazed upon but also incorporated—taken into the body—as solids or liquids. How can we explain such behavior? Why take an image into one’s own body, devouring it at the risk of destroying it, consuming rather than contemplating it wisely from a distance? What structures of the imagination underlie and justify these desires for incorporation? What are the visual configurations offered up to the mouth, and what are their effects? What therapeutic, religious, symbolic, and social functions can we attribute to these forms of relations with icons? These are a few of the questions raised in this investigation into iconophagy.
Théorie de l’art
$69.95
(disponible en magasin)
Résumé:
How can we design the architecture of metabolism? How can architecture redefine resources, produce nutrients and contribute to regenerate land and protect communities at risk? "Building Metabolism" aims to reveal how architecture constructs, distributes, and leverages power via material recycling, interspecies alliances, biopolitics and excremental processes. This book,(...)
Building metabolism: Recipes for food and resource cycles
Actions:
Prix:
$69.95
(disponible en magasin)
Résumé:
How can we design the architecture of metabolism? How can architecture redefine resources, produce nutrients and contribute to regenerate land and protect communities at risk? "Building Metabolism" aims to reveal how architecture constructs, distributes, and leverages power via material recycling, interspecies alliances, biopolitics and excremental processes. This book, stemming from the expanded work produced for the 2022 Tallinn Architecture Biennale—themed EDIBLE and curated by the authors—reimagines the "home" on both domestic and planetary scales as a digestive system, processing human output in its various forms and converting it into actionable resources. This portrayal of the "home" urges readers to look at resources in a visceral way; via the raw ecologies of our bodies and the understanding that the social problems related to climate justice are not simply statistical, abstract, and disembodied. Instead, they are intertwined with our own production and living processes, and they are landed on bodies: on the food we eat, the water we drink, and the air we breathe.
Architecture écologique
$63.00
(disponible sur commande)
Résumé:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from(...)
The last picture show : artists using photography 1960 - 1982
Actions:
Prix:
$63.00
(disponible sur commande)
Résumé:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from their first glimmerings in the 1960's in the work of artists such as Bernd and Hilla Becher, Bruce Nauman, and Edward Ruscha to their rise to art world prominence in the work of the Picture Theory artists of the late 1970's and early 1980's, including Silvia Kolbowski, Richard Prince, and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the exhibition catalogue includes a wide array of works by Vito Acconci, John Baldessari, Gilbert & George, Yves Klein, Barbara Kruger, Gordon Matta-Clark, Charles Ray, Jeff Wall, Andy Warhol, William Wegman, and others.
Théorie de la photographie
livres
$38.95
(disponible sur commande)
Résumé:
Grant Jones, founding principal of the noted landscape architecture firm Jones – Jones, has practiced ecological design for more than 30 years and has been a pioneer in river planning, scenic highway design, zoo design, and landscape aesthetics. The latest addition to our successful Source Books in Landscape Architecture series, Grant Jones/Jones – Jones ILARIS, focuses(...)
Grant Jones / Jones & Jones Ilaris : the puget sound plan
Actions:
Prix:
$38.95
(disponible sur commande)
Résumé:
Grant Jones, founding principal of the noted landscape architecture firm Jones – Jones, has practiced ecological design for more than 30 years and has been a pioneer in river planning, scenic highway design, zoo design, and landscape aesthetics. The latest addition to our successful Source Books in Landscape Architecture series, Grant Jones/Jones – Jones ILARIS, focuses on Jones's "green print" plan for Puget Sound in Washington State. Working in collaboration with the Trust for Public Lands and using new GIS technology, Jones – Jones developed the software tool ILARIS. This CAD-like tool helps to evaluate the aesthetic resources of landscape regions and is used as a basis for future planning. The Puget Sound model can be applied to other landscapes at risk. Including an interview with Grant Jones, critical essays discussing his work, as well as numerous diagrams, plans, and photographs, Grant Jones/Jones – Jones ILARIS is a thorough study of an important project.
livres
juillet 2007, New York
Théorie du paysage
Why public space matters
$46.99
(disponible en magasin)
Résumé:
Public spaces — where people from all walks of life play, work, meet, talk, read, think, debate, and protest — are vital to a healthy civic life. And, as the eminent scholar of public space Setha Low argues in this book, even fleeting moments of visibility and encounter in these spaces tend to foster a broader worldview and our willingness to accept difference. Yet we are(...)
Why public space matters
Actions:
Prix:
$46.99
(disponible en magasin)
Résumé:
Public spaces — where people from all walks of life play, work, meet, talk, read, think, debate, and protest — are vital to a healthy civic life. And, as the eminent scholar of public space Setha Low argues in this book, even fleeting moments of visibility and encounter in these spaces tend to foster a broader worldview and our willingness to accept difference. Yet we are losing public spaces to accelerated urban development and the belief that public spaces are expendable. Low explores why public spaces matter today, how they are at risk, and what we can do about protecting these essential places that support our everyday lives. Finally, she shows how we can work to promote public space protection and expansion at both the grassroots and global levels. Throughout, she focuses on real public spaces and the people who use them in cities and regions across the Americas, from New Jersey to Costa Rica
$26.00
(disponible sur commande)
Résumé:
Dutch architecture of the 1990s is regarded worldwide as a success. The favourable economic and political conditions from the start of the 1990s (the 'boom' years) created an advantageous climate for unorthodox design approaches and experiments, which became the trademark of a modern form of cultural export. Since then, Dutch architecture has been known as pragmatic,(...)
Revues
décembre 2005, Rotterdam
OASE 67 : after the party : Nederlandse architectuur 2005 / Dutch architecture 2005
Actions:
Prix:
$26.00
(disponible sur commande)
Résumé:
Dutch architecture of the 1990s is regarded worldwide as a success. The favourable economic and political conditions from the start of the 1990s (the 'boom' years) created an advantageous climate for unorthodox design approaches and experiments, which became the trademark of a modern form of cultural export. Since then, Dutch architecture has been known as pragmatic, self-assured and uncompromisingly modern. Four years of economic decline and market-driven politics have brought an end to the post-ideological party of the 1990s. It was replaced by the risk-avoiding behaviour of government bodies and principals. The architecture climate is now characterized by an elusive sombreness and a responsible realism. "After the party" aims to make up the balance. The collapse of the optimistic consensus of the 'polder model' has revealed contradictions between interest groups, ideas and mentalities, and has made confrontations inevitable. But the sky has cleared, and there is new space to think about architecture, public concerns and the culture of the Netherlands and Europe. This edition of OASE spurs on this debate. Design by Karel Martens & Werkplaats Typografie.
Revues
$34.00
(disponible en magasin)
Résumé:
In November 2022, the first annual Alchemy Lecture took place at York University in Toronto, bringing four deep and agile writers from different geographies and disciplines into vibrant conversation on a topic of urgent relevance: humans and borders. Now, in these pages, that conversation is captured and expanded in insightful, passionate ways. Architect, artist, and(...)
Borders, human itineraries, and all our relation. The alchemy lecture
Actions:
Prix:
$34.00
(disponible en magasin)
Résumé:
In November 2022, the first annual Alchemy Lecture took place at York University in Toronto, bringing four deep and agile writers from different geographies and disciplines into vibrant conversation on a topic of urgent relevance: humans and borders. Now, in these pages, that conversation is captured and expanded in insightful, passionate ways. Architect, artist, and urban theorist Dele Adeyemo (UK/Nigeria) calls attention to the complexity of Black infrastructures, questioning how “the environments that surround us condition the possibility of our being.” Poet Natalie Diaz (US/Mojave/Akimel O’otham) writes: “Like story, migration is the sensual movement of knowledge,” and asks, “What is the language we need to live right now?” Philosopher Nadia Yala Kisukidi (France) suggests there is no diasporic life “without the dynamics of fabulation, where we pass down, from generation to generation, the stories of our ancestors who walked barefoot for many months.” And cultural theorist Rinaldo Walcott (Canada) asks us to consider inheritances beyond white supremacist logics: “What might it mean to live a life, if we can’t risk desiring and working towards utopia?”
Social
$39.95
(disponible sur commande)
Résumé:
Theorists, historians, and artists address the precarious futurity of the notion of the future. Not long ago, a melancholic left and a manic neoliberalism seemed to arrive at an awkward consensus: the foreclosure of futurity. Whereas the former mourned the failure of its utopian project, the latter celebrated the triumph of a global marketplace. The radical hope of(...)
Futurity report, counter histories vol.1
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
Theorists, historians, and artists address the precarious futurity of the notion of the future. Not long ago, a melancholic left and a manic neoliberalism seemed to arrive at an awkward consensus: the foreclosure of futurity. Whereas the former mourned the failure of its utopian project, the latter celebrated the triumph of a global marketplace. The radical hope of realizing a singularly different, more equitable future displaced by a belief that the future had already come to pass, limiting post-historical society to an uneventful life of endless accumulation. Today, amidst an abundance of neofuturisms, posthumanisms, futurologies, speculative philosophies and accelerationist scenarios, there is as well an expanding awareness of a looming planetary catastrophe driven by the extractionist logic of capitalism. Despite this return to the future, the temporal horizon of our present moment is perhaps more aptly characterized by the 'shrinking future' of just-in-time production, risk management, high-frequency trading, and the futures market. In "Futurity report," theorists, historians, and artists address the precarious futurity of the notion of the future itself.
Théorie/ philosophie