10597 Résultats
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Using New York as an example, the photographic project "EndCommercial" deals with the urban space, dissecting it into its semantic components. Picture for picture, photograph for photograph, the inner grammar of the urban context reveals itself. Collected in and on the streets, the principles of order and life signs of biotopes at the bottom end of the economic process(...)
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Using New York as an example, the photographic project "EndCommercial" deals with the urban space, dissecting it into its semantic components. Picture for picture, photograph for photograph, the inner grammar of the urban context reveals itself. Collected in and on the streets, the principles of order and life signs of biotopes at the bottom end of the economic process(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
septembre 2002, Ostfildern
septembre 2002, Ostfildern
Titre:
Endcommercial : reading the city
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Using New York as an example, the photographic project "EndCommercial" deals with the urban space, dissecting it into its semantic components. Picture for picture, photograph for photograph, the inner grammar of the urban context reveals itself. Collected in and on the streets, the principles of order and life signs of biotopes at the bottom end of the economic process are documented: writings on the wall, signs on the street, codes, symbols, fragments, authorship of the anonymous, wear and tear of the public living space and the people who use it. The surprise the book holds is the sudden perception of what has frequently been seen but seldom registered.
Endcommercial : reading the city
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Using New York as an example, the photographic project "EndCommercial" deals with the urban space, dissecting it into its semantic components. Picture for picture, photograph for photograph, the inner grammar of the urban context reveals itself. Collected in and on the streets, the principles of order and life signs of biotopes at the bottom end of the economic process are documented: writings on the wall, signs on the street, codes, symbols, fragments, authorship of the anonymous, wear and tear of the public living space and the people who use it. The surprise the book holds is the sudden perception of what has frequently been seen but seldom registered.
Classification:
livres
livres
Publication:
septembre 2002, Ostfildern
septembre 2002, Ostfildern
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$37.95
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In 1976, Robert Adams shot "Fort Collins, Colorado," a nighttime picture of a lone tree in a Colorado parking lot, the crescent moon hanging in the sky above. More than 30 years earlier, Ansel Adams had captured "Moonrise, Hernandez, New Mexico," showing a magnificent vista of desert scrub and clustered buildings, snow-capped mountains in the distance, the full moon(...)
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In 1976, Robert Adams shot "Fort Collins, Colorado," a nighttime picture of a lone tree in a Colorado parking lot, the crescent moon hanging in the sky above. More than 30 years earlier, Ansel Adams had captured "Moonrise, Hernandez, New Mexico," showing a magnificent vista of desert scrub and clustered buildings, snow-capped mountains in the distance, the full moon(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
juin 2002, Andover, Massachusetts
juin 2002, Andover, Massachusetts
Titre:
Reinventing the West : the photography of Ansel Adams and Robert Adams
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In 1976, Robert Adams shot "Fort Collins, Colorado," a nighttime picture of a lone tree in a Colorado parking lot, the crescent moon hanging in the sky above. More than 30 years earlier, Ansel Adams had captured "Moonrise, Hernandez, New Mexico," showing a magnificent vista of desert scrub and clustered buildings, snow-capped mountains in the distance, the full moon majestically presiding in the expansive sky overhead. These two pictures could be neither more different nor more similar; nor could the younger Adams have made his photograph without knowledge of his greatly admired predecessor's. If Ansel Adams created singular images in search of a platonic ideal of nature, Robert Adams explored repetition and conformity; both were responding, in their own personal and aesthetic way, to the landscape of the American West. The first book to juxtapose bodies of work by these two 20th-century master photographers, Reinventing the West reveals how their photographs reflect changing attitudes toward the western landscape and the natural world.
Reinventing the West : the photography of Ansel Adams and Robert Adams
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In 1976, Robert Adams shot "Fort Collins, Colorado," a nighttime picture of a lone tree in a Colorado parking lot, the crescent moon hanging in the sky above. More than 30 years earlier, Ansel Adams had captured "Moonrise, Hernandez, New Mexico," showing a magnificent vista of desert scrub and clustered buildings, snow-capped mountains in the distance, the full moon majestically presiding in the expansive sky overhead. These two pictures could be neither more different nor more similar; nor could the younger Adams have made his photograph without knowledge of his greatly admired predecessor's. If Ansel Adams created singular images in search of a platonic ideal of nature, Robert Adams explored repetition and conformity; both were responding, in their own personal and aesthetic way, to the landscape of the American West. The first book to juxtapose bodies of work by these two 20th-century master photographers, Reinventing the West reveals how their photographs reflect changing attitudes toward the western landscape and the natural world.
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livres
livres
Publication:
juin 2002, Andover, Massachusetts
juin 2002, Andover, Massachusetts
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$59.95
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This book tells the intertwined stories of photography and the American West--a new medium and a new place that came of age together in the nineteenth century. The story begins just a few years after the invention of the daguerreotype in 1839, as pioneering photographers followed American troops into the Mexican-American War. Taking advantage of rapidly developing(...)
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Résumé:
This book tells the intertwined stories of photography and the American West--a new medium and a new place that came of age together in the nineteenth century. The story begins just a few years after the invention of the daguerreotype in 1839, as pioneering photographers followed American troops into the Mexican-American War. Taking advantage of rapidly developing(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
octobre 2002, New Haven / London
octobre 2002, New Haven / London
Titre:
Print the legend : photography and the American West
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This book tells the intertwined stories of photography and the American West--a new medium and a new place that came of age together in the nineteenth century. The story begins just a few years after the invention of the daguerreotype in 1839, as pioneering photographers followed American troops into the Mexican-American War. Taking advantage of rapidly developing technology, photographers soon set out across the overland trails, recorded the shifting fortunes of California’s goldseekers, pictured native peoples, and documented the spectacular topography of the American West. The new medium of photography made vivid a landscape few Americans had seen for themselves. Resurrecting scores of little-known images of the nineteenth-century American West, "Print the legend" offers engaging tales of ambitious photographic adventurers, missing photographs, and misinterpreted images. Chronicling both the history of a place and the history of a medium, this book portrays how Americans first came to understand western photographs and, consequently, to envision their nation.
Print the legend : photography and the American West
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This book tells the intertwined stories of photography and the American West--a new medium and a new place that came of age together in the nineteenth century. The story begins just a few years after the invention of the daguerreotype in 1839, as pioneering photographers followed American troops into the Mexican-American War. Taking advantage of rapidly developing technology, photographers soon set out across the overland trails, recorded the shifting fortunes of California’s goldseekers, pictured native peoples, and documented the spectacular topography of the American West. The new medium of photography made vivid a landscape few Americans had seen for themselves. Resurrecting scores of little-known images of the nineteenth-century American West, "Print the legend" offers engaging tales of ambitious photographic adventurers, missing photographs, and misinterpreted images. Chronicling both the history of a place and the history of a medium, this book portrays how Americans first came to understand western photographs and, consequently, to envision their nation.
Classification:
livres
livres
Publication:
octobre 2002, New Haven / London
octobre 2002, New Haven / London
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$59.95
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Le Musée de Grenoble propose l'évolution de la photographie de ses débuts à nos jours en montrant plus de cent conquante vues d'édifices prises par les photographes : Bérénice Abbott, Eugène Atget, Édouard Baldus, Lewis Baltz, Max Baur, Hippolyte Bayard, Bernd & Hilla Becher, Wermer Bischof, Jacques-André Boiffard, Pierre Boucher, Margaret Bourke-White, Marcel Bovis,(...)
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Le Musée de Grenoble propose l'évolution de la photographie de ses débuts à nos jours en montrant plus de cent conquante vues d'édifices prises par les photographes : Bérénice Abbott, Eugène Atget, Édouard Baldus, Lewis Baltz, Max Baur, Hippolyte Bayard, Bernd & Hilla Becher, Wermer Bischof, Jacques-André Boiffard, Pierre Boucher, Margaret Bourke-White, Marcel Bovis,(...)
Titre:
Vues d'architectures : photographies des XIXè et XXè siècles
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Le Musée de Grenoble propose l'évolution de la photographie de ses débuts à nos jours en montrant plus de cent conquante vues d'édifices prises par les photographes : Bérénice Abbott, Eugène Atget, Édouard Baldus, Lewis Baltz, Max Baur, Hippolyte Bayard, Bernd & Hilla Becher, Wermer Bischof, Jacques-André Boiffard, Pierre Boucher, Margaret Bourke-White, Marcel Bovis, Brassaï, Balthasar Burkhard, René Burri, Jean-Marc Bustamante, Harry Callahan, Robert Capa, Hermann Claasen, Alvin Langdon Coburn, Auguste Collard, Marjorie Content, Stéphane Couturier, Louis-Jacques Daguerre, Guy Dépollier, Walker Evans, Jaromir Funke, Marc-Antoine Gaudin, Andreas Gursky, Hugo-Paul Herdeg, Lucien Hervé, Paul Hossard, Boris Ignatovitch, Pierre Jahan, Thomas Kellner, André Kertész, François Kollar, Kurt Kranz, Germaine Krull, Juan Laurent, Gustave Le Gray, Henri Le Secq, Herbert List, Werner Mantz, Charles Marville, Erich Mendelsohn, Mestral, Lee Miller, Guido Mocafico, Laszlo Moholy-Nagy, Lucia Moholy, Jean Moral, André Morin, Carlo Naya, Georgij Petrussov, Man Ray, Albert Renger-Patzsch, Alexandre Rodtchenko, Jaroslav Rössler, Thomas Ruff, Edward Ruscha, August Sander, Arthur Schlegel, Charles Sheeler, Julius Shulman, Emmanuel Sougez, Edward Steichen, André Steiner, Alfred Stieglitz, Paul Strand, Thomas Struth, Josef Sudek, Hiroshi Sugimoto, William Henry Fox Talbot, Félix Teynard, Tokayer, Hanni Werner, Eugen Wiscovski, René Zuber.
Vues d'architectures : photographies des XIXè et XXè siècles
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Le Musée de Grenoble propose l'évolution de la photographie de ses débuts à nos jours en montrant plus de cent conquante vues d'édifices prises par les photographes : Bérénice Abbott, Eugène Atget, Édouard Baldus, Lewis Baltz, Max Baur, Hippolyte Bayard, Bernd & Hilla Becher, Wermer Bischof, Jacques-André Boiffard, Pierre Boucher, Margaret Bourke-White, Marcel Bovis, Brassaï, Balthasar Burkhard, René Burri, Jean-Marc Bustamante, Harry Callahan, Robert Capa, Hermann Claasen, Alvin Langdon Coburn, Auguste Collard, Marjorie Content, Stéphane Couturier, Louis-Jacques Daguerre, Guy Dépollier, Walker Evans, Jaromir Funke, Marc-Antoine Gaudin, Andreas Gursky, Hugo-Paul Herdeg, Lucien Hervé, Paul Hossard, Boris Ignatovitch, Pierre Jahan, Thomas Kellner, André Kertész, François Kollar, Kurt Kranz, Germaine Krull, Juan Laurent, Gustave Le Gray, Henri Le Secq, Herbert List, Werner Mantz, Charles Marville, Erich Mendelsohn, Mestral, Lee Miller, Guido Mocafico, Laszlo Moholy-Nagy, Lucia Moholy, Jean Moral, André Morin, Carlo Naya, Georgij Petrussov, Man Ray, Albert Renger-Patzsch, Alexandre Rodtchenko, Jaroslav Rössler, Thomas Ruff, Edward Ruscha, August Sander, Arthur Schlegel, Charles Sheeler, Julius Shulman, Emmanuel Sougez, Edward Steichen, André Steiner, Alfred Stieglitz, Paul Strand, Thomas Struth, Josef Sudek, Hiroshi Sugimoto, William Henry Fox Talbot, Félix Teynard, Tokayer, Hanni Werner, Eugen Wiscovski, René Zuber.
Classification:
livres
livres
Publication:
juin 2002, Grenoble
juin 2002, Grenoble
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Amber Husain: Meat love
Amber Husain: Meat love
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In an era of climate catastrophe and corporate agribusiness, meat has been decisively made over. Urbanites across the West are called upon to look at the animals we eat, and by looking, learn to treat them with love. We are asked to tenderise our carnal desire for flesh and dignify our relationship with the land. Yet can our appetite for meat be redeemed by this new way(...)
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In an era of climate catastrophe and corporate agribusiness, meat has been decisively made over. Urbanites across the West are called upon to look at the animals we eat, and by looking, learn to treat them with love. We are asked to tenderise our carnal desire for flesh and dignify our relationship with the land. Yet can our appetite for meat be redeemed by this new way(...)
Titre:
Amber Husain: Meat love
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In an era of climate catastrophe and corporate agribusiness, meat has been decisively made over. Urbanites across the West are called upon to look at the animals we eat, and by looking, learn to treat them with love. We are asked to tenderise our carnal desire for flesh and dignify our relationship with the land. Yet can our appetite for meat be redeemed by this new way of seeing? Can an ‘ethical’ approach to the farming, sale, and consumption of meat really save both the planet and our souls? In ''Meat love'', Amber Husain deconstructs the beauty, tragedy, and mystery with which our images of meat are embellished, drawing on a range of visual sources from contemporary art and film to Instagram and advertising. Probing the nature of ‘love’ in contemporary human-animal relations, this illustrated essay casts a materialist’s critical eye on the visual culture of meat as it gentrifies and mutates, informing, for better or for worse, our political imaginations.
Amber Husain: Meat love
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Résumé:
In an era of climate catastrophe and corporate agribusiness, meat has been decisively made over. Urbanites across the West are called upon to look at the animals we eat, and by looking, learn to treat them with love. We are asked to tenderise our carnal desire for flesh and dignify our relationship with the land. Yet can our appetite for meat be redeemed by this new way of seeing? Can an ‘ethical’ approach to the farming, sale, and consumption of meat really save both the planet and our souls? In ''Meat love'', Amber Husain deconstructs the beauty, tragedy, and mystery with which our images of meat are embellished, drawing on a range of visual sources from contemporary art and film to Instagram and advertising. Probing the nature of ‘love’ in contemporary human-animal relations, this illustrated essay casts a materialist’s critical eye on the visual culture of meat as it gentrifies and mutates, informing, for better or for worse, our political imaginations.
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livres
livres
Publication:
juillet 2023
juillet 2023
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$58.00
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The first book to demystify the process of producing and publishing a book of photographs, ''Publish your photography book'' was first released in 2011 and subsequently sold out two editions. This highly anticipated third edition guides photo-based artists through the steps involved in publishing a book of their work. Industry insiders Darius D. Himes and Mary Virginia(...)
$58.00
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Résumé:
The first book to demystify the process of producing and publishing a book of photographs, ''Publish your photography book'' was first released in 2011 and subsequently sold out two editions. This highly anticipated third edition guides photo-based artists through the steps involved in publishing a book of their work. Industry insiders Darius D. Himes and Mary Virginia(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
septembre 2023
septembre 2023
Titre:
Publish your photography book, 3rd edition
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The first book to demystify the process of producing and publishing a book of photographs, ''Publish your photography book'' was first released in 2011 and subsequently sold out two editions. This highly anticipated third edition guides photo-based artists through the steps involved in publishing a book of their work. Industry insiders Darius D. Himes and Mary Virginia Swanson survey the current landscape of photography-book publishing and point out the many avenues to pursue and pitfalls to avoid. This updated, expert guide covers: a history of the photobook; an overview of the publishing industry; the process of bringing your project to book form (with both traditional publishing and self-publishing options); how to market a photography book (including a dialogue with collectors on the limited edition and artist-made books); case studies with published photographers; and valuable resources on production materials, publishing and marketing timelines. Filled with educational wisdom, the book features interviews and contributions from artists, agents, editors, designers, printers, publishers, distributors, booksellers, curators and librarians who share their experiences and provide advice about each step on the path to publication and placement. A removable workbook helps readers address book preparation, draft submission guidelines, production timelines and marketing plans. With over 50 years of combined industry experience and insights, the authors also provide both historical context and contemporary expertise about the international photobook scene, including awards, fairs and grants.
Publish your photography book, 3rd edition
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Résumé:
The first book to demystify the process of producing and publishing a book of photographs, ''Publish your photography book'' was first released in 2011 and subsequently sold out two editions. This highly anticipated third edition guides photo-based artists through the steps involved in publishing a book of their work. Industry insiders Darius D. Himes and Mary Virginia Swanson survey the current landscape of photography-book publishing and point out the many avenues to pursue and pitfalls to avoid. This updated, expert guide covers: a history of the photobook; an overview of the publishing industry; the process of bringing your project to book form (with both traditional publishing and self-publishing options); how to market a photography book (including a dialogue with collectors on the limited edition and artist-made books); case studies with published photographers; and valuable resources on production materials, publishing and marketing timelines. Filled with educational wisdom, the book features interviews and contributions from artists, agents, editors, designers, printers, publishers, distributors, booksellers, curators and librarians who share their experiences and provide advice about each step on the path to publication and placement. A removable workbook helps readers address book preparation, draft submission guidelines, production timelines and marketing plans. With over 50 years of combined industry experience and insights, the authors also provide both historical context and contemporary expertise about the international photobook scene, including awards, fairs and grants.
Classification:
livres
livres
Publication:
septembre 2023
septembre 2023
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$58.95
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Ce livre retrace la généalogie des pratiques décoratives de la photographie et leurs usages dans l’architecture du milieu du XIXe siècle à nos jours. Émergeant dès les années 1850, au moment de l’essor des arts industriel, les pratiques décoratives de la photographie contribuent au renouvellement et à la transformation des formes traditionnelles d’ornementation tout au(...)
$58.95
(disponible en magasin)
Résumé:
Ce livre retrace la généalogie des pratiques décoratives de la photographie et leurs usages dans l’architecture du milieu du XIXe siècle à nos jours. Émergeant dès les années 1850, au moment de l’essor des arts industriel, les pratiques décoratives de la photographie contribuent au renouvellement et à la transformation des formes traditionnelles d’ornementation tout au(...)
Titre:
Le motif éphémère: Ornement photographique et architecture au XXe siècle
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Ce livre retrace la généalogie des pratiques décoratives de la photographie et leurs usages dans l’architecture du milieu du XIXe siècle à nos jours. Émergeant dès les années 1850, au moment de l’essor des arts industriel, les pratiques décoratives de la photographie contribuent au renouvellement et à la transformation des formes traditionnelles d’ornementation tout au long du XXe siècle et encore aujourd’hui. À travers un corpus inédit, Brenda Lynn Edgar explore une manière proprement photographique de créer l’ornementation architecturale, aussi bien dans la décoration intérieure que sur les façades et dans l’espace urbain.
Le motif éphémère: Ornement photographique et architecture au XXe siècle
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$58.95
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Résumé:
Ce livre retrace la généalogie des pratiques décoratives de la photographie et leurs usages dans l’architecture du milieu du XIXe siècle à nos jours. Émergeant dès les années 1850, au moment de l’essor des arts industriel, les pratiques décoratives de la photographie contribuent au renouvellement et à la transformation des formes traditionnelles d’ornementation tout au long du XXe siècle et encore aujourd’hui. À travers un corpus inédit, Brenda Lynn Edgar explore une manière proprement photographique de créer l’ornementation architecturale, aussi bien dans la décoration intérieure que sur les façades et dans l’espace urbain.
Classification:
livres
livres
Publication:
mai 2021
mai 2021
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$54.00
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Résumé:
In this book, Nina Lager Vestberg artfully details the range of research skills, reproduction machinery, and communication infrastructures that was needed to make pictures available to a public before digitization. Drawing on documents and representations across a range of cultural expressions, ''Picture research'' reveals the intermediation that has been performed by(...)
$54.00
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Résumé:
In this book, Nina Lager Vestberg artfully details the range of research skills, reproduction machinery, and communication infrastructures that was needed to make pictures available to a public before digitization. Drawing on documents and representations across a range of cultural expressions, ''Picture research'' reveals the intermediation that has been performed by(...)
Titre:
Picture research: The work of intermediation from pre-photography to post-digitization
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In this book, Nina Lager Vestberg artfully details the range of research skills, reproduction machinery, and communication infrastructures that was needed to make pictures available to a public before digitization. Drawing on documents and representations across a range of cultural expressions, ''Picture research'' reveals the intermediation that has been performed by skilled workers in a variety of roles, making use of pre-photographic, photographic, and digital machineries of capture, accumulation, extraction, and transmission. Tracing a history of the modern pictorial economy from the pre-photographic 1830s to the post-digitized 2010s, it makes visible and explicit the invisible labor that has built—and still sustains—the visual commodity culture of everyday life.
Picture research: The work of intermediation from pre-photography to post-digitization
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In this book, Nina Lager Vestberg artfully details the range of research skills, reproduction machinery, and communication infrastructures that was needed to make pictures available to a public before digitization. Drawing on documents and representations across a range of cultural expressions, ''Picture research'' reveals the intermediation that has been performed by skilled workers in a variety of roles, making use of pre-photographic, photographic, and digital machineries of capture, accumulation, extraction, and transmission. Tracing a history of the modern pictorial economy from the pre-photographic 1830s to the post-digitized 2010s, it makes visible and explicit the invisible labor that has built—and still sustains—the visual commodity culture of everyday life.
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livres
livres
Publication:
août 2023
août 2023
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Facing Black Star
Facing Black Star
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In 2005, Toronto Metropolitan (formerly Ryerson) University (TMU) acquired the massive collection Black Star Collection of the photo agency previously based in New York City—nearly 292,000 black-and-white prints. Preserved at The Image Centre at TMU, the images include iconic stills of the American Civil Rights movement by Charles Moore, among thousands of ordinary(...)
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In 2005, Toronto Metropolitan (formerly Ryerson) University (TMU) acquired the massive collection Black Star Collection of the photo agency previously based in New York City—nearly 292,000 black-and-white prints. Preserved at The Image Centre at TMU, the images include iconic stills of the American Civil Rights movement by Charles Moore, among thousands of ordinary(...)
Titre:
Facing Black Star
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$45.95
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Résumé:
In 2005, Toronto Metropolitan (formerly Ryerson) University (TMU) acquired the massive collection Black Star Collection of the photo agency previously based in New York City—nearly 292,000 black-and-white prints. Preserved at The Image Centre at TMU, the images include iconic stills of the American Civil Rights movement by Charles Moore, among thousands of ordinary photographs that were classified by theme in the agency’s picture library. While the move of the collection from a corporate photo agency to a public cultural institution enables more access, researchers must still face the size of the collection, its structural organization, the materiality of the prints, and the lack of ephemera. ''Facing Black Star'' aims to fruitfully highlight this tension between research expectations and challenges.
Facing Black Star
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In 2005, Toronto Metropolitan (formerly Ryerson) University (TMU) acquired the massive collection Black Star Collection of the photo agency previously based in New York City—nearly 292,000 black-and-white prints. Preserved at The Image Centre at TMU, the images include iconic stills of the American Civil Rights movement by Charles Moore, among thousands of ordinary photographs that were classified by theme in the agency’s picture library. While the move of the collection from a corporate photo agency to a public cultural institution enables more access, researchers must still face the size of the collection, its structural organization, the materiality of the prints, and the lack of ephemera. ''Facing Black Star'' aims to fruitfully highlight this tension between research expectations and challenges.
Classification:
livres
livres
Publication:
juin 2023
juin 2023
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$65.95
(disponible en magasin)
Résumé:
''In visible presence'' explores the photographic images' singular power to capture a fleeting moment by approaching them as points of contestation and possibility. Drawing on over a decade of fieldwork and interviews, as well as internet ethnography, media analysis, and case studies,''In visible presence'' offers a rich account of the role of family photography in(...)
$65.95
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Résumé:
''In visible presence'' explores the photographic images' singular power to capture a fleeting moment by approaching them as points of contestation and possibility. Drawing on over a decade of fieldwork and interviews, as well as internet ethnography, media analysis, and case studies,''In visible presence'' offers a rich account of the role of family photography in(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
octobre 2023
octobre 2023
Titre:
In visible presence: Soviet afterlives in family photos
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$65.95
(disponible en magasin)
Résumé:
''In visible presence'' explores the photographic images' singular power to capture a fleeting moment by approaching them as points of contestation and possibility. Drawing on over a decade of fieldwork and interviews, as well as internet ethnography, media analysis, and case studies,''In visible presence'' offers a rich account of the role of family photography in creating communities of affect, enabling nostalgic longings, and processing memories of suffering, violence, and hardship. Together these photos evoke youthful aspirations, dashed hopes, and moral compromises, as well as the long legacy of silence that was passed down from grandparents to parents to children.
In visible presence: Soviet afterlives in family photos
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Prix:
$65.95
(disponible en magasin)
Résumé:
''In visible presence'' explores the photographic images' singular power to capture a fleeting moment by approaching them as points of contestation and possibility. Drawing on over a decade of fieldwork and interviews, as well as internet ethnography, media analysis, and case studies,''In visible presence'' offers a rich account of the role of family photography in creating communities of affect, enabling nostalgic longings, and processing memories of suffering, violence, and hardship. Together these photos evoke youthful aspirations, dashed hopes, and moral compromises, as well as the long legacy of silence that was passed down from grandparents to parents to children.
Classification:
livres
livres
Publication:
octobre 2023
octobre 2023
Sujet:
Théorie de la photographie
Théorie de la photographie
