9524 Résultats
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livres
livres
Titre:
Domaine de Kerguéhennec
Domaine de Kerguéhennec
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"When I go to a place like Brittany or Houston, Texas, what I'm partly trying to do is go around in this very simple way, point to things and say, this is actually of value, I recognize this, it smells good, it tastes good, or something. I want you to taste this," writes Portland, Oregon-based artist Harrell Fletcher in Where I Lived, and What I Lived For. Featuring texts(...)
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"When I go to a place like Brittany or Houston, Texas, what I'm partly trying to do is go around in this very simple way, point to things and say, this is actually of value, I recognize this, it smells good, it tastes good, or something. I want you to taste this," writes Portland, Oregon-based artist Harrell Fletcher in Where I Lived, and What I Lived For. Featuring texts(...)
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Domaine de Kerguéhennec
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"When I go to a place like Brittany or Houston, Texas, what I'm partly trying to do is go around in this very simple way, point to things and say, this is actually of value, I recognize this, it smells good, it tastes good, or something. I want you to taste this," writes Portland, Oregon-based artist Harrell Fletcher in Where I Lived, and What I Lived For. Featuring texts by artists Miranda July, Allan McCollum, Chris Johanson and Byron Kim, this volume was made during a residency at Domaine De Kerguehennec in Brittany, France. Known for collaborative, socially minded works (such as Learning to Love You More, a 2002-present Web-based project produced with July), during this residency Fletcher engaged local people in the creation of more populist works for their much-used sculpture park, resulting in the production of a bright green bronze turtle designed by an eight-year-old boy.
Domaine de Kerguéhennec
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"When I go to a place like Brittany or Houston, Texas, what I'm partly trying to do is go around in this very simple way, point to things and say, this is actually of value, I recognize this, it smells good, it tastes good, or something. I want you to taste this," writes Portland, Oregon-based artist Harrell Fletcher in Where I Lived, and What I Lived For. Featuring texts by artists Miranda July, Allan McCollum, Chris Johanson and Byron Kim, this volume was made during a residency at Domaine De Kerguehennec in Brittany, France. Known for collaborative, socially minded works (such as Learning to Love You More, a 2002-present Web-based project produced with July), during this residency Fletcher engaged local people in the creation of more populist works for their much-used sculpture park, resulting in the production of a bright green bronze turtle designed by an eight-year-old boy.
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livres
livres
Publication:
mars 2009, Paris
mars 2009, Paris
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livres
livres
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Uncrating the Japanese house
Uncrating the Japanese house
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In 1953, Japanese architect Junzo Yoshimura designed a now-classic Japanese house and garden that he called Shofuso. It was built in Nagoya, Japan, and shipped to New York in 1954, where it was exhibited at the Museum of Modern Art and then relocated to Philadelphia’s Fairmount Park. This extensively illustrated volume centers on Yoshimura’s design for Shofuso and two(...)
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In 1953, Japanese architect Junzo Yoshimura designed a now-classic Japanese house and garden that he called Shofuso. It was built in Nagoya, Japan, and shipped to New York in 1954, where it was exhibited at the Museum of Modern Art and then relocated to Philadelphia’s Fairmount Park. This extensively illustrated volume centers on Yoshimura’s design for Shofuso and two(...)
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Uncrating the Japanese house
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In 1953, Japanese architect Junzo Yoshimura designed a now-classic Japanese house and garden that he called Shofuso. It was built in Nagoya, Japan, and shipped to New York in 1954, where it was exhibited at the Museum of Modern Art and then relocated to Philadelphia’s Fairmount Park. This extensively illustrated volume centers on Yoshimura’s design for Shofuso and two allied sites located in New Hope, Bucks County, Pennsylvania: Raymond Farm (1939–41); and Nakashima Studios. Each site, in its own way, is the embodiment of the personal relationships and cross-cultural collaborations among this group of architects and designers. This volume documents an exhibition of objects and ephemera mounted at Shofuso. Architectural photographer Elizabeth Felicella captures each site in a portfolio of newly commissioned images. Essays by Ken Tadashi Oshima and William Whitaker, illustrated with historical photographs, family snapshots and architectural drawings, further elucidate this important chapter in the history of modern architecture and design.
Uncrating the Japanese house
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In 1953, Japanese architect Junzo Yoshimura designed a now-classic Japanese house and garden that he called Shofuso. It was built in Nagoya, Japan, and shipped to New York in 1954, where it was exhibited at the Museum of Modern Art and then relocated to Philadelphia’s Fairmount Park. This extensively illustrated volume centers on Yoshimura’s design for Shofuso and two allied sites located in New Hope, Bucks County, Pennsylvania: Raymond Farm (1939–41); and Nakashima Studios. Each site, in its own way, is the embodiment of the personal relationships and cross-cultural collaborations among this group of architects and designers. This volume documents an exhibition of objects and ephemera mounted at Shofuso. Architectural photographer Elizabeth Felicella captures each site in a portfolio of newly commissioned images. Essays by Ken Tadashi Oshima and William Whitaker, illustrated with historical photographs, family snapshots and architectural drawings, further elucidate this important chapter in the history of modern architecture and design.
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livres
livres
Publication:
mai 2022
mai 2022
Sujet:
Histoire jusqu'à 1900, Asie
Histoire jusqu'à 1900, Asie
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livres
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Maps are magical. Every graphic, like every story, has a point of view, and New York is rife with mapmaking possibilities, thick with mythology, and glutted with history. "You are here: NYC" assembles some two hundred maps charting every inch and facet of the five boroughs, depicting New Yorks of past and present, and a city that never was. "A nightclub map of Harlem"(...)
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Maps are magical. Every graphic, like every story, has a point of view, and New York is rife with mapmaking possibilities, thick with mythology, and glutted with history. "You are here: NYC" assembles some two hundred maps charting every inch and facet of the five boroughs, depicting New Yorks of past and present, and a city that never was. "A nightclub map of Harlem"(...)
Titre:
You are here : NYC mapping the soul of a city
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Maps are magical. Every graphic, like every story, has a point of view, and New York is rife with mapmaking possibilities, thick with mythology, and glutted with history. "You are here: NYC" assembles some two hundred maps charting every inch and facet of the five boroughs, depicting New Yorks of past and present, and a city that never was. "A nightclub map of Harlem" traces a boozy night from the Radium and the Cotton Club to the Savoy and then the Lafayette; "Wonders of New York" pinpoints three hundred sites of interest, including the alleged location of Captain Kidd's buried treasure; the Ghostbusters subway map plots the route from Astral Projections Place to Stay Puft Street; and a rejected proposal of ornate topiaries illustrates a Central Park that might have been. This sequel to the best-selling You Are Here includes original essays by Bob Mankoff, Maria Popova, Sarah Boxer, and Rebecca Cooper, among others.
You are here : NYC mapping the soul of a city
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Maps are magical. Every graphic, like every story, has a point of view, and New York is rife with mapmaking possibilities, thick with mythology, and glutted with history. "You are here: NYC" assembles some two hundred maps charting every inch and facet of the five boroughs, depicting New Yorks of past and present, and a city that never was. "A nightclub map of Harlem" traces a boozy night from the Radium and the Cotton Club to the Savoy and then the Lafayette; "Wonders of New York" pinpoints three hundred sites of interest, including the alleged location of Captain Kidd's buried treasure; the Ghostbusters subway map plots the route from Astral Projections Place to Stay Puft Street; and a rejected proposal of ornate topiaries illustrates a Central Park that might have been. This sequel to the best-selling You Are Here includes original essays by Bob Mankoff, Maria Popova, Sarah Boxer, and Rebecca Cooper, among others.
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livres
livres
Publication:
novembre 2016
novembre 2016
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livres
livres
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The Office for Architecture Drost + van Veen in Rotterdam looks at landscape as their primary source of inspiration for their designs. These designs either strongly merge into the context of their landscape or really stand out like a beacon. Next to this conceptual approach, materialization is quite an important aspect of the working method for these two architects, whom(...)
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The Office for Architecture Drost + van Veen in Rotterdam looks at landscape as their primary source of inspiration for their designs. These designs either strongly merge into the context of their landscape or really stand out like a beacon. Next to this conceptual approach, materialization is quite an important aspect of the working method for these two architects, whom(...)
Titre:
Architecture as landscape intervention: works by Drost + van Veen architects
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The Office for Architecture Drost + van Veen in Rotterdam looks at landscape as their primary source of inspiration for their designs. These designs either strongly merge into the context of their landscape or really stand out like a beacon. Next to this conceptual approach, materialization is quite an important aspect of the working method for these two architects, whom both were originally educated as interior designers. Their bridges at business park 'De President' in the South of International Airport Schiphol won the Architecture Prize Haarlemmermeer 2009. This book shows us a selection of projects, giving a clear vision of Drost + van Veen's method of working; as an introduction the architects tell us about their approach and inspiration in an interview with Harm Tilman, editor of chief of de Architect. Marieke Berkers and Dorine van Hoogstraten place their work in a broader context of international developments. The magnificent projects shown in this book demonstrate how landscape has an increasing role in architecture.
Architecture as landscape intervention: works by Drost + van Veen architects
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The Office for Architecture Drost + van Veen in Rotterdam looks at landscape as their primary source of inspiration for their designs. These designs either strongly merge into the context of their landscape or really stand out like a beacon. Next to this conceptual approach, materialization is quite an important aspect of the working method for these two architects, whom both were originally educated as interior designers. Their bridges at business park 'De President' in the South of International Airport Schiphol won the Architecture Prize Haarlemmermeer 2009. This book shows us a selection of projects, giving a clear vision of Drost + van Veen's method of working; as an introduction the architects tell us about their approach and inspiration in an interview with Harm Tilman, editor of chief of de Architect. Marieke Berkers and Dorine van Hoogstraten place their work in a broader context of international developments. The magnificent projects shown in this book demonstrate how landscape has an increasing role in architecture.
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livres
livres
Publication:
février 2011
février 2011
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livres
livres
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$9.95
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The use of glass as a building material was encouraged in particular by garden design, as the protection of exotic plants required the construction of greenhouses and orangeries. In a record time of just five months, Joseph Paxton, himself a garden designer, put up the Crystal Palace in London's Hyde Park for the Great Exhibition of 1851. A totally glazed exhibition hall,(...)
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The use of glass as a building material was encouraged in particular by garden design, as the protection of exotic plants required the construction of greenhouses and orangeries. In a record time of just five months, Joseph Paxton, himself a garden designer, put up the Crystal Palace in London's Hyde Park for the Great Exhibition of 1851. A totally glazed exhibition hall,(...)
Publication:
octobre 2008, Köln
octobre 2008, Köln
Titre:
Architecture materials glass verre glas
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The use of glass as a building material was encouraged in particular by garden design, as the protection of exotic plants required the construction of greenhouses and orangeries. In a record time of just five months, Joseph Paxton, himself a garden designer, put up the Crystal Palace in London's Hyde Park for the Great Exhibition of 1851. A totally glazed exhibition hall, of gigantic proportions by the standards of the time, it was a milestone in the history of building in glass. The result was a totally new spatial quality and a new aesthetic, as interior and exterior could now enter into a quite unique mutual relationship. Since then, architecture without glass has been inconceivable, and glass has been used as a construction material by renowned architects worldwide for industrial buildings and private houses. Glass masterpieces, erected in particular in combination with other materials, for example, wood, stone or steel, demonstrate the potential and variety of glass architecture.
Architecture materials glass verre glas
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The use of glass as a building material was encouraged in particular by garden design, as the protection of exotic plants required the construction of greenhouses and orangeries. In a record time of just five months, Joseph Paxton, himself a garden designer, put up the Crystal Palace in London's Hyde Park for the Great Exhibition of 1851. A totally glazed exhibition hall, of gigantic proportions by the standards of the time, it was a milestone in the history of building in glass. The result was a totally new spatial quality and a new aesthetic, as interior and exterior could now enter into a quite unique mutual relationship. Since then, architecture without glass has been inconceivable, and glass has been used as a construction material by renowned architects worldwide for industrial buildings and private houses. Glass masterpieces, erected in particular in combination with other materials, for example, wood, stone or steel, demonstrate the potential and variety of glass architecture.
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livres
livres
Publication:
octobre 2008, Köln
octobre 2008, Köln
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livres
livres
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now(...)
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now(...)
Publication:
juin 2008, New York
juin 2008, New York
Titre:
The Concrete Dragon: China's urban revolution and what it means for the world
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now has 102 such cities. And in a single decade more Chinese families have been displaced by redevelopment than by thirty years of urban renewal in the United States. The scale of this urban revolution is breathtaking: China is now home to the largest malls on earth, the biggest airport, many of the planet's tallest buildings and longest bridges, the biggest gated community, the largest bowling alley, and even the worlds largest skateboard park. China's rich urban architectural legacy is being sacrificed to make way for icons of progress and modernity.
The Concrete Dragon: China's urban revolution and what it means for the world
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now has 102 such cities. And in a single decade more Chinese families have been displaced by redevelopment than by thirty years of urban renewal in the United States. The scale of this urban revolution is breathtaking: China is now home to the largest malls on earth, the biggest airport, many of the planet's tallest buildings and longest bridges, the biggest gated community, the largest bowling alley, and even the worlds largest skateboard park. China's rich urban architectural legacy is being sacrificed to make way for icons of progress and modernity.
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livres
livres
Publication:
juin 2008, New York
juin 2008, New York
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livres
livres
Titre:
Simulation city
Simulation city
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Dubai, in its newness, has redefined the notion of authenticity: city and spectacle have been intertwined. Mall culture, airports, and theme parks may seem strange and vacuous in other cities, but in Dubai, they are the essence of life. Shortly before the outbreak of the global pandemic, Dirk Gebhardt and Lars Harmsen visited Dubai. Nowhere in the world had they seen(...)
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Dubai, in its newness, has redefined the notion of authenticity: city and spectacle have been intertwined. Mall culture, airports, and theme parks may seem strange and vacuous in other cities, but in Dubai, they are the essence of life. Shortly before the outbreak of the global pandemic, Dirk Gebhardt and Lars Harmsen visited Dubai. Nowhere in the world had they seen(...)
Publication:
juillet 2022
juillet 2022
Titre:
Simulation city
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Dubai, in its newness, has redefined the notion of authenticity: city and spectacle have been intertwined. Mall culture, airports, and theme parks may seem strange and vacuous in other cities, but in Dubai, they are the essence of life. Shortly before the outbreak of the global pandemic, Dirk Gebhardt and Lars Harmsen visited Dubai. Nowhere in the world had they seen drama and comedy so powerfully together as in Dubai’s theme parks. In the drive to bring more tourists to the UAE, develop the real estate industry, and retain a huge labor force of expatriate workers, Dubai itself resembles and operates in many ways like a theme park. In his essay Simulation City: The Theming of Dubai Jason Carlow explores the uncanny atmosphere of spectacle, spatial control, and remarkable societal and cultural overlaps and adjacencies that have become an integral part of life for many residents of and visitors to contemporary Dubai.
Simulation city
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Dubai, in its newness, has redefined the notion of authenticity: city and spectacle have been intertwined. Mall culture, airports, and theme parks may seem strange and vacuous in other cities, but in Dubai, they are the essence of life. Shortly before the outbreak of the global pandemic, Dirk Gebhardt and Lars Harmsen visited Dubai. Nowhere in the world had they seen drama and comedy so powerfully together as in Dubai’s theme parks. In the drive to bring more tourists to the UAE, develop the real estate industry, and retain a huge labor force of expatriate workers, Dubai itself resembles and operates in many ways like a theme park. In his essay Simulation City: The Theming of Dubai Jason Carlow explores the uncanny atmosphere of spectacle, spatial control, and remarkable societal and cultural overlaps and adjacencies that have become an integral part of life for many residents of and visitors to contemporary Dubai.
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livres
livres
Publication:
juillet 2022
juillet 2022
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livres
livres
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$106.00
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Gardens inside buildings represent a sustainable vehicle for a host of ecological and economic advantages. Factors such as improving the indoor climate and the workplace situation and hence increasing quality of life are the critical parameters of this very special design task. This book offers a comprehensive introduction to the planning and implementation of this(...)
$106.00
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Gardens inside buildings represent a sustainable vehicle for a host of ecological and economic advantages. Factors such as improving the indoor climate and the workplace situation and hence increasing quality of life are the critical parameters of this very special design task. This book offers a comprehensive introduction to the planning and implementation of this(...)
Titre:
Interior gardens: designing and constructing green spaces in private and public buildings
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$106.00
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Gardens inside buildings represent a sustainable vehicle for a host of ecological and economic advantages. Factors such as improving the indoor climate and the workplace situation and hence increasing quality of life are the critical parameters of this very special design task. This book offers a comprehensive introduction to the planning and implementation of this special kind of garden, taking the concrete planning process as its guide. From design fundamentals and concept development with different typology variants all the way to the choice of materials, the various construction principles, and building services, all subjects relevant to planning are comprehensively presented. The planning information is illustrated with numerous international examples, with projects ranging from a "green wall" as interior design element and private house gardens in Australia, New Zealand, and Germany all the way to award-winning ecological offi ce buildings in the USA and the Netherlands, an old-age home in Sweden, and an indoor park in Canada. Show More Show Less
Interior gardens: designing and constructing green spaces in private and public buildings
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$106.00
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Gardens inside buildings represent a sustainable vehicle for a host of ecological and economic advantages. Factors such as improving the indoor climate and the workplace situation and hence increasing quality of life are the critical parameters of this very special design task. This book offers a comprehensive introduction to the planning and implementation of this special kind of garden, taking the concrete planning process as its guide. From design fundamentals and concept development with different typology variants all the way to the choice of materials, the various construction principles, and building services, all subjects relevant to planning are comprehensively presented. The planning information is illustrated with numerous international examples, with projects ranging from a "green wall" as interior design element and private house gardens in Australia, New Zealand, and Germany all the way to award-winning ecological offi ce buildings in the USA and the Netherlands, an old-age home in Sweden, and an indoor park in Canada. Show More Show Less
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livres
livres
Publication:
décembre 2011
décembre 2011
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livres
livres
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$54.95
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Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an(...)
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Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an(...)
Titre:
Jet age aesthetic: the glamour of media in motion
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Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an aesthetic that circulated on the ground below. Visual and media culture, including Eero Saarinen’s airports, David Bailey’s photographs of the jet set, and Ernst Haas’s experiments in color photojournalism glamorized the imagery of motion. Drawing on unprecedented access to the archives of The Walt Disney Studios, Schwartz also examines the period’s most successful example of fluid motion meeting media culture: Disneyland. The park’s dedication to “people-moving” defined Walt Disney’s vision, shaping the very identity of the place. The jet age aesthetic laid the groundwork for our contemporary media culture, in which motion is so fluid that we can surf the internet while going nowhere at all.
Jet age aesthetic: the glamour of media in motion
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Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an aesthetic that circulated on the ground below. Visual and media culture, including Eero Saarinen’s airports, David Bailey’s photographs of the jet set, and Ernst Haas’s experiments in color photojournalism glamorized the imagery of motion. Drawing on unprecedented access to the archives of The Walt Disney Studios, Schwartz also examines the period’s most successful example of fluid motion meeting media culture: Disneyland. The park’s dedication to “people-moving” defined Walt Disney’s vision, shaping the very identity of the place. The jet age aesthetic laid the groundwork for our contemporary media culture, in which motion is so fluid that we can surf the internet while going nowhere at all.
Classification:
livres
livres
Publication:
avril 2020
avril 2020
Sujet:
Design, époques et styles
Design, époques et styles
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livres
livres
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$178.50
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Today, contemporary landscape design is increasingly drawing from ideas of sustainability and ecological stability. Not in fact new, the foundations of this approach stem from early twentieth century Germany, where architects and planners were already beginning to use the design concepts which are now referred to as "green." This ecological school of thought was(...)
$178.50
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Today, contemporary landscape design is increasingly drawing from ideas of sustainability and ecological stability. Not in fact new, the foundations of this approach stem from early twentieth century Germany, where architects and planners were already beginning to use the design concepts which are now referred to as "green." This ecological school of thought was(...)
Titre:
When modern was green : life and work of landscape architect Leberecht Migge
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Today, contemporary landscape design is increasingly drawing from ideas of sustainability and ecological stability. Not in fact new, the foundations of this approach stem from early twentieth century Germany, where architects and planners were already beginning to use the design concepts which are now referred to as "green." This ecological school of thought was driven by modernist landscape architect Leberecht Migge (1881-1935). Working with significant modernist architects of the age including Martin Elsaesser, Ernst May, Bruno Taut, and Martin Wagner Migge was responsible for some of the most important housing and planning projects of the age; the mass housing settlements, or Gro siedlungen, of Frankfurt Main and Berlin. Using "biotechnic" principles to integrally link dwelling and garden, Migge was able to recycle household waste to grow foodstuffs through the use of innovative infrastructure and open space planning. Also a skilled park and garden designer, he drew together green and architectural elements in his "garden-architectonic" approach.
When modern was green : life and work of landscape architect Leberecht Migge
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Today, contemporary landscape design is increasingly drawing from ideas of sustainability and ecological stability. Not in fact new, the foundations of this approach stem from early twentieth century Germany, where architects and planners were already beginning to use the design concepts which are now referred to as "green." This ecological school of thought was driven by modernist landscape architect Leberecht Migge (1881-1935). Working with significant modernist architects of the age including Martin Elsaesser, Ernst May, Bruno Taut, and Martin Wagner Migge was responsible for some of the most important housing and planning projects of the age; the mass housing settlements, or Gro siedlungen, of Frankfurt Main and Berlin. Using "biotechnic" principles to integrally link dwelling and garden, Migge was able to recycle household waste to grow foodstuffs through the use of innovative infrastructure and open space planning. Also a skilled park and garden designer, he drew together green and architectural elements in his "garden-architectonic" approach.
Classification:
livres
livres
Publication:
avril 2012
avril 2012
Sujet:
Architecture, monographies
Architecture, monographies
