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597 pages : illustrations (chiefly color) ; 25 cm
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597 pages : illustrations (chiefly color) ; 25 cm
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Cologne : DuMont Literatur und Kunst Verlag, ©2006.
Cologne : DuMont Literatur und Kunst Verlag, ©2006.
Titre:
Leap into the city : Chișinău, Sofia, Pristina, Sarajevo, Warsaw, Zagreb, Ljubljana : cultural positions, political conditions : seven scenes from Europe / edited by Katrin Klingan and Ines Kappert ; advisors Marius Babias, Mathias Greffrath, Georg Schöllhammer ; a book by relations, a project initiated by the German Federal Cultural Foundation.
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597 pages : illustrations (chiefly color) ; 25 cm
Leap into the city : Chișinău, Sofia, Pristina, Sarajevo, Warsaw, Zagreb, Ljubljana : cultural positions, political conditions : seven scenes from Europe / edited by Katrin Klingan and Ines Kappert ; advisors Marius Babias, Mathias Greffrath, Georg Schöllhammer ; a book by relations, a project initiated by the German Federal Cultural Foundation.
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597 pages : illustrations (chiefly color) ; 25 cm
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livres
livres
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Cologne : DuMont Literatur und Kunst Verlag, ©2006.
Cologne : DuMont Literatur und Kunst Verlag, ©2006.
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$90.00
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Résumé:
Among LeWitt's great contributions to art was the invention of his own economic model Not to Be Sold For More Than $100 presents a comprehensive overview of conceptualist pioneer Sol LeWitt’s numbered R Series drawings, which he created from approximately 1971 to 1979. As early as 1967, LeWitt had started making cut, folded and torn works, which he intended would(...)
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Among LeWitt's great contributions to art was the invention of his own economic model Not to Be Sold For More Than $100 presents a comprehensive overview of conceptualist pioneer Sol LeWitt’s numbered R Series drawings, which he created from approximately 1971 to 1979. As early as 1967, LeWitt had started making cut, folded and torn works, which he intended would(...)
Publication:
juillet 2020
juillet 2020
Titre:
Sol Lewitt: Not to be sold for more than $100
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Among LeWitt's great contributions to art was the invention of his own economic model Not to Be Sold For More Than $100 presents a comprehensive overview of conceptualist pioneer Sol LeWitt’s numbered R Series drawings, which he created from approximately 1971 to 1979. As early as 1967, LeWitt had started making cut, folded and torn works, which he intended would always sell for $100. “His wall drawings were already selling for thousands of dollars, so he wanted to have some artwork that everybody could buy,” notes Jason Rulnick. This body of work consists of over 800 folded, torn and cut paper works, including cut maps, reproductions, and manipulated silver gelatin photographs. Thanks to extensive research throughout various private and public collections around the world, this volume includes over 100 color plates, along with an index/description of all 870 known works, information that has been made available through the artist's day books and journals uncovered (in the studio) by Veronica Roberts.
Sol Lewitt: Not to be sold for more than $100
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$90.00
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Among LeWitt's great contributions to art was the invention of his own economic model Not to Be Sold For More Than $100 presents a comprehensive overview of conceptualist pioneer Sol LeWitt’s numbered R Series drawings, which he created from approximately 1971 to 1979. As early as 1967, LeWitt had started making cut, folded and torn works, which he intended would always sell for $100. “His wall drawings were already selling for thousands of dollars, so he wanted to have some artwork that everybody could buy,” notes Jason Rulnick. This body of work consists of over 800 folded, torn and cut paper works, including cut maps, reproductions, and manipulated silver gelatin photographs. Thanks to extensive research throughout various private and public collections around the world, this volume includes over 100 color plates, along with an index/description of all 870 known works, information that has been made available through the artist's day books and journals uncovered (in the studio) by Veronica Roberts.
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livres
livres
Publication:
juillet 2020
juillet 2020
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livres
livres
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The Sienese shredder issue 4
The Sienese shredder issue 4
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$36.00
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The good ship Shredder embarks upon its fourth voyage into uncharted waters with another rich trove: specially designed portfolios by Martin Wilner and Arne Svenson; Lawrence Weschler on the surfeit of Christlike imagery in contemporary art; a previously unpublished sketchbook by Joan Mitchell; Kurt Schwitters works on paper including early letterhead designs and a(...)
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The good ship Shredder embarks upon its fourth voyage into uncharted waters with another rich trove: specially designed portfolios by Martin Wilner and Arne Svenson; Lawrence Weschler on the surfeit of Christlike imagery in contemporary art; a previously unpublished sketchbook by Joan Mitchell; Kurt Schwitters works on paper including early letterhead designs and a(...)
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The Sienese shredder issue 4
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The good ship Shredder embarks upon its fourth voyage into uncharted waters with another rich trove: specially designed portfolios by Martin Wilner and Arne Svenson; Lawrence Weschler on the surfeit of Christlike imagery in contemporary art; a previously unpublished sketchbook by Joan Mitchell; Kurt Schwitters works on paper including early letterhead designs and a reproduction of a rare “Ursonate” print; a portfolio of Valentine Hugo's quirky surrealism; Fred Mann's interview with English tenor John Mark Ainsley; National Book Award winner Mark Doty's meditation on Walt Whitman's tomb; Rochelle Gurstein's rediscovery of the mysterious Venus de' Medici; the kinky side of Swiss Renaissance master Urs Graf's drawings; Luise Kruger's folksy fabric works; a new Shredder-only story by Allan Gurganus; Wilson Bentley's microscopic photographs of snowflakes; Frances Richard on Duchamp and Gordon Matta-Clark; a large selection of R. Crumb's little-known portrait spools; and a CD of accordionist Guy Klucevsek's early work.
The Sienese shredder issue 4
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The good ship Shredder embarks upon its fourth voyage into uncharted waters with another rich trove: specially designed portfolios by Martin Wilner and Arne Svenson; Lawrence Weschler on the surfeit of Christlike imagery in contemporary art; a previously unpublished sketchbook by Joan Mitchell; Kurt Schwitters works on paper including early letterhead designs and a reproduction of a rare “Ursonate” print; a portfolio of Valentine Hugo's quirky surrealism; Fred Mann's interview with English tenor John Mark Ainsley; National Book Award winner Mark Doty's meditation on Walt Whitman's tomb; Rochelle Gurstein's rediscovery of the mysterious Venus de' Medici; the kinky side of Swiss Renaissance master Urs Graf's drawings; Luise Kruger's folksy fabric works; a new Shredder-only story by Allan Gurganus; Wilson Bentley's microscopic photographs of snowflakes; Frances Richard on Duchamp and Gordon Matta-Clark; a large selection of R. Crumb's little-known portrait spools; and a CD of accordionist Guy Klucevsek's early work.
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livres
livres
Publication:
mai 2010
mai 2010
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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$39.95
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Ce numéro des Cahiers thématiques propose une ouverture théorique autour des « pratiques du langage » dans leurs relations à la création, au sens large. Bien qu’essentiellement axée sur l’architecture, cette question est abordée de façon transversale, et suscite une approche interdisciplinaire (arts / littérature / philosophie, notamment). Il est conçu autour de dix-huit(...)
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Ce numéro des Cahiers thématiques propose une ouverture théorique autour des « pratiques du langage » dans leurs relations à la création, au sens large. Bien qu’essentiellement axée sur l’architecture, cette question est abordée de façon transversale, et suscite une approche interdisciplinaire (arts / littérature / philosophie, notamment). Il est conçu autour de dix-huit(...)
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Cahiers thématiques no. 3 : pratiques du langage - arts, architecture, littérature
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Ce numéro des Cahiers thématiques propose une ouverture théorique autour des « pratiques du langage » dans leurs relations à la création, au sens large. Bien qu’essentiellement axée sur l’architecture, cette question est abordée de façon transversale, et suscite une approche interdisciplinaire (arts / littérature / philosophie, notamment). Il est conçu autour de dix-huit essais. Ceux-ci entrecroisent écrits d’architectes (de J.N.L. Durand et J.Guadet à Le Corbusier, A. Rossi, R. Koolhaas et Ant Farm), d’ingénieur (H. Hossdorf) de musiciens (A.Schönberg, L. Nono), d’artiste (D. Graham), de linguiste (Hjemslev), de philosophes (L.Wittgenstein, Th.W. Adorno, M. Cacciari, S. Toulmin), et d’écrivains-essayistes (de W.H. Pater à Th. Mann, M. Blanchot et J. L. Borges). Les auteurs : Guillemette Morel-Journel, Sylvain Malfroy, Françoise Bradfer, Gérard Engrand, Daniel Treiber, Guy Rumé, Frédéric Yvan, Joëlle Prugnaud, Philippe Boudon, Caroline Maniaque, Christian Hauer, Jean Attali, Joëlle Caullier, Séverine Bridoux, Frank Vermandel, Antonia Soulez, Jean-Claude Vigato, et Marie-Céline Masson.
Cahiers thématiques no. 3 : pratiques du langage - arts, architecture, littérature
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Ce numéro des Cahiers thématiques propose une ouverture théorique autour des « pratiques du langage » dans leurs relations à la création, au sens large. Bien qu’essentiellement axée sur l’architecture, cette question est abordée de façon transversale, et suscite une approche interdisciplinaire (arts / littérature / philosophie, notamment). Il est conçu autour de dix-huit essais. Ceux-ci entrecroisent écrits d’architectes (de J.N.L. Durand et J.Guadet à Le Corbusier, A. Rossi, R. Koolhaas et Ant Farm), d’ingénieur (H. Hossdorf) de musiciens (A.Schönberg, L. Nono), d’artiste (D. Graham), de linguiste (Hjemslev), de philosophes (L.Wittgenstein, Th.W. Adorno, M. Cacciari, S. Toulmin), et d’écrivains-essayistes (de W.H. Pater à Th. Mann, M. Blanchot et J. L. Borges). Les auteurs : Guillemette Morel-Journel, Sylvain Malfroy, Françoise Bradfer, Gérard Engrand, Daniel Treiber, Guy Rumé, Frédéric Yvan, Joëlle Prugnaud, Philippe Boudon, Caroline Maniaque, Christian Hauer, Jean Attali, Joëlle Caullier, Séverine Bridoux, Frank Vermandel, Antonia Soulez, Jean-Claude Vigato, et Marie-Céline Masson.
Classification:
périodiques
périodiques
Publication:
janvier 2004, Lille
janvier 2004, Lille
Sujet:
Revues
Revues
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livres
livres
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of(...)
$34.95
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Résumé:
Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of(...)
Titre:
Sonic experience : a guide to everyday sounds
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$34.95
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of sounds on listeners. In a multidisciplinary work spanning musicology, electro-acoustic composition, architecture, urban studies, communication, phenomenology, social theory, physics, and psychology, Jean-François Augoyard, Henry Torgue, and their associates at the Centre for Research on Sonic Space and the Urban Environment (CRESSON) in Grenoble, France, provide an alphabetical sourcebook of eighty sonic/auditory effects. Their accounts of sonic effects such as echo, anticipation, vibrato, and wha-wha integrate information about the objective physical spaces in which sounds occur with cultural contexts and individual auditory experience. "Sonic experience" attempts to rehabilitate general acoustic awareness, combining accessible definitions and literary examples with more in-depth technical information for specialists.
Sonic experience : a guide to everyday sounds
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$34.95
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of sounds on listeners. In a multidisciplinary work spanning musicology, electro-acoustic composition, architecture, urban studies, communication, phenomenology, social theory, physics, and psychology, Jean-François Augoyard, Henry Torgue, and their associates at the Centre for Research on Sonic Space and the Urban Environment (CRESSON) in Grenoble, France, provide an alphabetical sourcebook of eighty sonic/auditory effects. Their accounts of sonic effects such as echo, anticipation, vibrato, and wha-wha integrate information about the objective physical spaces in which sounds occur with cultural contexts and individual auditory experience. "Sonic experience" attempts to rehabilitate general acoustic awareness, combining accessible definitions and literary examples with more in-depth technical information for specialists.
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livres
livres
Publication:
mars 2006, Montreal
mars 2006, Montreal
Sujet:
Acoustique
Acoustique
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livres
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$59.25
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The history of the book in Tibet involves more than literary trends and trade routes. Functioning as material, intellectual, and symbolic object, the book has been an instrumental tool in the construction of Tibetan power and authority, and its history opens a crucial window onto the cultural, intellectual, and economic life of an immensely influential Buddhist(...)
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The history of the book in Tibet involves more than literary trends and trade routes. Functioning as material, intellectual, and symbolic object, the book has been an instrumental tool in the construction of Tibetan power and authority, and its history opens a crucial window onto the cultural, intellectual, and economic life of an immensely influential Buddhist(...)
Titre:
The culture of the book in Tibet
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$59.25
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The history of the book in Tibet involves more than literary trends and trade routes. Functioning as material, intellectual, and symbolic object, the book has been an instrumental tool in the construction of Tibetan power and authority, and its history opens a crucial window onto the cultural, intellectual, and economic life of an immensely influential Buddhist society.Spanning the fourteenth to the eighteenth centuries, Kurtis R. Schaeffer envisions the scholars and hermits, madmen and ministers, kings and queens who produced Tibet's massive canons. He describes how Tibetan scholars edited and printed works of religion, literature, art, and science and what this indicates about the interrelation of material and cultural practices. The Tibetan book is at once the embodiment of the Buddha's voice, a principal means of education, a source of tradition and authority, an economic product, a finely crafted aesthetic object, a medium of Buddhist written culture, and a symbol of the religion itself.
The culture of the book in Tibet
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$59.25
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The history of the book in Tibet involves more than literary trends and trade routes. Functioning as material, intellectual, and symbolic object, the book has been an instrumental tool in the construction of Tibetan power and authority, and its history opens a crucial window onto the cultural, intellectual, and economic life of an immensely influential Buddhist society.Spanning the fourteenth to the eighteenth centuries, Kurtis R. Schaeffer envisions the scholars and hermits, madmen and ministers, kings and queens who produced Tibet's massive canons. He describes how Tibetan scholars edited and printed works of religion, literature, art, and science and what this indicates about the interrelation of material and cultural practices. The Tibetan book is at once the embodiment of the Buddha's voice, a principal means of education, a source of tradition and authority, an economic product, a finely crafted aesthetic object, a medium of Buddhist written culture, and a symbol of the religion itself.
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livres
livres
Publication:
juin 2009
juin 2009
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livres
livres
Titre:
Manifest 3: Bigger than big
Manifest 3: Bigger than big
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$31.50
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What does it mean to grapple with the immensity of the continent itself? For the third issue, Manifesto aims to highlight propositions that have taken seriously the 'bigger than big'—design and representational experiments aimed at narrating, framing, or enacting the American continent and the forms and ideas which it animates. With contributions by Ana María León,(...)
$31.50
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Résumé:
What does it mean to grapple with the immensity of the continent itself? For the third issue, Manifesto aims to highlight propositions that have taken seriously the 'bigger than big'—design and representational experiments aimed at narrating, framing, or enacting the American continent and the forms and ideas which it animates. With contributions by Ana María León,(...)
Titre:
Manifest 3: Bigger than big
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$31.50
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What does it mean to grapple with the immensity of the continent itself? For the third issue, Manifesto aims to highlight propositions that have taken seriously the 'bigger than big'—design and representational experiments aimed at narrating, framing, or enacting the American continent and the forms and ideas which it animates. With contributions by Ana María León, Neeraj Bhatia, Other Fields, Enrique Ramirez, Jennifer Bonner, Shane Reiner-Roth, Kathleen L. John-Alder, John Dean Davis, Lydia Xynogala, Peter Waldman, Jill Desimini, Spencer Bailey, Mariana Siracusa, Richard Sommer, Ila Berman, Frederick R. Steiner, Sara Stevens, Felipe Correa, Charles Waldheim, Elizabeth Meyer, Nader Tehrani, Aaron Betsky, Kristi Cheramie, Antoine Predock, Evangelos Kotsioris, Rutger Huiberts, Aleksandr Bierig, David Nunes Solomon, Glenn Forley, Matthew Seibert, and David Gissen, and a special addendum with contributions by Swati Chattopadhyay, Elgin Cleckley, Stephen Mueller, Elisa Silva, Sharif Kahatt, Ana María Duran Calisto, Alonso Díaz Rickards, Christine Macy, Liang Wang, Elizabeth Timme, Marshall Brown, Heather Houser, Assaf Evron, Eli Cook, and Hsuan Hsu.
Manifest 3: Bigger than big
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$31.50
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What does it mean to grapple with the immensity of the continent itself? For the third issue, Manifesto aims to highlight propositions that have taken seriously the 'bigger than big'—design and representational experiments aimed at narrating, framing, or enacting the American continent and the forms and ideas which it animates. With contributions by Ana María León, Neeraj Bhatia, Other Fields, Enrique Ramirez, Jennifer Bonner, Shane Reiner-Roth, Kathleen L. John-Alder, John Dean Davis, Lydia Xynogala, Peter Waldman, Jill Desimini, Spencer Bailey, Mariana Siracusa, Richard Sommer, Ila Berman, Frederick R. Steiner, Sara Stevens, Felipe Correa, Charles Waldheim, Elizabeth Meyer, Nader Tehrani, Aaron Betsky, Kristi Cheramie, Antoine Predock, Evangelos Kotsioris, Rutger Huiberts, Aleksandr Bierig, David Nunes Solomon, Glenn Forley, Matthew Seibert, and David Gissen, and a special addendum with contributions by Swati Chattopadhyay, Elgin Cleckley, Stephen Mueller, Elisa Silva, Sharif Kahatt, Ana María Duran Calisto, Alonso Díaz Rickards, Christine Macy, Liang Wang, Elizabeth Timme, Marshall Brown, Heather Houser, Assaf Evron, Eli Cook, and Hsuan Hsu.
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livres
livres
Publication:
avril 2021
avril 2021
Sujet:
Revues
Revues
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livres
livres
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$18.00
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Line B. Løkken takes her point of departure in documentary strategies, but empties her pictures of obvious action. The specific place is allowed to appear through isolated objects and tableaux which represent something larger. In this publication Løkken penetrates to a backdrop of heritage and memories by way of a place that seems impregnated with human activity. The(...)
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Line B. Løkken takes her point of departure in documentary strategies, but empties her pictures of obvious action. The specific place is allowed to appear through isolated objects and tableaux which represent something larger. In this publication Løkken penetrates to a backdrop of heritage and memories by way of a place that seems impregnated with human activity. The(...)
Titre:
Angle 4° : Line B. Løkken, pitching pennies
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$18.00
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Line B. Løkken takes her point of departure in documentary strategies, but empties her pictures of obvious action. The specific place is allowed to appear through isolated objects and tableaux which represent something larger. In this publication Løkken penetrates to a backdrop of heritage and memories by way of a place that seems impregnated with human activity. The motifs appear to be linked to the idea of the humble cottage. Here there is space for potentially nostalgic bric-à-brac, but also objects with an unclear practical purpose. Løkken’s title plays on a typical spring game, and interweaves images of Scrabble, piles of chalk and an old crossword book. On the opposite face of the squares and alphabet dice of the Scrabble box (which quietly spell b-r-ø-l – “roar”) is a horn on which some tufts of grass have been caught. Maturing, aging and new freshness play together over the pages, also in tactile and colouristic ways.
Angle 4° : Line B. Løkken, pitching pennies
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Line B. Løkken takes her point of departure in documentary strategies, but empties her pictures of obvious action. The specific place is allowed to appear through isolated objects and tableaux which represent something larger. In this publication Løkken penetrates to a backdrop of heritage and memories by way of a place that seems impregnated with human activity. The motifs appear to be linked to the idea of the humble cottage. Here there is space for potentially nostalgic bric-à-brac, but also objects with an unclear practical purpose. Løkken’s title plays on a typical spring game, and interweaves images of Scrabble, piles of chalk and an old crossword book. On the opposite face of the squares and alphabet dice of the Scrabble box (which quietly spell b-r-ø-l – “roar”) is a horn on which some tufts of grass have been caught. Maturing, aging and new freshness play together over the pages, also in tactile and colouristic ways.
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livres
livres
Publication:
juillet 2022
juillet 2022
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Sites of learning : the architecture of educational reform in Toronto, 1847-1917 / by Kai Wood Mah.
Sites of learning : the architecture of educational reform in Toronto, 1847-1917 / by Kai Wood Mah.
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310 leaves : ill. (some col.), plans, ports. ; 28 cm.
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310 leaves : ill. (some col.), plans, ports. ; 28 cm.
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2009.
2009.
Titre:
Sites of learning : the architecture of educational reform in Toronto, 1847-1917 / by Kai Wood Mah.
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310 leaves : ill. (some col.), plans, ports. ; 28 cm.
Sites of learning : the architecture of educational reform in Toronto, 1847-1917 / by Kai Wood Mah.
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310 leaves : ill. (some col.), plans, ports. ; 28 cm.
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livres
livres
Publication:
2009.
2009.
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Description:
167 pages : illustrations (some color) ; 24 cm
Description:
167 pages : illustrations (some color) ; 24 cm
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Milan : Skira Editore ; London : Distributed by Thames & Hudson, 1999.
Milan : Skira Editore ; London : Distributed by Thames & Hudson, 1999.
Titre:
Louis I. Kahn : the construction of the Kimbell Art Museum / [design and organization of the exhibition and catalogue, Luca Bellinelli ; translation, Patricia Ranzi-Gedey].
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167 pages : illustrations (some color) ; 24 cm
Louis I. Kahn : the construction of the Kimbell Art Museum / [design and organization of the exhibition and catalogue, Luca Bellinelli ; translation, Patricia Ranzi-Gedey].
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167 pages : illustrations (some color) ; 24 cm
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livres
livres
Publication:
Milan : Skira Editore ; London : Distributed by Thames & Hudson, 1999.
Milan : Skira Editore ; London : Distributed by Thames & Hudson, 1999.
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