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Tell Me What You Want, What You Really, Really Want brings together a selection of recent writings by art critic Jan Verwoert for the first time. Published in collaboration with Piet Zwart Institute, Willem de Kooning Academy in Rotterdam, the book galvanizes central themes Verwoert has been developing in pursuit of a language to describes art’s transformative potential(...)
Tell me what you want, what you really, really want
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Tell Me What You Want, What You Really, Really Want brings together a selection of recent writings by art critic Jan Verwoert for the first time. Published in collaboration with Piet Zwart Institute, Willem de Kooning Academy in Rotterdam, the book galvanizes central themes Verwoert has been developing in pursuit of a language to describes art’s transformative potential in conceptual, performative, and emotional terms. He analyzes the power of public gestures to constitute communities as well as the pressure to perform that governs the sphere of creative labor, in order to show how particular artists perform gestures and invoke community differently. Exploring the emotional power games that shape social relations, Verwoert looks for an alternative ethos of action and feeling, asking: How can a modernist approach to artistic form as a means of social critique be expanded to fully avow its subliminal affective undercurrents, and produce a pleasurably crooked form of criticality in art and writing?
Théorie de l’art
Basics Design Ideas
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«Every design begins with a search for an idea or for an intuitive understanding of how an assignment should be solved. This design idea is the start of a long journey on which the designer defines the idea more precisely, modifies it, adds details and repeatedly rejects results. The current book, Design Ideas, is confined thematically to the start of this process, which(...)
janvier 1900, Basel, Boston, Berlin
Basics Design Ideas
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«Every design begins with a search for an idea or for an intuitive understanding of how an assignment should be solved. This design idea is the start of a long journey on which the designer defines the idea more precisely, modifies it, adds details and repeatedly rejects results. The current book, Design Ideas, is confined thematically to the start of this process, which influences and sets the direction of both the path and, often, the result. Its goal is not only to depict a variety of effective approaches and sources of inspiration, but also to show ways to unlock creativity. The contents are meant to encourage students to explore individual topics and concepts in greater depth. The focus has deliberately been shifted away from specific architectural styles and dogmatic principles. What is at issue here is a simple, yet complex, question: how do I come up with an initial idea?» Bert Bielefeld, Foreword
Why public space matters
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Public spaces — where people from all walks of life play, work, meet, talk, read, think, debate, and protest — are vital to a healthy civic life. And, as the eminent scholar of public space Setha Low argues in this book, even fleeting moments of visibility and encounter in these spaces tend to foster a broader worldview and our willingness to accept difference. Yet we are(...)
Why public space matters
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Public spaces — where people from all walks of life play, work, meet, talk, read, think, debate, and protest — are vital to a healthy civic life. And, as the eminent scholar of public space Setha Low argues in this book, even fleeting moments of visibility and encounter in these spaces tend to foster a broader worldview and our willingness to accept difference. Yet we are losing public spaces to accelerated urban development and the belief that public spaces are expendable. Low explores why public spaces matter today, how they are at risk, and what we can do about protecting these essential places that support our everyday lives. Finally, she shows how we can work to promote public space protection and expansion at both the grassroots and global levels. Throughout, she focuses on real public spaces and the people who use them in cities and regions across the Americas, from New Jersey to Costa Rica
Planting: a new perspective
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Planting, by landscape architects Piet Oudolf and Noel Kingsbury, is a groundbreaking moment in horticulture. It is the first book to share Oudolf's original planting plans and plant groupings and the only book to explicitly show how his gardens and landscapes are made. An intimate knowledge of plants is essential to the success of this approach and Planting makes(...)
Planting: a new perspective
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Planting, by landscape architects Piet Oudolf and Noel Kingsbury, is a groundbreaking moment in horticulture. It is the first book to share Oudolf's original planting plans and plant groupings and the only book to explicitly show how his gardens and landscapes are made. An intimate knowledge of plants is essential to the success of this approach and Planting makes Oudolf's considerable understanding of plant ecology and performance accessible, explaining how plants behave in different situations, what goes on underground, and which species make good neighbors. Extensive plant charts and planting plans will help you choose plants for their structure, color, and texture as well as the way they perform in the landscape. A detailed directory, with details each plant's life expectancy, the persistence of its seedheads, its tendency to spread, and propensity to self-seed, is an invaluable resource.Planting is an essential resource for designers and gardeners looking to create plant-rich, beautiful gardens that support biodiversity and nourish the human spirit.
Jardins
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This book is an original and accessible history of the modern playground in Britain and beyond, charting its journey from marginal obscurity to popular ubiquity. Tracing the playground’s history from the mid-nineteenth century to 2010, ''Designed for Play'' demonstrates how a diverse set of actors across the philanthropic, voluntary, state, and commercial sectors all(...)
Designed for play: Children's playgrounds and the politics of urban space. 1840-2010.
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This book is an original and accessible history of the modern playground in Britain and beyond, charting its journey from marginal obscurity to popular ubiquity. Tracing the playground’s history from the mid-nineteenth century to 2010, ''Designed for Play'' demonstrates how a diverse set of actors across the philanthropic, voluntary, state, and commercial sectors all sought to reimagine and reshape the urban landscape to improve childhood outcomes.
Théorie de l’urbanisme
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Various new transport technologies promise to bring sustainability benefits. But as this book shows, important lessons are often overlooked because the experiments are not designed to challenge the basic assumptions about established patterns of transport choices. Learning how to organise the process of innovation implementation is essential if the maximum impact is to(...)
Théorie de l’urbanisme
octobre 2003, London / New York
Experimenting for sustainable transport : the approach of strategic niche management
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Various new transport technologies promise to bring sustainability benefits. But as this book shows, important lessons are often overlooked because the experiments are not designed to challenge the basic assumptions about established patterns of transport choices. Learning how to organise the process of innovation implementation is essential if the maximum impact is to be achieved - it is here that strategic niche management offers new perspectives.
Théorie de l’urbanisme
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After a century largely dominated by discussions of space and form, there is now renewed interest in the material and tectonic aspects of architecture. This illustrated book takes a detailed and timely look at the importance of materials in architecture, focusing particularly on modern and contemporary buildings. Richard Weston begins with a brief cultural history of(...)
Materials, form and architecture
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After a century largely dominated by discussions of space and form, there is now renewed interest in the material and tectonic aspects of architecture. This illustrated book takes a detailed and timely look at the importance of materials in architecture, focusing particularly on modern and contemporary buildings. Richard Weston begins with a brief cultural history of major building materials--such as timber, earth, stone, steel, and glass--exploring how they have been produced, considered, worked, and used in a variety of buildings and cultures. He then explores the ways that architects, theorists, and critics have articulated the relationship between materials and architectural forms and spaces throughout modern history. Other featured topics include the importance of place, time, junctions, finish, and meaning; the proposition that in an increasingly global and virtual world, many architects emphasize the material qualities of buildings to ensure a heightened sense of reality; and a comprehensive survey of current and prospective developments in materials, from refinements of such familiar materials as fiber-reinforced concrete and “intelligent” glass to new synthetic compounds and working methods. Together, these varied perspectives on the material art of building offer insights into the impact that the type and treatment of materials has on how buildings can be constructed and designed, how they function, and how they fare over time.
Matériaux et éclairage
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This book reveals how the work of these architectural talents is also made possible by companies such as Permasteelisa, which offer technological solutions for constructing the most futuristic buildings. Permasteelisa produces continuous external cladding: the skin of skyscrapers, large airports, and current business centers. Drawing on its constant research into(...)
The faces of contemporary cities: Permasteelisa
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This book reveals how the work of these architectural talents is also made possible by companies such as Permasteelisa, which offer technological solutions for constructing the most futuristic buildings. Permasteelisa produces continuous external cladding: the skin of skyscrapers, large airports, and current business centers. Drawing on its constant research into technology and materials, it collaborates with large architectural firms to transform an architect’s project into a building. This was the case for the Sydney Opera House, with its futuristic sails; for the Guggenheim in Bilbao and its curved facades conceived by Frank Gehry; and for the scintillating blades of Renzo Piano’s Shard in London. The book tells the story of Permasteelisa. With the texts by international urban planning scholars and data analysis and georeferencing methodologies developed at the Transnational Architecture and Urbanism Lab (TAU-Lab) of the Politecnico di Milano, it shows how this Italian company’s know-how has allowed it to shape the faces of many contemporary cities such as New York, Paris, London, Berlin, Frankfurt, Milan, Hong Kong, and Sydney.
Matériaux et éclairage
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Modernism ushered in some of the most exciting innovations in art and literature, from Fauvism, Cubism, and Dada, to the novels of James Joyce and Franz Kafka, to such provocative works as Marcel Duchamp's "Fountain." But Modernism also left many people puzzled in its wake. How can a routine bathroom fixture be considered a work of art? Shouldn't a novel have a beginning,(...)
mars 2011
Modernism: a very short introduction
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Modernism ushered in some of the most exciting innovations in art and literature, from Fauvism, Cubism, and Dada, to the novels of James Joyce and Franz Kafka, to such provocative works as Marcel Duchamp's "Fountain." But Modernism also left many people puzzled in its wake. How can a routine bathroom fixture be considered a work of art? Shouldn't a novel have a beginning, a middle, and an end--or at least a story? In this publication, Christopher Butler provides a coherent account of Modernism across various aesthetic and cultural fields. Butler examines how and why Modernism began, explaining what it is and showing how virtually all aspects of 20th and 21st century life have been influenced by its aesthetic legacy. Butler considers several aspects of modernism, including some classic modernist works, movements and notions of the avant garde, and the idea of "progress" in art. Finally, Butler sheds light on modernist ideas of the self, subjectivity, irrationalism, people and machines, and the political dimensions of modernism as a whole.
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Urban Identity is the second issue in the Learning from Place series that draws upon the wealth of experience in the Academy of Urbanism. This edition deals with the subject of urban identity and character. Why is it that all modern towns and cities look the same, as they become dominated by identikit buildings, multi-national corporations, even arbitrarily imposed urban(...)
Théorie de l’urbanisme
juin 2011
Urban identity ; learning from place 2
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Urban Identity is the second issue in the Learning from Place series that draws upon the wealth of experience in the Academy of Urbanism. This edition deals with the subject of urban identity and character. Why is it that all modern towns and cities look the same, as they become dominated by identikit buildings, multi-national corporations, even arbitrarily imposed urban design rules? How can we preserve and foster the sense of local identity and character that so value without falling into the trap of historical pastiche? Four urban thinkers take this theme as the staring point for chapters on urban identity. The classical architect Robert Adam delivers a broadside to modern architecture that he sees as the multi-national face of globalism. The Architect and academic John Worthington ponders the difference between how a place is seen, its identity and how it wants to be seen, its brand. While the architects Anthony Reddy from Ireland and Frank Walker from Scotland explore the notion of local and national identity in architecture and design.
Théorie de l’urbanisme