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The word Gothic conjures associations with the dark and melancholy, the weird and feared, and haunted places and people. In this book, Roger Luckhurst offers readers an unprecedented look at the ways this uncanny style has manifested itself through architecture, literature, film, art, video games, and more. From the works of Victor Hugo and E. T. A. Hoffmann to Southern(...)
Gothic: an illustrated history
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The word Gothic conjures associations with the dark and melancholy, the weird and feared, and haunted places and people. In this book, Roger Luckhurst offers readers an unprecedented look at the ways this uncanny style has manifested itself through architecture, literature, film, art, video games, and more. From the works of Victor Hugo and E. T. A. Hoffmann to Southern Gothic, ancient folklore, and classic horror movies, Luckhurst explores how an aesthetic that began in the margins has been reinvented through the centuries to become part of mainstream global culture.
Théorie de l’art
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One of the fundamental considerations in landscape architecture is whether to create something which appears to be natural, or to design something deliberately artificial. Always moving between nature and artifice the art of landscape architecture expresses itself in a sensitive awareness of time and place. If the design is not to become a mere ornament, then it must be(...)
Texte zur Landschaft / About landscape : essays on design, style, time and space
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One of the fundamental considerations in landscape architecture is whether to create something which appears to be natural, or to design something deliberately artificial. Always moving between nature and artifice the art of landscape architecture expresses itself in a sensitive awareness of time and place. If the design is not to become a mere ornament, then it must be supported by concepts and visions, daring to create something new from the existing surroundings. This collection of essays which have been published over the last decade in Topos – European Landscape Magazine, is a valuable contribution to the literature in the specialised field of landscape architecture. The authors include Paolo Bürgi who writes on dimensions of memory, Joachim W. Jacobs who investigates the Bauhaus and the theory of space, and Kathinka Schreiber who takes a critical look at landscape in film.
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Perspecta 37 : famous
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Does fame empower architecture or undermine it? Does the star power or cult status of an architect enhance the art or dilute it? This issue of Perspecta examines the inner workings of fame as it relates to architecture though media and culture. It looks at how the commodification of architecture affects the design process - whether fame emphasizes all the wrong aspects of(...)
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juin 2005, Cambridge, Mass.
Perspecta 37 : famous
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Does fame empower architecture or undermine it? Does the star power or cult status of an architect enhance the art or dilute it? This issue of Perspecta examines the inner workings of fame as it relates to architecture though media and culture. It looks at how the commodification of architecture affects the design process - whether fame emphasizes all the wrong aspects of architecture or provides the only way an architect can produce truly ambitious projects. How does architecture generate fame? And how does fame generate architecture? Celebrity permeates all levels of contemporary society; architecture, academia, the architectural press, and the mainstream media all play a role in promoting the mystique of the designer genius. The tradition of learning through apprenticeship and the struggle to have projects commissioned and built perpetuate the importance of the famous architect. Does this serve architecture or only the architectural star? The contributors to Perspecta examine both sides of the argument: Architecture moves forward through a process of innovation; fame provides the architect with the leverage needed to accomplish innovation. Or is it that fame, because of its relationship to the media and popular tastes, inevitably dilutes the quality of the architecture? Does "famous" architecture glorify only itself and neglect the people, the values, and the functions that it must serve?
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In "The Nature of Order," Alexander delves into the essential properties of life itself, highlighting a common set of well-defined structures that he believes are present in all order--and in all life--from micro-organisms and mountain ranges to the creation of good houses and vibrant communities. In "The Phenomenon of Life," the first volume in this masterwork, Alexander(...)
The nature of order - an essay on the art of building and the nature of the universe. Book one : the phenomenon of life.
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In "The Nature of Order," Alexander delves into the essential properties of life itself, highlighting a common set of well-defined structures that he believes are present in all order--and in all life--from micro-organisms and mountain ranges to the creation of good houses and vibrant communities. In "The Phenomenon of Life," the first volume in this masterwork, Alexander ponders the nature of order as an intellectual basis for a new architecture, proposing a well-defined scientific view of the world in which all space-matter has perceptible degrees of life. With this view as foundation, we can ask precise questions about what must be done to create life in the world--"whether in a single room...a doorknob...a neighborhood...even in a vast region." He presents the basic tenets of the concept, expanding on his theories of centers and of wholeness as a structure, and describes the fifteen properties from which he feels wholeness may be built. He also argues that living structure is at once both personal and structural, related not only to the geometry of space and how things work, but to human beings whose lives are ultimately based on feeling. Thus order, as the foundation of all things and as the foundation of all architecture, is both rooted in substance and rooted in feeling.
Théorie de l’architecture
Buildings must die
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Buildings, although inanimate, are often assumed to have “life.” And the architect, through the act of design, is assumed to be their conceiver and creator. But what of the “death” of buildings? What of the decay, deterioration, and destruction to which they are inevitably subject? And what might such endings mean for architecture’s sense of itself? In Buildings Must Die,(...)
Buildings must die
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Buildings, although inanimate, are often assumed to have “life.” And the architect, through the act of design, is assumed to be their conceiver and creator. But what of the “death” of buildings? What of the decay, deterioration, and destruction to which they are inevitably subject? And what might such endings mean for architecture’s sense of itself? In Buildings Must Die, Stephen Cairns and Jane Jacobs look awry at core architectural concerns. They examine spalling concrete and creeping rust, contemplate ruins old and new, and pick through the rubble of earthquake-shattered churches, imploded housing projects, and demolished Brutalist office buildings. Their investigation of the death of buildings reorders architectural notions of creativity, reshapes architecture’s preoccupation with good form, loosens its vanities of durability, and expands its sense of value. It does so not to kill off architecture as we know it, but to rethink its agency and its capacity to make worlds differently. Cairns and Jacobs offer an original contemplation of architecture that draws on theories of waste and value. Their richly illustrated case studies of building “deaths” include the planned and the unintended, the lamented and the celebrated. They take us from Moline to Christchurch, from London to Bangkok, from Tokyo to Paris. And they feature the work of such architects as Eero Saarinen, Carlo Scarpa, Cedric Price, Arata Isozaki, Rem Koolhaas and François Roche.
Théorie de l’architecture
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Offering questions of the past to ground questions of the present, "How about now?" summons the enduring concerns and preoccupations that designers constantly revisit, reconsider, and redefine in response to a changing world. This installment of the GSD Platform series celebrates- and places itself within- the rich tradition of student publications at the Harvard(...)
Platform 12: How about now? GSD Platform
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Offering questions of the past to ground questions of the present, "How about now?" summons the enduring concerns and preoccupations that designers constantly revisit, reconsider, and redefine in response to a changing world. This installment of the GSD Platform series celebrates- and places itself within- the rich tradition of student publications at the Harvard University Graduate School of Design. Produced annually, this compendium highlights a selection of work from the disciplines of architecture, landscape architecture, urban planning and design, and design engineering, and exposes a rich and varied pedagogical culture committed to shaping the future of design. Documenting projects, research, events, exhibitions, and more, Platform offers a curated view into the emerging topics, techniques, and dispositions within and beyond the Harvard GSD.
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On the art of notation
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The book is concerned with the double nature of architectural drawing as both an artefact in itself and an instruction. The creation of measurements for an architectural construction to be takes place as a negotiation of this productive doubleness. The negotiation is termed art of notation. The book focuses on the singularity of drawing. It discusses the nature of the(...)
On the art of notation
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The book is concerned with the double nature of architectural drawing as both an artefact in itself and an instruction. The creation of measurements for an architectural construction to be takes place as a negotiation of this productive doubleness. The negotiation is termed art of notation. The book focuses on the singularity of drawing. It discusses the nature of the motif, the role of technique and the development of an analogue drawing language. It is well illustrated with architectural sketches.
Théorie de l’architecture
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For millennia, marble has been a material of choice for art and architecture, a sign of luxury, and a material laden with meaning. It lends itself to being carved, polished, and sliced for a vast range of uses and to a variety of effects. While we know much about its physical qualities, its place as a trade commodity, and the history of its use, a focused study of this(...)
Matériaux et éclairage
mai 2020
The aesthetics of marble: from late antiquity to the present
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For millennia, marble has been a material of choice for art and architecture, a sign of luxury, and a material laden with meaning. It lends itself to being carved, polished, and sliced for a vast range of uses and to a variety of effects. While we know much about its physical qualities, its place as a trade commodity, and the history of its use, a focused study of this material’s aesthetics has yet to be seen. Looking beyond marble’s iconology, this volume engages closely with the phenomenology and anthropology of materials, bringing to light the nuanced aesthetic qualities of marble.
Matériaux et éclairage
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Home to 20 million people and still growing, Greater Cairo mirrors the global phenomenon of unplanned urban growth. Approximately 60 percent of the population of Africa’s biggest city lives in so-called informal housing, typically five-to-ten-story concrete-and-brick-infill structures built without permits in the desert or on former agricultural land. 'Housing Cairo: The(...)
Housing Cairo: the informal response
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Home to 20 million people and still growing, Greater Cairo mirrors the global phenomenon of unplanned urban growth. Approximately 60 percent of the population of Africa’s biggest city lives in so-called informal housing, typically five-to-ten-story concrete-and-brick-infill structures built without permits in the desert or on former agricultural land. 'Housing Cairo: The Informal Response' illuminates the architecture of informality and its mechanisms of production through a series of theoretical essays and architectural design proposals. Central to the project is a re-examination of the concept of “informality” itself and its often negative connotations.
Logements collectifs
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Austrian architects Baumschlager Eberle are the focus of this instalment. The practice, founded in 1985 by Carlo Baumschlager and Dietmar Eberle, has evolved into a global firm comprising eleven offices in countries throughout Europe and Asia. Today it is run by Eberle together with several partners. Academic research and practical experience come together in the(...)
AV Monographs 215 : Baumschlager Eberle architekten
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Austrian architects Baumschlager Eberle are the focus of this instalment. The practice, founded in 1985 by Carlo Baumschlager and Dietmar Eberle, has evolved into a global firm comprising eleven offices in countries throughout Europe and Asia. Today it is run by Eberle together with several partners. Academic research and practical experience come together in the architecture of Baumschlager Eberle, which primarily concerns itself with the relationship between density and the atmosphere of cities, as well as the possibility of designing zero-energy buildings. The issue includes a theoretical essay by Eberle, along with extensive profiles of sixteen projects completed since 2000.
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