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Mirrors of memory seeks to understand how various kinds of photographs--of sculptures; archaeological sites in Greece, Rome, and Egypt; medical conditions; ethnographic scenes--fed into Freud's thinking as he elaborated the concepts of psychoanalysis. Illustrated with reproductions of the photos from Freud's voluminous collection, Bergstein argues that studying the(...)
Mirrors of memory: Freud, photography, and the history of art
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Mirrors of memory seeks to understand how various kinds of photographs--of sculptures; archaeological sites in Greece, Rome, and Egypt; medical conditions; ethnographic scenes--fed into Freud's thinking as he elaborated the concepts of psychoanalysis. Illustrated with reproductions of the photos from Freud's voluminous collection, Bergstein argues that studying the man and his photographs uncovers a key to the origins of psychoanalysis.
Théorie de la photographie
Time and photography
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Photography is fundamentally a time-based medium. The relationships between photography and time are manifold: snapshots are slices of time, time can be directly represented within the image, time can be photographys theme and philosophical horizon, photographic practices develop and change across time. This book brings together the various aspect of time in photography(...)
Time and photography
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Photography is fundamentally a time-based medium. The relationships between photography and time are manifold: snapshots are slices of time, time can be directly represented within the image, time can be photographys theme and philosophical horizon, photographic practices develop and change across time. This book brings together the various aspect of time in photography and of photography in time. Its chapters focus on seminal authors (including Fox Talbot, Victor Burgin, and Robert Morris) and genres, with examples ranging from the very first photographic pictures to the most recent uses of photography in and outside art. Given the multifaceted dimensions of the notion of time, the book fosters an interdisciplinary approach, gathering essays by historians of photography as well as by authors with a critical or philosophical background. It shows how some interpretations of photography are indebted to fields that have a great expertise in analyzing time, such as narratology and literature.
Théorie de la photographie
Photography and the USA
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In Photography and the USA, Mick Gidley asks how and why photography has been such a significant force in shaping American culture. Featuring approximately one hundred iconic and lesser-known images, this book encompasses the major movements, artists, and works that are crucial to understanding American photography. Focusing on works that reveal the many different(...)
Photography and the USA
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In Photography and the USA, Mick Gidley asks how and why photography has been such a significant force in shaping American culture. Featuring approximately one hundred iconic and lesser-known images, this book encompasses the major movements, artists, and works that are crucial to understanding American photography. Focusing on works that reveal the many different facets of America, its landscapes and its people, Gidley explores the ambiguities of American history and culture.
Théorie de la photographie
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In the mid-1950s, Swiss-born New Yorker Robert Frank embarked on a ten-thousand-mile road trip across America, capturing thousands of photographs of all levels of a rapidly changing society. The resultant photo book, "The Americans", represents a seminal moment in both photography and in America's understanding of itself. To mark the book’s fiftieth anniversary, Jonathan(...)
Robert Frank's The Americans: the art of documentary photography
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In the mid-1950s, Swiss-born New Yorker Robert Frank embarked on a ten-thousand-mile road trip across America, capturing thousands of photographs of all levels of a rapidly changing society. The resultant photo book, "The Americans", represents a seminal moment in both photography and in America's understanding of itself. To mark the book’s fiftieth anniversary, Jonathan Day revisits this pivotal work and contributes a critical commentary. Though the importance of The Americans has been widely acknowledged, it still retains much of its mystery. This analysis places it in the context of contemporary photography, literature, music, and advertising from its own period through the present.
Théorie de la photographie
Photography and flight
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Photography and Flight reveals how the camera lens from far away continues to unearth telling details about the land and those who live upon it. While digital technology and remote sensing have changed the landscape of photography, this book argues that they have not diminished the significance of aerial photography in providing images of the earth. Rather, new(...)
Photography and flight
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Photography and Flight reveals how the camera lens from far away continues to unearth telling details about the land and those who live upon it. While digital technology and remote sensing have changed the landscape of photography, this book argues that they have not diminished the significance of aerial photography in providing images of the earth. Rather, new technologies and resulting innovations such as Google Earth have enabled the mass democratization of access to such information.
Théorie de la photographie
Au-delà de la photographie
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Dans cet ouvrage, Fred Ritchin apporte des réponses à ceux qui se demandent où va la photographie. Il décrit l'influence de la révolution numérique sur notre vision du monde et son rendu photographique tant par les amateurs que par les professionnels et revient sur l'évolution des pratiques de manipulation des images dans les médias qui révèle une confusion entre monde(...)
Au-delà de la photographie
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Dans cet ouvrage, Fred Ritchin apporte des réponses à ceux qui se demandent où va la photographie. Il décrit l'influence de la révolution numérique sur notre vision du monde et son rendu photographique tant par les amateurs que par les professionnels et revient sur l'évolution des pratiques de manipulation des images dans les médias qui révèle une confusion entre monde réel et "réalité" virtuelle. L'auteur ouvre également une multitude de pistes de nature à transformer en richesse ce qui risquerait sinon de nous appauvrir. Les liens hypertextes, par exemple, offrent d'immenses possibilités de dialogue et d'enrichissement mutuel d'un cliché mis en ligne. Le banal cadre des photos pourrait être transformé en un " puzzle " donnant accès à de multiples voix contradictoires qui enrichiraient la valeur informative de l'image et par là même lui permettrait de retrouver son degré d'authenticité.
Théorie de la photographie
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A graceful, contemplative volume, Camera Lucida was first published in 1979. Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Roland Barthes presents photography as being outside the codes of language or culture, acting on the body as much as on the mind, and rendering death and loss more acutely than any other medium.
Camera Lucida: reflections on photography
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A graceful, contemplative volume, Camera Lucida was first published in 1979. Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Roland Barthes presents photography as being outside the codes of language or culture, acting on the body as much as on the mind, and rendering death and loss more acutely than any other medium.
Théorie de la photographie
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Twenty-six Viennese gasoline stations – and a couple more – inspired by the classic Twentysix Gasoline Stations by Edward Ruscha done in 1962. The colour section of this book includes 36 photographs on 48 pages showing 34 different gasoline stations. It includes alternative views and a number of atypical Viennese gas stations, as well as individual examples for comparison(...)
Sechsundzwanzig Wiener Tankstellen
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Twenty-six Viennese gasoline stations – and a couple more – inspired by the classic Twentysix Gasoline Stations by Edward Ruscha done in 1962. The colour section of this book includes 36 photographs on 48 pages showing 34 different gasoline stations. It includes alternative views and a number of atypical Viennese gas stations, as well as individual examples for comparison from Vienna and elsewhere.
Théorie de la photographie
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Digital photographic and imaging technologies are the most recent development in an art and science whose history is one of constant technological innovation. Using sophisticated software and scanners, artists are able to enhance or alter photographs, and create mesmerizing effects. Focusing exclusively on digital photography, Sylvia Wolf explores a medium that(...)
The digital eye: Photographic art in the electronic age
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Digital photographic and imaging technologies are the most recent development in an art and science whose history is one of constant technological innovation. Using sophisticated software and scanners, artists are able to enhance or alter photographs, and create mesmerizing effects. Focusing exclusively on digital photography, Sylvia Wolf explores a medium that challenges our notions of the role of the artist and of an image's relationship to the real. Taking readers from the earliest experiments in digital photography to the latest innovations, Wolf offers a historical perspective and points to future trends. The work of a global panoply of artists, including Ida Applebroog, Sheila Pree Bright, Peter Campus, Xing Danwen, Joan Fontcuberta, Tom Friedman, Andreas Gursky, Martina Lopez, Loretta Lux, Mary Mattingly, Wendy McMurdo, Andreas Müller-Pohle, Thomas Ruff, Lucas Samaras, and Jeff Wall, demonstrates how diverse and complex the field has become.
Théorie de la photographie
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This publication gathers for the first time a selection of Vicki Goldberg's essays and criticism, culled from her writings published over the past 25 years. Goldberg's subjects range from pop imagery to war journalism, from photo-booth portraits to manipulated digital imagery, from the “boredom” of voyeurism to the great preponderance of tragic photographs in the news.(...)
Light matters : writings on photography
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This publication gathers for the first time a selection of Vicki Goldberg's essays and criticism, culled from her writings published over the past 25 years. Goldberg's subjects range from pop imagery to war journalism, from photo-booth portraits to manipulated digital imagery, from the “boredom” of voyeurism to the great preponderance of tragic photographs in the news. She brings new light to the work of the medium's “old masters,” among them Walker Evans, Lotte Jacobi and Lartigue, writing with equal acuity about contemporary trailblazers such as Bill Viola, Daido Moriyama and Bastienne Schmidt. Goldberg also tackles provocative larger issues facing the medium, such as the potentially “transgressive” nature of photographs, and the camera's powerful role in a culture of commodification. Dismissing clichés and deftly negotiating the many diverging paths photography now follows, Goldberg demonstrates how to consider not just photographic images themselves, but their impact, and the meaning of that impact.
Théorie de la photographie