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In 1891, James Beale, a wealthy, middle-class Unitarian solicitor from Birmingham, commissioned architect Philip Webb to design a holiday home in the Sussex countryside. The Beale family remained sole owners of the property until Helen Beale, James and Margaret Beale’s last surviving child, bequeathed the estate to the National Trust in 1972. Although Standen is(...)
Architecture, monographies
mai 2025
Standen: Philip Webb, Morris & Co. and the creation of an Arts and Crafts home
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In 1891, James Beale, a wealthy, middle-class Unitarian solicitor from Birmingham, commissioned architect Philip Webb to design a holiday home in the Sussex countryside. The Beale family remained sole owners of the property until Helen Beale, James and Margaret Beale’s last surviving child, bequeathed the estate to the National Trust in 1972. Although Standen is recognised by architectural historians as a fine and complete example of Philip Webb’s Arts and Crafts architecture of the period and is widely celebrated for its Morris & Co. wallpapers and furnishings, little has been written about how the family experienced the house, garden and estate, and the extent to which this shaped Standen’s later life under the National Trust. This book fills the void, focusing on the Beales’ lived experience and how they collaborated with Philip Webb in the creation of Standen.
Architecture, monographies
$45.00
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By the late twentieth century, idyllic depictions of eighteenth-century manorial landscapes had become artistic expressions of dislocation. Western agricultural paradigms had shifted, as had the relationship between art and agriculture. The Cultivated Landscape uses over seventy illustrations to look at the development of Western agriculture from feudal times to the(...)
février 2008, Montréal, Kingston, London, Ithaca
The cultivated landscape: an exploration of art and agriculture
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By the late twentieth century, idyllic depictions of eighteenth-century manorial landscapes had become artistic expressions of dislocation. Western agricultural paradigms had shifted, as had the relationship between art and agriculture. The Cultivated Landscape uses over seventy illustrations to look at the development of Western agriculture from feudal times to the present. Craig Pearson and Judith Nasby discuss the evolution of how we think about agriculture, its use of the land and impact on landscape, and how landscape has been portrayed historically in art. They also offer a wider discussion on the role that science and economics have played in agricultural development and the parallels to changes in art form. The Cultivated Landscape ends with a discussion of the complex issues facing agriculture today, the need for greater connectivity between agriculture and our environment, and options for the future.
The art book for children
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Can dressing up be art? How do you paint feelings? Why did Giuseppe Arcimboldo choose a grocer’s shop to find his inspiration? How do you make an Alberto Giacometti? Can you paint a noise? Why did Jeff Koons make a giant sculpture from 70,000 plants? This book explores the choices and attitudes of thirty different artists. It helps stimulate children’s own creativity(...)
Littérature jeunesse
octobre 2006, London
The art book for children
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Can dressing up be art? How do you paint feelings? Why did Giuseppe Arcimboldo choose a grocer’s shop to find his inspiration? How do you make an Alberto Giacometti? Can you paint a noise? Why did Jeff Koons make a giant sculpture from 70,000 plants? This book explores the choices and attitudes of thirty different artists. It helps stimulate children’s own creativity and imagination by asking them to wonder why artists create things in the way that they do. It explores the various ideas, meanings, roles and functions of art by looking at painting, sculpture, photography and prints and helps develop children’s understanding of colour, form, texture and pattern. Simple, clear and fun, it is an ideal tool for teachers and parents, as well as a perfect introduction to all those approaching art for the first time.
Littérature jeunesse
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‘Conference of the Birds’ shows an outtake from an analysis of the correlation between time and place and of the historical Iranian landscape. How do places appear and disappear? How do we attach meaning to a certain site and in what way photography can deal with deconstructed icons in comparison to the (a-)historical palm tree sticking out its tongue? A small desert(...)
Vanoverberghe: Conference of the birds
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‘Conference of the Birds’ shows an outtake from an analysis of the correlation between time and place and of the historical Iranian landscape. How do places appear and disappear? How do we attach meaning to a certain site and in what way photography can deal with deconstructed icons in comparison to the (a-)historical palm tree sticking out its tongue? A small desert village has been photographed obsessively and captured from every angle possible. Elements are positioned in the frame so that they are repeated in the next. The photographs move in closely to the landscape of a palm tree village. The village is small and serene. Palm trees appear all over the place, they are burned, bend, dry and dead. They resemble pillars and artefacts that are left behind on various historical sites and they can be associated with land art installations.
Monographies photo
$34.99
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What makes 'cults' so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join — and more importantly, stay in — extreme groups. In 'Cultish', Amanda Montell(...)
Cultish: the language of fanaticism
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What makes 'cults' so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join — and more importantly, stay in — extreme groups. In 'Cultish', Amanda Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear —and are influenced by — every single day. Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities 'cultish,' revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds.
Social
$36.00
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Today Renaissance-era prints are typically preserved behind glass or in solander boxes in museums, but these decorative objects were once a central part of everyday life. Altered and Adorned is a delightful, surprising look at how prints were used to create sewing patterns, affixed on walls, glued into albums and books, and in some instances even annotated, handcoloured,(...)
Altered and Adorned: using Renaissance prints in daily life
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Today Renaissance-era prints are typically preserved behind glass or in solander boxes in museums, but these decorative objects were once a central part of everyday life. Altered and Adorned is a delightful, surprising look at how prints were used to create sewing patterns, affixed on walls, glued into albums and books, and in some instances even annotated, handcoloured, or cut apart. This volume introduces readers to the experimental world of printmaking in the mid-15th and 16th centuries and the array of objects it inspired, from illustrated books and sculptures to etched armour and printed sundials. It features many never-before-published treasures from the Art Institute of Chicago's rich permanent collection, along with essays on such topics as three-dimensional scientific prints and how famous paintings were reproduced on functional objects such as playing cards
Arts graphiques imprimés
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Every designer has a favorite typeface. More than a vehicle to transport words onto a page, a typeface can express taste, style, opinion, and attitude. The typeface a designer uses — and how he has manipulated it — reveals the personality and aesthetic of the designer himself. Using a selection of high-quality graphic design work for books, promotional(...)
I love type series vol. 1 : I love Futura
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Every designer has a favorite typeface. More than a vehicle to transport words onto a page, a typeface can express taste, style, opinion, and attitude. The typeface a designer uses — and how he has manipulated it — reveals the personality and aesthetic of the designer himself. Using a selection of high-quality graphic design work for books, promotional materials, signage and more, each book in the I Love Type series highlights a single typeface and its prevalence in the design community. This narrow focus lends itself to an in-depth study of each typeface — how the same font can be altered to create different moods and generate an entirely original effect. One of the most used sans serif typefaces, Futura is synonymous with efficiency and modernity, with its clean, even strokes, geometric shapes and lack of decorative flourishes.
Looking encountering staging
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"Looking, Encountering, Staging" investigates the ways cultural practices (exhibitions, news reports, documentary photography, artistic and scientific discourses) stage their subjects and thus construct positions for their audiences. The contributors analyse how these positions come to be naturalized as 'given', or use strategies of staging, performing and(...)
Looking encountering staging
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"Looking, Encountering, Staging" investigates the ways cultural practices (exhibitions, news reports, documentary photography, artistic and scientific discourses) stage their subjects and thus construct positions for their audiences. The contributors analyse how these positions come to be naturalized as 'given', or use strategies of staging, performing and re-theatricalization to rethink the role of the artist or curator as mediator and to relocate the viewer
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Parker's remarkable synthesis of the urban literature over the past 150 years shows how the best urban theories grow out of the lived experience in cities and can help citizens to reflect on that experience and make it better. It will be invaluable both to students needing a guide to urban theory as well as connoisseurs looking for a provocative synthesis of the literature.
Urban theory and the urban experience : encountering the city
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Parker's remarkable synthesis of the urban literature over the past 150 years shows how the best urban theories grow out of the lived experience in cities and can help citizens to reflect on that experience and make it better. It will be invaluable both to students needing a guide to urban theory as well as connoisseurs looking for a provocative synthesis of the literature.
Théorie de l’urbanisme
livres
$43.95
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Building the South Side explores the struggle for influence that dominated the planning and development of Chicago's South Side during the Progressive Era. Robin F. Bachin examines the early days of the University of Chicago, Chicago’s public parks, Comiskey Park, and the Black Belt to consider how community leaders looked to the physical design of the city to shape its(...)
Building the south side: urban space and civic culture in Chicago 1890-1919
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Building the South Side explores the struggle for influence that dominated the planning and development of Chicago's South Side during the Progressive Era. Robin F. Bachin examines the early days of the University of Chicago, Chicago’s public parks, Comiskey Park, and the Black Belt to consider how community leaders looked to the physical design of the city to shape its culture and promote civic interaction.
livres
février 2004, Chicago, London
Histoire jusqu’à 1900