13320 Résultats
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This publication unites recent collages, drawings, posters and sculptural works by Jakob Kolding (born 1971), examining different concepts of architectural space. Starting from an early fascination with modernist planning, the Danish artist shifted his focus toward a more general interest in the complex socio-economic and political conditions of city life, and more(...)
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This publication unites recent collages, drawings, posters and sculptural works by Jakob Kolding (born 1971), examining different concepts of architectural space. Starting from an early fascination with modernist planning, the Danish artist shifted his focus toward a more general interest in the complex socio-economic and political conditions of city life, and more(...)
Titre:
Jakob Kolding : shifting realities
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This publication unites recent collages, drawings, posters and sculptural works by Jakob Kolding (born 1971), examining different concepts of architectural space. Starting from an early fascination with modernist planning, the Danish artist shifted his focus toward a more general interest in the complex socio-economic and political conditions of city life, and more recently to more psychological conceptions of such spaces.
Jakob Kolding : shifting realities
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This publication unites recent collages, drawings, posters and sculptural works by Jakob Kolding (born 1971), examining different concepts of architectural space. Starting from an early fascination with modernist planning, the Danish artist shifted his focus toward a more general interest in the complex socio-economic and political conditions of city life, and more recently to more psychological conceptions of such spaces.
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livres
livres
Publication:
juillet 2011
juillet 2011
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livres
livres
Titre:
Absalon
Absalon
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This catalogue is the first overview of the Israeli artist Absalon. Housed in plain white paper-over-board covers, it is comprised of two bound sections of differing heights, the back of which is glued to the interior rear card cover, in a spin on the ‘monograph as dossier’ format. Absalon built a considerable ouevre during his brief life (1964-1993), and this austerely(...)
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This catalogue is the first overview of the Israeli artist Absalon. Housed in plain white paper-over-board covers, it is comprised of two bound sections of differing heights, the back of which is glued to the interior rear card cover, in a spin on the ‘monograph as dossier’ format. Absalon built a considerable ouevre during his brief life (1964-1993), and this austerely(...)
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Absalon
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This catalogue is the first overview of the Israeli artist Absalon. Housed in plain white paper-over-board covers, it is comprised of two bound sections of differing heights, the back of which is glued to the interior rear card cover, in a spin on the ‘monograph as dossier’ format. Absalon built a considerable ouevre during his brief life (1964-1993), and this austerely designed volume effectively constitutes an Absalon catalogue raisonné. Absalon’s best known works, the Cellules, rewrite Cezanne’s “treat nature as the cylinder, the sphere and the cone” to read “treat architecture as the cell, the bunker and the turret.” Not that the Cellules are straightforwardly architecture: they equally evoke Minimalist sculpture, Matt Mullican’s maquettes, Kurt Schwitters’ Merzbauen and the Concrete sculptures of George Vantongerloo. But the model that the Cellules most overtly evoke is the monastic cell.
Absalon
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This catalogue is the first overview of the Israeli artist Absalon. Housed in plain white paper-over-board covers, it is comprised of two bound sections of differing heights, the back of which is glued to the interior rear card cover, in a spin on the ‘monograph as dossier’ format. Absalon built a considerable ouevre during his brief life (1964-1993), and this austerely designed volume effectively constitutes an Absalon catalogue raisonné. Absalon’s best known works, the Cellules, rewrite Cezanne’s “treat nature as the cylinder, the sphere and the cone” to read “treat architecture as the cell, the bunker and the turret.” Not that the Cellules are straightforwardly architecture: they equally evoke Minimalist sculpture, Matt Mullican’s maquettes, Kurt Schwitters’ Merzbauen and the Concrete sculptures of George Vantongerloo. But the model that the Cellules most overtly evoke is the monastic cell.
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livres
livres
Publication:
juillet 2011
juillet 2011
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livres
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Josep M. Sert, has been called the last great mural painter, one of the last aesthetes of religious art. While very famous before, Sert has now faded into oblivion. Today Sert is mostly known for his murals done in the Waldorff-Astroria and Paris' city hall and the Rockefeller centre. This publication puts Josep M. Sert back in the public eye and sheds light on the(...)
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Josep M. Sert, has been called the last great mural painter, one of the last aesthetes of religious art. While very famous before, Sert has now faded into oblivion. Today Sert is mostly known for his murals done in the Waldorff-Astroria and Paris' city hall and the Rockefeller centre. This publication puts Josep M. Sert back in the public eye and sheds light on the(...)
Titre:
Josep M. Sert: photographic archive of the model
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Josep M. Sert, has been called the last great mural painter, one of the last aesthetes of religious art. While very famous before, Sert has now faded into oblivion. Today Sert is mostly known for his murals done in the Waldorff-Astroria and Paris' city hall and the Rockefeller centre. This publication puts Josep M. Sert back in the public eye and sheds light on the craftsmanship with which J.M. Sert created his paintings. With never-before-seen images from Michele Chomette.
Josep M. Sert: photographic archive of the model
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Josep M. Sert, has been called the last great mural painter, one of the last aesthetes of religious art. While very famous before, Sert has now faded into oblivion. Today Sert is mostly known for his murals done in the Waldorff-Astroria and Paris' city hall and the Rockefeller centre. This publication puts Josep M. Sert back in the public eye and sheds light on the craftsmanship with which J.M. Sert created his paintings. With never-before-seen images from Michele Chomette.
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livres
livres
Publication:
octobre 2011
octobre 2011
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livres
livres
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$39.00
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Quirky trolls, misshapen weirdos, grumpy old folks and dozy youngsters: German architect Arno Lederer (born 1947) captures them all in his enchanting sketches. These affectionately mocking portraits—possibly colleagues, critics or simply imagined characters—express a gleeful defiance of the proprieties and constraints of social politeness.
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Quirky trolls, misshapen weirdos, grumpy old folks and dozy youngsters: German architect Arno Lederer (born 1947) captures them all in his enchanting sketches. These affectionately mocking portraits—possibly colleagues, critics or simply imagined characters—express a gleeful defiance of the proprieties and constraints of social politeness.
Titre:
Arno Lederer: Charakterkopfe & kauze/ Originals & eccentrics
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Quirky trolls, misshapen weirdos, grumpy old folks and dozy youngsters: German architect Arno Lederer (born 1947) captures them all in his enchanting sketches. These affectionately mocking portraits—possibly colleagues, critics or simply imagined characters—express a gleeful defiance of the proprieties and constraints of social politeness.
Arno Lederer: Charakterkopfe & kauze/ Originals & eccentrics
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Quirky trolls, misshapen weirdos, grumpy old folks and dozy youngsters: German architect Arno Lederer (born 1947) captures them all in his enchanting sketches. These affectionately mocking portraits—possibly colleagues, critics or simply imagined characters—express a gleeful defiance of the proprieties and constraints of social politeness.
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livres
livres
Publication:
novembre 2011
novembre 2011
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ROSSMARKT3 is a multi annual sculpture project for Frankfurt’s Roßmarkt. It is based on the idea of new participation: city inhabitants themselves decide on the art for their public area. In 2010 a citizens’ jury came together, consisting of 25 sixth form students from Frankfurt, in order to research the Roßmarkt in a study together with experts from various(...)
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ROSSMARKT3 is a multi annual sculpture project for Frankfurt’s Roßmarkt. It is based on the idea of new participation: city inhabitants themselves decide on the art for their public area. In 2010 a citizens’ jury came together, consisting of 25 sixth form students from Frankfurt, in order to research the Roßmarkt in a study together with experts from various(...)
Titre:
Tomàs Saraceno: cloud cities/ air-port-city
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ROSSMARKT3 is a multi annual sculpture project for Frankfurt’s Roßmarkt. It is based on the idea of new participation: city inhabitants themselves decide on the art for their public area. In 2010 a citizens’ jury came together, consisting of 25 sixth form students from Frankfurt, in order to research the Roßmarkt in a study together with experts from various disciplines. The jury chose and commissioned the artist Tomás Saraceno, who comes from Argentina, with the creation of a temporary sculpture for the square, which will be opened in December 2010.
Tomàs Saraceno: cloud cities/ air-port-city
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ROSSMARKT3 is a multi annual sculpture project for Frankfurt’s Roßmarkt. It is based on the idea of new participation: city inhabitants themselves decide on the art for their public area. In 2010 a citizens’ jury came together, consisting of 25 sixth form students from Frankfurt, in order to research the Roßmarkt in a study together with experts from various disciplines. The jury chose and commissioned the artist Tomás Saraceno, who comes from Argentina, with the creation of a temporary sculpture for the square, which will be opened in December 2010.
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livres
livres
Publication:
juillet 2011
juillet 2011
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livres
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From early architectural models and theatrical constructions to houses and utilitarian design, the sculpture of Thomas Schütte (born 1954) has pursued all categories of the medium. This book spans 30 years of his practice.
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From early architectural models and theatrical constructions to houses and utilitarian design, the sculpture of Thomas Schütte (born 1954) has pursued all categories of the medium. This book spans 30 years of his practice.
Titre:
Thomas Schutte : public / political
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From early architectural models and theatrical constructions to houses and utilitarian design, the sculpture of Thomas Schütte (born 1954) has pursued all categories of the medium. This book spans 30 years of his practice.
Thomas Schutte : public / political
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From early architectural models and theatrical constructions to houses and utilitarian design, the sculpture of Thomas Schütte (born 1954) has pursued all categories of the medium. This book spans 30 years of his practice.
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livres
livres
Publication:
août 2011
août 2011
Classification:
livres
livres
Titre:
Susanne Kriemann: one day
Susanne Kriemann: one day
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‘One Day’ is the third book in a series of Witte de With in which the city of Rotterdam is portrayed by an artist. In order to make a portrait of the city Susanne Kriemann collected as many books as possible, published after the devastating air raids of the German Luftwaffe in 1940 on Rotterdam. From these books she selected 115 images and arranged these in a structure(...)
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Résumé:
‘One Day’ is the third book in a series of Witte de With in which the city of Rotterdam is portrayed by an artist. In order to make a portrait of the city Susanne Kriemann collected as many books as possible, published after the devastating air raids of the German Luftwaffe in 1940 on Rotterdam. From these books she selected 115 images and arranged these in a structure(...)
Publication:
juillet 2011
juillet 2011
Titre:
Susanne Kriemann: one day
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$40.00
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‘One Day’ is the third book in a series of Witte de With in which the city of Rotterdam is portrayed by an artist. In order to make a portrait of the city Susanne Kriemann collected as many books as possible, published after the devastating air raids of the German Luftwaffe in 1940 on Rotterdam. From these books she selected 115 images and arranged these in a structure that is radical as well as ordinary.
Susanne Kriemann: one day
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Résumé:
‘One Day’ is the third book in a series of Witte de With in which the city of Rotterdam is portrayed by an artist. In order to make a portrait of the city Susanne Kriemann collected as many books as possible, published after the devastating air raids of the German Luftwaffe in 1940 on Rotterdam. From these books she selected 115 images and arranged these in a structure that is radical as well as ordinary.
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livres
livres
Publication:
juillet 2011
juillet 2011
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livres
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In recent years, Marcel Dzama (born 1974) has expanded his widely acclaimed drawing practice to incorporate theatrical realizations of his magical, myth-laden cosmology in three-dimensional dioramas and films. This publication provides a kind of sketchbook companion or dossier on the making of his latest film, A Game of Chess . This work draws on the importance of chess(...)
$24.00
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Résumé:
In recent years, Marcel Dzama (born 1974) has expanded his widely acclaimed drawing practice to incorporate theatrical realizations of his magical, myth-laden cosmology in three-dimensional dioramas and films. This publication provides a kind of sketchbook companion or dossier on the making of his latest film, A Game of Chess . This work draws on the importance of chess(...)
Titre:
Marcel Dzama : behind every curtain
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In recent years, Marcel Dzama (born 1974) has expanded his widely acclaimed drawing practice to incorporate theatrical realizations of his magical, myth-laden cosmology in three-dimensional dioramas and films. This publication provides a kind of sketchbook companion or dossier on the making of his latest film, A Game of Chess . This work draws on the importance of chess for the early twentieth-century avant-garde (Man Ray, Duchamp, Picabia) and the game's curious overlap with dance, in films and ballets by René Clair and - of especial significance for Dzama - Oskar Schlemmer, whose 1922 Triadic Ballet included puppet-like masked figures performing on a checkered surface. In Dzama's film, characters based on chess pieces, clad in costumes made from papier-mâché, plaster and fiberglass and wearing elaborate masks, dance across a checkered board to engage their opponents in fatal skirmishes. Distinctions between reality and fiction collapse as both costumed and “real-life” characters in the film are killed. The filming and the creation of the costumes for A Game of Chess were carried out in Guadalajara, Mexico, and the influence of local crafts and religious traditions can also be felt throughout this body of work. Published on the occasion of Dzama's sixth solo exhibition at David Zwirner, this artist's book is packed with full-bleed drawings, sculptures, dioramas and film and production stills that give vivid testimony to the craft and thoroughness of his immensely popular art.
Marcel Dzama : behind every curtain
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In recent years, Marcel Dzama (born 1974) has expanded his widely acclaimed drawing practice to incorporate theatrical realizations of his magical, myth-laden cosmology in three-dimensional dioramas and films. This publication provides a kind of sketchbook companion or dossier on the making of his latest film, A Game of Chess . This work draws on the importance of chess for the early twentieth-century avant-garde (Man Ray, Duchamp, Picabia) and the game's curious overlap with dance, in films and ballets by René Clair and - of especial significance for Dzama - Oskar Schlemmer, whose 1922 Triadic Ballet included puppet-like masked figures performing on a checkered surface. In Dzama's film, characters based on chess pieces, clad in costumes made from papier-mâché, plaster and fiberglass and wearing elaborate masks, dance across a checkered board to engage their opponents in fatal skirmishes. Distinctions between reality and fiction collapse as both costumed and “real-life” characters in the film are killed. The filming and the creation of the costumes for A Game of Chess were carried out in Guadalajara, Mexico, and the influence of local crafts and religious traditions can also be felt throughout this body of work. Published on the occasion of Dzama's sixth solo exhibition at David Zwirner, this artist's book is packed with full-bleed drawings, sculptures, dioramas and film and production stills that give vivid testimony to the craft and thoroughness of his immensely popular art.
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livres
livres
Publication:
juillet 2011
juillet 2011
Classification:
livres
livres
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It was an exercise to learn how to see, to understand just one thing in its greatest detail. Stephen Taylor came across the 250-year-old tree while on a walk in Essex, England, six years ago, shortly after the deaths of his mother and close friend—a tragic time that brought him back to painting and then to an obsession with realism and color perception. He painted the(...)
$33.95
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Résumé:
It was an exercise to learn how to see, to understand just one thing in its greatest detail. Stephen Taylor came across the 250-year-old tree while on a walk in Essex, England, six years ago, shortly after the deaths of his mother and close friend—a tragic time that brought him back to painting and then to an obsession with realism and color perception. He painted the(...)
Titre:
Oak: one tree, three years, fifty paintings
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It was an exercise to learn how to see, to understand just one thing in its greatest detail. Stephen Taylor came across the 250-year-old tree while on a walk in Essex, England, six years ago, shortly after the deaths of his mother and close friend—a tragic time that brought him back to painting and then to an obsession with realism and color perception. He painted the same oak scores of times over a period of three years, in extremes of weather and light, at all times of day and night. Oak is nature's creed of endurance (the tree was standing when Jane Austen was just a baby) and of one man's promise to find beauty in a painful world.
Oak: one tree, three years, fifty paintings
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It was an exercise to learn how to see, to understand just one thing in its greatest detail. Stephen Taylor came across the 250-year-old tree while on a walk in Essex, England, six years ago, shortly after the deaths of his mother and close friend—a tragic time that brought him back to painting and then to an obsession with realism and color perception. He painted the same oak scores of times over a period of three years, in extremes of weather and light, at all times of day and night. Oak is nature's creed of endurance (the tree was standing when Jane Austen was just a baby) and of one man's promise to find beauty in a painful world.
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livres
livres
Publication:
octobre 2011
octobre 2011
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livres
livres
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive(...)
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Résumé:
A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive(...)
Titre:
William Leavitt: Theater Objects
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive narratives of cityscapes and environments. The culture and atmosphere of Los Angeles has played a significant role in Leavitt's handling of these themes; classic southern Californian motifs of ever-present artifice and almost washed-out brightness recur throughout his work. Surveying the artist's 40-year career, this volume includes sculptural tableaux, paintings, works on paper, photographs and performances from the late 1960s to the present. Leavitt has created a remarkable oeuvre that has influenced generations of artists, and this volume is both long overdue and highly anticipated.
William Leavitt: Theater Objects
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive narratives of cityscapes and environments. The culture and atmosphere of Los Angeles has played a significant role in Leavitt's handling of these themes; classic southern Californian motifs of ever-present artifice and almost washed-out brightness recur throughout his work. Surveying the artist's 40-year career, this volume includes sculptural tableaux, paintings, works on paper, photographs and performances from the late 1960s to the present. Leavitt has created a remarkable oeuvre that has influenced generations of artists, and this volume is both long overdue and highly anticipated.
Classification:
livres
livres
Publication:
avril 2011
avril 2011
