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The tenth volume in Irene Kopelman’s ‘Notes on Representation’ series charts the artist’s investigations through drawing, writing, and photographing during several trips to Argentina, where she joined groups of scientists on different research expeditions to observe their methodologies and various organisms and environments. She worked in Pampa de Achala with biologists(...)
Irene Kopelman: Cardinal points
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The tenth volume in Irene Kopelman’s ‘Notes on Representation’ series charts the artist’s investigations through drawing, writing, and photographing during several trips to Argentina, where she joined groups of scientists on different research expeditions to observe their methodologies and various organisms and environments. She worked in Pampa de Achala with biologists dealing with invasive terrestrial species and studies of litter, with a team of ecologists investigating floral ecology in the Argentine Littoral, with a group studying invasions of marine organisms at a lab in Patagonia, and with geologists and palaeontologists working in the Ischigualasto Provincial Park and Jáchal.
Batie Suter: Cloud Service
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As with Batia Suter's previous projects, ''Cloud Service'' is primarily interested in the visual dialogue that emerges with the simple act of placing images in new relations to one another. Drawing from her vast personal library of natural history reference books, encyclopaedias, and other flea market finds, Suter assembles a mix of 'non-art' images, adapted and(...)
Batie Suter: Cloud Service
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As with Batia Suter's previous projects, ''Cloud Service'' is primarily interested in the visual dialogue that emerges with the simple act of placing images in new relations to one another. Drawing from her vast personal library of natural history reference books, encyclopaedias, and other flea market finds, Suter assembles a mix of 'non-art' images, adapted and reoriented in intuitive and often profound ways. The set of appropriated images comprising this book is a monographic index of clouds and cloud-suggestive forms. Placed in the right sequence, these images resonate in new and complex ways, manipulate each other, and take on new depths of meaning with a sort of synaptic leap.
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'Michael Heizer: The Once and Future Monuments' spans the breadth of Heizer’s career, uniquely combining fieldwork, personal narrative, and biographical research.
Michael Heizer: the once and future monuments
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'Michael Heizer: The Once and Future Monuments' spans the breadth of Heizer’s career, uniquely combining fieldwork, personal narrative, and biographical research.
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Do things have an order? This question is the starting point for Nathalie Du Pasquier’s exploration. All around lies a domestic and postmodern landscape of columns and bases, but also of objects of everyday use such as a packet of pasta or a can of beer. The French artist tries to seal off objects in simple or elaborate boxes, but they live a life of their own and run(...)
Nathalie du Pasquier: the strange order of things
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Do things have an order? This question is the starting point for Nathalie Du Pasquier’s exploration. All around lies a domestic and postmodern landscape of columns and bases, but also of objects of everyday use such as a packet of pasta or a can of beer. The French artist tries to seal off objects in simple or elaborate boxes, but they live a life of their own and run wild. There might be relationships between the objects, invisible symmetries, although ultimately even this is called into doubt...
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In collaboration with Sigur Rós musician Jónsi, Icelandic-Danish artist Olafur Eliasson conceived a complex installation for his site-specific exhibition at the Marciano Art Foundation. Using projected light and the existing architecture of the museum, he created a dynamic shadow play referencing both Los Angeles' history of filmmaking and the gallery's former function as a theater.
Olafur Eliasson: reality projector
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In collaboration with Sigur Rós musician Jónsi, Icelandic-Danish artist Olafur Eliasson conceived a complex installation for his site-specific exhibition at the Marciano Art Foundation. Using projected light and the existing architecture of the museum, he created a dynamic shadow play referencing both Los Angeles' history of filmmaking and the gallery's former function as a theater.
Ai Weiwei: life cycle
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'Life Cycle' is a sculptural response to the global refugee crisis, and a series of figures based on mythic creatures from the Classic of Mountains and Seas, crafted from bamboo and silk.
Ai Weiwei: life cycle
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'Life Cycle' is a sculptural response to the global refugee crisis, and a series of figures based on mythic creatures from the Classic of Mountains and Seas, crafted from bamboo and silk.
Ellsworth Kelly: Austin
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In January 2015, Ellsworth Kelly gifted to the Blanton Museum of Art in Austin, Texas, the design concept for his most monumental work. A 2,715-square-foot stone building with luminous colored glass windows, a totemic wood sculpture and 14 black-and-white marble panels, the work is titled Austin, following the artist’s tradition of naming particular works after the places(...)
Ellsworth Kelly: Austin
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In January 2015, Ellsworth Kelly gifted to the Blanton Museum of Art in Austin, Texas, the design concept for his most monumental work. A 2,715-square-foot stone building with luminous colored glass windows, a totemic wood sculpture and 14 black-and-white marble panels, the work is titled Austin, following the artist’s tradition of naming particular works after the places for which they are destined. The structure is the only building the artist designed, despite Kelly’s lifelong interest in architecture and architectural form dating back to his earliest window studies made while living in Paris in the 1940s. Envisioned by Kelly as a site for joy and contemplation, Austin is a cornerstone of the Blanton’s permanent collection and a new icon for the city in which it stands. This comprehensive volume from Radius Books provides a thorough look at the project, from its first inception to its current position as one of the artist’s most important and enduring works.
Annette Kelm : leaves
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''Leaves'' surveys the still lifes, portraits, landscapes and architectural photography of Annette Kelm (born 1975), which portray objects in isolation from any environment, with uniform lighting, highlighting the artificiality of a pictorial composition.
Annette Kelm : leaves
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''Leaves'' surveys the still lifes, portraits, landscapes and architectural photography of Annette Kelm (born 1975), which portray objects in isolation from any environment, with uniform lighting, highlighting the artificiality of a pictorial composition.
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Paying tribute to an artistic partnership of more than 30 years, this book explores Peter Fischli and David Weiss's acclaimed and influential body of work, known for its sly humor and profound meditations on the everyday. Throughout the course of their collaboration, Peter Fischli and David Weiss celebrated the sheer triviality of everyday existence, observing the world(...)
Peter Fischli and David Weiss: how to work better
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Paying tribute to an artistic partnership of more than 30 years, this book explores Peter Fischli and David Weiss's acclaimed and influential body of work, known for its sly humor and profound meditations on the everyday. Throughout the course of their collaboration, Peter Fischli and David Weiss celebrated the sheer triviality of everyday existence, observing the world with bemused detachment. As this book shows, their often humorous work offers a sustained reflection on the intertwined strands of leisure, productivity, and playful absurdity that shape our lives. With its deliberately mundane subject matter and quotidian source material, their work explores the poetics of banality in a wide range of mediums, including photography, videos, slide projections, films, books, sculptures, and multimedia installations.
Roche, plante, mer, bois
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Audrée Demers-Roberge et Amélie Laurence Fortin s’associent pour réaliser le livre d’artiste "Roche Plante Mer Bois". Prenant l’occasion d’une publication comme celle d’un véritable laboratoire et d’un dialogue pour approfondir la notion de collaboration, les artistes y inscrivent quelques bouts de leur nature où les oeuvres passées et inédites s’y côtoient sans hiérarchie.
Roche, plante, mer, bois
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Audrée Demers-Roberge et Amélie Laurence Fortin s’associent pour réaliser le livre d’artiste "Roche Plante Mer Bois". Prenant l’occasion d’une publication comme celle d’un véritable laboratoire et d’un dialogue pour approfondir la notion de collaboration, les artistes y inscrivent quelques bouts de leur nature où les oeuvres passées et inédites s’y côtoient sans hiérarchie.