977 Résultats
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale(...)
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale(...)
Titre:
Das Märkische Viertel : idee - wirklichkeit - vision
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale residential settlement. Architects Werner Düttmann, Hans Müller and Georg Heinrichs wanted to design a better world, with humane dwellings for both inner city residents displaced by redevelopment and evacuees from the east. The concept underlying their masterplan was to shape the landscape via architectural structures. They thought in large forms and proportions, designing a prototypical satellite town for northern Berlin that would contain 16,000 apartments for 40,000 residents, while doing justice to the varied requirements of occupants. Architects such as Oswald M. Ungers, Chen Kuen Lee, Ernst Gisel and René Gagès took part in the construction of this large-scale estate, which caused a furor simply by virtue of its immense scale, unusual for Western Europe. Already in 1964, just after the first residents moved in, the Märkische Viertel, nicknamed the "MV,” was deemed controversial. Some condemned it as a "concrete citadel launched from the drafting table,” a "stony nightmare,” or "the Parrot Estate,” while others celebrated it as a glowing example of a model large-scale settlement. Only recent years have seen an unprejudiced and discriminating appraisal of the project. The residents themselves have always seen their homes in a more positive light than outside observers. In 2003, a survey commissioned by the GESOBAU AG suggested they were perfectly comfortable in their neighborhood. And their children — and even children’s children — often remain in the district. What is the secret of the Maerkische Viertel? How was this once inhospitable bedroom community transformed into a coveted residential district, and how is the transition between generations to be accomplished? Can the Maerkische Viertel sustain itself under the altered economic situation affecting residential housing, or have drastic interventions into the existing architecture become a necessity?
Das Märkische Viertel : idee - wirklichkeit - vision
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale residential settlement. Architects Werner Düttmann, Hans Müller and Georg Heinrichs wanted to design a better world, with humane dwellings for both inner city residents displaced by redevelopment and evacuees from the east. The concept underlying their masterplan was to shape the landscape via architectural structures. They thought in large forms and proportions, designing a prototypical satellite town for northern Berlin that would contain 16,000 apartments for 40,000 residents, while doing justice to the varied requirements of occupants. Architects such as Oswald M. Ungers, Chen Kuen Lee, Ernst Gisel and René Gagès took part in the construction of this large-scale estate, which caused a furor simply by virtue of its immense scale, unusual for Western Europe. Already in 1964, just after the first residents moved in, the Märkische Viertel, nicknamed the "MV,” was deemed controversial. Some condemned it as a "concrete citadel launched from the drafting table,” a "stony nightmare,” or "the Parrot Estate,” while others celebrated it as a glowing example of a model large-scale settlement. Only recent years have seen an unprejudiced and discriminating appraisal of the project. The residents themselves have always seen their homes in a more positive light than outside observers. In 2003, a survey commissioned by the GESOBAU AG suggested they were perfectly comfortable in their neighborhood. And their children — and even children’s children — often remain in the district. What is the secret of the Maerkische Viertel? How was this once inhospitable bedroom community transformed into a coveted residential district, and how is the transition between generations to be accomplished? Can the Maerkische Viertel sustain itself under the altered economic situation affecting residential housing, or have drastic interventions into the existing architecture become a necessity?
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livres
livres
Publication:
juillet 2004, Berlin
juillet 2004, Berlin
Sujet:
petits formats
petits formats
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livres
livres
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These essays, expanded versions of a selection of the Habitats column published in the Real Estate section of The New York Times, take readers to both familiar and remote sections of the city—to history-rich townhouses, to low-income housing projects, to out-of-the-way places far from the beaten track, to every corner of the five boroughs—and introduces them to a wide(...)
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These essays, expanded versions of a selection of the Habitats column published in the Real Estate section of The New York Times, take readers to both familiar and remote sections of the city—to history-rich townhouses, to low-income housing projects, to out-of-the-way places far from the beaten track, to every corner of the five boroughs—and introduces them to a wide(...)
Titre:
Habitats: private lives in the big city
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These essays, expanded versions of a selection of the Habitats column published in the Real Estate section of The New York Times, take readers to both familiar and remote sections of the city—to history-rich townhouses, to low-income housing projects, to out-of-the-way places far from the beaten track, to every corner of the five boroughs—and introduces them to a wide variety of families and individuals who call New York home. These pieces reveal a great deal about the city’s past and its rich store of historic dwellings. Along with exploring the deep and even mystical connections people feel to the place where they live, these pieces, taken as a whole, offer a mosaic of domestic life in one of the world’s most fascinating cities and a vivid portrait of the true meaning of home in the 21st-century metropolis.
Habitats: private lives in the big city
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$28.00
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These essays, expanded versions of a selection of the Habitats column published in the Real Estate section of The New York Times, take readers to both familiar and remote sections of the city—to history-rich townhouses, to low-income housing projects, to out-of-the-way places far from the beaten track, to every corner of the five boroughs—and introduces them to a wide variety of families and individuals who call New York home. These pieces reveal a great deal about the city’s past and its rich store of historic dwellings. Along with exploring the deep and even mystical connections people feel to the place where they live, these pieces, taken as a whole, offer a mosaic of domestic life in one of the world’s most fascinating cities and a vivid portrait of the true meaning of home in the 21st-century metropolis.
Classification:
livres
livres
Publication:
avril 2013
avril 2013
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$35.00
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Architecture is bound up with our daily lives but, for most of us, it is experienced as a blur of habit. Our reactions towards the buildings that surround us are often culturally generated, and we experience them in ways that are immediate but often mundane. "How to enjoy architecture: A guide for everyone" encourages us to move beyond this and, instead, really look at(...)
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Architecture is bound up with our daily lives but, for most of us, it is experienced as a blur of habit. Our reactions towards the buildings that surround us are often culturally generated, and we experience them in ways that are immediate but often mundane. "How to enjoy architecture: A guide for everyone" encourages us to move beyond this and, instead, really look at(...)
Publication:
avril 2024
avril 2024
Titre:
How to enjoy architecture: A guide for everyone
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$35.00
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Architecture is bound up with our daily lives but, for most of us, it is experienced as a blur of habit. Our reactions towards the buildings that surround us are often culturally generated, and we experience them in ways that are immediate but often mundane. "How to enjoy architecture: A guide for everyone" encourages us to move beyond this and, instead, really look at buildings. Renowned architect Charles Holland talks about the buildings and architects that excite and inspire him, and the ideas and principles through which we can engage with architecture. By breaking buildings down into categories such as materials, structure, space, and use, Holland guides us through drastically different styles and building types—from the satisfying symmetry of a Queen Anne house to the thrill of a high-tech tower, or the social ideals that lie behind a housing estate. In doing so, he demonstrates how looking at, experiencing, and using architecture can bring joy in itself.
How to enjoy architecture: A guide for everyone
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$35.00
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Architecture is bound up with our daily lives but, for most of us, it is experienced as a blur of habit. Our reactions towards the buildings that surround us are often culturally generated, and we experience them in ways that are immediate but often mundane. "How to enjoy architecture: A guide for everyone" encourages us to move beyond this and, instead, really look at buildings. Renowned architect Charles Holland talks about the buildings and architects that excite and inspire him, and the ideas and principles through which we can engage with architecture. By breaking buildings down into categories such as materials, structure, space, and use, Holland guides us through drastically different styles and building types—from the satisfying symmetry of a Queen Anne house to the thrill of a high-tech tower, or the social ideals that lie behind a housing estate. In doing so, he demonstrates how looking at, experiencing, and using architecture can bring joy in itself.
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livres
livres
Publication:
avril 2024
avril 2024
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livres
livres
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$25.95
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Much has been written about Britain's trailblazing post-1970s privatization program, but the biggest privatization of them all has until now escaped scrutiny: the privatization of land. Since Margaret Thatcher took power in 1979, and hidden from the public eye, about 10 per cent of the entire British land mass, including some of its most valuable real estate, has passed(...)
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Much has been written about Britain's trailblazing post-1970s privatization program, but the biggest privatization of them all has until now escaped scrutiny: the privatization of land. Since Margaret Thatcher took power in 1979, and hidden from the public eye, about 10 per cent of the entire British land mass, including some of its most valuable real estate, has passed(...)
Titre:
The new enclosure: the appropriation of public land in neoliberal Britain
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Much has been written about Britain's trailblazing post-1970s privatization program, but the biggest privatization of them all has until now escaped scrutiny: the privatization of land. Since Margaret Thatcher took power in 1979, and hidden from the public eye, about 10 per cent of the entire British land mass, including some of its most valuable real estate, has passed from public to private hands. Forest land, defence land, health service land and above all else local authority land- for farming and school sports, for recreation and housing - has been sold off en masse. Why? How? And with what social, economic and political consequences? “The New Enclosure” provides the first ever study of this profoundly significant phenomenon, situating it as a centrepiece of neoliberalism in Britain and as a successor programme to the original eighteenth-century enclosures. With more public land still slated for disposal, the book identifies the stakes and asks what, if anything, can and should be done.
The new enclosure: the appropriation of public land in neoliberal Britain
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Much has been written about Britain's trailblazing post-1970s privatization program, but the biggest privatization of them all has until now escaped scrutiny: the privatization of land. Since Margaret Thatcher took power in 1979, and hidden from the public eye, about 10 per cent of the entire British land mass, including some of its most valuable real estate, has passed from public to private hands. Forest land, defence land, health service land and above all else local authority land- for farming and school sports, for recreation and housing - has been sold off en masse. Why? How? And with what social, economic and political consequences? “The New Enclosure” provides the first ever study of this profoundly significant phenomenon, situating it as a centrepiece of neoliberalism in Britain and as a successor programme to the original eighteenth-century enclosures. With more public land still slated for disposal, the book identifies the stakes and asks what, if anything, can and should be done.
Classification:
livres
livres
Publication:
novembre 2019
novembre 2019
Sujet:
Paysages urbains
Paysages urbains
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livres
livres
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$34.95
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"Buildings that Last" provides the layperson with a basis for participating in the discussion about sustainable housing. This book is not about bricks and adobe, nor about cladding with aluminum or glass, nor about the difference between natural and mechanical ventilation. While these are all important aspects of sustainable building, the real key is for the partners in(...)
$34.95
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"Buildings that Last" provides the layperson with a basis for participating in the discussion about sustainable housing. This book is not about bricks and adobe, nor about cladding with aluminum or glass, nor about the difference between natural and mechanical ventilation. While these are all important aspects of sustainable building, the real key is for the partners in(...)
Sujet:
Architecture écologique
Architecture écologique
Publication:
mars 2004, Rotterdam
mars 2004, Rotterdam
Titre:
Buildings that last : guidelines for strategic thinking
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"Buildings that Last" provides the layperson with a basis for participating in the discussion about sustainable housing. This book is not about bricks and adobe, nor about cladding with aluminum or glass, nor about the difference between natural and mechanical ventilation. While these are all important aspects of sustainable building, the real key is for the partners in the construction process--including the commissioning bodies--to consider early on the physical, social, and cultural environment in which they want to be accommodated. This first thinking stage can lead to the unearthing of surprising solutions that are considerably more sustainable than what has been the norm until now. Real estate is still too often thought of as a question of meeting the demand for floor space in square meters (or feet, depending)--and little else. Buildings that Last includes examples of studies into the construction of offices for 2040, when buildings will hopefully have an environmental impact that is 95% less than was the norm at the end of the last century. Today's top-scoring projects are also reviewed--the results show that we still have a long way to go in sustaining sustainable development.
Buildings that last : guidelines for strategic thinking
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$34.95
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Résumé:
"Buildings that Last" provides the layperson with a basis for participating in the discussion about sustainable housing. This book is not about bricks and adobe, nor about cladding with aluminum or glass, nor about the difference between natural and mechanical ventilation. While these are all important aspects of sustainable building, the real key is for the partners in the construction process--including the commissioning bodies--to consider early on the physical, social, and cultural environment in which they want to be accommodated. This first thinking stage can lead to the unearthing of surprising solutions that are considerably more sustainable than what has been the norm until now. Real estate is still too often thought of as a question of meeting the demand for floor space in square meters (or feet, depending)--and little else. Buildings that Last includes examples of studies into the construction of offices for 2040, when buildings will hopefully have an environmental impact that is 95% less than was the norm at the end of the last century. Today's top-scoring projects are also reviewed--the results show that we still have a long way to go in sustaining sustainable development.
Classification:
livres
livres
Publication:
mars 2004, Rotterdam
mars 2004, Rotterdam
Sujet:
Architecture écologique
Architecture écologique
Classification:
livres
livres
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$49.00
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This new book is the product of a unique research, teaching, and exhibition project at the Academy of Fine Arts Vienna. Faculty and students of the university's Institute for Art and Architecture IKA dedicated a full year to investigate the highly controversial modernist architecture of the three decades between 1950 and 1980. Their goal was to assess the state and(...)
$49.00
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This new book is the product of a unique research, teaching, and exhibition project at the Academy of Fine Arts Vienna. Faculty and students of the university's Institute for Art and Architecture IKA dedicated a full year to investigate the highly controversial modernist architecture of the three decades between 1950 and 1980. Their goal was to assess the state and(...)
Publication:
mars 2016
mars 2016
Titre:
Big! Bad? Modern: four megabuildings in Vienna
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$49.00
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This new book is the product of a unique research, teaching, and exhibition project at the Academy of Fine Arts Vienna. Faculty and students of the university's Institute for Art and Architecture IKA dedicated a full year to investigate the highly controversial modernist architecture of the three decades between 1950 and 1980. Their goal was to assess the state and current use and to interpret the aesthetic, history, and public acceptance of four selected buildings from today's perspective. Eventually, the students created designs and proposals for moderate to radical changes for these structures. The surprising results of this undertaking offer a very differentiated picture of Vienna's General Hospital (AKH), the Austrian Broadcasting Corporation's studio complex (ORF-Zentrum), the Vienna University of Economics (WU), and the Alterlaa housing estate. Big! Bad? Modern: reflects this diversity: Arranged by keywords derived from the featured projects, it provides easy access to the rich and comprehensive collection of materials and manifold positions, and opens up new perspectives. Essays by renowned authors such as Hermann Czech, Francoise Fromont, Harry Gluck, Sabine Kraft and Michael Zinganel and a preface by Nasrine Seraji round out the book.
Big! Bad? Modern: four megabuildings in Vienna
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$49.00
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Résumé:
This new book is the product of a unique research, teaching, and exhibition project at the Academy of Fine Arts Vienna. Faculty and students of the university's Institute for Art and Architecture IKA dedicated a full year to investigate the highly controversial modernist architecture of the three decades between 1950 and 1980. Their goal was to assess the state and current use and to interpret the aesthetic, history, and public acceptance of four selected buildings from today's perspective. Eventually, the students created designs and proposals for moderate to radical changes for these structures. The surprising results of this undertaking offer a very differentiated picture of Vienna's General Hospital (AKH), the Austrian Broadcasting Corporation's studio complex (ORF-Zentrum), the Vienna University of Economics (WU), and the Alterlaa housing estate. Big! Bad? Modern: reflects this diversity: Arranged by keywords derived from the featured projects, it provides easy access to the rich and comprehensive collection of materials and manifold positions, and opens up new perspectives. Essays by renowned authors such as Hermann Czech, Francoise Fromont, Harry Gluck, Sabine Kraft and Michael Zinganel and a preface by Nasrine Seraji round out the book.
Classification:
livres
livres
Publication:
mars 2016
mars 2016
Classification:
livres
livres
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$90.00
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Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. As the son of the Chilean-born(...)
$90.00
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Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. As the son of the Chilean-born(...)
Titre:
Gordon Matta-Clark: works and collected writings
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$90.00
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Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. As the son of the Chilean-born Surrealist painter Roberto Matta and Anne Clark, and godson of Marcel Duchamp, with whom he played a regular game of chess in the Village, Matta-Clark had grown up inside the art world, also working an as assistant to mavericks like Dennis Oppenheim and Robert Smithson. His work and words, while sophisticated enough to make him an "artist's artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. He addressed not only space and real estate (in other words, housing), but the ultimate in necessity and nourishment, food. His "Pig Roast" under the Brooklyn Bridge offered passersby 500 pork sandwiches, and Food, the artist-staffed restaurant that he opened with dancer Caroline Goodden in SoHo, became a headquarters for that nascent neighborhood in the early 70s. He consistently broke the boundaries between sculpture and architecture, photography and film, performance and installation, and above all the permanent and the transitory. Once in a while he also broke the law. This book, published in celebration of the gradual opening of Matta-Clark's archives at the Canadian Centre for Architecture in Montreal, collects previously unavailable writings, including notecards and notebooks, along with interviews and more than 100 illustrations.
Gordon Matta-Clark: works and collected writings
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$90.00
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Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. As the son of the Chilean-born Surrealist painter Roberto Matta and Anne Clark, and godson of Marcel Duchamp, with whom he played a regular game of chess in the Village, Matta-Clark had grown up inside the art world, also working an as assistant to mavericks like Dennis Oppenheim and Robert Smithson. His work and words, while sophisticated enough to make him an "artist's artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. He addressed not only space and real estate (in other words, housing), but the ultimate in necessity and nourishment, food. His "Pig Roast" under the Brooklyn Bridge offered passersby 500 pork sandwiches, and Food, the artist-staffed restaurant that he opened with dancer Caroline Goodden in SoHo, became a headquarters for that nascent neighborhood in the early 70s. He consistently broke the boundaries between sculpture and architecture, photography and film, performance and installation, and above all the permanent and the transitory. Once in a while he also broke the law. This book, published in celebration of the gradual opening of Matta-Clark's archives at the Canadian Centre for Architecture in Montreal, collects previously unavailable writings, including notecards and notebooks, along with interviews and more than 100 illustrations.
Classification:
livres
livres
Publication:
octobre 2006
octobre 2006
