993 Résultats
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For many people, the name Porto Marghera conjures up images of pollution and the damage done by industry to the environment. Partly in disuse, Porto Marghera is a fascinating industrial area which up to now has been inaccessible to the general public. Fifteen Italian photographers were invited to take part in the project to record the very unusual urban(...)
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For many people, the name Porto Marghera conjures up images of pollution and the damage done by industry to the environment. Partly in disuse, Porto Marghera is a fascinating industrial area which up to now has been inaccessible to the general public. Fifteen Italian photographers were invited to take part in the project to record the very unusual urban(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
juin 1997, Milan
juin 1997, Milan
Titre:
Venezia Marghera : photography and transformations in the contemporary city
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For many people, the name Porto Marghera conjures up images of pollution and the damage done by industry to the environment. Partly in disuse, Porto Marghera is a fascinating industrial area which up to now has been inaccessible to the general public. Fifteen Italian photographers were invited to take part in the project to record the very unusual urban landscape of Porto Marghera, a decisive area for the future of Venice which is on the threshold of profound changes. With an introduction by Phyllis Lambert.
Venezia Marghera : photography and transformations in the contemporary city
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For many people, the name Porto Marghera conjures up images of pollution and the damage done by industry to the environment. Partly in disuse, Porto Marghera is a fascinating industrial area which up to now has been inaccessible to the general public. Fifteen Italian photographers were invited to take part in the project to record the very unusual urban landscape of Porto Marghera, a decisive area for the future of Venice which is on the threshold of profound changes. With an introduction by Phyllis Lambert.
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livres
livres
Publication:
juin 1997, Milan
juin 1997, Milan
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
CCA sur papier
CCA sur papier
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À l'occasion du 20e anniversaire de l'ouverture de ses portes au public, le Centre Canadien d'Architecture édite le recueil CCA sur papier, qui présente l'ensemble de ses publications. Constitué d'articles et de reproductions d'objets, et enrichi d'autres documents et éléments visuels tirés du corpus éditorial éclectique du CCA, il reflète la diversité et le caractère(...)
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À l'occasion du 20e anniversaire de l'ouverture de ses portes au public, le Centre Canadien d'Architecture édite le recueil CCA sur papier, qui présente l'ensemble de ses publications. Constitué d'articles et de reproductions d'objets, et enrichi d'autres documents et éléments visuels tirés du corpus éditorial éclectique du CCA, il reflète la diversité et le caractère(...)
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CCA sur papier
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À l'occasion du 20e anniversaire de l'ouverture de ses portes au public, le Centre Canadien d'Architecture édite le recueil CCA sur papier, qui présente l'ensemble de ses publications. Constitué d'articles et de reproductions d'objets, et enrichi d'autres documents et éléments visuels tirés du corpus éditorial éclectique du CCA, il reflète la diversité et le caractère d'avant-garde tant de la pensée que des concepts graphiques qui y sont développés. Une conversation animée entre Phyllis Lambert et Mirko Zardini sur l'histoire et la philosophie de la publication au CCA se déroule à travers le guide.
CCA sur papier
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À l'occasion du 20e anniversaire de l'ouverture de ses portes au public, le Centre Canadien d'Architecture édite le recueil CCA sur papier, qui présente l'ensemble de ses publications. Constitué d'articles et de reproductions d'objets, et enrichi d'autres documents et éléments visuels tirés du corpus éditorial éclectique du CCA, il reflète la diversité et le caractère d'avant-garde tant de la pensée que des concepts graphiques qui y sont développés. Une conversation animée entre Phyllis Lambert et Mirko Zardini sur l'histoire et la philosophie de la publication au CCA se déroule à travers le guide.
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livres
livres
Publication:
février 2010
février 2010
Sujet:
Publications du CCA
Publications du CCA
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périodiques
périodiques
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Entropy is the quantitative measure of disorder in a system. During the nineteenth century, chaos, seen through an entropic lens, was linked to irresponsible waste and moral debauchery, but in the second part of the twentieth century the notion has beenreconsidered in an affirmative sense, as a condition linked to growing complexity and new life. This alternate(...)
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Entropy is the quantitative measure of disorder in a system. During the nineteenth century, chaos, seen through an entropic lens, was linked to irresponsible waste and moral debauchery, but in the second part of the twentieth century the notion has beenreconsidered in an affirmative sense, as a condition linked to growing complexity and new life. This alternate(...)
Titre:
AI - architecture and ideas vol.XI: entropic territories
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Entropy is the quantitative measure of disorder in a system. During the nineteenth century, chaos, seen through an entropic lens, was linked to irresponsible waste and moral debauchery, but in the second part of the twentieth century the notion has beenreconsidered in an affirmative sense, as a condition linked to growing complexity and new life. This alternate understanding of entropy has come to inform contemporary discourse and the practice of a new architectural generation. Many of the papers in this issue were first presented at the Phyllis Lambert seminar that took place at the École d'architecture, Université de Montréal, in March 2010
AI - architecture and ideas vol.XI: entropic territories
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Entropy is the quantitative measure of disorder in a system. During the nineteenth century, chaos, seen through an entropic lens, was linked to irresponsible waste and moral debauchery, but in the second part of the twentieth century the notion has beenreconsidered in an affirmative sense, as a condition linked to growing complexity and new life. This alternate understanding of entropy has come to inform contemporary discourse and the practice of a new architectural generation. Many of the papers in this issue were first presented at the Phyllis Lambert seminar that took place at the École d'architecture, Université de Montréal, in March 2010
Classification:
périodiques
périodiques
Publication:
mars 2012
mars 2012
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Titre:
Pin-Up 21: Power
Pin-Up 21: Power
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Including interview Features with Amale Andraos, Richard Rogers, MOS Architects, Alexandre de Betak, Phyllis Lambert, Nikil Saval, and Eyal Weizman. A special commission on the architecture of power by art collective GCC, a portfolio on new Haven Brutalism, the beauty of bathroom design, and a tribute to the late Zaha Hadid. A trip to Beirut, London, and New York City to(...)
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Including interview Features with Amale Andraos, Richard Rogers, MOS Architects, Alexandre de Betak, Phyllis Lambert, Nikil Saval, and Eyal Weizman. A special commission on the architecture of power by art collective GCC, a portfolio on new Haven Brutalism, the beauty of bathroom design, and a tribute to the late Zaha Hadid. A trip to Beirut, London, and New York City to(...)
Titre:
Pin-Up 21: Power
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Including interview Features with Amale Andraos, Richard Rogers, MOS Architects, Alexandre de Betak, Phyllis Lambert, Nikil Saval, and Eyal Weizman. A special commission on the architecture of power by art collective GCC, a portfolio on new Haven Brutalism, the beauty of bathroom design, and a tribute to the late Zaha Hadid. A trip to Beirut, London, and New York City to visit the homes collector Valeria Napoleone, architect Bernard Khoury, and historian robin Middleton. Essays by Deyan Sudjic on nation building and by Tim Simonds on the link between luxury real estate and the craze for a healthy diet. Plus an introduction to new York architecture’s new Power Generation.
Pin-Up 21: Power
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Including interview Features with Amale Andraos, Richard Rogers, MOS Architects, Alexandre de Betak, Phyllis Lambert, Nikil Saval, and Eyal Weizman. A special commission on the architecture of power by art collective GCC, a portfolio on new Haven Brutalism, the beauty of bathroom design, and a tribute to the late Zaha Hadid. A trip to Beirut, London, and New York City to visit the homes collector Valeria Napoleone, architect Bernard Khoury, and historian robin Middleton. Essays by Deyan Sudjic on nation building and by Tim Simonds on the link between luxury real estate and the craze for a healthy diet. Plus an introduction to new York architecture’s new Power Generation.
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périodiques
périodiques
Publication:
décembre 2016
décembre 2016
Classification:
périodiques
périodiques
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Log 15 is a slice through the present, featuring the current work and thinking of some of today’s leading architectural historians and theorists: Barry Bergdoll, Mario Carpo, Jean-Louis Cohen, Beatriz Colomina, Hubert Damisch, Peter Eisenman, Kurt Forster, Mark Jarzombek, Irving Lavin, Sylvia Lavin, Mark Wigley, and Mirko Zardini. Assembled to honor Phyllis Lambert on her(...)
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Log 15 is a slice through the present, featuring the current work and thinking of some of today’s leading architectural historians and theorists: Barry Bergdoll, Mario Carpo, Jean-Louis Cohen, Beatriz Colomina, Hubert Damisch, Peter Eisenman, Kurt Forster, Mark Jarzombek, Irving Lavin, Sylvia Lavin, Mark Wigley, and Mirko Zardini. Assembled to honor Phyllis Lambert on her(...)
Sujet:
Revues
Revues
Publication:
mars 2009, New York
mars 2009, New York
Titre:
Log 15, winter 2009: observations on architecture and the contemporary city
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Log 15 is a slice through the present, featuring the current work and thinking of some of today’s leading architectural historians and theorists: Barry Bergdoll, Mario Carpo, Jean-Louis Cohen, Beatriz Colomina, Hubert Damisch, Peter Eisenman, Kurt Forster, Mark Jarzombek, Irving Lavin, Sylvia Lavin, Mark Wigley, and Mirko Zardini. Assembled to honor Phyllis Lambert on her 80th birthday, these essays range from an architectural and archaeological reading of Chris Marker’s post-apocalyptic film La Jetée to Dravidian architecture in India; from Gordon Matta-Clark’s erasure of architecture to the persistence of asphalt; from the influence of Andy Warhol on ambient architecture past and present to the house in the museum and the museum in the house.
Log 15, winter 2009: observations on architecture and the contemporary city
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Log 15 is a slice through the present, featuring the current work and thinking of some of today’s leading architectural historians and theorists: Barry Bergdoll, Mario Carpo, Jean-Louis Cohen, Beatriz Colomina, Hubert Damisch, Peter Eisenman, Kurt Forster, Mark Jarzombek, Irving Lavin, Sylvia Lavin, Mark Wigley, and Mirko Zardini. Assembled to honor Phyllis Lambert on her 80th birthday, these essays range from an architectural and archaeological reading of Chris Marker’s post-apocalyptic film La Jetée to Dravidian architecture in India; from Gordon Matta-Clark’s erasure of architecture to the persistence of asphalt; from the influence of Andy Warhol on ambient architecture past and present to the house in the museum and the museum in the house.
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périodiques
périodiques
Publication:
mars 2009, New York
mars 2009, New York
Sujet:
Revues
Revues
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livres
livres
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the(...)
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the(...)
Titre:
Eisenman/Krier : two ideologies, a conference at the Yale school of architecture
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the Canadian Centre for Architecture; Joan Ockman and Mark Wigley of Columbia; Demetri Porphyrios and Vincent Scully of Yale; Robert Somol of the University of California, Los Angeles; Anthony Vidler of the Cooper Union; and Sarah Whiting of Harvard. Eisenman and Krier culminated the event with presentations that made evident their lifelong commitment to architectural language, to architectural scholarship, and to architecture itself as a vital element of society and culture.
Eisenman/Krier : two ideologies, a conference at the Yale school of architecture
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the Canadian Centre for Architecture; Joan Ockman and Mark Wigley of Columbia; Demetri Porphyrios and Vincent Scully of Yale; Robert Somol of the University of California, Los Angeles; Anthony Vidler of the Cooper Union; and Sarah Whiting of Harvard. Eisenman and Krier culminated the event with presentations that made evident their lifelong commitment to architectural language, to architectural scholarship, and to architecture itself as a vital element of society and culture.
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livres
livres
Publication:
mai 2004, New York
mai 2004, New York
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livres soldés
livres soldés
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livres
livres
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''Daddy wouldn't buy me a Bauhaus'' collects the writings of legendary British wordsmith Janet Abrams for the first time. From pivotal figures in international modernism to the pioneers of digital medium, Abrams explored the ideas, theories, and emotions that fueled their work. The book's twenty-six profiles, written in Abrams's signature, personal, often hilarious style,(...)
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''Daddy wouldn't buy me a Bauhaus'' collects the writings of legendary British wordsmith Janet Abrams for the first time. From pivotal figures in international modernism to the pioneers of digital medium, Abrams explored the ideas, theories, and emotions that fueled their work. The book's twenty-six profiles, written in Abrams's signature, personal, often hilarious style,(...)
Titre:
Daddy wouldn't buy me a Bauhaus: profiles in architecture and design
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''Daddy wouldn't buy me a Bauhaus'' collects the writings of legendary British wordsmith Janet Abrams for the first time. From pivotal figures in international modernism to the pioneers of digital medium, Abrams explored the ideas, theories, and emotions that fueled their work. The book's twenty-six profiles, written in Abrams's signature, personal, often hilarious style, include Reyner Banham, Berthold Lubetkin, Philip Johnson, Paul Rand, Phyllis Lambert, Frank Gehry, Rem Koolhaas, Muriel Cooper, April Greiman, and Michael Bloomberg. Many of the profiles are back in print for the first time, having originally appeared in Blueprint, I.D. magazine, the Independent, and in books and catalogs from the 1980s through the early 2000s. A foreword by Blueprint's founding editor, Deyan Sudjic, and new reflections by Abrams set the stage.
Daddy wouldn't buy me a Bauhaus: profiles in architecture and design
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''Daddy wouldn't buy me a Bauhaus'' collects the writings of legendary British wordsmith Janet Abrams for the first time. From pivotal figures in international modernism to the pioneers of digital medium, Abrams explored the ideas, theories, and emotions that fueled their work. The book's twenty-six profiles, written in Abrams's signature, personal, often hilarious style, include Reyner Banham, Berthold Lubetkin, Philip Johnson, Paul Rand, Phyllis Lambert, Frank Gehry, Rem Koolhaas, Muriel Cooper, April Greiman, and Michael Bloomberg. Many of the profiles are back in print for the first time, having originally appeared in Blueprint, I.D. magazine, the Independent, and in books and catalogs from the 1980s through the early 2000s. A foreword by Blueprint's founding editor, Deyan Sudjic, and new reflections by Abrams set the stage.
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livres
livres
Publication:
octobre 2020
octobre 2020
Sujet:
Théorie du design
Théorie du design
Classification:
vidéo
vidéo
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$21.00
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After the Seagram Building in New York, the Toronto-Dominion Centre in Toronto, the New National Gallery in Berlin and the Lake Shore Drive Apartment Buildings in Chicago, architect Mies van der Rohe (1886-1969) designed a gas station near Montreal in 1968. This simple and utilitarian building reflects the divergent views held by experts and laymen regarding "everyday"(...)
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After the Seagram Building in New York, the Toronto-Dominion Centre in Toronto, the New National Gallery in Berlin and the Lake Shore Drive Apartment Buildings in Chicago, architect Mies van der Rohe (1886-1969) designed a gas station near Montreal in 1968. This simple and utilitarian building reflects the divergent views held by experts and laymen regarding "everyday"(...)
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DVD Regular or Super : Views on Mies van der Rohe
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After the Seagram Building in New York, the Toronto-Dominion Centre in Toronto, the New National Gallery in Berlin and the Lake Shore Drive Apartment Buildings in Chicago, architect Mies van der Rohe (1886-1969) designed a gas station near Montreal in 1968. This simple and utilitarian building reflects the divergent views held by experts and laymen regarding "everyday" structures, which most of us tend to ignore. In addition to exploring the interplay of form and function in the works of Mies, this film gauges our awareness of architectural language and the role of the architect in society. Observations from some superstars of the world of architecture, including Rem Koolhaas, Elizabeth Diller and Phyllis Lambert, are interlaced with anecdotes from regular people who come into daily contact with the eminent architect's work. Original soundtrack is composed by acclaimed Ramachandra Borcar (a.k.a. DJ Ram). Format: DVD.
DVD Regular or Super : Views on Mies van der Rohe
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After the Seagram Building in New York, the Toronto-Dominion Centre in Toronto, the New National Gallery in Berlin and the Lake Shore Drive Apartment Buildings in Chicago, architect Mies van der Rohe (1886-1969) designed a gas station near Montreal in 1968. This simple and utilitarian building reflects the divergent views held by experts and laymen regarding "everyday" structures, which most of us tend to ignore. In addition to exploring the interplay of form and function in the works of Mies, this film gauges our awareness of architectural language and the role of the architect in society. Observations from some superstars of the world of architecture, including Rem Koolhaas, Elizabeth Diller and Phyllis Lambert, are interlaced with anecdotes from regular people who come into daily contact with the eminent architect's work. Original soundtrack is composed by acclaimed Ramachandra Borcar (a.k.a. DJ Ram). Format: DVD.
Classification:
vidéo
vidéo
Publication:
mai 2008, Montréal
mai 2008, Montréal
Sujet:
DVD vidéo
DVD vidéo
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livres
livres
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In the 1970s, early in his career, Appelt first saw the spectacular cantilevered steel bridge, a marvel of 19th-century engineering spanning over 8,000 feet and still in regular use today. Fascinated by its kinetic and cinematic appearance, when he was invited to reflect on the works in the CCA’s collection, Appelt took the opportunity to revisit the bridge. He reframed(...)
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In the 1970s, early in his career, Appelt first saw the spectacular cantilevered steel bridge, a marvel of 19th-century engineering spanning over 8,000 feet and still in regular use today. Fascinated by its kinetic and cinematic appearance, when he was invited to reflect on the works in the CCA’s collection, Appelt took the opportunity to revisit the bridge. He reframed(...)
Sujet:
Publications du CCA
Publications du CCA
Publication:
mars 2005, Montréal
mars 2005, Montréal
Titre:
Dieter Appelt / Forth Bridge cinema. metric space = espace métrique
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In the 1970s, early in his career, Appelt first saw the spectacular cantilevered steel bridge, a marvel of 19th-century engineering spanning over 8,000 feet and still in regular use today. Fascinated by its kinetic and cinematic appearance, when he was invited to reflect on the works in the CCA’s collection, Appelt took the opportunity to revisit the bridge. He reframed it in light of his long-standing preoccupation with the analysis of architectural constructs in spatial and temporal terms, producing 312 black-and-white 35mm film stills as well as sound recordings. Eight large-scale photographic panels will be presented at the CCA, each comprising a montage of 39 of the film stills edited so as to propose a series of horizontal and vertical readings of the bridge. A selection of albums and photographs from the CCA’s Forth Bridge archives will also be presented accompanied by drawings from Appelt. The beautifully produced publication includes essays by Dieter Appel, Hubertus von Amelunxen, and Louise Désy, as well as a forword by Phyllis Lambert. Au début de sa carrière, dans les années 1970, Appelt avait vu pour la première fois ce spectaculaire pont cantilever en acier, une merveille de l’ingénierie du XIXe siècle, encore en service aujourd’hui, qui s’étend sur 8 000 pieds. Fasciné par son aspect cinétique et cinématique, Appelt a profité de cette invitation pour livrer une réflexion sur les œuvres de la collection du CCA et offrir ainsi une relecture du pont. Fidèle à son intérêt de longue date pour l’analyse spatiale et temporelle des constructions architecturales, il l’a recadré et a produit 312 photos de film 35 mm noir et blanc ainsi que des enregistrements sonores. Huit panneaux photographiques grand format seront exposés au CCA, chacun comportant un montage de 39 photos de films agencées de façon à proposer une série de lectures horizontales et verticales du pont. On pourra aussi voir une sélection d’albums et de photographies des archives du Forth Bridge du CCA, accompagnés de dessins d’Appelt. La publication contient des essais de Dieter Appelt, Hubertus von Amelunxen, et Louise Désy ainsi qu'une préface de Phyllis Lambert.
Dieter Appelt / Forth Bridge cinema. metric space = espace métrique
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In the 1970s, early in his career, Appelt first saw the spectacular cantilevered steel bridge, a marvel of 19th-century engineering spanning over 8,000 feet and still in regular use today. Fascinated by its kinetic and cinematic appearance, when he was invited to reflect on the works in the CCA’s collection, Appelt took the opportunity to revisit the bridge. He reframed it in light of his long-standing preoccupation with the analysis of architectural constructs in spatial and temporal terms, producing 312 black-and-white 35mm film stills as well as sound recordings. Eight large-scale photographic panels will be presented at the CCA, each comprising a montage of 39 of the film stills edited so as to propose a series of horizontal and vertical readings of the bridge. A selection of albums and photographs from the CCA’s Forth Bridge archives will also be presented accompanied by drawings from Appelt. The beautifully produced publication includes essays by Dieter Appel, Hubertus von Amelunxen, and Louise Désy, as well as a forword by Phyllis Lambert. Au début de sa carrière, dans les années 1970, Appelt avait vu pour la première fois ce spectaculaire pont cantilever en acier, une merveille de l’ingénierie du XIXe siècle, encore en service aujourd’hui, qui s’étend sur 8 000 pieds. Fasciné par son aspect cinétique et cinématique, Appelt a profité de cette invitation pour livrer une réflexion sur les œuvres de la collection du CCA et offrir ainsi une relecture du pont. Fidèle à son intérêt de longue date pour l’analyse spatiale et temporelle des constructions architecturales, il l’a recadré et a produit 312 photos de film 35 mm noir et blanc ainsi que des enregistrements sonores. Huit panneaux photographiques grand format seront exposés au CCA, chacun comportant un montage de 39 photos de films agencées de façon à proposer une série de lectures horizontales et verticales du pont. On pourra aussi voir une sélection d’albums et de photographies des archives du Forth Bridge du CCA, accompagnés de dessins d’Appelt. La publication contient des essais de Dieter Appelt, Hubertus von Amelunxen, et Louise Désy ainsi qu'une préface de Phyllis Lambert.
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livres
livres
Publication:
mars 2005, Montréal
mars 2005, Montréal
Sujet:
Publications du CCA
Publications du CCA
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livres
livres
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$75.00
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''Photography and Architecture: 1839–1939'' presents works that show aspects of the history of architecture seen through photography, and the history of photography through architecture. One hundred and forty-eight photographs from the collection of the CCA have been selected to demonstrate the great richness of the subject, including the origins of(...)
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''Photography and Architecture: 1839–1939'' presents works that show aspects of the history of architecture seen through photography, and the history of photography through architecture. One hundred and forty-eight photographs from the collection of the CCA have been selected to demonstrate the great richness of the subject, including the origins of(...)
Titre:
Photography and architecture: 1839-1939
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''Photography and Architecture: 1839–1939'' presents works that show aspects of the history of architecture seen through photography, and the history of photography through architecture. One hundred and forty-eight photographs from the collection of the CCA have been selected to demonstrate the great richness of the subject, including the origins of photography in Britain and France, the pioneering expeditions accompanied by photographers who recorded the great monuments of the world from the Mediterranean to the Far East, and the great surveys of the nineteenth century. Individual images document the expansion of the United States in works that reflect the growth of American cities. Urban renewal is seen in works from the Second Empire in France and from the 1880s in England and Scotland. Works from the American renaissance in photography of the 1920s and 1930s explore new aspects of the modern vertical city. The final section of the book is devoted to works that reflect the architectural ideas developped in Germany between the two world wars. Introduction by Phyllis Lambert.
Photography and architecture: 1839-1939
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(disponible en magasin)
Résumé:
''Photography and Architecture: 1839–1939'' presents works that show aspects of the history of architecture seen through photography, and the history of photography through architecture. One hundred and forty-eight photographs from the collection of the CCA have been selected to demonstrate the great richness of the subject, including the origins of photography in Britain and France, the pioneering expeditions accompanied by photographers who recorded the great monuments of the world from the Mediterranean to the Far East, and the great surveys of the nineteenth century. Individual images document the expansion of the United States in works that reflect the growth of American cities. Urban renewal is seen in works from the Second Empire in France and from the 1880s in England and Scotland. Works from the American renaissance in photography of the 1920s and 1930s explore new aspects of the modern vertical city. The final section of the book is devoted to works that reflect the architectural ideas developped in Germany between the two world wars. Introduction by Phyllis Lambert.
Classification:
livres
livres
Publication:
janvier 1982, Montréal
janvier 1982, Montréal
Sujet:
Publications du CCA
Publications du CCA
