11208 Résultats
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Twentieth-century art made use of the archive in a variety of ways—from what Spieker calls Marcel Duchamp's "anemic archive" of readymades and El Lissitzky's Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In The Big Archive, Sven Spieker investigates the archive—as both bureaucratic institution and(...)
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Twentieth-century art made use of the archive in a variety of ways—from what Spieker calls Marcel Duchamp's "anemic archive" of readymades and El Lissitzky's Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In The Big Archive, Sven Spieker investigates the archive—as both bureaucratic institution and(...)
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The big archive, art from bureaucracy
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Twentieth-century art made use of the archive in a variety of ways—from what Spieker calls Marcel Duchamp's "anemic archive" of readymades and El Lissitzky's Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In The Big Archive, Sven Spieker investigates the archive—as both bureaucratic institution and index of evolving attitudes toward contingent time in science and art—and finds it to be a crucible of twentieth-century modernism.
The big archive, art from bureaucracy
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Twentieth-century art made use of the archive in a variety of ways—from what Spieker calls Marcel Duchamp's "anemic archive" of readymades and El Lissitzky's Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In The Big Archive, Sven Spieker investigates the archive—as both bureaucratic institution and index of evolving attitudes toward contingent time in science and art—and finds it to be a crucible of twentieth-century modernism.
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livres
livres
Publication:
octobre 2008, Cambridge
octobre 2008, Cambridge
Sujet:
Théorie de l’art
Théorie de l’art
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$36.00
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In the consumerism culture of the late 20th century, the world experienced that pursuit of business profits and personal freedom could not go on forever. Now the world is learning from the past experience to be a little smarter, and the essential values of design are once again regaining their strength. From A long Interview with Kneya Hara
$36.00
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In the consumerism culture of the late 20th century, the world experienced that pursuit of business profits and personal freedom could not go on forever. Now the world is learning from the past experience to be a little smarter, and the essential values of design are once again regaining their strength. From A long Interview with Kneya Hara
Titre:
Idea archive Design of Kenya Hara
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$36.00
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In the consumerism culture of the late 20th century, the world experienced that pursuit of business profits and personal freedom could not go on forever. Now the world is learning from the past experience to be a little smarter, and the essential values of design are once again regaining their strength. From A long Interview with Kneya Hara
Idea archive Design of Kenya Hara
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$36.00
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In the consumerism culture of the late 20th century, the world experienced that pursuit of business profits and personal freedom could not go on forever. Now the world is learning from the past experience to be a little smarter, and the essential values of design are once again regaining their strength. From A long Interview with Kneya Hara
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octobre 2007, Tokyo
octobre 2007, Tokyo
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$170.00
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With cover artwork specially created by Ruscha, this book documents hundreds of projects and miscellaneous ephemera produced by the artist alongside his main oeuvre—including installations, films, painted book covers, contour gauge profiles, and more. Introducing readers to the stunning breadth of Edward Ruscha’s (b. 1937) creative output over the course of his entire(...)
$170.00
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With cover artwork specially created by Ruscha, this book documents hundreds of projects and miscellaneous ephemera produced by the artist alongside his main oeuvre—including installations, films, painted book covers, contour gauge profiles, and more. Introducing readers to the stunning breadth of Edward Ruscha’s (b. 1937) creative output over the course of his entire(...)
Titre:
Ed Ruscha: An archive of projects
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$170.00
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With cover artwork specially created by Ruscha, this book documents hundreds of projects and miscellaneous ephemera produced by the artist alongside his main oeuvre—including installations, films, painted book covers, contour gauge profiles, and more. Introducing readers to the stunning breadth of Edward Ruscha’s (b. 1937) creative output over the course of his entire life, this book includes materials dating back to his childhood and extending to his present-day output. The projects featured here fall outside Ruscha’s production of paintings, drawings, prints, and artists’ books. Many of these are unknown and most are reproduced here for the first time. Composed of three sections—Projects and Ephemera; Contour Gauge Profiles; and Painted Book Covers—the book offers Ruscha enthusiasts and scholars a hitherto unknown aspect of Ruscha’s practice, while also showing how these projects coincide with, and sometimes even prefigure, the artistic work for which he is best known. The approximately 270 painted book covers, begun in 1990, utilize found books as support for small paintings and drawings. The 57 contour gauge profiles are silhouette-like profiles made using a mechanical device for reproducing contours. The largest section, Projects and Ephemera, consists of installations, sculpture and objects, films, book and poster design, utilitarian works, and more.
Ed Ruscha: An archive of projects
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$170.00
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With cover artwork specially created by Ruscha, this book documents hundreds of projects and miscellaneous ephemera produced by the artist alongside his main oeuvre—including installations, films, painted book covers, contour gauge profiles, and more. Introducing readers to the stunning breadth of Edward Ruscha’s (b. 1937) creative output over the course of his entire life, this book includes materials dating back to his childhood and extending to his present-day output. The projects featured here fall outside Ruscha’s production of paintings, drawings, prints, and artists’ books. Many of these are unknown and most are reproduced here for the first time. Composed of three sections—Projects and Ephemera; Contour Gauge Profiles; and Painted Book Covers—the book offers Ruscha enthusiasts and scholars a hitherto unknown aspect of Ruscha’s practice, while also showing how these projects coincide with, and sometimes even prefigure, the artistic work for which he is best known. The approximately 270 painted book covers, begun in 1990, utilize found books as support for small paintings and drawings. The 57 contour gauge profiles are silhouette-like profiles made using a mechanical device for reproducing contours. The largest section, Projects and Ephemera, consists of installations, sculpture and objects, films, book and poster design, utilitarian works, and more.
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livres
livres
Publication:
janvier 2023
janvier 2023
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The work of the great literary and cultural critic Walter Benjamin is an audacious plotting of history, art, and thought; a reservoir of texts, commentaries, scraps, and fragments of everyday life, art, and dreams. Throughout his life, Benjamin gathered together all kinds of artifacts, assortments of images, texts, and signs, themselves representing experiences, ideas,(...)
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The work of the great literary and cultural critic Walter Benjamin is an audacious plotting of history, art, and thought; a reservoir of texts, commentaries, scraps, and fragments of everyday life, art, and dreams. Throughout his life, Benjamin gathered together all kinds of artifacts, assortments of images, texts, and signs, themselves representing experiences, ideas,(...)
Titre:
Walter Benjamin's Archive: images, texts, signs
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The work of the great literary and cultural critic Walter Benjamin is an audacious plotting of history, art, and thought; a reservoir of texts, commentaries, scraps, and fragments of everyday life, art, and dreams. Throughout his life, Benjamin gathered together all kinds of artifacts, assortments of images, texts, and signs, themselves representing experiences, ideas, and hopes, each of which was enthusiastically logged, systematized, and analyzed by their author. In this way, Benjamin laid the groundwork for the salvaging of his own legacy. This publication leads readers to the heart of his intellectual world, yielding a rich and detailed portrait of its author.
Walter Benjamin's Archive: images, texts, signs
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$23.95
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The work of the great literary and cultural critic Walter Benjamin is an audacious plotting of history, art, and thought; a reservoir of texts, commentaries, scraps, and fragments of everyday life, art, and dreams. Throughout his life, Benjamin gathered together all kinds of artifacts, assortments of images, texts, and signs, themselves representing experiences, ideas, and hopes, each of which was enthusiastically logged, systematized, and analyzed by their author. In this way, Benjamin laid the groundwork for the salvaging of his own legacy. This publication leads readers to the heart of his intellectual world, yielding a rich and detailed portrait of its author.
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livres
livres
Publication:
octobre 2015
octobre 2015
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Théorie/ philosophie
Théorie/ philosophie
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$30.00
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For the past seven years, the Stanford Literary Lab, founded by Franco Moretti and Matthew Jockers, has been a leading site of literary scholarship aided by computers and algorithmic methods. This landmark volume gathers the collective research of the group and its most remarkable experiments. From seemingly ineffable matters such as the "loudness" of thousands of novels,(...)
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For the past seven years, the Stanford Literary Lab, founded by Franco Moretti and Matthew Jockers, has been a leading site of literary scholarship aided by computers and algorithmic methods. This landmark volume gathers the collective research of the group and its most remarkable experiments. From seemingly ineffable matters such as the "loudness" of thousands of novels,(...)
Titre:
Canon/Archive: Studies in quantative formalism
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For the past seven years, the Stanford Literary Lab, founded by Franco Moretti and Matthew Jockers, has been a leading site of literary scholarship aided by computers and algorithmic methods. This landmark volume gathers the collective research of the group and its most remarkable experiments. From seemingly ineffable matters such as the "loudness" of thousands of novels, the geographic distribution of emotions, the nature of a sentence and a paragraph, and the evolution of bureaucratic doublespeak, descriptions emerge. The Stanford Literary Lab lets the computers provide new insights for questions from the deep tradition of two centuries of literary inquiry. Rather than, like the rest of us, letting the computers lead. The results are adventurous, witty, challenging, profound. The old questions can finally get new answers—as the prelude to new big questions. "Canon/Archive" is the fulfillment and further development of "distant reading," adding a rare, full-length monument to the piecemeal progress of the digital humanities. No student, teacher, or inquisitive reader of literature will want to be without this book—just as no one interested in the new data-attentive methods in history, criticism, and the social sciences can afford to evade its summons.
Canon/Archive: Studies in quantative formalism
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$30.00
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For the past seven years, the Stanford Literary Lab, founded by Franco Moretti and Matthew Jockers, has been a leading site of literary scholarship aided by computers and algorithmic methods. This landmark volume gathers the collective research of the group and its most remarkable experiments. From seemingly ineffable matters such as the "loudness" of thousands of novels, the geographic distribution of emotions, the nature of a sentence and a paragraph, and the evolution of bureaucratic doublespeak, descriptions emerge. The Stanford Literary Lab lets the computers provide new insights for questions from the deep tradition of two centuries of literary inquiry. Rather than, like the rest of us, letting the computers lead. The results are adventurous, witty, challenging, profound. The old questions can finally get new answers—as the prelude to new big questions. "Canon/Archive" is the fulfillment and further development of "distant reading," adding a rare, full-length monument to the piecemeal progress of the digital humanities. No student, teacher, or inquisitive reader of literature will want to be without this book—just as no one interested in the new data-attentive methods in history, criticism, and the social sciences can afford to evade its summons.
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livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Littérature et poésie
Littérature et poésie
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83 pages : illustrations (some color) ; 26 cm
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83 pages : illustrations (some color) ; 26 cm
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Düsseldorf : Kunstmuseum, 1978.
Düsseldorf : Kunstmuseum, 1978.
Titre:
Ilja G. Tschaschnik (1902 Ljucite-1929 Leningrad) / Kunstmuseum Düsseldorf 10.5.1978-2.7.1978 [and] Bauhaus-Archiv, Museum für Gestaltung Berlin 21.7.1978-4.9.1978.
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83 pages : illustrations (some color) ; 26 cm
Ilja G. Tschaschnik (1902 Ljucite-1929 Leningrad) / Kunstmuseum Düsseldorf 10.5.1978-2.7.1978 [and] Bauhaus-Archiv, Museum für Gestaltung Berlin 21.7.1978-4.9.1978.
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83 pages : illustrations (some color) ; 26 cm
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Düsseldorf : Kunstmuseum, 1978.
Düsseldorf : Kunstmuseum, 1978.
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1 volume (20 leaves, 3 folded) : color illustrations ; 18 x 25 cm
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1 volume (20 leaves, 3 folded) : color illustrations ; 18 x 25 cm
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[Grenoble] : [Gabriel Nicolet], [approximately 1895] (Grenoble : Imp. Joseph Baratier)
[Grenoble] : [Gabriel Nicolet], [approximately 1895] (Grenoble : Imp. Joseph Baratier)
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Mosaïque en marbres des Alpes fabriquée en carreaux et en dalles ; Mosaïque en marbres des Alpes fabriquée en carreaux imitant le marbre / Gabriel Nicolet, usine de la forge.
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1 volume (20 leaves, 3 folded) : color illustrations ; 18 x 25 cm
Mosaïque en marbres des Alpes fabriquée en carreaux et en dalles ; Mosaïque en marbres des Alpes fabriquée en carreaux imitant le marbre / Gabriel Nicolet, usine de la forge.
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1 volume (20 leaves, 3 folded) : color illustrations ; 18 x 25 cm
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[Grenoble] : [Gabriel Nicolet], [approximately 1895] (Grenoble : Imp. Joseph Baratier)
[Grenoble] : [Gabriel Nicolet], [approximately 1895] (Grenoble : Imp. Joseph Baratier)
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178 pages : chiefly illustrations (some color), maps, plans ; 32 cm
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178 pages : chiefly illustrations (some color), maps, plans ; 32 cm
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Washington, DC : Smithsonian American Art Museum ; Berkeley, CA : University of California Press, [2010], ©2010
Washington, DC : Smithsonian American Art Museum ; Berkeley, CA : University of California Press, [2010], ©2010
Titre:
Christo and Jeanne-Claude : remembering the Running fence / Brian O'Doherty ; with contributions by G. Wayne Clough, Edwin C. Anderson Jr., and Elizabeth Broun ; exhibition curator, George Gurney.
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178 pages : chiefly illustrations (some color), maps, plans ; 32 cm
Christo and Jeanne-Claude : remembering the Running fence / Brian O'Doherty ; with contributions by G. Wayne Clough, Edwin C. Anderson Jr., and Elizabeth Broun ; exhibition curator, George Gurney.
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178 pages : chiefly illustrations (some color), maps, plans ; 32 cm
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Washington, DC : Smithsonian American Art Museum ; Berkeley, CA : University of California Press, [2010], ©2010
Washington, DC : Smithsonian American Art Museum ; Berkeley, CA : University of California Press, [2010], ©2010
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2 volumes : illustrations, map, portrait ; 23 cm
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2 volumes : illustrations, map, portrait ; 23 cm
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New York : The State, 1921 (Albany : J.B. Lyon)
New York : The State, 1921 (Albany : J.B. Lyon)
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Anthology and bibliography of Niagara Falls / by Charles Mason Dow.
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2 volumes : illustrations, map, portrait ; 23 cm
Anthology and bibliography of Niagara Falls / by Charles Mason Dow.
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2 volumes : illustrations, map, portrait ; 23 cm
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New York : The State, 1921 (Albany : J.B. Lyon)
New York : The State, 1921 (Albany : J.B. Lyon)
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périodiques
périodiques
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1 online resource
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Quezon City, Philippines : Ateneo de Manila University, 2012-
Quezon City, Philippines : Ateneo de Manila University, 2012-
Titre:
Philippine studies, historical & ethnographic viewpoints.
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1 online resource
Philippine studies, historical & ethnographic viewpoints.
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1 online resource
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périodiques
périodiques
Publication:
Quezon City, Philippines : Ateneo de Manila University, 2012-
Quezon City, Philippines : Ateneo de Manila University, 2012-
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