dessins
DR2004:0901
Description:
maps, conceptual drawings, sketches, reference drawings, sections, perspectives, presentation drawings, views of structures, cutouts, site plans, axonometrics, details, plans, diagrams, clippings, keys (texts), views of drawings possibly from an exhibition, notes, programme documents, material from past projects, photomontages, schedule, and memorandum
Maps, conceptual drawings, sketches, reference drawings
Actions:
DR2004:0901
Description:
maps, conceptual drawings, sketches, reference drawings, sections, perspectives, presentation drawings, views of structures, cutouts, site plans, axonometrics, details, plans, diagrams, clippings, keys (texts), views of drawings possibly from an exhibition, notes, programme documents, material from past projects, photomontages, schedule, and memorandum
dessins
Projet
Fun Palace Project
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
1961-1985, predominant 1961-1974
Fun Palace Project
Actions:
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
File 46
1961-1985, predominant 1961-1974
Projet
BTDB Computer
AP144.S2.D70
Description:
File documents the executed project for an office building to house the computer facilities of the British Transport Docks Board (BTDB) at Bulls Bridge and Hayes Road, in Southall, Ealing, England. The building has few doors and no corridors, rooms for computers, data control and preparation, and offices for engineers, programmers, and analysts. The client anticipated a 20% expansion of facilities during the life-cycle of the building and Cedric Price developed designs for "expanding" the building without interrupting computer services which were to run 24 hours a day. Design included interior walls that can be dismounted and reinstalled, a raised flexible floor system, and an exterior cladding system that allowed for an interchange between opaque and transparent panels. Existing conditions material includes an ordinance survey (1963) and floor plans for an unidentified building. Design development and working drawings include site plans, floor plans, sections, elevations, and construction details. The plans show: circulation patterns and relationships between areas; a series of alternate floor plans for computer room expansion; connections between original and expanded services; the computer room and equipment; furniture layout; framing and structure; and plans for acoustic and visual barriers. Also included are axonometric drawings of the phased development/expansion of the structure; design validation charts which measure projected "required" design elements against observation and investigation; environmental control charts exploring alternate proposals for illumination, ventilation, air, temperature, and acoustic control of certain areas, and diagrammatic sections showing environmental controls for air intake, returns and circulation; project requirements charts; project task sequencing diagrams; perspective drawings; elevations and sections for an illuminated sign; and details and wall sections for the exterior cladding. Twenty-nine individual and 60 sets of reprographic copies are stamped "issued contractor". Material for publication includes: details, site plans, floor plans and exterior elevations, b/w post-construction photographs, and a photo collage. Some material from this file was published in: Price, Cedric, "ECHOES: Environment Controlled Human Operational Enclosed Spaces", 'Architectural Design' (October 1969), 547-552; "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 25; Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 82-83, 112, 113. Material in this file was produced between 1966 and 1984, but predominantly between 1968 and 1973. Sandy Brown appears as the acoustics consultant and Zisman, Bowyer & Partners appear as the services consultants in this file. File contains design development drawings, working drawings, reference drawings, photographic materials, and textual records.
1966-1984, predominant 1968-1973
BTDB Computer
Actions:
AP144.S2.D70
Description:
File documents the executed project for an office building to house the computer facilities of the British Transport Docks Board (BTDB) at Bulls Bridge and Hayes Road, in Southall, Ealing, England. The building has few doors and no corridors, rooms for computers, data control and preparation, and offices for engineers, programmers, and analysts. The client anticipated a 20% expansion of facilities during the life-cycle of the building and Cedric Price developed designs for "expanding" the building without interrupting computer services which were to run 24 hours a day. Design included interior walls that can be dismounted and reinstalled, a raised flexible floor system, and an exterior cladding system that allowed for an interchange between opaque and transparent panels. Existing conditions material includes an ordinance survey (1963) and floor plans for an unidentified building. Design development and working drawings include site plans, floor plans, sections, elevations, and construction details. The plans show: circulation patterns and relationships between areas; a series of alternate floor plans for computer room expansion; connections between original and expanded services; the computer room and equipment; furniture layout; framing and structure; and plans for acoustic and visual barriers. Also included are axonometric drawings of the phased development/expansion of the structure; design validation charts which measure projected "required" design elements against observation and investigation; environmental control charts exploring alternate proposals for illumination, ventilation, air, temperature, and acoustic control of certain areas, and diagrammatic sections showing environmental controls for air intake, returns and circulation; project requirements charts; project task sequencing diagrams; perspective drawings; elevations and sections for an illuminated sign; and details and wall sections for the exterior cladding. Twenty-nine individual and 60 sets of reprographic copies are stamped "issued contractor". Material for publication includes: details, site plans, floor plans and exterior elevations, b/w post-construction photographs, and a photo collage. Some material from this file was published in: Price, Cedric, "ECHOES: Environment Controlled Human Operational Enclosed Spaces", 'Architectural Design' (October 1969), 547-552; "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 25; Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 82-83, 112, 113. Material in this file was produced between 1966 and 1984, but predominantly between 1968 and 1973. Sandy Brown appears as the acoustics consultant and Zisman, Bowyer & Partners appear as the services consultants in this file. File contains design development drawings, working drawings, reference drawings, photographic materials, and textual records.
File 70
1966-1984, predominant 1968-1973
dessins
Quantité:
18 design development drawing(s)
DR1995:0263:013-030
Description:
chart, site plans at Angel Court and Covent Garden Market, axonometric view of pedestrian walkway, diagrams of catering and communications systems, exterior axonometric view, site axonometric sketch, diagrammatic plan, broadsheet showing progress, and panel of elevations and text that relate to Facelift (AP144.S2.D102)
Chart, site plans at Angel Court and Covent Garden Market
Actions:
DR1995:0263:013-030
Description:
chart, site plans at Angel Court and Covent Garden Market, axonometric view of pedestrian walkway, diagrams of catering and communications systems, exterior axonometric view, site axonometric sketch, diagrammatic plan, broadsheet showing progress, and panel of elevations and text that relate to Facelift (AP144.S2.D102)
dessins
Quantité:
18 design development drawing(s)
dessins
Quantité:
14 presentation drawing(s)
DR1995:0188:445-459
Description:
exterior perspectives and perspective sketches of Camden Town proposal, site plans, typical layout, perspectives, plans and elevations of Pilot Project, axonometric diagrams of components, axonometric drawing and plan of screen wall and chair and table units, and bound reprographic copy with overlay, of Pilot Project with annotations
Exterior perspectives and perspective sketches of Camden Town proposal
Actions:
DR1995:0188:445-459
Description:
exterior perspectives and perspective sketches of Camden Town proposal, site plans, typical layout, perspectives, plans and elevations of Pilot Project, axonometric diagrams of components, axonometric drawing and plan of screen wall and chair and table units, and bound reprographic copy with overlay, of Pilot Project with annotations
dessins
Quantité:
14 presentation drawing(s)
dessins
DR2004:0703
Description:
site plans, sketches, some with annotations, reference drawings, sections, perspectives, plans, captions, possibly presentation drawings, diagrams, schedules, views of site, drawings from the second Strate project, consultant's drawings, maps, measured sketches, notes, clippings, presentation panel layout sketches, overlays, calculations, proposal document, and axonometric
Site plans, sketches, some with annotations, reference drawings
Actions:
DR2004:0703
Description:
site plans, sketches, some with annotations, reference drawings, sections, perspectives, plans, captions, possibly presentation drawings, diagrams, schedules, views of site, drawings from the second Strate project, consultant's drawings, maps, measured sketches, notes, clippings, presentation panel layout sketches, overlays, calculations, proposal document, and axonometric
dessins
Projet
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
1997-1998
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Project
1997-1998
dessins, documents textuels, photographies
DR1995:0258:001-100
Description:
clippings, maps, photographs, sketches, notes, competition entries, correspondence, diagrams, design notes, receipts, competition programme, promotional material, booklets, invoice, architect's portfolio, table, and office memoranda, for work with the architecture firm Heinle, Wischer und Partner regarding a competition for pedestrian walkways at Konigstrasse and Schlossplatz in Stuttgart, Germany
1973
Clippings, maps, photographs, sketches, notes, competition entries
Actions:
DR1995:0258:001-100
Description:
clippings, maps, photographs, sketches, notes, competition entries, correspondence, diagrams, design notes, receipts, competition programme, promotional material, booklets, invoice, architect's portfolio, table, and office memoranda, for work with the architecture firm Heinle, Wischer und Partner regarding a competition for pedestrian walkways at Konigstrasse and Schlossplatz in Stuttgart, Germany
dessins, documents textuels, photographies
1973
dessins
Quantité:
70 File
ARCH274495
Description:
File contains sketches, diagrams, scheme elevations, annotated drawings of master landscaping plan, information counter at exhibit, entrance level plan, exhibition level plan, site plan and Commissioner General's Suite, elevations, sections and details. Also some textual records and floor plans (Windows of the World, Vancouver, B.C. (1990)).
circa 1947-2002
Plans, sketches and elevations
Actions:
ARCH274495
Description:
File contains sketches, diagrams, scheme elevations, annotated drawings of master landscaping plan, information counter at exhibit, entrance level plan, exhibition level plan, site plan and Commissioner General's Suite, elevations, sections and details. Also some textual records and floor plans (Windows of the World, Vancouver, B.C. (1990)).
dessins
Quantité:
70 File
circa 1947-2002
dessins, documents textuels, photographies
DR1995:0254:031-031
Description:
includes 2 folders and contains photographs, trade catalogues, promotional material, clippings, brochures, notes, sketches, conceptual drawings, correspondence, report, specification, price list, design report, press release, meeting notes, office memoranda, research notes, manual, design programmes, drawings, diagrams, and correspondence for an exhibition at Walker Art Center (1980)
Photographs, trade catalogues, promotional material, clippings, brochures, notes, sketches
Actions:
DR1995:0254:031-031
Description:
includes 2 folders and contains photographs, trade catalogues, promotional material, clippings, brochures, notes, sketches, conceptual drawings, correspondence, report, specification, price list, design report, press release, meeting notes, office memoranda, research notes, manual, design programmes, drawings, diagrams, and correspondence for an exhibition at Walker Art Center (1980)
dessins, documents textuels, photographies