1064 Résultats
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livres
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Since its publication in 1936, Walter Benjamin's "Artwork" essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologies--notably film, sound recording, and photography--to reproduce works of art in great number. Benjamin could not have foreseen the explosion of(...)
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Since its publication in 1936, Walter Benjamin's "Artwork" essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologies--notably film, sound recording, and photography--to reproduce works of art in great number. Benjamin could not have foreseen the explosion of(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juillet 2003, Stanford
juillet 2003, Stanford
Titre:
Mapping Benjamin : the work of art in the digital age
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Since its publication in 1936, Walter Benjamin's "Artwork" essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologies--notably film, sound recording, and photography--to reproduce works of art in great number. Benjamin could not have foreseen the explosion of imagery and media that has occurred during the past fifty years. Does Benjamin's famous essay still speak to this new situation? That is the question posed by the editors of this book to a wide range of leading scholars and thinkers across a spectrum of disciplines in the humanities. The essays gathered here do not hazard a univocal reply to that question; rather they offer a rich, wide-ranging critique of Benjamin's position that refracts and reflects contemporary thinking about the ethical, political, and aesthetic implications of life in the digital age.
Mapping Benjamin : the work of art in the digital age
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Since its publication in 1936, Walter Benjamin's "Artwork" essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologies--notably film, sound recording, and photography--to reproduce works of art in great number. Benjamin could not have foreseen the explosion of imagery and media that has occurred during the past fifty years. Does Benjamin's famous essay still speak to this new situation? That is the question posed by the editors of this book to a wide range of leading scholars and thinkers across a spectrum of disciplines in the humanities. The essays gathered here do not hazard a univocal reply to that question; rather they offer a rich, wide-ranging critique of Benjamin's position that refracts and reflects contemporary thinking about the ethical, political, and aesthetic implications of life in the digital age.
Classification:
livres
livres
Publication:
juillet 2003, Stanford
juillet 2003, Stanford
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$45.00
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The question Are We Human? is both urgent and ancient. Beatriz Colomina and Mark Wigley offer a multi-layered exploration of the intimate relationship between human and design and rethink the philosophy of design in a multi-dimensional exploration from the very ?rst tools and ornaments to the constant buzz of social media. The average day involves the experience of(...)
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The question Are We Human? is both urgent and ancient. Beatriz Colomina and Mark Wigley offer a multi-layered exploration of the intimate relationship between human and design and rethink the philosophy of design in a multi-dimensional exploration from the very ?rst tools and ornaments to the constant buzz of social media. The average day involves the experience of(...)
Titre:
Are we human? The design of the species: 2 seconds, 2 days, 2 years, 200 years, 200,00 years. Istanbul Design Biennal 2016
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The question Are We Human? is both urgent and ancient. Beatriz Colomina and Mark Wigley offer a multi-layered exploration of the intimate relationship between human and design and rethink the philosophy of design in a multi-dimensional exploration from the very ?rst tools and ornaments to the constant buzz of social media. The average day involves the experience of thousands of layers of design that reach to outside space but also reach deep into our bodies and brains. Even the planet itself has been completely encrusted by design as a geological layer. There is no longer an outside to the world of design. Colomina’s and Wigley’s field notes offer an archaeology of the way design has gone viral and is now bigger than the world. They range across the last few hundred thousand years and the last few seconds to scrutinize the uniquely plastic relation between brain and artifact.
Are we human? The design of the species: 2 seconds, 2 days, 2 years, 200 years, 200,00 years. Istanbul Design Biennal 2016
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Résumé:
The question Are We Human? is both urgent and ancient. Beatriz Colomina and Mark Wigley offer a multi-layered exploration of the intimate relationship between human and design and rethink the philosophy of design in a multi-dimensional exploration from the very ?rst tools and ornaments to the constant buzz of social media. The average day involves the experience of thousands of layers of design that reach to outside space but also reach deep into our bodies and brains. Even the planet itself has been completely encrusted by design as a geological layer. There is no longer an outside to the world of design. Colomina’s and Wigley’s field notes offer an archaeology of the way design has gone viral and is now bigger than the world. They range across the last few hundred thousand years and the last few seconds to scrutinize the uniquely plastic relation between brain and artifact.
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie du design
Théorie du design
Classification:
livres
livres
Titre:
Overlooked america
Overlooked america
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In the aftermath of Hurricane Katrina, America was horrified by an onslaught of media accounts about those left stranded, homeless, or dead in New Orleans. And as further investigation made clear, residents of impoverished neighborhoods were the most vulnerable to disaster. In short, they were overlooked - much like the homeless, jobless, poor, and disabled victims of the(...)
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In the aftermath of Hurricane Katrina, America was horrified by an onslaught of media accounts about those left stranded, homeless, or dead in New Orleans. And as further investigation made clear, residents of impoverished neighborhoods were the most vulnerable to disaster. In short, they were overlooked - much like the homeless, jobless, poor, and disabled victims of the(...)
Titre:
Overlooked america
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In the aftermath of Hurricane Katrina, America was horrified by an onslaught of media accounts about those left stranded, homeless, or dead in New Orleans. And as further investigation made clear, residents of impoverished neighborhoods were the most vulnerable to disaster. In short, they were overlooked - much like the homeless, jobless, poor, and disabled victims of the everyday disasters of poverty and neglect whose lives are explored in "Overlooked America".A compilation of articles published in "Planning" magazine between 2006 and 2008, this eye-opening anthology offers a fresh look at how planners and communities affect the everyday lives of marginalized citizens. Featuring on-the-ground perspectives and expert interpretations, "Overlooked America" tackles a broad range of social problems to ask why a nation replete with resources is home to so many needy individuals and families. This ambitious volume is both a chronicle of systemic disaster and a plea for change.
Overlooked america
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Résumé:
In the aftermath of Hurricane Katrina, America was horrified by an onslaught of media accounts about those left stranded, homeless, or dead in New Orleans. And as further investigation made clear, residents of impoverished neighborhoods were the most vulnerable to disaster. In short, they were overlooked - much like the homeless, jobless, poor, and disabled victims of the everyday disasters of poverty and neglect whose lives are explored in "Overlooked America".A compilation of articles published in "Planning" magazine between 2006 and 2008, this eye-opening anthology offers a fresh look at how planners and communities affect the everyday lives of marginalized citizens. Featuring on-the-ground perspectives and expert interpretations, "Overlooked America" tackles a broad range of social problems to ask why a nation replete with resources is home to so many needy individuals and families. This ambitious volume is both a chronicle of systemic disaster and a plea for change.
Classification:
livres
livres
Publication:
août 2008, Chicago, Washington
août 2008, Chicago, Washington
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$27.50
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French cultural theorist and urbanist Paul Virilio is best known for his writings on media, technology, and architecture. Gathered here in this publication are four conversations in which Virilio and architectural writer Marianne Brausch look at a twentieth century characterized by enormous technological acceleration and by technocultural accidents of barbarism and(...)
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French cultural theorist and urbanist Paul Virilio is best known for his writings on media, technology, and architecture. Gathered here in this publication are four conversations in which Virilio and architectural writer Marianne Brausch look at a twentieth century characterized by enormous technological acceleration and by technocultural accidents of barbarism and(...)
Titre:
A winter's journey: four conversations with Marianne Brausch
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French cultural theorist and urbanist Paul Virilio is best known for his writings on media, technology, and architecture. Gathered here in this publication are four conversations in which Virilio and architectural writer Marianne Brausch look at a twentieth century characterized by enormous technological acceleration and by technocultural accidents of barbarism and horror. The dialogues in "A Winter’s Journey" —structured loosely around the dates 1940, 1950, 1960, and 1980— chart Virilio’s intimate intellectual biography, from his childhood lived against the unstable backdrop of a heavily bombed, wartime Nantes to maturity in a crisis space that is neither entirely militarized nor yet fully civilian, but somewhere between the two. In the course of these conversations, Virilio and Brausch ultimately find hope that in understanding the events of the last century and the cultural responses spawned by them, we can create a more humane era that is more adept at handling the transformations of its technology and culture.
A winter's journey: four conversations with Marianne Brausch
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French cultural theorist and urbanist Paul Virilio is best known for his writings on media, technology, and architecture. Gathered here in this publication are four conversations in which Virilio and architectural writer Marianne Brausch look at a twentieth century characterized by enormous technological acceleration and by technocultural accidents of barbarism and horror. The dialogues in "A Winter’s Journey" —structured loosely around the dates 1940, 1950, 1960, and 1980— chart Virilio’s intimate intellectual biography, from his childhood lived against the unstable backdrop of a heavily bombed, wartime Nantes to maturity in a crisis space that is neither entirely militarized nor yet fully civilian, but somewhere between the two. In the course of these conversations, Virilio and Brausch ultimately find hope that in understanding the events of the last century and the cultural responses spawned by them, we can create a more humane era that is more adept at handling the transformations of its technology and culture.
Classification:
livres
livres
Publication:
mai 2011
mai 2011
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
Prix:
$23.95
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Résumé:
Silence is not simply the absence of noise. It is within us, in that inner citadel which great writers, thinkers, scholars and people of faith have cultivated over the centuries. Today, when noise is everywhere, distinguished historian Alain Corbin goes back to a time when speech was rare and precious.Silence, prerequisite for contemplation, reverie and prayer, is that(...)
$23.95
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Silence is not simply the absence of noise. It is within us, in that inner citadel which great writers, thinkers, scholars and people of faith have cultivated over the centuries. Today, when noise is everywhere, distinguished historian Alain Corbin goes back to a time when speech was rare and precious.Silence, prerequisite for contemplation, reverie and prayer, is that(...)
Titre:
A history of silence: from the Renaissance to the present day
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Silence is not simply the absence of noise. It is within us, in that inner citadel which great writers, thinkers, scholars and people of faith have cultivated over the centuries. Today, when noise is everywhere, distinguished historian Alain Corbin goes back to a time when speech was rare and precious.Silence, prerequisite for contemplation, reverie and prayer, is that private space out of which speech emerges. It characterises our most intimate and sacred spaces, from private bedrooms to grand cathedrals – those vast reservoirs of silence. Philosophers and novelists have long sought solitude and inspiration in mountains and forests. Yet despite the centrality of silence to some of our most intense experiences, the transformations of the twentieth century have gradually diminished its value. Today, raucous urban spaces and a continual bombardment from different media pressure us into constant activity. We are losing a sense of our inner selves, a process which is changing the very nature of the individual.
A history of silence: from the Renaissance to the present day
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Résumé:
Silence is not simply the absence of noise. It is within us, in that inner citadel which great writers, thinkers, scholars and people of faith have cultivated over the centuries. Today, when noise is everywhere, distinguished historian Alain Corbin goes back to a time when speech was rare and precious.Silence, prerequisite for contemplation, reverie and prayer, is that private space out of which speech emerges. It characterises our most intimate and sacred spaces, from private bedrooms to grand cathedrals – those vast reservoirs of silence. Philosophers and novelists have long sought solitude and inspiration in mountains and forests. Yet despite the centrality of silence to some of our most intense experiences, the transformations of the twentieth century have gradually diminished its value. Today, raucous urban spaces and a continual bombardment from different media pressure us into constant activity. We are losing a sense of our inner selves, a process which is changing the very nature of the individual.
Classification:
livres
livres
Publication:
avril 2018
avril 2018
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
Perpetual inventory
Perpetual inventory
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The job of an art critic is to take perpetual inventory, constantly revising her ideas about the direction of contemporary art and the significance of the work she writes about. In these essays, which span three decades of assessment and reassessment, Rosalind Krauss considers what she has come to call the "post-medium condition"—the abandonment by contemporary art of the(...)
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The job of an art critic is to take perpetual inventory, constantly revising her ideas about the direction of contemporary art and the significance of the work she writes about. In these essays, which span three decades of assessment and reassessment, Rosalind Krauss considers what she has come to call the "post-medium condition"—the abandonment by contemporary art of the(...)
Titre:
Perpetual inventory
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$32.95
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The job of an art critic is to take perpetual inventory, constantly revising her ideas about the direction of contemporary art and the significance of the work she writes about. In these essays, which span three decades of assessment and reassessment, Rosalind Krauss considers what she has come to call the "post-medium condition"—the abandonment by contemporary art of the modernist emphasis on the medium as the source of artistic significance. Jean-François Lyotard argued that the postmodern condition is characterized by the end of a "master narrative," and Krauss sees in the post-medium condition of contemporary art a similar farewell to coherence. The master narrative of contemporary art ended when conceptual art and other contemporary practices jettisoned the specific medium in order to juxtapose image and written text in the same work. For Krauss, this spells the end of serious art, and she devotes much of Perpetual Inventory to "wrest[ling] new media to the mat of specificity."
Perpetual inventory
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Résumé:
The job of an art critic is to take perpetual inventory, constantly revising her ideas about the direction of contemporary art and the significance of the work she writes about. In these essays, which span three decades of assessment and reassessment, Rosalind Krauss considers what she has come to call the "post-medium condition"—the abandonment by contemporary art of the modernist emphasis on the medium as the source of artistic significance. Jean-François Lyotard argued that the postmodern condition is characterized by the end of a "master narrative," and Krauss sees in the post-medium condition of contemporary art a similar farewell to coherence. The master narrative of contemporary art ended when conceptual art and other contemporary practices jettisoned the specific medium in order to juxtapose image and written text in the same work. For Krauss, this spells the end of serious art, and she devotes much of Perpetual Inventory to "wrest[ling] new media to the mat of specificity."
Classification:
livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$39.95
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From 2012 to 2014 a series of contemporary art exhibitions, events, and participatory forums organized by Galerija Nova, Tensta konsthall, and Grazer Kunstverein comprised the project “Beginning as Well as We Can (How Do We Talk about Fascism?).” Focusing on the startling increase of nationalism across Europe—made palpable in manifestations of fascist tendencies and the(...)
$39.95
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From 2012 to 2014 a series of contemporary art exhibitions, events, and participatory forums organized by Galerija Nova, Tensta konsthall, and Grazer Kunstverein comprised the project “Beginning as Well as We Can (How Do We Talk about Fascism?).” Focusing on the startling increase of nationalism across Europe—made palpable in manifestations of fascist tendencies and the(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
mars 2015
mars 2015
Titre:
Art and f word reflections on the browning of Europe
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From 2012 to 2014 a series of contemporary art exhibitions, events, and participatory forums organized by Galerija Nova, Tensta konsthall, and Grazer Kunstverein comprised the project “Beginning as Well as We Can (How Do We Talk about Fascism?).” Focusing on the startling increase of nationalism across Europe—made palpable in manifestations of fascist tendencies and the cult of heritage—the project points to the possibility and power of art to imagine futures that are not irrevocably determined by the present, but are invested with struggles fought here and now. Art and the F Word: Reflections on the Browning of Europe, edited by curator Maria Lind and the collective What, How & for Whom/WHW, continues the debate with contributions by cultural critics, curators, and artists, which articulate resistant and constructive possibilities of social and artistic production—investigating the language of politics and philosophy and also popular vocabularies, social contexts, media, science, and aesthetics.
Art and f word reflections on the browning of Europe
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Résumé:
From 2012 to 2014 a series of contemporary art exhibitions, events, and participatory forums organized by Galerija Nova, Tensta konsthall, and Grazer Kunstverein comprised the project “Beginning as Well as We Can (How Do We Talk about Fascism?).” Focusing on the startling increase of nationalism across Europe—made palpable in manifestations of fascist tendencies and the cult of heritage—the project points to the possibility and power of art to imagine futures that are not irrevocably determined by the present, but are invested with struggles fought here and now. Art and the F Word: Reflections on the Browning of Europe, edited by curator Maria Lind and the collective What, How & for Whom/WHW, continues the debate with contributions by cultural critics, curators, and artists, which articulate resistant and constructive possibilities of social and artistic production—investigating the language of politics and philosophy and also popular vocabularies, social contexts, media, science, and aesthetics.
Classification:
livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$55.00
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Résumé:
Freestyle thinking—that is Vilém Flusser’s intellectual modus operandi: challenging and offensive, paradoxical and audacious. His thought knows no disciplines or subjects nor does it pay tribute to other academic frameworks or rituals. Above all else his thought wants to intervene in ongoing cultural and artistic processes and influence them. In order to achieve this, no(...)
$55.00
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Freestyle thinking—that is Vilém Flusser’s intellectual modus operandi: challenging and offensive, paradoxical and audacious. His thought knows no disciplines or subjects nor does it pay tribute to other academic frameworks or rituals. Above all else his thought wants to intervene in ongoing cultural and artistic processes and influence them. In order to achieve this, no(...)
Titre:
Flusseriana: an intellectual toolbox
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$55.00
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Freestyle thinking—that is Vilém Flusser’s intellectual modus operandi: challenging and offensive, paradoxical and audacious. His thought knows no disciplines or subjects nor does it pay tribute to other academic frameworks or rituals. Above all else his thought wants to intervene in ongoing cultural and artistic processes and influence them. In order to achieve this, no closed theoretical systems are necessary—only open, operative structures. The Flusseriana is a toolbox capable of being developed and expanded. It contains more than two hundred “thinkthings” (Denkdinge) of all kinds: particularities like “Indian Summer,” “Atlas,” “Submissiveness,” “Animal,” and “Mediterranean Sea”; condensed Flusserian thought concerning the big eternal questions such as “History,” “Language,” “Myth,” and “Religion”; the central concepts of his media analysis including “Apparatus,” “Abstraction,” “Cybernetics,” and “Telematics”; as well as Flusser’s own neologisms, “Communicology,” “Universe of Dots,” and the old and the new “Imaginations.” More than one hundred authors produced the entries under these entries in a dialogic practice entirely in the spirit of the philosophical writer from Prague.
Flusseriana: an intellectual toolbox
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$55.00
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Résumé:
Freestyle thinking—that is Vilém Flusser’s intellectual modus operandi: challenging and offensive, paradoxical and audacious. His thought knows no disciplines or subjects nor does it pay tribute to other academic frameworks or rituals. Above all else his thought wants to intervene in ongoing cultural and artistic processes and influence them. In order to achieve this, no closed theoretical systems are necessary—only open, operative structures. The Flusseriana is a toolbox capable of being developed and expanded. It contains more than two hundred “thinkthings” (Denkdinge) of all kinds: particularities like “Indian Summer,” “Atlas,” “Submissiveness,” “Animal,” and “Mediterranean Sea”; condensed Flusserian thought concerning the big eternal questions such as “History,” “Language,” “Myth,” and “Religion”; the central concepts of his media analysis including “Apparatus,” “Abstraction,” “Cybernetics,” and “Telematics”; as well as Flusser’s own neologisms, “Communicology,” “Universe of Dots,” and the old and the new “Imaginations.” More than one hundred authors produced the entries under these entries in a dialogic practice entirely in the spirit of the philosophical writer from Prague.
Classification:
livres
livres
Publication:
juillet 2015
juillet 2015
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
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$66.00
(disponible en magasin)
Résumé:
American cities underwent seismic transformations in the 1960s and '70s, from shifting demographics and political protests to reshaping through highways and urban renewal. Amid this climate of upheaval, photographers, architects, activists, performance artists, and filmmakers turned conditions of crisis into sites for civic discourse and artistic expression. The City Lost(...)
$66.00
(disponible en magasin)
Résumé:
American cities underwent seismic transformations in the 1960s and '70s, from shifting demographics and political protests to reshaping through highways and urban renewal. Amid this climate of upheaval, photographers, architects, activists, performance artists, and filmmakers turned conditions of crisis into sites for civic discourse and artistic expression. The City Lost(...)
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Publication:
novembre 2014
novembre 2014
Titre:
The city lost & found: capturing New York, Chicago, and Los Angeles
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$66.00
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Résumé:
American cities underwent seismic transformations in the 1960s and '70s, from shifting demographics and political protests to reshaping through highways and urban renewal. Amid this climate of upheaval, photographers, architects, activists, performance artists, and filmmakers turned conditions of crisis into sites for civic discourse and artistic expression. The City Lost and Found explores photographic and cinematic responses to the changing fabric of New York, Chicago, and Los Angeles that contributed to a reconsideration of cities in popular media and urban policy during this period. This book raises timely questions about the role of art within the social, political, and physical landscape of cities. Featuring contributions from more than 20 noted scholars in fields including art history, urban planning, architecture, and cultural studies, this is the first publication to address an important shift in photographic, cinematic, and planning practices based on close observations of streets, neighborhoods, and seminal events in the country's three largest cities.
The city lost & found: capturing New York, Chicago, and Los Angeles
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Prix:
$66.00
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Résumé:
American cities underwent seismic transformations in the 1960s and '70s, from shifting demographics and political protests to reshaping through highways and urban renewal. Amid this climate of upheaval, photographers, architects, activists, performance artists, and filmmakers turned conditions of crisis into sites for civic discourse and artistic expression. The City Lost and Found explores photographic and cinematic responses to the changing fabric of New York, Chicago, and Los Angeles that contributed to a reconsideration of cities in popular media and urban policy during this period. This book raises timely questions about the role of art within the social, political, and physical landscape of cities. Featuring contributions from more than 20 noted scholars in fields including art history, urban planning, architecture, and cultural studies, this is the first publication to address an important shift in photographic, cinematic, and planning practices based on close observations of streets, neighborhoods, and seminal events in the country's three largest cities.
Classification:
livres
livres
Publication:
novembre 2014
novembre 2014
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
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$24.95
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Résumé:
In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights(...)
$24.95
(disponible sur commande)
Résumé:
In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights(...)
Titre:
Obey the giant : life in the image world
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$24.95
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Résumé:
In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights into the changing dialogue between advertising and design. Other essays address the topics of visual journalism; brands as religion; the new solipsism; graphic memes; the pleasures of imperfect design; and the poverty of “cool”. Around the world, many are now waking up to the dominance of huge corporations – invariably expressed by visual means. This pointed and provocative counterblast arrives at a moment when critical responses are vital if this mono-culture is to be challenged. It offers inspirational evidence of alternative ways of engaging with design, and it will appeal to any reader with a questioning interest in design, advertising, cultural studies, media studies, and the visual arts.
Obey the giant : life in the image world
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Prix:
$24.95
(disponible sur commande)
Résumé:
In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights into the changing dialogue between advertising and design. Other essays address the topics of visual journalism; brands as religion; the new solipsism; graphic memes; the pleasures of imperfect design; and the poverty of “cool”. Around the world, many are now waking up to the dominance of huge corporations – invariably expressed by visual means. This pointed and provocative counterblast arrives at a moment when critical responses are vital if this mono-culture is to be challenged. It offers inspirational evidence of alternative ways of engaging with design, and it will appeal to any reader with a questioning interest in design, advertising, cultural studies, media studies, and the visual arts.
Classification:
livres
livres
Publication:
décembre 2001, London
décembre 2001, London
Sujet:
Théorie du design
Théorie du design
