Kant for architects
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This book introduces architects to a philosopher, Immanuel Kant, whose work was constantly informed by a concern for the world as an evolving whole. According to Kant, in this interconnected and dynamic world, humans should act as mutually dependent and responsible subjects. Given his future-oriented and ethico-politically concerned thinking, Kant is a thinker who clearly(...)
Kant for architects
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$37.70
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This book introduces architects to a philosopher, Immanuel Kant, whose work was constantly informed by a concern for the world as an evolving whole. According to Kant, in this interconnected and dynamic world, humans should act as mutually dependent and responsible subjects. Given his future-oriented and ethico-politically concerned thinking, Kant is a thinker who clearly speaks to architects. This introduction demonstrates how his ideas bear pertinently and creatively upon the world in which we live now and for which we should care thoughtfully.
Théorie de l’architecture
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This book is a selection of contact sheets and photographs by international and well-known photographers through which one can write an "original" history of photography. Each selected photo tells us the point of view of his/her author, whereas the contact sheets offer us the opportunity to better understand how the photographer has come to choose the right shot. Each(...)
Contact sheets: the selected photos
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This book is a selection of contact sheets and photographs by international and well-known photographers through which one can write an "original" history of photography. Each selected photo tells us the point of view of his/her author, whereas the contact sheets offer us the opportunity to better understand how the photographer has come to choose the right shot. Each selected photo is accompanied by a text written by the photographer, in which he/she tells to the reader when and why the picture was realized.
Photographie- collections
$23.95
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More than ever, architectural design is seen as a means to promote commercial goals rather than as an end in itself. Frank Gehry’s Guggenheim Museum in Bilbao, for example, simply cannot be considered apart from its intended role as a catalyst for the economic revitalization of Bilbao and its ability to attract tourist dollars, regardless of its architectural merits. A(...)
Théorie de l’architecture
novembre 2005, Minneapolis, London
Commodification and spectacle in architecture
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More than ever, architectural design is seen as a means to promote commercial goals rather than as an end in itself. Frank Gehry’s Guggenheim Museum in Bilbao, for example, simply cannot be considered apart from its intended role as a catalyst for the economic revitalization of Bilbao and its ability to attract tourist dollars, regardless of its architectural merits. A built environment intended to seduce consumers is more likely to offer instant gratification than to invite independent thought and reflection. But how harmful, if at all, is this unprecedented commercialization of architecture? Framed with an introduction by Kenneth Frampton, the contributions to "Commodification and spectacle in architecture" stake out a variety of positions in the debate over the extent to which it is possible—or desirable—to escape from, resist, or suggest plausible alternatives to the dominant culture of consumer capitalism. Rejecting any dreamy nostalgia for an idealized present or past in which design is completely divorced from commerce—and, in some cases, celebrating the pleasures of spectacle—the individual essays range from indictments of particular architects and critiques of the profession to broader concerns about what the phenomenon of commodification means for the practice of democracy and the health of society. Bringing together an impressive and varied group of critics and practitioners, "Commodification and spectacle in architecture" will help to sharpen the discussion of how design can respond to our hypercommodified culture.
Théorie de l’architecture
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For generations, our remote ancestors have been cast as primitive and childlike--either free and equal innocents, or thuggish and warlike. Civilization, we are told, could only be achieved by sacrificing those original freedoms, or alternatively, by taming our baser instincts. Graeber and Wengrow show how such theories first emerged in the eighteenth century as a(...)
The dawn of everything: a new history of humanity
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For generations, our remote ancestors have been cast as primitive and childlike--either free and equal innocents, or thuggish and warlike. Civilization, we are told, could only be achieved by sacrificing those original freedoms, or alternatively, by taming our baser instincts. Graeber and Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction to powerful critiques of European society posed by Indigenous observers and intellectuals. Revisiting this encounter has startling implications for how we make sense of human history today, including the origins of farming, property, cities, democracy, slavery, and civilization itself. Drawing on path-breaking research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we learn to throw off our conceptual shackles and perceive what's really there. If humans did not spend 95% of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and economic organization did they lead to? What was really happening during the periods that we usually describe as the emergence of "the state"? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful, hopeful possibilities, than we tend to assume. ''The dawn of everything'' fundamentally transforms our understanding of the human past and offers a path toward imagining new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual range, animated by curiosity, moral vision, and a faith in the power of direct action.
Social
$48.00
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Online privacy is under constant attack by social media and big data technologies. But we cannot rely on individual actions to remedy this—it is a matter of social justice. Alice E. Marwick offers a new way of understanding how privacy is jeopardized, particularly for marginalized and disadvantaged communities—including immigrants, the poor, people of color, LGBTQ+(...)
The private is political: networked privacy and social media
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Online privacy is under constant attack by social media and big data technologies. But we cannot rely on individual actions to remedy this—it is a matter of social justice. Alice E. Marwick offers a new way of understanding how privacy is jeopardized, particularly for marginalized and disadvantaged communities—including immigrants, the poor, people of color, LGBTQ+ populations, and victims of online harassment. Marwick shows that few resources or regulations for preventing personal information from spreading on the internet. Through a new theory of ''networked privacy,'' she reveals how current legal and technological frameworks are woefully inadequate in addressing issues of privacy—often by design. Drawing from interviews and focus groups encompassing a diverse group of Americans, Marwick shows that even heavy social media users care deeply about privacy and engage in extensive ''privacy work'' to protect it. But people are up against the violation machine of the modern internet. Safeguarding privacy must happen at the collective level.
Social
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The "Atlas of never built architecture" features hundreds of the most spectacular unbuilt projects of the 20th and 21st centuries in a comprehensive, geographically arranged survey. At times impractical or fanciful but always imaginative and ambitious, the projects included in this ground-breaking book reveal the incredible diversity of ideas that have emerged from the(...)
Atlas of never built architecture
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The "Atlas of never built architecture" features hundreds of the most spectacular unbuilt projects of the 20th and 21st centuries in a comprehensive, geographically arranged survey. At times impractical or fanciful but always imaginative and ambitious, the projects included in this ground-breaking book reveal the incredible diversity of ideas that have emerged from the world’s most influential architects. A vast array of imagery, from initial sketches and paintings to etchings and digital renderings, offers insight into how architectural projects are conceived and developed, and the book features a wide-ranging selection of projects, such as parliamentary buildings, museums, arts centers, skyscrapers, artificial islands, and city plans. Futuristic visions from the likes of Frank Lloyd Wright, Louis Kahn, and Le Corbusier, sit alongside more contemporary proposals from talents such as Norman Foster, Diller, Scofidio + Renfro, Steven Holl, and Zaha Hadid to show how our built environments could have looked very different indeed.
Architecture contemporaine
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Constant change is what marks the history of the European city. Over centuries, architecture’s reactions to social disruptions?natural disaster, plague, or war?have fashioned the city into an engine of civilization. And bound up with this has been the promise of economic independence, social cohesion, and individual freedom. Now fundamental challenges, such as climate(...)
Expositions en cours
novembre 2020
Urbainable: Positions on the european city for the 21st century
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Constant change is what marks the history of the European city. Over centuries, architecture’s reactions to social disruptions?natural disaster, plague, or war?have fashioned the city into an engine of civilization. And bound up with this has been the promise of economic independence, social cohesion, and individual freedom. Now fundamental challenges, such as climate change, are bringing cities face to face with new transformations that call into question the continuity and sustainability of the ethical foundations underpinning urban ways of life. Bold and decisive steps are needed. How far can urban planning, landscape planning, and architecture foster the vital processes of change? How can the city offset possible losses caused by altered lifestyles, integrate new technologies, or rehearse new forms of behaviour and ultimately sublimate them into a functioning culture? In this volume, the members of the Architecture Section of the Akademie der Künste Berlin and their invited guests from all over Europe introduce their positions by means of projects, visions, and manifestos.
Expositions en cours
The artist's palette
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From traditional wooden boards to paint pots, ceramic plates, and studio walls, these deceptively simple yet potent tools provide vital evidence. ''The Artist’s Palette'' presents fifty unique palettes alongside paintings by the celebrated artists who used them, gathering expert analysis of color, brushstroke, and technique to offer new histories of these artists and(...)
The artist's palette
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From traditional wooden boards to paint pots, ceramic plates, and studio walls, these deceptively simple yet potent tools provide vital evidence. ''The Artist’s Palette'' presents fifty unique palettes alongside paintings by the celebrated artists who used them, gathering expert analysis of color, brushstroke, and technique to offer new histories of these artists and their work. Alexandra Loske pairs each artist’s color palette with one or more of their paintings, revealing how the artist used paints and pigments. While Georges Seurat meticulously arranged the paints on his palette in prismatic order, a pointillist technique reflected on his canvases, Kerry James Marshall uses blots of zinc white and smears of pale pink on the surfaces of symbolically oversized white palettes held by the Black artists in his portraits, raising provocative questions about the role of color in Black history and Western art. Through these and other compelling accounts, Loske shows how, behind every great painting, there is a palette that tells its story.
$94.95
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Materials for Interiors provides detailed and specific information on the use of appropriate materials in interior design. The book leads off with an overview of the range of available products for interior design, including large-format photographs of each material and interiors that use them. This is followed by detailed discussions of relevant aspects and production(...)
Matériaux et éclairage
janvier 2009, Basel, Boston, Berlin
in detail interior surfaces and materials: aesthetics, technology, implementation
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Materials for Interiors provides detailed and specific information on the use of appropriate materials in interior design. The book leads off with an overview of the range of available products for interior design, including large-format photographs of each material and interiors that use them. This is followed by detailed discussions of relevant aspects and production methods of the individual material groups, including selected examples. The processing of the materials is illustrated by production photographs from the construction site and numerous detail drawings. In the accompanying texts, expert planners who specialize in the various materials share their practical knowledge of how to use them. The technical articles and example projects focus on the surface of the material and how it is produced or comes to be and contain corresponding decision support for planners. Additional technical information on the materials used and a list of manufacturer and vendor addresses round out the volume.
Matériaux et éclairage
The other side of empathy
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In The Other Side of Empathy, Jade E. Davis contests the value of empathy as an affective or critical tool. Whether focusing on technology, colonialism, or racism, she shows how empathy can obscure relationships of dominance, control, submission, and victimization, arguing that these histories taint the whole concept of empathy. Drawing on digital archives of photographs,(...)
The other side of empathy
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In The Other Side of Empathy, Jade E. Davis contests the value of empathy as an affective or critical tool. Whether focusing on technology, colonialism, or racism, she shows how empathy can obscure relationships of dominance, control, submission, and victimization, arguing that these histories taint the whole concept of empathy. Drawing on digital archives of photographs, memoirs, newspapers, interviews, and advertisements regarding nineteenth-century ethnographic museums and human zoos, Davis shows how empathetic responses erase culpabilities from those institutions that commodify difference. She also contends that empathy’s mediation through digital technology cannot lead to more ethical actions, as technology only connects representations of people rather than the people themselves. In empathy’s place, Davis proposes mutual recognition as a way to see and experience others beyond colonial modes of empathy. Davis illustrates that moving beyond empathy allows for a more nuanced understanding of the colonial past and its ongoing impact while providing for a more meaningful affective engagement with the world.
Théorie/ philosophie