106 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS05
Description:
The sub-series documents the exhibition "Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers", curated by Pettena and presented at the Piazza Santissima Annuziata in Florence in 1988. The exhibition is a study of designs for exhibition spaces by comparing the work of Japanese architect Arata Isozaki and German architect Oswald Mathias Ungers. The sub-series contains research material on Arata Isozaki and Oswald Mathias Ungers and their projects, such as articles and photocopies of publications.
AP207.S2.SS05
Description:
The sub-series documents the exhibition "Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers", curated by Pettena and presented at the Piazza Santissima Annuziata in Florence in 1988. The exhibition is a study of designs for exhibition spaces by comparing the work of Japanese architect Arata Isozaki and German architect Oswald Mathias Ungers. The sub-series contains research material on Arata Isozaki and Oswald Mathias Ungers and their projects, such as articles and photocopies of publications.
Personnes et institutions:
Date:
circa 1988
circa 1988
Titre:
Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers (1988)
Actions:
AP207.S2.SS05
Description:
The sub-series documents the exhibition "Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers", curated by Pettena and presented at the Piazza Santissima Annuziata in Florence in 1988. The exhibition is a study of designs for exhibition spaces by comparing the work of Japanese architect Arata Isozaki and German architect Oswald Mathias Ungers. The sub-series contains research material on Arata Isozaki and Oswald Mathias Ungers and their projects, such as articles and photocopies of publications.
Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers (1988)
Actions:
AP207.S2.SS05
Description:
The sub-series documents the exhibition "Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers", curated by Pettena and presented at the Piazza Santissima Annuziata in Florence in 1988. The exhibition is a study of designs for exhibition spaces by comparing the work of Japanese architect Arata Isozaki and German architect Oswald Mathias Ungers. The sub-series contains research material on Arata Isozaki and Oswald Mathias Ungers and their projects, such as articles and photocopies of publications.
Niveau de description archivistique:
Subseries
Subseries
Date:
circa 1988
circa 1988
Personnes et institutions:
Classification:
événements
événements
Titre:
Séminaire de chercheur en résidence : Maria Stavrinaki
Le « Corps mystique » de la Gläserne Kette
Séminaire de chercheur en résidence : Maria Stavrinaki
Le « Corps mystique » de la Gläserne Kette
Actions:
Mot(s)-clé(s):
Gläserne Kette, Maria Stavrinaki, Le Corps mystique, Oswald Matthias Ungers, Chercheur en Résidence
Gläserne Kette, Maria Stavrinaki, Le Corps mystique, Oswald Matthias Ungers, Chercheur en Résidence
Date:
15 juillet 2005
15 juillet 2005
Classification:
événements
événements
Date:
15 juillet 2005
15 juillet 2005
Mot(s)-clé(s):
Gläserne Kette, Maria Stavrinaki, Le Corps mystique, Oswald Matthias Ungers, Chercheur en Résidence
Gläserne Kette, Maria Stavrinaki, Le Corps mystique, Oswald Matthias Ungers, Chercheur en Résidence
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Personnes et institutions:
Date:
1911-1977
1911-1977
Titre:
Collection Die gläserne Kette
Actions:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Collection Die gläserne Kette
Actions:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Classification:
archives
Niveau de description archivistique:
Collection AP162
archives
Niveau de description archivistique:
Collection AP162
Date:
1911-1977
1911-1977
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR1988:0022:001-010
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. This group includes theoretical texts and illustrations from Die gläserne Kette, as well as other correspondence. Most of the works are mimeographs.
DR1988:0022:001-010
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. This group includes theoretical texts and illustrations from Die gläserne Kette, as well as other correspondence. Most of the works are mimeographs.
Personnes et institutions:
Date:
1919-1920
1919-1920
Titre:
Material from Hermann Finsterlin mostly for Die gläserne Kette
Actions:
DR1988:0022:001-010
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. This group includes theoretical texts and illustrations from Die gläserne Kette, as well as other correspondence. Most of the works are mimeographs.
Material from Hermann Finsterlin mostly for Die gläserne Kette
Actions:
DR1988:0022:001-010
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. This group includes theoretical texts and illustrations from Die gläserne Kette, as well as other correspondence. Most of the works are mimeographs.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
1919-1920
1919-1920
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR1988:0020:001-007
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in intent, this group includes copies of drawings and texts by Hans Scharoun (pseusonym Hannes) that were circulated in Die gläserne Kette. These reprographic and carbon copies were accessioned as received in a beige folder.
DR1988:0020:001-007
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in intent, this group includes copies of drawings and texts by Hans Scharoun (pseusonym Hannes) that were circulated in Die gläserne Kette. These reprographic and carbon copies were accessioned as received in a beige folder.
Personnes et institutions:
Date:
circa 1919-1920
circa 1919-1920
Titre:
Material from Hans Scharoun mostly for Die gläserne Kette
Actions:
DR1988:0020:001-007
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in intent, this group includes copies of drawings and texts by Hans Scharoun (pseusonym Hannes) that were circulated in Die gläserne Kette. These reprographic and carbon copies were accessioned as received in a beige folder.
Material from Hans Scharoun mostly for Die gläserne Kette
Actions:
DR1988:0020:001-007
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in intent, this group includes copies of drawings and texts by Hans Scharoun (pseusonym Hannes) that were circulated in Die gläserne Kette. These reprographic and carbon copies were accessioned as received in a beige folder.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
circa 1919-1920
circa 1919-1920
Personnes et institutions:
Classification:
dessins, documents textuels, photographies
Quantité:
5 file(s)
dessins, documents textuels, photographies
Quantité:
5 file(s)
Numéro de référence:
DR1988:0019:001-005
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in content, this group includes three letters, a page from a letter with drawings for a concert hall, and a photograph of a model of the same concert hall. The letters and photograph were accessioned as received in a beige folder.
DR1988:0019:001-005
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in content, this group includes three letters, a page from a letter with drawings for a concert hall, and a photograph of a model of the same concert hall. The letters and photograph were accessioned as received in a beige folder.
Personnes et institutions:
Date:
circa 1919-1920
circa 1919-1920
Titre:
Material from Wassili Luckhardt and Hans Luckhardt mostly for Die gläserne Kette
Actions:
DR1988:0019:001-005
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in content, this group includes three letters, a page from a letter with drawings for a concert hall, and a photograph of a model of the same concert hall. The letters and photograph were accessioned as received in a beige folder.
Material from Wassili Luckhardt and Hans Luckhardt mostly for Die gläserne Kette
Actions:
DR1988:0019:001-005
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in content, this group includes three letters, a page from a letter with drawings for a concert hall, and a photograph of a model of the same concert hall. The letters and photograph were accessioned as received in a beige folder.
Classification:
dessins, documents textuels, photographies
Quantité:
5 file(s)
dessins, documents textuels, photographies
Quantité:
5 file(s)
Date:
circa 1919-1920
circa 1919-1920
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
Personnes et institutions:
Date:
circa 1919-1920
circa 1919-1920
Titre:
Material from Max Taut mostly for Die gläserne Kette
Actions:
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
Material from Max Taut mostly for Die gläserne Kette
Actions:
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
circa 1919-1920
circa 1919-1920
Personnes et institutions:
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
DR1988:0015:001-029
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal studies and other material relating to projects for buildings but also includes biographical material. Includes 17 drawings, 12 photographs, 9 prints, and 4 sheets of text. Most of the drawings are studies of architectonic massing of forms, a few are identified by project name, such as "Das Maler Haus" (the Painter's house) and the Christian Science Cathedral. Design of the subject of the photograph, drawing, or reproduction is attributed to Carl Krayl, following Ungers's attributions, unless otherwise stated. Many of the works in this group are inscribed with the name "Krayl" in blue ball-point pen; this might be the hand-writing of Frau L. Krayl who wrote the note on DR1988:0015:026 R/V. The photographs DR1988:0015:001 to DR1988:0015:006 are of the same model. Tim Benson has suggested that the model is a competition entry for changes to Alexanderplatz, Berlin (Shubert). DR1988:0015:007 to DR1988:0015:009 illustrate different views of the same plaster model. DR1988:0015:010 appears to be a photograph of a model for "Das Maler Haus", which is represented by the prints DR1988:0015:024 and DR1988:0015:025.
DR1988:0015:001-029
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal studies and other material relating to projects for buildings but also includes biographical material. Includes 17 drawings, 12 photographs, 9 prints, and 4 sheets of text. Most of the drawings are studies of architectonic massing of forms, a few are identified by project name, such as "Das Maler Haus" (the Painter's house) and the Christian Science Cathedral. Design of the subject of the photograph, drawing, or reproduction is attributed to Carl Krayl, following Ungers's attributions, unless otherwise stated. Many of the works in this group are inscribed with the name "Krayl" in blue ball-point pen; this might be the hand-writing of Frau L. Krayl who wrote the note on DR1988:0015:026 R/V. The photographs DR1988:0015:001 to DR1988:0015:006 are of the same model. Tim Benson has suggested that the model is a competition entry for changes to Alexanderplatz, Berlin (Shubert). DR1988:0015:007 to DR1988:0015:009 illustrate different views of the same plaster model. DR1988:0015:010 appears to be a photograph of a model for "Das Maler Haus", which is represented by the prints DR1988:0015:024 and DR1988:0015:025.
Personnes et institutions:
Date:
circa 1918-1945
circa 1918-1945
Titre:
Material from Carl Krayl mostly for Die gläserne Kette
Actions:
DR1988:0015:001-029
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal studies and other material relating to projects for buildings but also includes biographical material. Includes 17 drawings, 12 photographs, 9 prints, and 4 sheets of text. Most of the drawings are studies of architectonic massing of forms, a few are identified by project name, such as "Das Maler Haus" (the Painter's house) and the Christian Science Cathedral. Design of the subject of the photograph, drawing, or reproduction is attributed to Carl Krayl, following Ungers's attributions, unless otherwise stated. Many of the works in this group are inscribed with the name "Krayl" in blue ball-point pen; this might be the hand-writing of Frau L. Krayl who wrote the note on DR1988:0015:026 R/V. The photographs DR1988:0015:001 to DR1988:0015:006 are of the same model. Tim Benson has suggested that the model is a competition entry for changes to Alexanderplatz, Berlin (Shubert). DR1988:0015:007 to DR1988:0015:009 illustrate different views of the same plaster model. DR1988:0015:010 appears to be a photograph of a model for "Das Maler Haus", which is represented by the prints DR1988:0015:024 and DR1988:0015:025.
Material from Carl Krayl mostly for Die gläserne Kette
Actions:
DR1988:0015:001-029
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal studies and other material relating to projects for buildings but also includes biographical material. Includes 17 drawings, 12 photographs, 9 prints, and 4 sheets of text. Most of the drawings are studies of architectonic massing of forms, a few are identified by project name, such as "Das Maler Haus" (the Painter's house) and the Christian Science Cathedral. Design of the subject of the photograph, drawing, or reproduction is attributed to Carl Krayl, following Ungers's attributions, unless otherwise stated. Many of the works in this group are inscribed with the name "Krayl" in blue ball-point pen; this might be the hand-writing of Frau L. Krayl who wrote the note on DR1988:0015:026 R/V. The photographs DR1988:0015:001 to DR1988:0015:006 are of the same model. Tim Benson has suggested that the model is a competition entry for changes to Alexanderplatz, Berlin (Shubert). DR1988:0015:007 to DR1988:0015:009 illustrate different views of the same plaster model. DR1988:0015:010 appears to be a photograph of a model for "Das Maler Haus", which is represented by the prints DR1988:0015:024 and DR1988:0015:025.
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Date:
circa 1918-1945
circa 1918-1945
Personnes et institutions:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
119 pages : illustrations, plans ; 21 cm
Description:
119 pages : illustrations, plans ; 21 cm
Auteur:
Sujet:
Publication:
Milano : Skira, ©1997.
Milano : Skira, ©1997.
Titre:
Oswald Mathias Ungers : la città dialettica / O.M. Ungers, Stefan Vieths.
Actions:
Exemplaires:
Description:
119 pages : illustrations, plans ; 21 cm
Oswald Mathias Ungers : la città dialettica / O.M. Ungers, Stefan Vieths.
Actions:
Exemplaires:
Description:
119 pages : illustrations, plans ; 21 cm
Classification:
livres
livres
Publication:
Milano : Skira, ©1997.
Milano : Skira, ©1997.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
78 pages : illustrations ; 22 x 25 cm
Description:
78 pages : illustrations ; 22 x 25 cm
Auteur:
Sujet:
Publication:
Napoli : CLEAN edizioni, ©1992.
Napoli : CLEAN edizioni, ©1992.
Titre:
Oswald Mathias Ungers : quattro opere = four works / introduzione di Benedetto Gravagnuolo.
Actions:
Exemplaires:
Description:
78 pages : illustrations ; 22 x 25 cm
Oswald Mathias Ungers : quattro opere = four works / introduzione di Benedetto Gravagnuolo.
Actions:
Exemplaires:
Description:
78 pages : illustrations ; 22 x 25 cm
Classification:
livres
livres
Publication:
Napoli : CLEAN edizioni, ©1992.
Napoli : CLEAN edizioni, ©1992.
Auteur:
Sujet:
