87 Résultats
Classification:
photographies
photographies
Actions:
Numéro de référence:
PHCON2002:0016:013:006:001
PHCON2002:0016:013:006:001
Personnes et institutions:
Date:
1972
1972
Classification:
photographies
photographies
Date:
1972
1972
Personnes et institutions:
Classification:
photographies
photographies
Titre:
Plateau of cleared land with tire tracks in dirt, overlooking a town in a, Glendale, California
Plateau of cleared land with tire tracks in dirt, overlooking a town in a, Glendale, California
Actions:
Numéro de référence:
PH1980:1184
PH1980:1184
Personnes et institutions:
Date:
1980
1980
Titre:
Plateau of cleared land with tire tracks in dirt, overlooking a town in a, Glendale, California
Actions:
PH1980:1184
Plateau of cleared land with tire tracks in dirt, overlooking a town in a, Glendale, California
Actions:
PH1980:1184
Classification:
photographies
photographies
Date:
1980
1980
Personnes et institutions:
Classification:
photographies
photographies
Titre:
Rear of "recently occupied" stucco house showing patio and dirt backyard, Diamond Bar, California
Rear of "recently occupied" stucco house showing patio and dirt backyard, Diamond Bar, California
Actions:
Numéro de référence:
PH1985:0200
PH1985:0200
Personnes et institutions:
Date:
1980
1980
Titre:
Rear of "recently occupied" stucco house showing patio and dirt backyard, Diamond Bar, California
Actions:
PH1985:0200
Rear of "recently occupied" stucco house showing patio and dirt backyard, Diamond Bar, California
Actions:
PH1985:0200
Classification:
photographies
photographies
Date:
1980
1980
Personnes et institutions:
Classification:
photographies
photographies
![Wooden house with porch, barn adjacent, dirt track and wooden fence in foreground, New York State [?]](/img-collection/2uqKSFRj3CcEGn4zEmKmbab9_yw=/500x375/360590.jpg)
Actions:
Numéro de référence:
PH1984:0468
PH1984:0468
Personnes et institutions:
Date:
printed ca. 1900
printed ca. 1900
Classification:
photographies
photographies
Date:
printed ca. 1900
printed ca. 1900
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2003:0128
PH2003:0128
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
August 1995
August 1995
Titre:
View of a café and other buildings, a brick wall and a dirt road, León, León Province, Spain
Actions:
PH2003:0128
View of a café and other buildings, a brick wall and a dirt road, León, León Province, Spain
Actions:
PH2003:0128
Classification:
photographies
photographies
Date:
August 1995
August 1995
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1997:0054
Description:
The series "Running Fence 1997" focuses "on the first 14 miles of the border fence that separates the United States and Mexico, beginning at the Pacific Ocean and ending in the Otay Mountains.... [It] analyzes the "idea" of the border and explores its iconography, the border being a subject that is of extreme importance to the public as the world proceeds towards greater globalization. [Geoffrey] James has written of the project: "[The border fence] was built by the US Army Corps of Engineers in 1994, out of recycled metal landing strip - the most visible symbol of what is known as Operation Gatekeeper. Because the steel sheets are placed in the ground so that their ridges run horizontally, a man can hop over the fence with ease; and no Mexican child ever seems to be impeded from retrieving a soccer ball from US territory. The real barrier to illegal immigration from Mexico into the USA is less visible: hundreds of buried sensors linked to a central computer, nightscopes, helicopters and Border Patrol Agents in white Broncos."" (Evans).
PH1997:0054
Description:
The series "Running Fence 1997" focuses "on the first 14 miles of the border fence that separates the United States and Mexico, beginning at the Pacific Ocean and ending in the Otay Mountains.... [It] analyzes the "idea" of the border and explores its iconography, the border being a subject that is of extreme importance to the public as the world proceeds towards greater globalization. [Geoffrey] James has written of the project: "[The border fence] was built by the US Army Corps of Engineers in 1994, out of recycled metal landing strip - the most visible symbol of what is known as Operation Gatekeeper. Because the steel sheets are placed in the ground so that their ridges run horizontally, a man can hop over the fence with ease; and no Mexican child ever seems to be impeded from retrieving a soccer ball from US territory. The real barrier to illegal immigration from Mexico into the USA is less visible: hundreds of buried sensors linked to a central computer, nightscopes, helicopters and Border Patrol Agents in white Broncos."" (Evans).
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
1997
1997
Titre:
View of dirt road and dwelling showing a partial view of United States-Mexico border fence, San Diego County, California, United States and Colonia Libertad, Tijuana, Baja California, Mexico
Actions:
PH1997:0054
Description:
The series "Running Fence 1997" focuses "on the first 14 miles of the border fence that separates the United States and Mexico, beginning at the Pacific Ocean and ending in the Otay Mountains.... [It] analyzes the "idea" of the border and explores its iconography, the border being a subject that is of extreme importance to the public as the world proceeds towards greater globalization. [Geoffrey] James has written of the project: "[The border fence] was built by the US Army Corps of Engineers in 1994, out of recycled metal landing strip - the most visible symbol of what is known as Operation Gatekeeper. Because the steel sheets are placed in the ground so that their ridges run horizontally, a man can hop over the fence with ease; and no Mexican child ever seems to be impeded from retrieving a soccer ball from US territory. The real barrier to illegal immigration from Mexico into the USA is less visible: hundreds of buried sensors linked to a central computer, nightscopes, helicopters and Border Patrol Agents in white Broncos."" (Evans).
View of dirt road and dwelling showing a partial view of United States-Mexico border fence, San Diego County, California, United States and Colonia Libertad, Tijuana, Baja California, Mexico
Actions:
PH1997:0054
Description:
The series "Running Fence 1997" focuses "on the first 14 miles of the border fence that separates the United States and Mexico, beginning at the Pacific Ocean and ending in the Otay Mountains.... [It] analyzes the "idea" of the border and explores its iconography, the border being a subject that is of extreme importance to the public as the world proceeds towards greater globalization. [Geoffrey] James has written of the project: "[The border fence] was built by the US Army Corps of Engineers in 1994, out of recycled metal landing strip - the most visible symbol of what is known as Operation Gatekeeper. Because the steel sheets are placed in the ground so that their ridges run horizontally, a man can hop over the fence with ease; and no Mexican child ever seems to be impeded from retrieving a soccer ball from US territory. The real barrier to illegal immigration from Mexico into the USA is less visible: hundreds of buried sensors linked to a central computer, nightscopes, helicopters and Border Patrol Agents in white Broncos."" (Evans).
Classification:
photographies
photographies
Date:
1997
1997
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2003:0127
PH2003:0127
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
August 1995
August 1995
Classification:
photographies
photographies
Date:
August 1995
August 1995
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Niveau de description archivistique:
Projet
Projet
Titre:
Copper House II
Copper House II
Numéro de référence:
AP182.S1.2009.D1
Description:
File documents an executed project for a private house in Chondi, Maharashtra, India. Copper House II is the second residence of a couple from Mumbai, who visit the house for a few days each week. It is located in a dense grove of mango trees near a brook that floods each year during the monsoon. To protect the inhabitants from the encroaching landscape, the house is set on an artificial high ground made of dirt dug for a well from the site itself. The open-air courtyard at the centre of the plan is paved in black basalt stones that also allow rainwater to drain below the house. On the ground floor, large horizontal windows are sheathed in slatted ironwood and copper mesh, providing a form of camouflage for the house while still permitting views out from the living spaces. The two boxy spaces upstairs are private: one contains a master bedroom and study, the second a smaller bedroom. The thin copper sheets that cover the upper floor are waterproof and will develop a verdigris over time, further concealing the house within its setting. File contains drawings, photographs, models, and a video recording.
AP182.S1.2009.D1
Description:
File documents an executed project for a private house in Chondi, Maharashtra, India. Copper House II is the second residence of a couple from Mumbai, who visit the house for a few days each week. It is located in a dense grove of mango trees near a brook that floods each year during the monsoon. To protect the inhabitants from the encroaching landscape, the house is set on an artificial high ground made of dirt dug for a well from the site itself. The open-air courtyard at the centre of the plan is paved in black basalt stones that also allow rainwater to drain below the house. On the ground floor, large horizontal windows are sheathed in slatted ironwood and copper mesh, providing a form of camouflage for the house while still permitting views out from the living spaces. The two boxy spaces upstairs are private: one contains a master bedroom and study, the second a smaller bedroom. The thin copper sheets that cover the upper floor are waterproof and will develop a verdigris over time, further concealing the house within its setting. File contains drawings, photographs, models, and a video recording.
Personnes et institutions:
Date:
2009-2014
2009-2014
Titre:
Copper House II
Actions:
AP182.S1.2009.D1
Description:
File documents an executed project for a private house in Chondi, Maharashtra, India. Copper House II is the second residence of a couple from Mumbai, who visit the house for a few days each week. It is located in a dense grove of mango trees near a brook that floods each year during the monsoon. To protect the inhabitants from the encroaching landscape, the house is set on an artificial high ground made of dirt dug for a well from the site itself. The open-air courtyard at the centre of the plan is paved in black basalt stones that also allow rainwater to drain below the house. On the ground floor, large horizontal windows are sheathed in slatted ironwood and copper mesh, providing a form of camouflage for the house while still permitting views out from the living spaces. The two boxy spaces upstairs are private: one contains a master bedroom and study, the second a smaller bedroom. The thin copper sheets that cover the upper floor are waterproof and will develop a verdigris over time, further concealing the house within its setting. File contains drawings, photographs, models, and a video recording.
Copper House II
Actions:
AP182.S1.2009.D1
Description:
File documents an executed project for a private house in Chondi, Maharashtra, India. Copper House II is the second residence of a couple from Mumbai, who visit the house for a few days each week. It is located in a dense grove of mango trees near a brook that floods each year during the monsoon. To protect the inhabitants from the encroaching landscape, the house is set on an artificial high ground made of dirt dug for a well from the site itself. The open-air courtyard at the centre of the plan is paved in black basalt stones that also allow rainwater to drain below the house. On the ground floor, large horizontal windows are sheathed in slatted ironwood and copper mesh, providing a form of camouflage for the house while still permitting views out from the living spaces. The two boxy spaces upstairs are private: one contains a master bedroom and study, the second a smaller bedroom. The thin copper sheets that cover the upper floor are waterproof and will develop a verdigris over time, further concealing the house within its setting. File contains drawings, photographs, models, and a video recording.
Niveau de description archivistique:
Project
Project
Date:
2009-2014
2009-2014
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
L’artiste montréalaise Gina Badger propose un atelier autour de la confection de véritables « bombes de semences », ces boules faites de compost, d’argile, d’eau et de graines que l’on peut lancer en ville pour créer des jardins. L’atelier est présenté en collaboration avec DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). En complément de l’exposition(...)
L’artiste montréalaise Gina Badger propose un atelier autour de la confection de véritables « bombes de semences », ces boules faites de compost, d’argile, d’eau et de graines que l’on peut lancer en ville pour créer des jardins. L’atelier est présenté en collaboration avec DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). En complément de l’exposition(...)
Date:
14 mars 2009
14 mars 2009
Titre:
Confectionner des bombes de semences
Actions:
Description:
L’artiste montréalaise Gina Badger propose un atelier autour de la confection de véritables « bombes de semences », ces boules faites de compost, d’argile, d’eau et de graines que l’on peut lancer en ville pour créer des jardins. L’atelier est présenté en collaboration avec DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). En complément de l’exposition(...)
Confectionner des bombes de semences
Actions:
Description:
L’artiste montréalaise Gina Badger propose un atelier autour de la confection de véritables « bombes de semences », ces boules faites de compost, d’argile, d’eau et de graines que l’on peut lancer en ville pour créer des jardins. L’atelier est présenté en collaboration avec DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). En complément de l’exposition(...)
Classification:
événements
événements
Date:
14 mars 2009
14 mars 2009
Classification:
articles
articles
Titre:
La vie radicale d’un paysage
La vie radicale d’un paysage
Actions:
Dossier:
Architecture de l’invocation
Architecture de l’invocation
Mot(s)-clé(s):
Vendôme, monticule de Vendôme, Commune de Paris, Paris, révolution, paysage, terre, sable, colonne, Napoléon, symboles urbains, destruction, imaginaire urbain
Vendôme, monticule de Vendôme, Commune de Paris, Paris, révolution, paysage, terre, sable, colonne, Napoléon, symboles urbains, destruction, imaginaire urbain
Publié:
28 février 2016
28 février 2016
Dossier:
Architecture de l’invocation
Architecture de l’invocation
