dessins, né numérique
AP193.S3.001
Description:
Original directory name: "3D". Most common file formats: STL (Standard Tessellation Language) Binary
2008
3D models of robot structure, Olzweg, Orléans, France
Actions:
AP193.S3.001
Description:
Original directory name: "3D". Most common file formats: STL (Standard Tessellation Language) Binary
dessins, né numérique
2008
DR2004:0932:010
1990
DR1995:0296:043:003:003
19 April 1984
PH1981:0285
1939
né numérique
AP170.S3.021
Description:
Original directory name: "KukaHypoSurface". Most common file formats: Quicktime.
21 October 2011
Video of possibly Kuka Robotics staff visit to dECOi lab, including demonstration of HypoSurface
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AP170.S3.021
Description:
Original directory name: "KukaHypoSurface". Most common file formats: Quicktime.
né numérique
21 October 2011
Dissections réunit plusieurs projets sculpturaux de l’artiste Geoffrey Smedley, établi à Vancouver, et révèle les nombreuses disciplines qui articulent sa pratique : l’histoire des sciences, la géométrie, la philosophie et l’architecture. L’exposition prend la forme d’un théâtre de l’absurde mettant en scène la figure mythique du clown de Descartes, robot névrosé et(...)
Salle octogonale
6 juin 2013 au 11 août 2013
Dissections : Geoffrey Smedley
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Description:
Dissections réunit plusieurs projets sculpturaux de l’artiste Geoffrey Smedley, établi à Vancouver, et révèle les nombreuses disciplines qui articulent sa pratique : l’histoire des sciences, la géométrie, la philosophie et l’architecture. L’exposition prend la forme d’un théâtre de l’absurde mettant en scène la figure mythique du clown de Descartes, robot névrosé et(...)
Salle octogonale
articles
Réinitialiser le social
18 octobre 2021
Mobilier en kit et dossiers .zip
Simone Niquille envisage la simulation de l'espace domestique
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Réinitialiser le social
Série(s)
Olzweg
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
2006
Olzweg
Actions:
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
Series
2006
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Johannes Grenzfurthner
12 avril 2018
Venez oublier la contre-culture, avec Johannes Grenzfurthner
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Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Johannes Grenzfurthner
archives
Niveau de description archivistique:
Fonds
AP226
Résumé:
The Toyo Ito & Associates, Architects fonds, 1970 – 2011, documents the studio’s architectural work and involvement in selected exhibitions in the 1970s and 1980s. The records in this fonds represent 34 architectural projects, including built, unbuilt, and conceptual projects. The majority of the projects are located in Japan and are mostly documented through drawings as well as a limited number of videos, models, panels, textual records, and photographs. The fonds also contains records related to Toyo Ito & Associates, Architects’ participation in three exhibitions in the USA and the UK in 1978 and 1986.
1970 - 2011
Toyo Ito & Associates, Architects fonds
Actions:
AP226
Résumé:
The Toyo Ito & Associates, Architects fonds, 1970 – 2011, documents the studio’s architectural work and involvement in selected exhibitions in the 1970s and 1980s. The records in this fonds represent 34 architectural projects, including built, unbuilt, and conceptual projects. The majority of the projects are located in Japan and are mostly documented through drawings as well as a limited number of videos, models, panels, textual records, and photographs. The fonds also contains records related to Toyo Ito & Associates, Architects’ participation in three exhibitions in the USA and the UK in 1978 and 1986.
archives
Niveau de description archivistique:
Fonds
1970 - 2011