66 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D15
Description:
File documents the Open Space Utilisation Programme, [Stratford?], England, for client Joan Littlewood. The project proposed using a vacant lot for "variable community activities", and possibly for the installation of temporary structure(s). The full scope of the project cannot be determined from the drawing and the correspondence in this file. Material in this file was produced in 1972. File contains a reference drawing and textual records.
AP144.S2.D15
Description:
File documents the Open Space Utilisation Programme, [Stratford?], England, for client Joan Littlewood. The project proposed using a vacant lot for "variable community activities", and possibly for the installation of temporary structure(s). The full scope of the project cannot be determined from the drawing and the correspondence in this file. Material in this file was produced in 1972. File contains a reference drawing and textual records.
Personnes et institutions:
- Cedric Price (architect)
- Joan Littlewood (client)
- Cedric Price (archive creator)
Date:
1972
1972
Titre:
Open Space Utilisation Programme E15 (OSUP)
Actions:
AP144.S2.D15
Description:
File documents the Open Space Utilisation Programme, [Stratford?], England, for client Joan Littlewood. The project proposed using a vacant lot for "variable community activities", and possibly for the installation of temporary structure(s). The full scope of the project cannot be determined from the drawing and the correspondence in this file. Material in this file was produced in 1972. File contains a reference drawing and textual records.
Open Space Utilisation Programme E15 (OSUP)
Actions:
AP144.S2.D15
Description:
File documents the Open Space Utilisation Programme, [Stratford?], England, for client Joan Littlewood. The project proposed using a vacant lot for "variable community activities", and possibly for the installation of temporary structure(s). The full scope of the project cannot be determined from the drawing and the correspondence in this file. Material in this file was produced in 1972. File contains a reference drawing and textual records.
Niveau de description archivistique:
File 15
File 15
Date:
1972
1972
Personnes et institutions:
- Cedric Price (architect)
- Joan Littlewood (client)
- Cedric Price (archive creator)
Classification:
articles
articles
Actions:
Entretien de Jack Self avec Hilary Sample sur la façon dont les architectes peuvent répondre aux nouvelles dynamiques urbaines du commerce en détail
Titre:
Du fait de sa simple existence, le commerce de détail est civique et politique
Entretien de Jack Self avec Hilary Sample sur la façon dont les architectes peuvent répondre aux nouvelles dynamiques urbaines du commerce en détail
Actions:
Du fait de sa simple existence, le commerce de détail est civique et politique
Entretien de Jack Self avec Hilary Sample sur la façon dont les architectes peuvent répondre aux nouvelles dynamiques urbaines du commerce en détail
Actions:
Classification:
articles
articles
Publié:
9 janvier 2023
9 janvier 2023
Classification:
événements
événements
Actions:
Description:
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
22 septembre 2016, 18h
22 septembre 2016, 18h
Titre:
Nicholas de Monchaux : Local Code
Actions:
Description:
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Nicholas de Monchaux : Local Code
Actions:
Description:
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Classification:
événements
événements
Date:
22 septembre 2016
18h
22 septembre 2016
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Projet
Projet
Titre:
Tumbleweeds Catcher (1972)
Tumbleweeds Catcher (1972)
Numéro de référence:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Personnes et institutions:
Date:
circa 1972-2017
circa 1972-2017
Titre:
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Niveau de description archivistique:
Project
Project
Date:
circa 1972-2017
circa 1972-2017
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP195
Résumé:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
AP195
Résumé:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
Personnes et institutions:
- Zaha Hadid Architects (archive creator)
- Zaha Hadid Architects (architectural firm)
- City of Wolfsburg (client)
- Zaha Hadid (architect)
- Markus Dochantschi (director)
- Patrik Schumacher (director)
- Sara Klomps (project architect)
- Christos Passas (project architect)
- Günter Barczik (assistant architect)
- Kenneth Bostock (assistant architect)
- Eddie Can (assistant architect)
- Lyda Charsouli (assistant architect)
- Chris Dopheide (assistant architect)
- Gernot Finselbach (assistant architect)
- Silvia Forlati (assistant architect)
- Jan Hubener (assistant architect)
- Helmut Kinzler (assistant architect)
- Enrico Kleinke (assistant architect)
- Barbara Kruit (assistant architect)
- Stanley Lau (assistant architect)
- Markus Liermann (assistant architect)
- Niki Neerpasch (assistant architect)
- Yoash Oster (assistant architect)
- David Salazar (assistant architect)
- Constanze Stinnes (assistant architect)
- Caroline Voet (assistant architect)
- Janne Westermann (assistant architect)
- Liam Young (assistant architect)
- Mayer Baehrle (consulting architectural firm)
- Ansel Associates (exhibition designer)
- Fahlke & Dettmer (lighting designer)
- Office for Visual Interaction (lighting designer)
- Adams Kara Taylor (Firm) (structural engineering firm)
- Tokarz Freirichs Leipold (structural engineering firm)
- Buro Happold (mechanical engineering firm)
- NEK (mechanical engineering firm)
- Hanscomb GmbH (quantity surveyors)
Date:
1996 - 2015
1996 - 2015
Titre:
Documents d’archives de Zaha Hadid Architects pour le projet Phaeno Science Centre
Actions:
AP195
Résumé:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
Documents d’archives de Zaha Hadid Architects pour le projet Phaeno Science Centre
Actions:
AP195
Résumé:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1996 - 2015
1996 - 2015
Personnes et institutions:
- Zaha Hadid Architects (archive creator)
- Zaha Hadid Architects (architectural firm)
- City of Wolfsburg (client)
- Zaha Hadid (architect)
- Markus Dochantschi (director)
- Patrik Schumacher (director)
- Sara Klomps (project architect)
- Christos Passas (project architect)
- Günter Barczik (assistant architect)
- Kenneth Bostock (assistant architect)
- Eddie Can (assistant architect)
- Lyda Charsouli (assistant architect)
- Chris Dopheide (assistant architect)
- Gernot Finselbach (assistant architect)
- Silvia Forlati (assistant architect)
- Jan Hubener (assistant architect)
- Helmut Kinzler (assistant architect)
- Enrico Kleinke (assistant architect)
- Barbara Kruit (assistant architect)
- Stanley Lau (assistant architect)
- Markus Liermann (assistant architect)
- Niki Neerpasch (assistant architect)
- Yoash Oster (assistant architect)
- David Salazar (assistant architect)
- Constanze Stinnes (assistant architect)
- Caroline Voet (assistant architect)
- Janne Westermann (assistant architect)
- Liam Young (assistant architect)
- Mayer Baehrle (consulting architectural firm)
- Ansel Associates (exhibition designer)
- Fahlke & Dettmer (lighting designer)
- Office for Visual Interaction (lighting designer)
- Adams Kara Taylor (Firm) (structural engineering firm)
- Tokarz Freirichs Leipold (structural engineering firm)
- Buro Happold (mechanical engineering firm)
- NEK (mechanical engineering firm)
- Hanscomb GmbH (quantity surveyors)
Niveau de description archivistique:
Projet
Projet
Titre:
Miragaia, Porto
Miragaia, Porto
Numéro de référence:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Personnes et institutions:
- Museu Serralves (archive creator)
- Fernando Távora (architect)
- Bernardo Ferrão (architect)
- Jorge Barros (architect)
Date:
1975-1977
1975-1977
Titre:
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
1975-1977
1975-1977
Personnes et institutions:
- Museu Serralves (archive creator)
- Fernando Távora (architect)
- Bernardo Ferrão (architect)
- Jorge Barros (architect)
Classification:
livres
livres
Exemplaires:
Description:
607 pages, 1 unnumbered page, 2 unnumbered leaves of plates : illustrations (some color), charts, maps, plans ; 23 cm
Description:
607 pages, 1 unnumbered page, 2 unnumbered leaves of plates : illustrations (some color), charts, maps, plans ; 23 cm
Auteur:
Sujet:
- Terrain vague New York (State) New York.,
- Buildings Remodeling for other use New York (State) New York.,
- Land use New York (State) New York Planning.,
- Land use, Urban New York (State) New York Maps.,
- Housing New York (State) New York.,
- Housing policy New York (State) New York.,
- Community development New York (State) New York.,
- City planning New York (State) New York.,
- Urban policy New York (State) New York.,
- COVID-19 Pandemic, 2020-2023 Influence.,
- Terrains vagues New York (État) New York.,
- Constructions Reconversion New York (État) New York.,
- Utilisation du sol New York (État) New York Planification.,
- Logement Politique gouvernementale New York (État) New York.,
- Politique urbaine New York (État) New York.,
- Développement communautaire New York (État) New York.,
- ARCHITECTURE / General.,
- Influence (Literary, artistic, etc.),
- Buildings,
- Buildings Remodeling for other use,
- City planning,
- Community development,
- Housing,
- Housing policy,
- Land use Planning,
- Land use, Urban,
- Social conditions,
- Terrain vague,
- Urban policy,
- Manhattan (New York, N.Y.) Buildings, structures, etc.,
- Manhattan (New York, N.Y.) Social conditions.,
- Manhattan (New York, N.Y.) Pictorial works.,
- New York (State) New York,
- New York (State) New York Manhattan,
- Maps,
- Pictorial works
Publication:
New York : Actar Publishers, [2021], ©2021
New York : Actar Publishers, [2021], ©2021
Titre:
Vacant spaces NY / M. Meredith and H. Sample ; MOS.
Actions:
Exemplaires:
Description:
607 pages, 1 unnumbered page, 2 unnumbered leaves of plates : illustrations (some color), charts, maps, plans ; 23 cm
Vacant spaces NY / M. Meredith and H. Sample ; MOS.
Actions:
Exemplaires:
Description:
607 pages, 1 unnumbered page, 2 unnumbered leaves of plates : illustrations (some color), charts, maps, plans ; 23 cm
Classification:
livres
livres
Publication:
New York : Actar Publishers, [2021], ©2021
New York : Actar Publishers, [2021], ©2021
Auteur:
Sujet:
- Terrain vague New York (State) New York.,
- Buildings Remodeling for other use New York (State) New York.,
- Land use New York (State) New York Planning.,
- Land use, Urban New York (State) New York Maps.,
- Housing New York (State) New York.,
- Housing policy New York (State) New York.,
- Community development New York (State) New York.,
- City planning New York (State) New York.,
- Urban policy New York (State) New York.,
- COVID-19 Pandemic, 2020-2023 Influence.,
- Terrains vagues New York (État) New York.,
- Constructions Reconversion New York (État) New York.,
- Utilisation du sol New York (État) New York Planification.,
- Logement Politique gouvernementale New York (État) New York.,
- Politique urbaine New York (État) New York.,
- Développement communautaire New York (État) New York.,
- ARCHITECTURE / General.,
- Influence (Literary, artistic, etc.),
- Buildings,
- Buildings Remodeling for other use,
- City planning,
- Community development,
- Housing,
- Housing policy,
- Land use Planning,
- Land use, Urban,
- Social conditions,
- Terrain vague,
- Urban policy,
- Manhattan (New York, N.Y.) Buildings, structures, etc.,
- Manhattan (New York, N.Y.) Social conditions.,
- Manhattan (New York, N.Y.) Pictorial works.,
- New York (State) New York,
- New York (State) New York Manhattan,
- Maps,
- Pictorial works
Classification:
livres
livres
Actions:
Exemplaires:
Description:
190 pages : illustrations ; 22 cm
Description:
190 pages : illustrations ; 22 cm
Auteur:
Sujet:
- Urban landscape architecture Japan Tokyo.,
- City planning Japan Tokyo.,
- Architecture and Planning.,
- City planning.,
- Urban landscape architecture.,
- Japan Tokyo.
Publication:
Berlin : Jovis, [2014]
Berlin : Jovis, [2014]
Titre:
Tokyo void : possibilities in absence / Marieluise Jonas/Heike Rahmann.
Actions:
Exemplaires:
Description:
190 pages : illustrations ; 22 cm
Tokyo void : possibilities in absence / Marieluise Jonas/Heike Rahmann.
Actions:
Exemplaires:
Description:
190 pages : illustrations ; 22 cm
Classification:
livres
livres
Publication:
Berlin : Jovis, [2014]
Berlin : Jovis, [2014]
Auteur:
Sujet:
- Urban landscape architecture Japan Tokyo.,
- City planning Japan Tokyo.,
- Architecture and Planning.,
- City planning.,
- Urban landscape architecture.,
- Japan Tokyo.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
160 pages : illustrations, map ; 20 cm
Description:
160 pages : illustrations, map ; 20 cm
Auteur:
Sujet:
- Public spaces Germany Berlin.,
- Land use, Urban Germany Berlin.,
- City planning Germany Berlin.,
- Repeat photography Germany Berlin.,
- Espaces publics Allemagne Berlin.,
- Utilisation urbaine du sol Allemagne Berlin.,
- Photographie comparée Allemagne Berlin.,
- ARCHITECTURE / Urban & Land Use Planning.,
- ARCHITECTURE / Study & Teaching.,
- Buildings,
- City planning,
- Land use, Urban,
- Public spaces,
- Repeat photography,
- Berlin (Germany) Buildings, structures, etc. Pictorial works.,
- Germany Berlin,
- Illustrated works
Publication:
Basel ; Boston : Birkhäuser, [2018]
Basel ; Boston : Birkhäuser, [2018]
Titre:
Spaces of uncertainty : Berlin revisited / concept [by] : Kenny Cupers and Markus Miessen ; texts by individual authors ; translation from German into English, Joseph O'Donnell.
Actions:
Exemplaires:
Description:
160 pages : illustrations, map ; 20 cm
Spaces of uncertainty : Berlin revisited / concept [by] : Kenny Cupers and Markus Miessen ; texts by individual authors ; translation from German into English, Joseph O'Donnell.
Actions:
Exemplaires:
Description:
160 pages : illustrations, map ; 20 cm
Classification:
livres
livres
Publication:
Basel ; Boston : Birkhäuser, [2018]
Basel ; Boston : Birkhäuser, [2018]
Auteur:
Sujet:
- Public spaces Germany Berlin.,
- Land use, Urban Germany Berlin.,
- City planning Germany Berlin.,
- Repeat photography Germany Berlin.,
- Espaces publics Allemagne Berlin.,
- Utilisation urbaine du sol Allemagne Berlin.,
- Photographie comparée Allemagne Berlin.,
- ARCHITECTURE / Urban & Land Use Planning.,
- ARCHITECTURE / Study & Teaching.,
- Buildings,
- City planning,
- Land use, Urban,
- Public spaces,
- Repeat photography,
- Berlin (Germany) Buildings, structures, etc. Pictorial works.,
- Germany Berlin,
- Illustrated works
Classification:
livres
livres
Actions:
Exemplaires:
Description:
463 pages : illustrations ; 22 cm
Description:
463 pages : illustrations ; 22 cm
Auteur:
Sujet:
- Sustainable development.,
- City planning.,
- Urban renewal.,
- Community development, Urban.,
- Urban Renewal,
- Développement durable.,
- Rénovation urbaine.,
- Développement communautaire urbain.,
- sustainable development.,
- urban renewal.,
- Architecture.,
- Territorial planning.,
- Brache,
- Stadtentwicklung,
- Zwischennutzung,
- Nutzungsänderung,
- Bürgerbeteiligung,
- Nachhaltigkeit,
- Deutschland
Publication:
Berlin : Jovis, ©2012.
Berlin : Jovis, ©2012.
Titre:
Second hand spaces : recycling sites undergoing urban transformation = Über das Recyceln von Orten im städtischen Wandel / [edited by] Michael Ziehl [and others].
Actions:
Exemplaires:
Description:
463 pages : illustrations ; 22 cm
Second hand spaces : recycling sites undergoing urban transformation = Über das Recyceln von Orten im städtischen Wandel / [edited by] Michael Ziehl [and others].
Actions:
Exemplaires:
Description:
463 pages : illustrations ; 22 cm
Classification:
livres
livres
Publication:
Berlin : Jovis, ©2012.
Berlin : Jovis, ©2012.
Auteur:
Sujet:
- Sustainable development.,
- City planning.,
- Urban renewal.,
- Community development, Urban.,
- Urban Renewal,
- Développement durable.,
- Rénovation urbaine.,
- Développement communautaire urbain.,
- sustainable development.,
- urban renewal.,
- Architecture.,
- Territorial planning.,
- Brache,
- Stadtentwicklung,
- Zwischennutzung,
- Nutzungsänderung,
- Bürgerbeteiligung,
- Nachhaltigkeit,
- Deutschland
