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Jia Gu, Hannah Rose Feniak, Matthey Critchley, Aldo Rossi, Frederick Kiesler, Eero Saarinen
20 juillet 2020
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409 pages : illustrations (some color) ; 19 cm
Hong Kong : Office for Discourse Engineering, ©2009.
Hans Ulrich Obrist : the China interviews / [edited by Philip Tinari and Angie Baecker].
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409 pages : illustrations (some color) ; 19 cm
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Hong Kong : Office for Discourse Engineering, ©2009.
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198 pages : illustrations (some colour), plans ; 23 x 31 cm
Los Angeles, CA : UCLA Architecture & Urban Design, [2015]
Chroma_topia : generally different towers for Shanghai : UCLA Architecture and Urban Design, Research Studio 2014-2015, PVG-LAX / Andrew Akins, Ciro Dimson, Max Irish, Xiaorui Lin, Steven Matti, Corliss Ng, Mark Simpson, Zhuoran Xu ; Neil Denari, professor ; Jia Yi Gu, editor ; Gary Fox, contributing writer/editor ; photography by Tim Franco.
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198 pages : illustrations (some colour), plans ; 23 x 31 cm
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Los Angeles, CA : UCLA Architecture & Urban Design, [2015]
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299 pages : illustrations ; 19 cm
Torino, Italy : Pinacoteca Giovanni e Marella Agnelli ; Beijing, China : Ullens Center for Contemporary Art (UCCA), [2012], New York, NY : Artbook/D.A.P., ©2012.
未来将是······中国版 : 对前路的随想 / 汉斯·尤利斯·奥布里斯特策划 ; 卡伦·玛尔塔, 田霏雨编 = The future will be -- China edition : thoughts on what's to come / curated by Hans Ulrich Obrist ; edited by Karen Marta and Philip Tinari. Wei lai jiang shi······Zhongguo ban : dui qian lu de sui xiang / Hansi·Youlisi·Aobulisite ce hua ; Kalun·Maerta, Tian Feiyu bian = The future will be -- China edition : thoughts on what's to come / curated by Hans Ulrich Obrist ; edited by Karen Marta and Philip Tinari.
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299 pages : illustrations ; 19 cm
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Torino, Italy : Pinacoteca Giovanni e Marella Agnelli ; Beijing, China : Ullens Center for Contemporary Art (UCCA), [2012], New York, NY : Artbook/D.A.P., ©2012.
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288 pages : illustrations (some color), color maps ; 29 cm
Nanjing : Dong nan da xue chu ban she, 2005.
拉萨建筑文化遗产 / 汪永平主编. Lasa jian zhu wen hua yi chan / Wang Yongping zhu bian.
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288 pages : illustrations (some color), color maps ; 29 cm
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Nanjing : Dong nan da xue chu ban she, 2005.
$20.00
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Neil Denari and his students in the UCLA A.UD Research Studio 2014-15 investigate this question during a year-long study of high rise towers and vertical density in the city of Shanghai. The result is a collection of speculative designs (fictional and financial) and accompanying scenarios presented against a backdrop of topics including the global city, political(...)
décembre 2015
Chroma_topia : generally different towers for Shanghai
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$20.00
(disponible sur commande)
Résumé:
Neil Denari and his students in the UCLA A.UD Research Studio 2014-15 investigate this question during a year-long study of high rise towers and vertical density in the city of Shanghai. The result is a collection of speculative designs (fictional and financial) and accompanying scenarios presented against a backdrop of topics including the global city, political conformity, social mobility, migrant labor, and invisible currencies - all in the form of 24 high rise towers. The publication includes essays by Professor Neil Denari and UCLA Ph.D Student Jia Yi Gu, student along with a selection of photos by Shanghai-based photographer Tim Franco.
$25.50
(disponible en magasin)
Résumé:
“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” The collected authors in(...)
Log 48: Expanding modes of practice. Winter/Spring 2020
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$25.50
(disponible en magasin)
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“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” The collected authors in this issue range from architects and urbanists to curators and composers who grapple with what it means to practice in a more just way, balancing aesthetics with ethics. As Roberts writes, “What emerges from [these] experiments with situated, intersectional practice is the merging of the professional and the personal. Rather than neutrality, practices cultivate empathy.” At the heart of this issue are Roberts’s interviews with progressive practices Assemble, Borderless Studio, HECTOR, LA-Más, and Mabel O. Wilson. In addition, essayists Peggy Deamer and Michael Kubo discuss collaborative architecture practices today and in the past; Ana Miljacki and Jerome Haferd propose better pedagogies; and Jia Yi Gu, Deborah Garcia, and the feminist architecture collaborative position feminist theory in architectural practice and discourse today, and Cynthia Davidson talks with Mirko Zardini about the role of the museum today.
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