177 Résultats en image
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:0195
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - After first photographing Katsura Rikyu (also known as Katsura Imperial Villa) in 1953, Yasuhiro Ishimoto returned there in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs (Ishimoto, pp. 265-266). - The south lawn (also known as the court football [kemari] field) is visible in the foreground (Isozaki, et al, pp. 68-69, repr.; p. 244; Ito, site plan).
PH1986:0195
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - After first photographing Katsura Rikyu (also known as Katsura Imperial Villa) in 1953, Yasuhiro Ishimoto returned there in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs (Ishimoto, pp. 265-266). - The south lawn (also known as the court football [kemari] field) is visible in the foreground (Isozaki, et al, pp. 68-69, repr.; p. 244; Ito, site plan).
Personnes et institutions:
Sujet:
architecture, architecture de paysage
architecture, architecture de paysage
Date:
1982
1982
Titre:
View of the Shoin complex showing the Old Shoin, the Middle Shoin and the New Palace (also known as the New Goten), Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0195
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - After first photographing Katsura Rikyu (also known as Katsura Imperial Villa) in 1953, Yasuhiro Ishimoto returned there in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs (Ishimoto, pp. 265-266). - The south lawn (also known as the court football [kemari] field) is visible in the foreground (Isozaki, et al, pp. 68-69, repr.; p. 244; Ito, site plan).
View of the Shoin complex showing the Old Shoin, the Middle Shoin and the New Palace (also known as the New Goten), Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0195
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - After first photographing Katsura Rikyu (also known as Katsura Imperial Villa) in 1953, Yasuhiro Ishimoto returned there in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs (Ishimoto, pp. 265-266). - The south lawn (also known as the court football [kemari] field) is visible in the foreground (Isozaki, et al, pp. 68-69, repr.; p. 244; Ito, site plan).
Classification:
photographies
photographies
Date:
1982
1982
Personnes et institutions:
Sujet:
architecture, architecture de paysage
architecture, architecture de paysage
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:0257
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266).
PH1986:0257
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266).
Personnes et institutions:
Sujet:
architecture, architecture de paysage
architecture, architecture de paysage
Date:
1953
1953
Titre:
View of the north entrance of the Shoiken showing stepping-stones, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0257
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266).
View of the north entrance of the Shoiken showing stepping-stones, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0257
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266).
Classification:
photographies
photographies
Date:
1953
1953
Personnes et institutions:
Sujet:
architecture, architecture de paysage
architecture, architecture de paysage
Classification:
photographies
photographies
![Interior view of the First Room of the Shokintei showing the tokonoma [alcove], Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan](/img-collection/DFOZBjAr1jQfnlV6LVs34UhvLXI=/500x401/362780.jpg)
Actions:
Numéro de référence:
PH1986:0241
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - After first photographing Katsura Rikyu (also known as Katsura Imperial Villa) in 1953, Yasuhiro Ishimoto returned there in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs (Ishimoto, pp. 265-266). - This photograph was taken from the veranda of the Shokintei looking in to the First Room (Isozaki, et al, p. 169, repr.; pp. 253-254).
PH1986:0241
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - After first photographing Katsura Rikyu (also known as Katsura Imperial Villa) in 1953, Yasuhiro Ishimoto returned there in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs (Ishimoto, pp. 265-266). - This photograph was taken from the veranda of the Shokintei looking in to the First Room (Isozaki, et al, p. 169, repr.; pp. 253-254).
Personnes et institutions:
Sujet:
architecture, design d'intérieur, peinture
architecture, design d'intérieur, peinture
Date:
1982
1982
Titre:
Interior view of the First Room of the Shokintei showing the tokonoma [alcove], Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0241
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - After first photographing Katsura Rikyu (also known as Katsura Imperial Villa) in 1953, Yasuhiro Ishimoto returned there in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs (Ishimoto, pp. 265-266). - This photograph was taken from the veranda of the Shokintei looking in to the First Room (Isozaki, et al, p. 169, repr.; pp. 253-254).
Interior view of the First Room of the Shokintei showing the tokonoma [alcove], Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0241
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - After first photographing Katsura Rikyu (also known as Katsura Imperial Villa) in 1953, Yasuhiro Ishimoto returned there in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs (Ishimoto, pp. 265-266). - This photograph was taken from the veranda of the Shokintei looking in to the First Room (Isozaki, et al, p. 169, repr.; pp. 253-254).
Classification:
photographies
photographies
Date:
1982
1982
Personnes et institutions:
Sujet:
architecture, design d'intérieur, peinture
architecture, design d'intérieur, peinture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:0231
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - The title of a published identical image, "Grille window of the Shoiken" is inaccurate, as the Shoiken is situated on the opposite side of Katsura Rikyu (also known as Katsura Imperial Villa) from the building shown in this view (Ito, p. 128, site plan).
PH1986:0231
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - The title of a published identical image, "Grille window of the Shoiken" is inaccurate, as the Shoiken is situated on the opposite side of Katsura Rikyu (also known as Katsura Imperial Villa) from the building shown in this view (Ito, p. 128, site plan).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1953
1953
Titre:
View of a window with shoji and bamboo mullions on the northeast wall of the Shokintei, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0231
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - The title of a published identical image, "Grille window of the Shoiken" is inaccurate, as the Shoiken is situated on the opposite side of Katsura Rikyu (also known as Katsura Imperial Villa) from the building shown in this view (Ito, p. 128, site plan).
View of a window with shoji and bamboo mullions on the northeast wall of the Shokintei, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0231
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - The title of a published identical image, "Grille window of the Shoiken" is inaccurate, as the Shoiken is situated on the opposite side of Katsura Rikyu (also known as Katsura Imperial Villa) from the building shown in this view (Ito, p. 128, site plan).
Classification:
photographies
photographies
Date:
1953
1953
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:0273
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph shows the Pantry (also known as the Preparation Area for the Tea Ceremony) in the background, the loggia in the middle gound and the Second Room (also known as the Middle Room) in the foreground (Isozaki, et al, p. 227, repr.; p. 257; Tange, n.p., plan).
PH1986:0273
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph shows the Pantry (also known as the Preparation Area for the Tea Ceremony) in the background, the loggia in the middle gound and the Second Room (also known as the Middle Room) in the foreground (Isozaki, et al, p. 227, repr.; p. 257; Tange, n.p., plan).
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Date:
1953
1953
Titre:
Interior view of the Gepparo showing the Pantry (also known as the Preparation Area for the Tea Ceremony), the loggia and the Second Room (also known as the Middle Room), Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0273
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph shows the Pantry (also known as the Preparation Area for the Tea Ceremony) in the background, the loggia in the middle gound and the Second Room (also known as the Middle Room) in the foreground (Isozaki, et al, p. 227, repr.; p. 257; Tange, n.p., plan).
Interior view of the Gepparo showing the Pantry (also known as the Preparation Area for the Tea Ceremony), the loggia and the Second Room (also known as the Middle Room), Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0273
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph shows the Pantry (also known as the Preparation Area for the Tea Ceremony) in the background, the loggia in the middle gound and the Second Room (also known as the Middle Room) in the foreground (Isozaki, et al, p. 227, repr.; p. 257; Tange, n.p., plan).
Classification:
photographies
photographies
Date:
1953
1953
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:0199
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from inside the Second Room of the Old Shoin looking out over the broad veranda and the Moon-viewing Platform to the pond and the garden beyond (Isozaki, et al, pp. 74-75, repr.; p. 244; Ito, p. 42, 79-80, site plan).
PH1986:0199
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from inside the Second Room of the Old Shoin looking out over the broad veranda and the Moon-viewing Platform to the pond and the garden beyond (Isozaki, et al, pp. 74-75, repr.; p. 244; Ito, p. 42, 79-80, site plan).
Personnes et institutions:
Sujet:
architecture, architecture de paysage
architecture, architecture de paysage
Date:
1953
1953
Titre:
View of the Moon-viewing Platform, the pond and the garden showing the Second Room of the Old Shoin in the foreground, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0199
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from inside the Second Room of the Old Shoin looking out over the broad veranda and the Moon-viewing Platform to the pond and the garden beyond (Isozaki, et al, pp. 74-75, repr.; p. 244; Ito, p. 42, 79-80, site plan).
View of the Moon-viewing Platform, the pond and the garden showing the Second Room of the Old Shoin in the foreground, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0199
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from inside the Second Room of the Old Shoin looking out over the broad veranda and the Moon-viewing Platform to the pond and the garden beyond (Isozaki, et al, pp. 74-75, repr.; p. 244; Ito, p. 42, 79-80, site plan).
Classification:
photographies
photographies
Date:
1953
1953
Personnes et institutions:
Sujet:
architecture, architecture de paysage
architecture, architecture de paysage
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:0174
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from the south lawn (also known as the court football [kemari] field), showing the New Palace (also known as the New Goten), the Music Room, the Middle Shoin and the Old Shoin, from left to right (Tange, p. 12; Isozaki, et al, pp. 68-69, repr.).
PH1986:0174
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from the south lawn (also known as the court football [kemari] field), showing the New Palace (also known as the New Goten), the Music Room, the Middle Shoin and the Old Shoin, from left to right (Tange, p. 12; Isozaki, et al, pp. 68-69, repr.).
Personnes et institutions:
Sujet:
architecture, architecture de paysage
architecture, architecture de paysage
Date:
1953
1953
Titre:
View of the New Palace (also known as the New Goten), the Music Room, the Middle Shoin and the Old Shoin, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0174
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from the south lawn (also known as the court football [kemari] field), showing the New Palace (also known as the New Goten), the Music Room, the Middle Shoin and the Old Shoin, from left to right (Tange, p. 12; Isozaki, et al, pp. 68-69, repr.).
View of the New Palace (also known as the New Goten), the Music Room, the Middle Shoin and the Old Shoin, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0174
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from the south lawn (also known as the court football [kemari] field), showing the New Palace (also known as the New Goten), the Music Room, the Middle Shoin and the Old Shoin, from left to right (Tange, p. 12; Isozaki, et al, pp. 68-69, repr.).
Classification:
photographies
photographies
Date:
1953
1953
Personnes et institutions:
Sujet:
architecture, architecture de paysage
architecture, architecture de paysage
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:0270
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph shows the Pantry (also known as the Preparation Area for the Tea Ceremony), the loggia and the First Room, from left to right, and the Second Room (also known as the Middle Room) in the foreground (Isozaki, et al, pp. 222-223, repr.; p. 257; Tange, n.p., plan).
PH1986:0270
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph shows the Pantry (also known as the Preparation Area for the Tea Ceremony), the loggia and the First Room, from left to right, and the Second Room (also known as the Middle Room) in the foreground (Isozaki, et al, pp. 222-223, repr.; p. 257; Tange, n.p., plan).
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Date:
1953
1953
Titre:
Interior view of the Gepparo showing the Pantry (also known as the Preparation Area for the Tea Ceremony), the loggia, the First Room and the Second Room (also known as the Middle Room), Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0270
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph shows the Pantry (also known as the Preparation Area for the Tea Ceremony), the loggia and the First Room, from left to right, and the Second Room (also known as the Middle Room) in the foreground (Isozaki, et al, pp. 222-223, repr.; p. 257; Tange, n.p., plan).
Interior view of the Gepparo showing the Pantry (also known as the Preparation Area for the Tea Ceremony), the loggia, the First Room and the Second Room (also known as the Middle Room), Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0270
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph shows the Pantry (also known as the Preparation Area for the Tea Ceremony), the loggia and the First Room, from left to right, and the Second Room (also known as the Middle Room) in the foreground (Isozaki, et al, pp. 222-223, repr.; p. 257; Tange, n.p., plan).
Classification:
photographies
photographies
Date:
1953
1953
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:0271
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph shows the Pantry (also known as the Preparation Area for the Tea Ceremony) and the First Room, from left to right, and the Second Room (also known as the Middle Room) in the foreground (Isozaki, et al, pp. 222-223, repr.; p. 257; Tange, n.p., plan).
PH1986:0271
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph shows the Pantry (also known as the Preparation Area for the Tea Ceremony) and the First Room, from left to right, and the Second Room (also known as the Middle Room) in the foreground (Isozaki, et al, pp. 222-223, repr.; p. 257; Tange, n.p., plan).
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Date:
1953
1953
Titre:
Interior view of the Gepparo showing the Pantry (also known as the Preparation Area for the Tea Ceremony), the First Room and the Second Room (also known as the Middle Room), Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0271
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph shows the Pantry (also known as the Preparation Area for the Tea Ceremony) and the First Room, from left to right, and the Second Room (also known as the Middle Room) in the foreground (Isozaki, et al, pp. 222-223, repr.; p. 257; Tange, n.p., plan).
Interior view of the Gepparo showing the Pantry (also known as the Preparation Area for the Tea Ceremony), the First Room and the Second Room (also known as the Middle Room), Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0271
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph shows the Pantry (also known as the Preparation Area for the Tea Ceremony) and the First Room, from left to right, and the Second Room (also known as the Middle Room) in the foreground (Isozaki, et al, pp. 222-223, repr.; p. 257; Tange, n.p., plan).
Classification:
photographies
photographies
Date:
1953
1953
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:0193
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - After first photographing Katsura Rikyu (also known as Katsura Imperial Villa) in 1953, Yasuhiro Ishimoto returned there in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs (Ishimoto, pp. 265-266). - This photograph shows the south lawn (also known as the court football [kemari] field) in the foreground, at left, and the moss garden in the foreground, at right (Isozaki, et al, pp. 52-53, repr.; pp. 68-69, repr.; pp. 78, repr.; p. 244; Ito, site plan; Tange, n.p., plan).
PH1986:0193
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - After first photographing Katsura Rikyu (also known as Katsura Imperial Villa) in 1953, Yasuhiro Ishimoto returned there in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs (Ishimoto, pp. 265-266). - This photograph shows the south lawn (also known as the court football [kemari] field) in the foreground, at left, and the moss garden in the foreground, at right (Isozaki, et al, pp. 52-53, repr.; pp. 68-69, repr.; pp. 78, repr.; p. 244; Ito, site plan; Tange, n.p., plan).
Personnes et institutions:
Sujet:
architecture, architecture de paysage
architecture, architecture de paysage
Date:
1982
1982
Titre:
View of the New Palace (also known as the New Goten), the Music Room and the Middle Shoin showing stepping-stones in the foreground, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0193
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - After first photographing Katsura Rikyu (also known as Katsura Imperial Villa) in 1953, Yasuhiro Ishimoto returned there in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs (Ishimoto, pp. 265-266). - This photograph shows the south lawn (also known as the court football [kemari] field) in the foreground, at left, and the moss garden in the foreground, at right (Isozaki, et al, pp. 52-53, repr.; pp. 68-69, repr.; pp. 78, repr.; p. 244; Ito, site plan; Tange, n.p., plan).
View of the New Palace (also known as the New Goten), the Music Room and the Middle Shoin showing stepping-stones in the foreground, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0193
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - After first photographing Katsura Rikyu (also known as Katsura Imperial Villa) in 1953, Yasuhiro Ishimoto returned there in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs (Ishimoto, pp. 265-266). - This photograph shows the south lawn (also known as the court football [kemari] field) in the foreground, at left, and the moss garden in the foreground, at right (Isozaki, et al, pp. 52-53, repr.; pp. 68-69, repr.; pp. 78, repr.; p. 244; Ito, site plan; Tange, n.p., plan).
Classification:
photographies
photographies
Date:
1982
1982
Personnes et institutions:
Sujet:
architecture, architecture de paysage
architecture, architecture de paysage
Classification:
photographies
photographies
Numéro de référence:
PH2005:0002
PH2005:0002
Personnes et institutions:
Date:
1951
1951
Classification:
photographies
photographies
Date:
1951
1951
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
PH2005:0003
PH2005:0003
Personnes et institutions:
Date:
1951
1951
Classification:
photographies
photographies
Date:
1951
1951
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
PH2005:0004
PH2005:0004
Personnes et institutions:
Date:
1951
1951
Classification:
photographies
photographies
Date:
1951
1951
Personnes et institutions:
Classification:
livres
livres
Actions:
Prix:
$125.00
(disponible sur commande)
Résumé:
With Toba Sea-Folk Museum as its primary subject, this overview of four works by Japanese architect Hiroshi Naito centres upon the black-and-white images made by renowned photographer Yasuhiro Ishimoto. Upon Naitos request, Ishimoto photographed each project in detail, capturing the moment when a particular light manifests at a certain place, when nature and building fall(...)
$125.00
(disponible sur commande)
Résumé:
With Toba Sea-Folk Museum as its primary subject, this overview of four works by Japanese architect Hiroshi Naito centres upon the black-and-white images made by renowned photographer Yasuhiro Ishimoto. Upon Naitos request, Ishimoto photographed each project in detail, capturing the moment when a particular light manifests at a certain place, when nature and building fall(...)
Titre:
Yasuhiro Ishimoto: Space Spirits
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Prix:
$125.00
(disponible sur commande)
Résumé:
With Toba Sea-Folk Museum as its primary subject, this overview of four works by Japanese architect Hiroshi Naito centres upon the black-and-white images made by renowned photographer Yasuhiro Ishimoto. Upon Naitos request, Ishimoto photographed each project in detail, capturing the moment when a particular light manifests at a certain place, when nature and building fall into dialogue. In his writings, Naito not only lends detailed insight regarding his works, but also expresses his gratitude for the photographers keen eye, the warmth inherent in buildings, and the refined intervention of human endeavour in the natural landscape.
Yasuhiro Ishimoto: Space Spirits
Actions:
Prix:
$125.00
(disponible sur commande)
Résumé:
With Toba Sea-Folk Museum as its primary subject, this overview of four works by Japanese architect Hiroshi Naito centres upon the black-and-white images made by renowned photographer Yasuhiro Ishimoto. Upon Naitos request, Ishimoto photographed each project in detail, capturing the moment when a particular light manifests at a certain place, when nature and building fall into dialogue. In his writings, Naito not only lends detailed insight regarding his works, but also expresses his gratitude for the photographers keen eye, the warmth inherent in buildings, and the refined intervention of human endeavour in the natural landscape.
Classification:
livres
livres
Publication:
juillet 2013
juillet 2013
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Actions:
Prix:
$48.00
(disponible sur commande)
Résumé:
This book examines the work of US-born photographer Yasuhiro Ishimoto (1921–2012) through its connections to Chicago, where he lived for over a decade and returned to repeatedly throughout his life. Long celebrated in Japan as one of the most influential photographers of the twentieth century, Ishimoto also maintained deep ties to his adopted home city of Chicago, where(...)
$48.00
(disponible sur commande)
Résumé:
This book examines the work of US-born photographer Yasuhiro Ishimoto (1921–2012) through its connections to Chicago, where he lived for over a decade and returned to repeatedly throughout his life. Long celebrated in Japan as one of the most influential photographers of the twentieth century, Ishimoto also maintained deep ties to his adopted home city of Chicago, where(...)
Titre:
Yasuhiro Ishimoto: Someday, Chicago
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Prix:
$48.00
(disponible sur commande)
Résumé:
This book examines the work of US-born photographer Yasuhiro Ishimoto (1921–2012) through its connections to Chicago, where he lived for over a decade and returned to repeatedly throughout his life. Long celebrated in Japan as one of the most influential photographers of the twentieth century, Ishimoto also maintained deep ties to his adopted home city of Chicago, where he arrived in 1945 after having been imprisoned in a US internment camp during WWII. It was in Chicago that he developed his uniquely modernist vision in two key ways. First, he created works that engaged in important conversation with that of Laszlo Moholy-Nagy, Harry Callahan, Aaron Siskind, and others at the historic Institute of Design. Second, he immersed himself directly in the city's neighborhoods, where he captured important social changes reflective of broader shifts elsewhere in the US.
Yasuhiro Ishimoto: Someday, Chicago
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Prix:
$48.00
(disponible sur commande)
Résumé:
This book examines the work of US-born photographer Yasuhiro Ishimoto (1921–2012) through its connections to Chicago, where he lived for over a decade and returned to repeatedly throughout his life. Long celebrated in Japan as one of the most influential photographers of the twentieth century, Ishimoto also maintained deep ties to his adopted home city of Chicago, where he arrived in 1945 after having been imprisoned in a US internment camp during WWII. It was in Chicago that he developed his uniquely modernist vision in two key ways. First, he created works that engaged in important conversation with that of Laszlo Moholy-Nagy, Harry Callahan, Aaron Siskind, and others at the historic Institute of Design. Second, he immersed himself directly in the city's neighborhoods, where he captured important social changes reflective of broader shifts elsewhere in the US.
Classification:
livres
livres
Publication:
novembre 2018
novembre 2018
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Actions:
Prix:
$89.95
(disponible sur commande)
Résumé:
« Ishimoto. Des lignes et des corps » présente les séries emblématiques de Yasuhiro Ishimoto (1921-2012) qui allient l’approche formelle du New Bauhaus de Chicago à la quintessence de l’esthétique japonaise. Cette monographie permet de redécouvrir l’oeuvre d'un photographe très peu publié de son vivant. La singularité de son regard et son travail sur le motif, allant(...)
$89.95
(disponible sur commande)
Résumé:
« Ishimoto. Des lignes et des corps » présente les séries emblématiques de Yasuhiro Ishimoto (1921-2012) qui allient l’approche formelle du New Bauhaus de Chicago à la quintessence de l’esthétique japonaise. Cette monographie permet de redécouvrir l’oeuvre d'un photographe très peu publié de son vivant. La singularité de son regard et son travail sur le motif, allant(...)
Titre:
Ishimoto : Des lignes et des corps
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Prix:
$89.95
(disponible sur commande)
Résumé:
« Ishimoto. Des lignes et des corps » présente les séries emblématiques de Yasuhiro Ishimoto (1921-2012) qui allient l’approche formelle du New Bauhaus de Chicago à la quintessence de l’esthétique japonaise. Cette monographie permet de redécouvrir l’oeuvre d'un photographe très peu publié de son vivant. La singularité de son regard et son travail sur le motif, allant parfois jusqu’à l’abstraction, ont fait d'Ishimoto une figure incontournable du monde de l’art qui a bouleversé la scène photographique japonaise dans les années 1960. Conçu en étroite collaboration avec le Ishimoto Yasuhiro Photo Center, cet ouvrage accompagne l’exposition éponyme présentée au BAL sous le commissariat de Diane Dufour avec Mei Asakura, directrice des Archives. Largement considéré comme étranger par ses pairs, Ishimoto importe une perspective formaliste sur la scène photographique japonaise de l’époque. Scènes de rues, portraits d’enfants déguisés pour Halloween, panneaux publicitaires, façades d’immeubles de quartiers populaires : ses images témoignent de sa maîtrise du cadrage ainsi que de sa perception sensible des textures et des motifs.
Ishimoto : Des lignes et des corps
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Prix:
$89.95
(disponible sur commande)
Résumé:
« Ishimoto. Des lignes et des corps » présente les séries emblématiques de Yasuhiro Ishimoto (1921-2012) qui allient l’approche formelle du New Bauhaus de Chicago à la quintessence de l’esthétique japonaise. Cette monographie permet de redécouvrir l’oeuvre d'un photographe très peu publié de son vivant. La singularité de son regard et son travail sur le motif, allant parfois jusqu’à l’abstraction, ont fait d'Ishimoto une figure incontournable du monde de l’art qui a bouleversé la scène photographique japonaise dans les années 1960. Conçu en étroite collaboration avec le Ishimoto Yasuhiro Photo Center, cet ouvrage accompagne l’exposition éponyme présentée au BAL sous le commissariat de Diane Dufour avec Mei Asakura, directrice des Archives. Largement considéré comme étranger par ses pairs, Ishimoto importe une perspective formaliste sur la scène photographique japonaise de l’époque. Scènes de rues, portraits d’enfants déguisés pour Halloween, panneaux publicitaires, façades d’immeubles de quartiers populaires : ses images témoignent de sa maîtrise du cadrage ainsi que de sa perception sensible des textures et des motifs.
Classification:
livres
livres
Publication:
août 2024
août 2024
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Actions:
Prix:
$295.00
(disponible sur commande)
Résumé:
One of the 20th century’s most significant architects, Kenzo Tange combined traditional Japanese styles with modernism, and took on major post-war urban redevelopment projects in Tokyo and abroad. In 1960, Tange – together with photographer Yasuhiro Ishimoto, architect Walter Gropius, and graphic designer Herbert Bayer – published a photobook titled ‘Katsura’, in which he(...)
$295.00
(disponible sur commande)
Résumé:
One of the 20th century’s most significant architects, Kenzo Tange combined traditional Japanese styles with modernism, and took on major post-war urban redevelopment projects in Tokyo and abroad. In 1960, Tange – together with photographer Yasuhiro Ishimoto, architect Walter Gropius, and graphic designer Herbert Bayer – published a photobook titled ‘Katsura’, in which he(...)
Titre:
Tange by Tange, 1949-1959. Kenzo Tange as seen though the eyes of Kenzo
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Prix:
$295.00
(disponible sur commande)
Résumé:
One of the 20th century’s most significant architects, Kenzo Tange combined traditional Japanese styles with modernism, and took on major post-war urban redevelopment projects in Tokyo and abroad. In 1960, Tange – together with photographer Yasuhiro Ishimoto, architect Walter Gropius, and graphic designer Herbert Bayer – published a photobook titled ‘Katsura’, in which he questioned the conventional historical perspectives on Japanese architecture. Many previously unpublished photographs taken by Tange during the 1950s now appear in this remarkably arranged volume, giving insight to his later works. With an introduction by Saikaku Toyokawa and texts by Kenzo Tange.
Tange by Tange, 1949-1959. Kenzo Tange as seen though the eyes of Kenzo
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Prix:
$295.00
(disponible sur commande)
Résumé:
One of the 20th century’s most significant architects, Kenzo Tange combined traditional Japanese styles with modernism, and took on major post-war urban redevelopment projects in Tokyo and abroad. In 1960, Tange – together with photographer Yasuhiro Ishimoto, architect Walter Gropius, and graphic designer Herbert Bayer – published a photobook titled ‘Katsura’, in which he questioned the conventional historical perspectives on Japanese architecture. Many previously unpublished photographs taken by Tange during the 1950s now appear in this remarkably arranged volume, giving insight to his later works. With an introduction by Saikaku Toyokawa and texts by Kenzo Tange.
Classification:
livres
livres
Publication:
mai 2015
mai 2015
Sujet:
Architecture, monographies
Architecture, monographies
