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These are the fragments Francis Upritchard has shored against her ruins. Thrift store pots have been remade as canopic urns, ancient Egyptian repositories for the organs of the dead. A gift from a relative, an unwanted wedding present or a memory of a day out, even the tackiest ornament once played a small symbolic function in someone’s life. Now they have been detourned(...)
Francis Upritchard: human problems
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These are the fragments Francis Upritchard has shored against her ruins. Thrift store pots have been remade as canopic urns, ancient Egyptian repositories for the organs of the dead. A gift from a relative, an unwanted wedding present or a memory of a day out, even the tackiest ornament once played a small symbolic function in someone’s life. Now they have been detourned to reveal the underlying purpose of all that frantic personalising and decorating of domestic space, the fabrication of memories to set against death.
C magazine 160: extra life
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In this issue’s extended editorial note, Bracy Appeikumoh asks, "Was utopia, like extra lives, envisioned as a means of escaping death?" Among the haunting contradictions of living in the imperial core, whose violences seek their own immortality, to seize a different kind of “extra life” takes an extra real imagination. Across virtual game worlds, ancestral inheritances,(...)
C magazine 160: extra life
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In this issue’s extended editorial note, Bracy Appeikumoh asks, "Was utopia, like extra lives, envisioned as a means of escaping death?" Among the haunting contradictions of living in the imperial core, whose violences seek their own immortality, to seize a different kind of “extra life” takes an extra real imagination. Across virtual game worlds, ancestral inheritances, unfinished revolutionary histories, artists’ data storage, and more, contributors to C160 reflect on extra life as a state both surplus and sacred—what persists in age-old cycles of decay.
Revues
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Berlin’s Aedes Architecture Forum is one of the most eminent spaces for architecture and architectural culture in the world. Founded in 1980 by Kristin Feireiss and Helga Retzer, Aedes has since put on five hundred important exhibitions on current themes, featuring many of the world’s most eminent architects. After Retzer’s unexpected death in 1994, Aedes has been run by(...)
janvier 2021
Faces and spaces: 40 years Aedes Architecture Forum
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Berlin’s Aedes Architecture Forum is one of the most eminent spaces for architecture and architectural culture in the world. Founded in 1980 by Kristin Feireiss and Helga Retzer, Aedes has since put on five hundred important exhibitions on current themes, featuring many of the world’s most eminent architects. After Retzer’s unexpected death in 1994, Aedes has been run by Feireiss, together with Hans-Jürgen Commerell and a large, committed team of collaborators. Faces and Spaces looks back at four decades of the gallery’s lively and multifaceted history.
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This account of spies, zealots, royal tourists, and people on the brink of death provides a unique and extraordinary history of Montreal. From the city’s founding nearly four centuries ago down to the present day, an astonishing range of people have trod its streets. Priests and princes, heroes and the humble, financial wizards and outright fools—all have their stories to(...)
This island in time: remarkable tales from Montreal's past
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This account of spies, zealots, royal tourists, and people on the brink of death provides a unique and extraordinary history of Montreal. From the city’s founding nearly four centuries ago down to the present day, an astonishing range of people have trod its streets. Priests and princes, heroes and the humble, financial wizards and outright fools—all have their stories to be told. John Kalbfleisch is a long-time Montreal journalist. 'Second Draft' his weekly column in the city's history, appears in the Montreal Gazette.
Architecture de Montréal
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From making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, this book stands as a(...)
Théorie de l’art
juillet 2022
Object lesson: On the influence of Richard Benson
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From making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, this book stands as a testament to Benson’s wit, wisdom, and incomparable obsession with how photographic images render and connect us to the world.
Théorie de l’art
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A representative figure of architecture in Sri Lanka Geoffrey Bawa was a virtuoso in the art of crafting a ‘paradise’. The works that he created until his death in 2003 have been an inspiration to architects not only in Sri Lanka but throughout Asian countries. Born in 1919 Bawa was a crossbreed, an embodiment of Sri Lanka’s history at the crossroads of Europe and Asia.(...)
Residential masterpieces 07 : Geoffrey Bawa, 33rd Lane Colombo, Sri Lanka 1960-98 / Lunuganga, Bentota, Sri Lanka 1948-98
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A representative figure of architecture in Sri Lanka Geoffrey Bawa was a virtuoso in the art of crafting a ‘paradise’. The works that he created until his death in 2003 have been an inspiration to architects not only in Sri Lanka but throughout Asian countries. Born in 1919 Bawa was a crossbreed, an embodiment of Sri Lanka’s history at the crossroads of Europe and Asia. This publication focuses on two of his own houses : his regular house in Colombo and his country house in Bentota.
Architecture, monographies
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Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. Noted critic and theorist Mieke Bal narrates between the disciplines of contemporary culture in order to boldly reimagine the role of the visual arts. In Of What One Cannot Speak, Bal leads us into intimate encounters with(...)
Doris Salcedo's political art: Of what one cannot speak
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Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. Noted critic and theorist Mieke Bal narrates between the disciplines of contemporary culture in order to boldly reimagine the role of the visual arts. In Of What One Cannot Speak, Bal leads us into intimate encounters with Salcedo’s art, encouraging us to consider each work as a “theoretical object” that invites—and demands—certain kinds of considerations about history, death, erasure, and grief.
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Rothko wrote a number of essays and critical reviews during his lifetime, adding his thoughtful and opinionated voice to the debates of the contemporary art world. Although the artist never published a book of his varied and complex views, his heirs indicate that he occasionally spoke of the existence of such a manuscript to friends and colleagues. Stored in a New York(...)
The artist's reality : philosophies of art, by Mark Rothko
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Rothko wrote a number of essays and critical reviews during his lifetime, adding his thoughtful and opinionated voice to the debates of the contemporary art world. Although the artist never published a book of his varied and complex views, his heirs indicate that he occasionally spoke of the existence of such a manuscript to friends and colleagues. Stored in a New York City warehouse since the artist’s death more than thirty years ago, this extraordinary manuscript, titled The Artist’s Reality, is now being published for the first time.
Théorie de l’art
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''A Set of Actual Tracks'' brings a contemporary critical lens to the work of Reyner Banham, one of the most prescient architectural and design critics of the 20th century. Sixteen of the acerbic historian’s essays and book chapters have been selected by the book’s contributors, ranging from classics such as “The Great Gizmo” to lesser-known texts, such as “The Wall,” an(...)
Reyner Banham: A set of actual tracks
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''A Set of Actual Tracks'' brings a contemporary critical lens to the work of Reyner Banham, one of the most prescient architectural and design critics of the 20th century. Sixteen of the acerbic historian’s essays and book chapters have been selected by the book’s contributors, ranging from classics such as “The Great Gizmo” to lesser-known texts, such as “The Wall,” an intimate confession he penned at the hospital shortly before his death. Each is accompanied by a contemporary response that contextualises Banham’s text, drawing out reflections on what the critic’s work means today.
Théorie de l’architecture
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Founded in 1994, the Barcelona-based studio Miralles Tagliabue EMBT – directed by Benedetta Tagliabue since the premature death of Enric Miralles in 2000 – stands out for a creative process that is characterized by its poetic approach and the attention to the context, history, and culture of each place, and which produces an architecture strongly attached to the genius(...)
AV Monographs 267: Miralles Tagliabue EMBT 1994-2024
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Founded in 1994, the Barcelona-based studio Miralles Tagliabue EMBT – directed by Benedetta Tagliabue since the premature death of Enric Miralles in 2000 – stands out for a creative process that is characterized by its poetic approach and the attention to the context, history, and culture of each place, and which produces an architecture strongly attached to the genius loci and formally inspired by nature. To mark the firm’s thirtieth anniversary, the magazine AV Monographs gathers a selection of eighteen works spanning from the beginnings in Barcelona and its metropolitan area.
Revues