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The complete designs of Joseph Esherick, one of San Francisco's foremost architects from the 1960s through his death in the late 1990s. Esherick is best known for high-profile public buildings, such as The Cannery at Fisherman's Wharf, the 1968 re-imagining of the old Del Monte cannery that is one of the earliest examples of adaptive re-use of industrial buildings, and(...)
Appropriate: the houses of Joseph Esherick
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The complete designs of Joseph Esherick, one of San Francisco's foremost architects from the 1960s through his death in the late 1990s. Esherick is best known for high-profile public buildings, such as The Cannery at Fisherman's Wharf, the 1968 re-imagining of the old Del Monte cannery that is one of the earliest examples of adaptive re-use of industrial buildings, and the Monterey Bay Aquarium. He also produced a laudable stream of truly classic California homes, influenced less by fashion than by the demands of climate, social structure and suitable technology. A beautifully illustrated book from the distinguished UC Berkeley Landscape Design series.
Architecture, monographies
Blanket (object lessons)
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We are born into blankets. They keep us alive and they cover us in death. We pull and tug on blankets to see us through the night or an illness. They shield us in mourning and witness our most intimate pleasures. Curious, fearless, vulnerable, and critical, "Blanket" interweaves cultural critique with memoir to cast new light on a ubiquitous object. Kara Thompson reveals(...)
Blanket (object lessons)
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We are born into blankets. They keep us alive and they cover us in death. We pull and tug on blankets to see us through the night or an illness. They shield us in mourning and witness our most intimate pleasures. Curious, fearless, vulnerable, and critical, "Blanket" interweaves cultural critique with memoir to cast new light on a ubiquitous object. Kara Thompson reveals blankets everywhere--film, art, geology, disasters, battlefields, resistance, home--and transforms an ordinary thing into a vibrant and vital carrier of stories and secrets, an object of inheritance and belonging, a companion to uncover. "Object Lessons" is published in partnership with an essay series in the The Atlantic.
Théorie du design
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In this study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city- old Paris- as(...)
Old Paris and changing New York
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In this study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city- old Paris- as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project ''Changing New York''.
Monographies photo
Becoming Jane Jacobs
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Jane Jacobs is universally recognized as one of the key figures in American urbanism. The author of "The Death and Life of Great American Cities," she uncovered the complex and intertwined physical and social fabric of the city and excoriated the urban renewal policies of the 1950s. As the legend goes, Jacobs, a housewife, single-handedly stood up to Robert Moses, New(...)
Becoming Jane Jacobs
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Jane Jacobs is universally recognized as one of the key figures in American urbanism. The author of "The Death and Life of Great American Cities," she uncovered the complex and intertwined physical and social fabric of the city and excoriated the urban renewal policies of the 1950s. As the legend goes, Jacobs, a housewife, single-handedly stood up to Robert Moses, New York City's powerful master builder, and other city planners who sought first to level her Greenwich Village neighborhood and then to drive a highway through it. Jacobs's most effective weapons in these David-versus-Goliath battles, and in writing her book, were her powers of observation and common sense.
Théorie de l’urbanisme
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Holly Stevenson (1978) is one of New York City young and upcoming illustrators, her work blend pure simple drawings with highly refined and subtle taste. She is inspired from the little things in her everyday life like old photographs and books, and for Mexican Love Story she wanted to share with the viewers her fascination for Mexican culture and their festive approach(...)
Holly Stevenson. A mexican love story
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Holly Stevenson (1978) is one of New York City young and upcoming illustrators, her work blend pure simple drawings with highly refined and subtle taste. She is inspired from the little things in her everyday life like old photographs and books, and for Mexican Love Story she wanted to share with the viewers her fascination for Mexican culture and their festive approach to death as well as to life. Her illustrations have been included in American Illustration annuals 21 & 22 and her artworks & designs have been published on a variety of renowned publications such as Dazed and Confused, Nylon and Nylon Japan, Rojo, Arkitip, Oyster, Vice, Teen Vogue and Bust.
The hanging of Angélique
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Writer, historian and poet Afua Cooper tells the astonishing story of Marie-Joseph Angélique, a slave woman convicted of starting a fire that destroyed a large part of Montréal in April 1734 and condemned to die a brutal death. In a powerful retelling of Angélique's story—now supported by archival illustrations—Cooper builds on 15 years of research to shed new light on a(...)
The hanging of Angélique
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Writer, historian and poet Afua Cooper tells the astonishing story of Marie-Joseph Angélique, a slave woman convicted of starting a fire that destroyed a large part of Montréal in April 1734 and condemned to die a brutal death. In a powerful retelling of Angélique's story—now supported by archival illustrations—Cooper builds on 15 years of research to shed new light on a rebellious Portuguese-born black woman who refused to accept her indentured servitude. At the same time, Cooper completely demolishes the myth of a benign, slave-free Canada, revealing a damning 200- year-old record of legally and culturally endorsed slavery.
Architecture de Montréal
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Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on(...)
Why are they so afraid of the lotus?: A series of open questions
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Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on death and myth, post-coloniality and decolonization, and women's work as related to cultural politics. The contributions to ''Why are they so afraid of the lotus?'' embody Trinh's own weariness around categorization and investigate the ways production can come from and be based in positions of unknowing.
Social
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Oscar Wilde’s stories have given pleasure to generations of readers. This collection of children’s stories, first published in 1888, explores timeless themes of good and evil, freedom and responsibility, love and death, beauty and self-sacrifice. Featuring princesses, ogres, and talking animals, ''The happy prince & other tales'' poses questions that are as pertinent now(...)
The happy prince & other tales
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Oscar Wilde’s stories have given pleasure to generations of readers. This collection of children’s stories, first published in 1888, explores timeless themes of good and evil, freedom and responsibility, love and death, beauty and self-sacrifice. Featuring princesses, ogres, and talking animals, ''The happy prince & other tales'' poses questions that are as pertinent now as they were at the turn of the century. What is love? asks ''The happy prince & other tales.'' How do you get what you need? asks ''The nightingale and the rose'' How do you win friends—and avoid alienating people? Can you have too much compassion? How can you set the world on fire?
Littérature jeunesse
Envelope poems
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Although a very prolific poet, Emily Dickinson published fewer than a dozen poems. Instead, she created small handmade books. In her later years, she stopped producing these, but she continued to write a great deal, and at her death she left behind many poems, drafts, and letters. It is among the makeshift and fragile manuscripts of Dickinson’s later writings that we find(...)
Littérature et poésie
octobre 2016
Envelope poems
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Although a very prolific poet, Emily Dickinson published fewer than a dozen poems. Instead, she created small handmade books. In her later years, she stopped producing these, but she continued to write a great deal, and at her death she left behind many poems, drafts, and letters. It is among the makeshift and fragile manuscripts of Dickinson’s later writings that we find the envelope poems gathered here. These manuscripts on envelopes (recycled by the poet with marked New England thrift) were written with the full powers of her late, most radical period. Intensely alive, these envelope poems are charged with a special poignancy—addressed to no one and everyone at once.
Littérature et poésie
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By way of actions, films, installations, operas, theater pieces, television broadcasting, and teaching, Christoph Schliegensief produced work that boldly addressed contemporary culture and politics, particularly within Germany. Schlingensief’s death in the summer of 2010, which occurred as he was planning the German Pavilion for the 54th Venice Biennale, shifted the(...)
Christoph Schlingensief: German pavillon, 54th Venice Biennale 2011
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By way of actions, films, installations, operas, theater pieces, television broadcasting, and teaching, Christoph Schliegensief produced work that boldly addressed contemporary culture and politics, particularly within Germany. Schlingensief’s death in the summer of 2010, which occurred as he was planning the German Pavilion for the 54th Venice Biennale, shifted the course of the 2011 program. Instead of presenting elements of Schlingensief’s project, Festspielhaus Afrika, which initiated the first “opera village,” curator Susanne Gaensheimer has developed a program and accompanying catalogue that pays tribute to one of Germany’s most radical, experimental, and progressive voices. With contributions from over thirty internationally renowned curators, artists, critics, theorists, directors, and practitioners.