1816 Résultats
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livres
livres
Titre:
The information bomb
The information bomb
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"Civilization or the militarization of science?" With this typically hyperbolic and provocative question as a starting point, Paul Virilio explores the dominion of techno-science, cyberwar and the new information technologies over our lives . . . and deaths. After the era of the atomic bomb, Virilio(...)
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"Civilization or the militarization of science?" With this typically hyperbolic and provocative question as a starting point, Paul Virilio explores the dominion of techno-science, cyberwar and the new information technologies over our lives . . . and deaths. After the era of the atomic bomb, Virilio(...)
Titre:
The information bomb
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"Civilization or the militarization of science?" With this typically hyperbolic and provocative question as a starting point, Paul Virilio explores the dominion of techno-science, cyberwar and the new information technologies over our lives . . . and deaths. After the era of the atomic bomb, Virilio posits an era of genetic and information bombs which replace the apocalyptic bang of nuclear death with the whimper of a subliminally reinforced eugenics. We are entering the age of euthanasia. These exhilarating bulletins from the information war extend the range of Virilio's work. "The Information Bomb" spans everything from Fukuyama to Larry Flynt, the Sensation exhibition of New British Art to space travel, all seen through the optic of Virilio's trenchant and committed theoretical position.
The information bomb
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"Civilization or the militarization of science?" With this typically hyperbolic and provocative question as a starting point, Paul Virilio explores the dominion of techno-science, cyberwar and the new information technologies over our lives . . . and deaths. After the era of the atomic bomb, Virilio posits an era of genetic and information bombs which replace the apocalyptic bang of nuclear death with the whimper of a subliminally reinforced eugenics. We are entering the age of euthanasia. These exhilarating bulletins from the information war extend the range of Virilio's work. "The Information Bomb" spans everything from Fukuyama to Larry Flynt, the Sensation exhibition of New British Art to space travel, all seen through the optic of Virilio's trenchant and committed theoretical position.
Classification:
livres
livres
Publication:
janvier 1900, London
janvier 1900, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Mousse 32 February - March
Mousse 32 February - March
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In this issue… Stan Douglas has a fascinating method for producing his series: identification. For “Midcentury Studio”, Douglas dons the garb of a Canadian news photographer and war veteran. In a conversation with Monika Szewczyk, the artist discusses this work and the recent “Disco Angola”. Elisabeth Lebovici converses with Barbara Hammer to retrace the(...)
$18.50
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Résumé:
In this issue… Stan Douglas has a fascinating method for producing his series: identification. For “Midcentury Studio”, Douglas dons the garb of a Canadian news photographer and war veteran. In a conversation with Monika Szewczyk, the artist discusses this work and the recent “Disco Angola”. Elisabeth Lebovici converses with Barbara Hammer to retrace the(...)
Titre:
Mousse 32 February - March
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In this issue… Stan Douglas has a fascinating method for producing his series: identification. For “Midcentury Studio”, Douglas dons the garb of a Canadian news photographer and war veteran. In a conversation with Monika Szewczyk, the artist discusses this work and the recent “Disco Angola”. Elisabeth Lebovici converses with Barbara Hammer to retrace the artist’s career and delve into two recent works, one on Claude Cahun and Marcel Moore, the other on Maya Deren, touching on themes of gender, role and discrimination. In Buffalo, in March 1984, Susan Krane and Bruce Jenkins interviewed Hollis Frampton, shortly before his death. The tapes, which Jenkins has retrieved from his archives 28 years later, offer an extraordinary conversation/performance of the American artist in LOST & FOUND. And much more...
Mousse 32 February - March
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In this issue… Stan Douglas has a fascinating method for producing his series: identification. For “Midcentury Studio”, Douglas dons the garb of a Canadian news photographer and war veteran. In a conversation with Monika Szewczyk, the artist discusses this work and the recent “Disco Angola”. Elisabeth Lebovici converses with Barbara Hammer to retrace the artist’s career and delve into two recent works, one on Claude Cahun and Marcel Moore, the other on Maya Deren, touching on themes of gender, role and discrimination. In Buffalo, in March 1984, Susan Krane and Bruce Jenkins interviewed Hollis Frampton, shortly before his death. The tapes, which Jenkins has retrieved from his archives 28 years later, offer an extraordinary conversation/performance of the American artist in LOST & FOUND. And much more...
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livres
livres
Publication:
avril 2012
avril 2012
Sujet:
Revues
Revues
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livres
livres
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$88.00
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Joseph Cornell’s favorite pastimes was to meander through the used bookstalls of lower Manhattan, sorting through old books, magazines, postcards, photos, and other ephemera in search of items to spark his creative impulses. This publication is a facsimile of an almost unknown masterpiece by Joseph Cornell, presented in a box, along with a volume of essays and(...)
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Joseph Cornell’s favorite pastimes was to meander through the used bookstalls of lower Manhattan, sorting through old books, magazines, postcards, photos, and other ephemera in search of items to spark his creative impulses. This publication is a facsimile of an almost unknown masterpiece by Joseph Cornell, presented in a box, along with a volume of essays and(...)
Publication:
novembre 2012
novembre 2012
Titre:
Joseph Cornell's Manual of Marvels: how Joseph Cornell reinvented a French agricultural manual to create an American masterpiece
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Joseph Cornell’s favorite pastimes was to meander through the used bookstalls of lower Manhattan, sorting through old books, magazines, postcards, photos, and other ephemera in search of items to spark his creative impulses. This publication is a facsimile of an almost unknown masterpiece by Joseph Cornell, presented in a box, along with a volume of essays and an interactive DVD. It was discovered in his basement studio soon after his death in 1972 and is now in the collection of the Philadelphia Museum of Art. Due to its fragility, the work is not well known, even among Cornell scholars. Now, in a unique venture, sixty of the most extraordinary pages have been re-created in virtual facsimile, with cutouts, glue-ons, and other unique handmade details.
Joseph Cornell's Manual of Marvels: how Joseph Cornell reinvented a French agricultural manual to create an American masterpiece
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Résumé:
Joseph Cornell’s favorite pastimes was to meander through the used bookstalls of lower Manhattan, sorting through old books, magazines, postcards, photos, and other ephemera in search of items to spark his creative impulses. This publication is a facsimile of an almost unknown masterpiece by Joseph Cornell, presented in a box, along with a volume of essays and an interactive DVD. It was discovered in his basement studio soon after his death in 1972 and is now in the collection of the Philadelphia Museum of Art. Due to its fragility, the work is not well known, even among Cornell scholars. Now, in a unique venture, sixty of the most extraordinary pages have been re-created in virtual facsimile, with cutouts, glue-ons, and other unique handmade details.
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livres
livres
Publication:
novembre 2012
novembre 2012
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livres
livres
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$38.00
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In The Preparation of the Novel, a collection of lectures delivered at a defining moment in Roland Barthes’s career (and completed just weeks before his death), the critic spoke of his struggle to discover a different way of writing and a new approach to life. The Neutral preceded this work, containing Barthes’s challenge to the classic oppositions of Western thought and(...)
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In The Preparation of the Novel, a collection of lectures delivered at a defining moment in Roland Barthes’s career (and completed just weeks before his death), the critic spoke of his struggle to discover a different way of writing and a new approach to life. The Neutral preceded this work, containing Barthes’s challenge to the classic oppositions of Western thought and(...)
Titre:
How to live together : novelistic simulations of some everyday spaces
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$38.00
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In The Preparation of the Novel, a collection of lectures delivered at a defining moment in Roland Barthes’s career (and completed just weeks before his death), the critic spoke of his struggle to discover a different way of writing and a new approach to life. The Neutral preceded this work, containing Barthes’s challenge to the classic oppositions of Western thought and his effort to establish new pathways of meaning. How to Live Together predates both achievements, a series of lectures exploring solitude and the degree of contact necessary for individuals to exist and create at their own pace. A distinct project that sets the tone for his subsequent lectures, How to Live Together is a key introduction to Barthes’s pedagogical methods and critical worldview.
How to live together : novelistic simulations of some everyday spaces
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Résumé:
In The Preparation of the Novel, a collection of lectures delivered at a defining moment in Roland Barthes’s career (and completed just weeks before his death), the critic spoke of his struggle to discover a different way of writing and a new approach to life. The Neutral preceded this work, containing Barthes’s challenge to the classic oppositions of Western thought and his effort to establish new pathways of meaning. How to Live Together predates both achievements, a series of lectures exploring solitude and the degree of contact necessary for individuals to exist and create at their own pace. A distinct project that sets the tone for his subsequent lectures, How to Live Together is a key introduction to Barthes’s pedagogical methods and critical worldview.
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livres
livres
Publication:
décembre 2012
décembre 2012
Sujet:
Social
Social
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livres
livres
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$67.50
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Julius Shulman, one of the foremost architectural photographers of our day, achieved international acclaim with his pictures of the architecture of the postwar and Kennedy eras. Shulman not only set standards in modern architectural photography, working with the preeminent architects of his time, he also defined a completely new style of architectural photography.(...)
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Julius Shulman, one of the foremost architectural photographers of our day, achieved international acclaim with his pictures of the architecture of the postwar and Kennedy eras. Shulman not only set standards in modern architectural photography, working with the preeminent architects of his time, he also defined a completely new style of architectural photography.(...)
Titre:
Julius Shulman : The last decade
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Julius Shulman, one of the foremost architectural photographers of our day, achieved international acclaim with his pictures of the architecture of the postwar and Kennedy eras. Shulman not only set standards in modern architectural photography, working with the preeminent architects of his time, he also defined a completely new style of architectural photography. German born photographer Jürgen Nogai and Julius Shulman began a rewarding collaboration in 2000 which lasted almost a decade until Shulman's death in 2009. Together they continued to develop their unique style, worked on projects, and published in books and magazines. This publication presents works from the joint archive of Shulman and Nogai resulting from their ten year partnership, many of them published for the first time.
Julius Shulman : The last decade
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Julius Shulman, one of the foremost architectural photographers of our day, achieved international acclaim with his pictures of the architecture of the postwar and Kennedy eras. Shulman not only set standards in modern architectural photography, working with the preeminent architects of his time, he also defined a completely new style of architectural photography. German born photographer Jürgen Nogai and Julius Shulman began a rewarding collaboration in 2000 which lasted almost a decade until Shulman's death in 2009. Together they continued to develop their unique style, worked on projects, and published in books and magazines. This publication presents works from the joint archive of Shulman and Nogai resulting from their ten year partnership, many of them published for the first time.
Classification:
livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$32.95
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Résumé:
What is a horizon? A line where land meets sky? The end of the world or the beginning of perception? In this brilliant, engaging, and stimulating history, Didier Maleuvre journeys to the outer reaches of human experience and explores philosophy, religion, and art to understand our struggle and fascination with limits—of life, knowledge, existence, and death. Maleuvre(...)
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What is a horizon? A line where land meets sky? The end of the world or the beginning of perception? In this brilliant, engaging, and stimulating history, Didier Maleuvre journeys to the outer reaches of human experience and explores philosophy, religion, and art to understand our struggle and fascination with limits—of life, knowledge, existence, and death. Maleuvre(...)
Titre:
The horizon: A history of our infinite longing
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What is a horizon? A line where land meets sky? The end of the world or the beginning of perception? In this brilliant, engaging, and stimulating history, Didier Maleuvre journeys to the outer reaches of human experience and explores philosophy, religion, and art to understand our struggle and fascination with limits—of life, knowledge, existence, and death. Maleuvre sweeps us through a vast cultural landscape, enabling us to experience each stopping place as the cusp of a limitless journey, whether he is discussing the works of Picasso, Gothic architecture, Beethoven, or General Relativity. If, as Aristotle said, philosophy begins in wonder, then this remarkable book shows us how wonder—the urge to know beyond the conceivable—is itself the engine of culture.
The horizon: A history of our infinite longing
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$32.95
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What is a horizon? A line where land meets sky? The end of the world or the beginning of perception? In this brilliant, engaging, and stimulating history, Didier Maleuvre journeys to the outer reaches of human experience and explores philosophy, religion, and art to understand our struggle and fascination with limits—of life, knowledge, existence, and death. Maleuvre sweeps us through a vast cultural landscape, enabling us to experience each stopping place as the cusp of a limitless journey, whether he is discussing the works of Picasso, Gothic architecture, Beethoven, or General Relativity. If, as Aristotle said, philosophy begins in wonder, then this remarkable book shows us how wonder—the urge to know beyond the conceivable—is itself the engine of culture.
Classification:
livres
livres
Publication:
janvier 2011
janvier 2011
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Scarpa
Scarpa
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$11.99
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Carlo Scarpa (1906 1978) was denied the appropriate appreciation during his lifetime. His work was dismissed as just being art and only after his death people began to understand the high quality contained. This book shows the development of his individual architectural language by linking aspects of the arts with architecture. From his sensitive consideration of the(...)
$11.99
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Carlo Scarpa (1906 1978) was denied the appropriate appreciation during his lifetime. His work was dismissed as just being art and only after his death people began to understand the high quality contained. This book shows the development of his individual architectural language by linking aspects of the arts with architecture. From his sensitive consideration of the(...)
Titre:
Scarpa
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$11.99
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Carlo Scarpa (1906 1978) was denied the appropriate appreciation during his lifetime. His work was dismissed as just being art and only after his death people began to understand the high quality contained. This book shows the development of his individual architectural language by linking aspects of the arts with architecture. From his sensitive consideration of the urban context to the composition of stunning details; the author manages to give the reader an insight into the architect s work. Especially the investigation in his exhibition designs illustrate Scarpa s knowledge of material and his solving of complex problems. Places like the Castelvecchio Museum in Verona became a Mekka for everybody seeking the ultimate refinement in exhibition design and restoring old buildings.
Scarpa
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Carlo Scarpa (1906 1978) was denied the appropriate appreciation during his lifetime. His work was dismissed as just being art and only after his death people began to understand the high quality contained. This book shows the development of his individual architectural language by linking aspects of the arts with architecture. From his sensitive consideration of the urban context to the composition of stunning details; the author manages to give the reader an insight into the architect s work. Especially the investigation in his exhibition designs illustrate Scarpa s knowledge of material and his solving of complex problems. Places like the Castelvecchio Museum in Verona became a Mekka for everybody seeking the ultimate refinement in exhibition design and restoring old buildings.
Classification:
livres
livres
Publication:
novembre 2009
novembre 2009
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
The portable John Latham
The portable John Latham
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The Portable John Latham features a rich selection of documents from the archive of the late British artist John Latham. Through reproductions of letters, invitation cards, exhibition reviews, performance scripts and images, the publication retraces Latham’s radical practice over six decades, from the late 1940s to his death in 2006. The book highlights Latham’s(...)
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The Portable John Latham features a rich selection of documents from the archive of the late British artist John Latham. Through reproductions of letters, invitation cards, exhibition reviews, performance scripts and images, the publication retraces Latham’s radical practice over six decades, from the late 1940s to his death in 2006. The book highlights Latham’s(...)
Titre:
The portable John Latham
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The Portable John Latham features a rich selection of documents from the archive of the late British artist John Latham. Through reproductions of letters, invitation cards, exhibition reviews, performance scripts and images, the publication retraces Latham’s radical practice over six decades, from the late 1940s to his death in 2006. The book highlights Latham’s prodigious linguistic inventiveness as well as the variety of his interlocutors, from artists and art world figures (Clement Greenberg, Lucy Lippard) to academics (Noam Chomsky, Stephen Hawking) and politicians (Margaret Thatcher). The Portable John Latham is introduced by co-editors Antony Hudek and Athanasios Velios, and includes a reprint of an interview of Latham by the late Charles Harrison from 1968 and a useful glossary section.
The portable John Latham
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The Portable John Latham features a rich selection of documents from the archive of the late British artist John Latham. Through reproductions of letters, invitation cards, exhibition reviews, performance scripts and images, the publication retraces Latham’s radical practice over six decades, from the late 1940s to his death in 2006. The book highlights Latham’s prodigious linguistic inventiveness as well as the variety of his interlocutors, from artists and art world figures (Clement Greenberg, Lucy Lippard) to academics (Noam Chomsky, Stephen Hawking) and politicians (Margaret Thatcher). The Portable John Latham is introduced by co-editors Antony Hudek and Athanasios Velios, and includes a reprint of an interview of Latham by the late Charles Harrison from 1968 and a useful glossary section.
Classification:
livres
livres
Publication:
décembre 2012
décembre 2012
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Henri Matisse: the cut-outs
Henri Matisse: the cut-outs
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Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse's paper cut-outs, made from the early 1940s until the artist's death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse's colorful and innovative final chapter. The result of research conducted on two fronts--conservation and(...)
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Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse's paper cut-outs, made from the early 1940s until the artist's death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse's colorful and innovative final chapter. The result of research conducted on two fronts--conservation and(...)
Titre:
Henri Matisse: the cut-outs
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$60.00
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Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse's paper cut-outs, made from the early 1940s until the artist's death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse's colorful and innovative final chapter. The result of research conducted on two fronts--conservation and curatorial--the catalogue offers a reconsideration of the cut-outs by exploring a host of technical and conceptual issues: the artist's methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing.
Henri Matisse: the cut-outs
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$60.00
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Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse's paper cut-outs, made from the early 1940s until the artist's death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse's colorful and innovative final chapter. The result of research conducted on two fronts--conservation and curatorial--the catalogue offers a reconsideration of the cut-outs by exploring a host of technical and conceptual issues: the artist's methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing.
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livres
livres
Publication:
mai 2014
mai 2014
Classification:
livres
livres
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$28.50
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"Downtown America" was once the vibrant urban center romanticized in the Petula Clark song-a place where the lights were brighter, where people went to spend their money and forget their worries. But in the second half of the twentieth century, "downtown" became a shadow of its former self, succumbing to economic competition and commercial decline. And the death of Main(...)
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"Downtown America" was once the vibrant urban center romanticized in the Petula Clark song-a place where the lights were brighter, where people went to spend their money and forget their worries. But in the second half of the twentieth century, "downtown" became a shadow of its former self, succumbing to economic competition and commercial decline. And the death of Main(...)
Titre:
Downtown America : a history of the place and the people who made it
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"Downtown America" was once the vibrant urban center romanticized in the Petula Clark song-a place where the lights were brighter, where people went to spend their money and forget their worries. But in the second half of the twentieth century, "downtown" became a shadow of its former self, succumbing to economic competition and commercial decline. And the death of Main Streets across the country came to be seen as sadly inexorable, like the passing of an aged loved one. "Downtown America" cuts beneath the archetypal story of downtown's rise and fall and offers a new story of urban development in the United States. Moving beyond conventional narratives, Alison Isenberg shows that downtown's trajectory was not dictated by inevitable free market forces or natural life-and-death cycles. Instead, it was the product of human actors-the contested creation of retailers, developers, government leaders, architects, and planners, as well as political activists, consumers, civic clubs, real estate appraisers, even postcard artists. Throughout the twentieth century, conflicts over downtown's mundane conditions-what it should look like and who should walk its streets-pointed to fundamental disagreements over American values. Isenberg reveals how the innovative efforts of these participants infused Main Street with its resonant symbolism, while still accounting for pervasive uncertainty and fears of decline. Readers of this work will find anything but a story of inevitability. Even some of the downtown's darkest moments-the Great Depression's collapse in land values, the rioting and looting of the 1960s, or abandonment and vacancy during the 1970s-illuminate how core cultural values have animated and intertwined with economic investment to reinvent the physical form and social experiences of urban commerce. "Downtown America"-its empty stores, revitalized marketplaces, and romanticized past-will never look quite the same again.
Downtown America : a history of the place and the people who made it
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$28.50
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Résumé:
"Downtown America" was once the vibrant urban center romanticized in the Petula Clark song-a place where the lights were brighter, where people went to spend their money and forget their worries. But in the second half of the twentieth century, "downtown" became a shadow of its former self, succumbing to economic competition and commercial decline. And the death of Main Streets across the country came to be seen as sadly inexorable, like the passing of an aged loved one. "Downtown America" cuts beneath the archetypal story of downtown's rise and fall and offers a new story of urban development in the United States. Moving beyond conventional narratives, Alison Isenberg shows that downtown's trajectory was not dictated by inevitable free market forces or natural life-and-death cycles. Instead, it was the product of human actors-the contested creation of retailers, developers, government leaders, architects, and planners, as well as political activists, consumers, civic clubs, real estate appraisers, even postcard artists. Throughout the twentieth century, conflicts over downtown's mundane conditions-what it should look like and who should walk its streets-pointed to fundamental disagreements over American values. Isenberg reveals how the innovative efforts of these participants infused Main Street with its resonant symbolism, while still accounting for pervasive uncertainty and fears of decline. Readers of this work will find anything but a story of inevitability. Even some of the downtown's darkest moments-the Great Depression's collapse in land values, the rioting and looting of the 1960s, or abandonment and vacancy during the 1970s-illuminate how core cultural values have animated and intertwined with economic investment to reinvent the physical form and social experiences of urban commerce. "Downtown America"-its empty stores, revitalized marketplaces, and romanticized past-will never look quite the same again.
Classification:
livres
livres
Publication:
janvier 1900, Chicago, London
janvier 1900, Chicago, London
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
