1816 Résultats
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In a sweeping journey through time, bestselling author Florian Illies tells the story of Caspar David Friedrich’s paintings and their impact on subsequent generations. Many of his most beautiful paintings were burned, first in his birthplace and then in World War II; others, like the Chalk Cliffs on Rügen, emerge from the mists of history a hundred years after(...)
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In a sweeping journey through time, bestselling author Florian Illies tells the story of Caspar David Friedrich’s paintings and their impact on subsequent generations. Many of his most beautiful paintings were burned, first in his birthplace and then in World War II; others, like the Chalk Cliffs on Rügen, emerge from the mists of history a hundred years after(...)
Titre:
The magic of silence: Caspar David Friedrich's journey through time
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In a sweeping journey through time, bestselling author Florian Illies tells the story of Caspar David Friedrich’s paintings and their impact on subsequent generations. Many of his most beautiful paintings were burned, first in his birthplace and then in World War II; others, like the Chalk Cliffs on Rügen, emerge from the mists of history a hundred years after Friedrich's death. Illies recounts the story of how Friedrich's paintings ended up at the Russian czar's court, others among a pile of winter tires in a Mafia car repair shop, and others still in the kitchen of a German social housing apartment. Adored by Hitler and Rainer Maria Rilke, despised by Stalin and by the generation of 68, this compelling narrative dances through 250 years of history as seen through Friedrich’s art and life. As a result, the man himself becomes flesh and blood before our very eyes.
The magic of silence: Caspar David Friedrich's journey through time
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In a sweeping journey through time, bestselling author Florian Illies tells the story of Caspar David Friedrich’s paintings and their impact on subsequent generations. Many of his most beautiful paintings were burned, first in his birthplace and then in World War II; others, like the Chalk Cliffs on Rügen, emerge from the mists of history a hundred years after Friedrich's death. Illies recounts the story of how Friedrich's paintings ended up at the Russian czar's court, others among a pile of winter tires in a Mafia car repair shop, and others still in the kitchen of a German social housing apartment. Adored by Hitler and Rainer Maria Rilke, despised by Stalin and by the generation of 68, this compelling narrative dances through 250 years of history as seen through Friedrich’s art and life. As a result, the man himself becomes flesh and blood before our very eyes.
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livres
livres
Publication:
janvier 2025
janvier 2025
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Architecture and authorship
Architecture and authorship
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Architecture and Authorship comprises 17 essays, encompassing a variety of contemporary and historical case studies, which explore issues of authorship, ownership and "copyright" in architecture. The book documents how, from the fifteenth century onwards, individual architects and movements have endeavoured to maintain their status by defending what they see as their own(...)
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Architecture and Authorship comprises 17 essays, encompassing a variety of contemporary and historical case studies, which explore issues of authorship, ownership and "copyright" in architecture. The book documents how, from the fifteenth century onwards, individual architects and movements have endeavoured to maintain their status by defending what they see as their own(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juin 2007, London
juin 2007, London
Titre:
Architecture and authorship
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Architecture and Authorship comprises 17 essays, encompassing a variety of contemporary and historical case studies, which explore issues of authorship, ownership and "copyright" in architecture. The book documents how, from the fifteenth century onwards, individual architects and movements have endeavoured to maintain their status by defending what they see as their own unique territory -- the origins and intentions of their work, and their signature style. Written contributions from international experts in architecture and art history cover a variety of fascinating topics, including domestic space; eighteenth century landscape gardens; the Berlin of the late nineteenth and early twentieth century; and postmodernism and the "Death of the Author;" as well as exploring the work of luminaries from Ernst Neufert and Cedric Price to Rem Koolhaas. Architecture and Authorship is a lavishly illustrated alternative look at the history and culture of architecture, and the thought processes and ideas behind a variety of architectural "practices."
Architecture and authorship
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Architecture and Authorship comprises 17 essays, encompassing a variety of contemporary and historical case studies, which explore issues of authorship, ownership and "copyright" in architecture. The book documents how, from the fifteenth century onwards, individual architects and movements have endeavoured to maintain their status by defending what they see as their own unique territory -- the origins and intentions of their work, and their signature style. Written contributions from international experts in architecture and art history cover a variety of fascinating topics, including domestic space; eighteenth century landscape gardens; the Berlin of the late nineteenth and early twentieth century; and postmodernism and the "Death of the Author;" as well as exploring the work of luminaries from Ernst Neufert and Cedric Price to Rem Koolhaas. Architecture and Authorship is a lavishly illustrated alternative look at the history and culture of architecture, and the thought processes and ideas behind a variety of architectural "practices."
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livres
livres
Publication:
juin 2007, London
juin 2007, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$47.00
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Eyes on the Street is a revelation of the phenomenal woman who raised three children, wrote seven groundbreaking books, saved neighborhoods, stopped expressways, was arrested twice, and engaged at home and on the streets in thousands of debates--all of which she won. Here is the child who challenged her third-grade teacher; the high school poet; the journalist who honed(...)
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Eyes on the Street is a revelation of the phenomenal woman who raised three children, wrote seven groundbreaking books, saved neighborhoods, stopped expressways, was arrested twice, and engaged at home and on the streets in thousands of debates--all of which she won. Here is the child who challenged her third-grade teacher; the high school poet; the journalist who honed(...)
Titre:
Eyes on the street: the life of Jane Jacobs
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Eyes on the Street is a revelation of the phenomenal woman who raised three children, wrote seven groundbreaking books, saved neighborhoods, stopped expressways, was arrested twice, and engaged at home and on the streets in thousands of debates--all of which she won. Here is the child who challenged her third-grade teacher; the high school poet; the journalist who honed her writing skills at Iron Age, Architectural Forum, Fortune, and other outlets, while amassing the knowledge she would draw upon to write her most famous book, The Death and Life of Great American Cities. Here, too, is the activist who helped lead an ultimately successful protest against Robert Moses's proposed expressway through her beloved Greenwich Village; and who, in order to keep her sons out of the Vietnam War, moved to Canada, where she became as well known and admired as she was in the United States.
Eyes on the street: the life of Jane Jacobs
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Eyes on the Street is a revelation of the phenomenal woman who raised three children, wrote seven groundbreaking books, saved neighborhoods, stopped expressways, was arrested twice, and engaged at home and on the streets in thousands of debates--all of which she won. Here is the child who challenged her third-grade teacher; the high school poet; the journalist who honed her writing skills at Iron Age, Architectural Forum, Fortune, and other outlets, while amassing the knowledge she would draw upon to write her most famous book, The Death and Life of Great American Cities. Here, too, is the activist who helped lead an ultimately successful protest against Robert Moses's proposed expressway through her beloved Greenwich Village; and who, in order to keep her sons out of the Vietnam War, moved to Canada, where she became as well known and admired as she was in the United States.
Classification:
livres
livres
Publication:
septembre 2016
septembre 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
périodiques
périodiques
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$26.50
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Résumé:
"Flat Out 1" yields unlikely connections between subjects as diverse as lists, numbers, chairs, and death. In “Dear Renato,” The Challenger writes a letter to Italian architect Renato Rizzi on the darkness of his Shakespeare Theater. The Genealogist, in “Get the Door, It’s Domino’s,” dives into the pizza company’s trophy awards for architects. The Mortician prepares New(...)
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"Flat Out 1" yields unlikely connections between subjects as diverse as lists, numbers, chairs, and death. In “Dear Renato,” The Challenger writes a letter to Italian architect Renato Rizzi on the darkness of his Shakespeare Theater. The Genealogist, in “Get the Door, It’s Domino’s,” dives into the pizza company’s trophy awards for architects. The Mortician prepares New(...)
Titre:
Flat Out : claims on architecture from an unlikely cast
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"Flat Out 1" yields unlikely connections between subjects as diverse as lists, numbers, chairs, and death. In “Dear Renato,” The Challenger writes a letter to Italian architect Renato Rizzi on the darkness of his Shakespeare Theater. The Genealogist, in “Get the Door, It’s Domino’s,” dives into the pizza company’s trophy awards for architects. The Mortician prepares New Brutalism for the afterlife, while The Graphic Essayist fills columns with new orders. In “Easier Done than Said” an editorial board member appears as The Cameo to make much ado about the reception of the inaugural Chicago Architectural Biennial. The cast for this issue features (in order of appearance) Pier Paolo Tamburelli, Jayne Kelley, Alexander Eisenschmidt, Sam Jacob, Robert Bruegmann, Paul Andersen, Jon Langford, Ellen Grimes, John McMorrough, Ania Jaworska, Zehra Ahmed, R. E. Somol, Penelope Dean, and Julia Di Castri. Character portraits are by Cody Hudson.
Flat Out : claims on architecture from an unlikely cast
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"Flat Out 1" yields unlikely connections between subjects as diverse as lists, numbers, chairs, and death. In “Dear Renato,” The Challenger writes a letter to Italian architect Renato Rizzi on the darkness of his Shakespeare Theater. The Genealogist, in “Get the Door, It’s Domino’s,” dives into the pizza company’s trophy awards for architects. The Mortician prepares New Brutalism for the afterlife, while The Graphic Essayist fills columns with new orders. In “Easier Done than Said” an editorial board member appears as The Cameo to make much ado about the reception of the inaugural Chicago Architectural Biennial. The cast for this issue features (in order of appearance) Pier Paolo Tamburelli, Jayne Kelley, Alexander Eisenschmidt, Sam Jacob, Robert Bruegmann, Paul Andersen, Jon Langford, Ellen Grimes, John McMorrough, Ania Jaworska, Zehra Ahmed, R. E. Somol, Penelope Dean, and Julia Di Castri. Character portraits are by Cody Hudson.
Classification:
périodiques
périodiques
Publication:
novembre 2016
novembre 2016
Sujet:
Revues
Revues
Classification:
livres
livres
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The artists Cy Twombly and Sally Mann may at first seem an unlikely pairing. He was a leading contemporary artist who defied easy categorization, a painter and sculptor whose enigmatic work often referenced mythology and epic poetry. She is a photographer with an uncanny ability to tap raw human emotion, whether depicting members of her family or the landscape of the(...)
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The artists Cy Twombly and Sally Mann may at first seem an unlikely pairing. He was a leading contemporary artist who defied easy categorization, a painter and sculptor whose enigmatic work often referenced mythology and epic poetry. She is a photographer with an uncanny ability to tap raw human emotion, whether depicting members of her family or the landscape of the(...)
Titre:
Remembered light: Cy Twombly in Lexington
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The artists Cy Twombly and Sally Mann may at first seem an unlikely pairing. He was a leading contemporary artist who defied easy categorization, a painter and sculptor whose enigmatic work often referenced mythology and epic poetry. She is a photographer with an uncanny ability to tap raw human emotion, whether depicting members of her family or the landscape of the American South. What they had in common was place—both grew up in rural Lexington, Virginia, where Twombly kept a studio and produced some of his most important work until his death in 2011, and where Mann has lived and worked all her life.Over the course of several years, Mann photographed inside Twombly’s studio. The result is a rare insider’s view of Twombly’s process—we sense him in the room at every turn, although he is always just beyond the frame—and a poetic dialogue between two artistic visions.
Remembered light: Cy Twombly in Lexington
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The artists Cy Twombly and Sally Mann may at first seem an unlikely pairing. He was a leading contemporary artist who defied easy categorization, a painter and sculptor whose enigmatic work often referenced mythology and epic poetry. She is a photographer with an uncanny ability to tap raw human emotion, whether depicting members of her family or the landscape of the American South. What they had in common was place—both grew up in rural Lexington, Virginia, where Twombly kept a studio and produced some of his most important work until his death in 2011, and where Mann has lived and worked all her life.Over the course of several years, Mann photographed inside Twombly’s studio. The result is a rare insider’s view of Twombly’s process—we sense him in the room at every turn, although he is always just beyond the frame—and a poetic dialogue between two artistic visions.
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livres
livres
Publication:
octobre 2016
octobre 2016
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livres
livres
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$32.00
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Résumé:
Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of(...)
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Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of(...)
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Navigation beyond vision: e-flux journal
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Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of magnitude. Only a few weeks prior to his untimely death in 2014, Harun Farocki briefly referred to navigation as a contemporary challenge to montage—editing distinct sections of film into a continuous sequence—as the dominant paradigm of techno-political visuality. For Farocki, the computer-animated, navigable images that constitute the twenty-first century's "ruling class of images" call for new tools of analysis, prompting him to ask: How does the shift from montage to navigation alter the way images—and art—operate as models of political action and modes of political intervention?
Navigation beyond vision: e-flux journal
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Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of magnitude. Only a few weeks prior to his untimely death in 2014, Harun Farocki briefly referred to navigation as a contemporary challenge to montage—editing distinct sections of film into a continuous sequence—as the dominant paradigm of techno-political visuality. For Farocki, the computer-animated, navigable images that constitute the twenty-first century's "ruling class of images" call for new tools of analysis, prompting him to ask: How does the shift from montage to navigation alter the way images—and art—operate as models of political action and modes of political intervention?
Classification:
livres
livres
Publication:
novembre 2023
novembre 2023
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
From Lascaux to Brooklyn
From Lascaux to Brooklyn
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Hailed upon its publication as “discriminating, erudite, and eclectic,” From Lascaux to Brooklyn is now available to readers once again. First published in 1996, the year of Paul Rand’s death, the volume embarks on a wonderful journey from the time before graphic design to the author’s own studio work and beyond. An excellent companion to Rand’s Design, Form, and Chaos,(...)
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Hailed upon its publication as “discriminating, erudite, and eclectic,” From Lascaux to Brooklyn is now available to readers once again. First published in 1996, the year of Paul Rand’s death, the volume embarks on a wonderful journey from the time before graphic design to the author’s own studio work and beyond. An excellent companion to Rand’s Design, Form, and Chaos,(...)
Titre:
From Lascaux to Brooklyn
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Hailed upon its publication as “discriminating, erudite, and eclectic,” From Lascaux to Brooklyn is now available to readers once again. First published in 1996, the year of Paul Rand’s death, the volume embarks on a wonderful journey from the time before graphic design to the author’s own studio work and beyond. An excellent companion to Rand’s Design, Form, and Chaos, this book awakens readers to the lessons of the cave paintings of Lascaux and demonstrates how this learning is later conveyed in artworks ranging from the Tower of Pisa to a Cézanne painting, an African sculpture, or a park in Brooklyn. Topics discussed include the relationship between art and business, the presentation of design concepts to prospective clients, the debate over typographic style, and the aesthetics of combinatorial geometry. This book engages and enlightens anyone interested in the practice or theory of graphic design.
From Lascaux to Brooklyn
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Hailed upon its publication as “discriminating, erudite, and eclectic,” From Lascaux to Brooklyn is now available to readers once again. First published in 1996, the year of Paul Rand’s death, the volume embarks on a wonderful journey from the time before graphic design to the author’s own studio work and beyond. An excellent companion to Rand’s Design, Form, and Chaos, this book awakens readers to the lessons of the cave paintings of Lascaux and demonstrates how this learning is later conveyed in artworks ranging from the Tower of Pisa to a Cézanne painting, an African sculpture, or a park in Brooklyn. Topics discussed include the relationship between art and business, the presentation of design concepts to prospective clients, the debate over typographic style, and the aesthetics of combinatorial geometry. This book engages and enlightens anyone interested in the practice or theory of graphic design.
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livres
livres
Publication:
décembre 2017
décembre 2017
Classification:
livres
livres
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$56.95
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"Monsters under Glass" explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius,(...)
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"Monsters under Glass" explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius,(...)
Titre:
Monsters under glass: a cultural history of hothouse flowers from 1850 to the present
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"Monsters under Glass" explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius, but it was only in the early nineteenth century that a boom in exotic plant collecting and new glasshouse technologies stimulated the imagination of novelists, poets, and artists, and the hothouse entered the creative language in a highly charged way. Decadent writers in England and Europe—including Charles Baudelaire and Oscar Wilde—transformed the hothouse from a functional object to a powerful metaphor of metropolitan life, sexuality, and being replete with a dark underside of decay and death; and of consciousness itself, nurtured and dissected under glass.
Monsters under glass: a cultural history of hothouse flowers from 1850 to the present
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"Monsters under Glass" explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius, but it was only in the early nineteenth century that a boom in exotic plant collecting and new glasshouse technologies stimulated the imagination of novelists, poets, and artists, and the hothouse entered the creative language in a highly charged way. Decadent writers in England and Europe—including Charles Baudelaire and Oscar Wilde—transformed the hothouse from a functional object to a powerful metaphor of metropolitan life, sexuality, and being replete with a dark underside of decay and death; and of consciousness itself, nurtured and dissected under glass.
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livres
livres
Publication:
août 2018
août 2018
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
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$63.95
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The past decade has seen a well-deserved revival of interest in the books of travel writer Patrick Leigh Fermor. Now it’s time that his wife, Joan Leigh Fermor (1912–2003), gets her due—as one of the greatest photographers of her generation. In her lifetime, Leigh Fermor was hailed—and hired—by John Betjemen and Cyril Connelly, and she was recognized as a powerful(...)
$63.95
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The past decade has seen a well-deserved revival of interest in the books of travel writer Patrick Leigh Fermor. Now it’s time that his wife, Joan Leigh Fermor (1912–2003), gets her due—as one of the greatest photographers of her generation. In her lifetime, Leigh Fermor was hailed—and hired—by John Betjemen and Cyril Connelly, and she was recognized as a powerful(...)
Titre:
The photographs of Joan Leigh Fermor
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The past decade has seen a well-deserved revival of interest in the books of travel writer Patrick Leigh Fermor. Now it’s time that his wife, Joan Leigh Fermor (1912–2003), gets her due—as one of the greatest photographers of her generation. In her lifetime, Leigh Fermor was hailed—and hired—by John Betjemen and Cyril Connelly, and she was recognized as a powerful recorder of the London Blitz. But the true scale of her achievement was only realized after her death, when a treasure trove of photographs was discovered documenting the landscape and culture of Greece between 1945 and 1960. Through Leigh Fermor’s fundamentally democratic lens, we meet Cretan shepherds, Meteoran monastics, and Macedonian bear tamers. She brings the same intimate eye to architecture, while showing just as much facility in the panoramas of landscape—all clearly animated by a love of Greece.
The photographs of Joan Leigh Fermor
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The past decade has seen a well-deserved revival of interest in the books of travel writer Patrick Leigh Fermor. Now it’s time that his wife, Joan Leigh Fermor (1912–2003), gets her due—as one of the greatest photographers of her generation. In her lifetime, Leigh Fermor was hailed—and hired—by John Betjemen and Cyril Connelly, and she was recognized as a powerful recorder of the London Blitz. But the true scale of her achievement was only realized after her death, when a treasure trove of photographs was discovered documenting the landscape and culture of Greece between 1945 and 1960. Through Leigh Fermor’s fundamentally democratic lens, we meet Cretan shepherds, Meteoran monastics, and Macedonian bear tamers. She brings the same intimate eye to architecture, while showing just as much facility in the panoramas of landscape—all clearly animated by a love of Greece.
Classification:
livres
livres
Publication:
septembre 2018
septembre 2018
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Cabinet 62 : milk
Cabinet 62 : milk
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One of only a handful of substances produced in nature expressly as food, milk is fundamental for infant mammalian nutrition, but is also foundational in human myth and religion. Cabinet issue 62, with a special section on “Milk,” includes Renata Salecl on the psychoanalytical implications of the recent death of a child solely breastfed for the first five years of his(...)
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One of only a handful of substances produced in nature expressly as food, milk is fundamental for infant mammalian nutrition, but is also foundational in human myth and religion. Cabinet issue 62, with a special section on “Milk,” includes Renata Salecl on the psychoanalytical implications of the recent death of a child solely breastfed for the first five years of his(...)
Titre:
Cabinet 62 : milk
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One of only a handful of substances produced in nature expressly as food, milk is fundamental for infant mammalian nutrition, but is also foundational in human myth and religion. Cabinet issue 62, with a special section on “Milk,” includes Renata Salecl on the psychoanalytical implications of the recent death of a child solely breastfed for the first five years of his life; Jeff Dolven on milk and luminosity; Esther Leslie and Melanie Jackson on the ways in which milk is transformed from primary material to metaphorical excess; and Melanie Tyson on the colonial history of condensed milk. Elsewhere in the issue: Daniel Rosenberg on Maurice Sendak’s beloved “Nutshell Library” and the fantasies of book classification; Richard Cooke on the history of live sex shows in Europe and their sudden decline in the 1980s; and an artist project by S. Billie Mandle exploring the varieties of Catholic confessionals.
Cabinet 62 : milk
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One of only a handful of substances produced in nature expressly as food, milk is fundamental for infant mammalian nutrition, but is also foundational in human myth and religion. Cabinet issue 62, with a special section on “Milk,” includes Renata Salecl on the psychoanalytical implications of the recent death of a child solely breastfed for the first five years of his life; Jeff Dolven on milk and luminosity; Esther Leslie and Melanie Jackson on the ways in which milk is transformed from primary material to metaphorical excess; and Melanie Tyson on the colonial history of condensed milk. Elsewhere in the issue: Daniel Rosenberg on Maurice Sendak’s beloved “Nutshell Library” and the fantasies of book classification; Richard Cooke on the history of live sex shows in Europe and their sudden decline in the 1980s; and an artist project by S. Billie Mandle exploring the varieties of Catholic confessionals.
Classification:
livres
livres
Publication:
juin 2017
juin 2017
Sujet:
Revues
Revues
