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The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the(...)
Earthwards. Robert Smithson and art after Babel
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The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the limitations of the museum prefigures key themes in postmodern criticism while underscoring the uniqueness of Smithson's own work as an artist, filmmaker, and writer. Gary Shapiro's elegant and incisive study of Smithson's career is the first book to address the full range of the artist's dazzling virtuosity. Ranging from Smithson's best known works such as Spiral Jetty and Partially Buried Woodshed to his photographs, films, and theoretical readings and writings, Shapiro's masterful book analyzes Smithson's art in relation to the legacy of American art of the 1960s and central philosophical themes in its contemporary reception.
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novembre 1997
Land Art
$24.95
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In this book, Leah Laksmi Piepzna-Samarasinha asks some provocative questions: What if, in the near future, the majority of people will be disabled - and what if that's not a bad thing? And what if disability justice and disabled wisdom are crucial to creating a future in which it's possible to survive fascism, climate change, and pandemics and to bring about liberation?(...)
The future is disabled: Prophecies, love notes and mourning songs
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In this book, Leah Laksmi Piepzna-Samarasinha asks some provocative questions: What if, in the near future, the majority of people will be disabled - and what if that's not a bad thing? And what if disability justice and disabled wisdom are crucial to creating a future in which it's possible to survive fascism, climate change, and pandemics and to bring about liberation? Written over the course of two years of disabled isolation during the pandemic, this is a book of love letters to other disabled QTBIPOC (and those concerned about disability justice, the care crisis, and surviving the apocalypse); honour songs for kin who are gone; recipes for survival; questions and real talk about care, organizing, disabled families, and kin networks and communities; and wild brown disabled femme joy in the face of death. With passion and power, the book remembers our dead and insists on our future.
Social
William Morris
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William Morris’s interests were wide-ranging: he was a poet, writer, political and social activist, conservationist, and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris’s various spheres of activity, places his art in the context of its time, and examines his ongoing and far-reaching(...)
William Morris
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William Morris’s interests were wide-ranging: he was a poet, writer, political and social activist, conservationist, and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris’s various spheres of activity, places his art in the context of its time, and examines his ongoing and far-reaching legacy. Published to mark the 125th anniversary of Morris’s death, this book includes contributions from a wide range of Morris experts, with chapters on painting, church decoration and stained glass, interior decoration, furniture, tiles and tableware, wallpaper, textiles, calligraphy, and publishing. Additional materials include a contextualized chronology of Morris’s life and a list of public collections around the world where examples of Morris’s work may be seen today. This study is a wide- ranging, fully illustrated exploration of a great thinker and artist, and essential reading for anyone interested in the history of design.
Ornementation
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Legendary architect, historian and critic, Colin Rowe was an inveterate letter writer. From his student days at Liverpool in the early 1940s until his death in Washington in 1999, he wrote innumerable letters to his parents, renowned architects and scholars, friends, colleagues and former students on both sides of the Atlantic; and most consistently and intimately to his(...)
The letters of Colin Rowe: five decades of correspondence
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Legendary architect, historian and critic, Colin Rowe was an inveterate letter writer. From his student days at Liverpool in the early 1940s until his death in Washington in 1999, he wrote innumerable letters to his parents, renowned architects and scholars, friends, colleagues and former students on both sides of the Atlantic; and most consistently and intimately to his brother, David, and sister-in-law, Dorothy, in England. Informal and elegant ruminations, they illuminate moments in Rowe's migratory life, addressing a wide range of subjects from books, furniture, landscapes, politics, history and education, to architecture and the urban condition and a host of other engaging topics. Rich with wit and an astonishing array of scholarship, each is written in the incomparable style for which Rowe has long been famous, making evident his love affair with words and revealing a man of great humour, warmth and charm.
Théorie de l’architecture
10 years in art publishing
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This A-Z "memoir about art publishing" celebrates the ten-year anniversary of JRP|Ringier, created in 2004 by Swiss art curator Lionel Bovier and Ringier AG owner Michael Ringier. With 632 books and 1,800 authors published, 20,000 printing hours, 4,000 tons of books transported and one million sold, JRP|Ringier continues to work collaboratively with contemporary artists(...)
10 years in art publishing
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This A-Z "memoir about art publishing" celebrates the ten-year anniversary of JRP|Ringier, created in 2004 by Swiss art curator Lionel Bovier and Ringier AG owner Michael Ringier. With 632 books and 1,800 authors published, 20,000 printing hours, 4,000 tons of books transported and one million sold, JRP|Ringier continues to work collaboratively with contemporary artists to produce carefully curated, high-quality publications. The book goes from A for Art Publisher and B for Books to Y for Yellowpress and Z for Zombie Books ("projects that are in the state of non-death: they are not officially stopped, so they weigh on you, on your program's list, being revived every now and then by someone who does not want them to die, without being able to make them exist") and is illustrated with images of signings and on-press scenes. This volume is published in the Hapax series.
$42.00
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After the death of his wife, Andre Kertesz consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertesz dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body(...)
novembre 2011
André Kertész : the polaroids
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After the death of his wife, Andre Kertesz consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertesz dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body of work through which he transforms from a broken man into a youthful artist. Taken in his apartment just north of New York City's Washington Square, many of these photographs were shot either from his window or in the windowsill. We see a fertile mind at work, combining personal objects into striking still lifes set against cityscape backgrounds, reflected and transformed in glass surfaces. Almost entirely unpublished work, these photographs are a testament to the genius of the photographer's eye as manifested in the simple Polaroid.
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This book is the first devoted to the important innovations in architecture that took place in western Europe between the death of emperor Justinian in A.D. 565 and the tenth century. During this period of transition from Late Antiquity to the Middle Ages, the Early Christian basilica was transformed in both form and function. Charles B. McClendon draws on rich(...)
janvier 2005, New Haven
The origins of medieval architecture : building in Europe, A.D. 600-900
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This book is the first devoted to the important innovations in architecture that took place in western Europe between the death of emperor Justinian in A.D. 565 and the tenth century. During this period of transition from Late Antiquity to the Middle Ages, the Early Christian basilica was transformed in both form and function. Charles B. McClendon draws on rich documentary evidence and archaeological data to show that the buildings of these three centuries, studied in isolation but rarely together, set substantial precedents for the future of medieval architecture. He looks at buildings of the so-called Dark Ages—monuments that reflected a new assimilation of seemingly antithetical “barbarian” and “classical” attitudes toward architecture and its decoration—and at the grand and innovative architecture of the Carolingian Empire. The great Romanesque and Gothic churches of subsequent centuries owe far more to the architectural achievements of the Early Middle Ages than has generally been recognized, the author argues.
$25.95
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In "Black elegies", Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the "national emergency of black grief." With her characteristic literary skill, Brown analyzes(...)
Black elegies: meditations on the art of mourning
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In "Black elegies", Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the "national emergency of black grief." With her characteristic literary skill, Brown analyzes the work of major figures including Toni Morrison, Carrie Mae Weems, Audre Lorde, and Marvin Gaye, among others. Brown contemplates recognizable sites of mourning: forced migration and enslavement, bodily violations, imprisonment and death. And she examines sites that do not register immediately as archives of grief: the landscape of southern U.S. slave plantations, a spontaneous street party, a quilt constructed out of the clothing worn by a loved one, a dance performance to hold the memory of history, and an aeolian harp installed at an institute of European art, among others. In this, the book offers a framework of mourning while black, within the parameters of contemporary artistic production.
Théorie/ philosophie
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The first comprehensive overview of the work of Garry Winogrand contains an essay on the life and work of the photographer by John Szarkowski and a plate section presenting the photographs thematically. Grouped under the following titles-- Eisenhower Years, The Street, Women, The Zoo, On the Road, The Sixties, Etc, The Fort Worth Fat Stock Show and Rodeo, Airport, and(...)
Winogrand : figments from the real world
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The first comprehensive overview of the work of Garry Winogrand contains an essay on the life and work of the photographer by John Szarkowski and a plate section presenting the photographs thematically. Grouped under the following titles-- Eisenhower Years, The Street, Women, The Zoo, On the Road, The Sixties, Etc, The Fort Worth Fat Stock Show and Rodeo, Airport, and Unfinished Work-- many of the 179 plates are works that had never before been published. The last section includes 25 pictures chosen from the enormous body of work that Winogrand left unedited at the time of his death in 1984. In his essay, Szarkowski, who knew the photographer well during most of his career, describes the development of Winogrand's pictorial strategies during his years as a photojournalist, the increasing complexity of his motifs as he pursued more personal goals, and the challenge posed for other photographers by the powerful and distinctive authority of Winogrand's best work.
Monographies photo
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When the New Yorker art critic Peter Schjeldahl published his widely read autobiographical essay "The art of dying" in December 2019, he reported that he had lung cancer and his oncologist had given him six months to live, but his experimental treatment was showing some improvement. "These extra months," he wrote, "are a luxury that I hope to have put to good use.” And he(...)
The art of dying: Writings 2019-2022
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When the New Yorker art critic Peter Schjeldahl published his widely read autobiographical essay "The art of dying" in December 2019, he reported that he had lung cancer and his oncologist had given him six months to live, but his experimental treatment was showing some improvement. "These extra months," he wrote, "are a luxury that I hope to have put to good use.” And he did. "The art of dying: Writings, 2019-2022" begins with that essay and collects all 46 pieces that he wrote for the magazine before his death in October 2022. These last works express Schjeldahl’s hard-won reflections on art and life, against the backdrop of an intensely anxious period in America, spanning the pandemic, the George Floyd protests, the 2020 presidential election, and the war in Ukraine. Schjeldahl, who was the leading art writer of his generation, wrote with generosity and openness about the art world during these tempestuous three years.
Théorie de l’art