Alighiero Boetti: game plan
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Published to accompany the first large-scale retrospective of Alighiero Boetti's work outside Italy in over a decade, this volume covers all periods of Boetti's broad oeuvre, including early sculptural experiments associated with the Arte Povera movement, conceptual and ephemeral projects of the 1970s and the monumental embroideries and tapestries he fabricated up to his(...)
novembre 2011
Alighiero Boetti: game plan
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Published to accompany the first large-scale retrospective of Alighiero Boetti's work outside Italy in over a decade, this volume covers all periods of Boetti's broad oeuvre, including early sculptural experiments associated with the Arte Povera movement, conceptual and ephemeral projects of the 1970s and the monumental embroideries and tapestries he fabricated up to his death. This illustrated catalogue is structured as a typology of the artist's body of work rather than a chronological progression. Essays by curators from the Reina Sofia, Madrid, the Tate Modern, London and The Museum of Modern Art, New York, address recurrent themes in Boetti's work such as travel and geography, time, order and disorder and singularity and multitude, while contributions by scholars examine his early influences and his relationship to the cultural, political, and social spheres of Italy and Afghanistan in the 1970s and 1980s. This volume celebrates the material diversity, conceptual complexity and visual beauty of Boetti's work, proving that he is one of the most important and influential artists of his generation.
The phantom scientist
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An isolated institute laid out in a Fibonacci sequence, hidden deep in the forest. Twenty-four labs. Twenty-four researchers. Until one of them disappears . . . When physicist Stéphane Douasy arrives to occupy the vacant twenty-fourth lab at the Institute for the Study of Complex and Dynamic Systems, an ominous problem rises in his wake: what has happened to his(...)
The phantom scientist
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An isolated institute laid out in a Fibonacci sequence, hidden deep in the forest. Twenty-four labs. Twenty-four researchers. Until one of them disappears . . . When physicist Stéphane Douasy arrives to occupy the vacant twenty-fourth lab at the Institute for the Study of Complex and Dynamic Systems, an ominous problem rises in his wake: what has happened to his missing neighbor in Building F? When Stéphane’s neighbors, a discouraged linguist and a computer scientist bent on predicting the future, discover that the missing researcher may have solved the P versus NP problem—a coup in computer science with revolutionary implications for everything from mathematics to philosophy—before vanishing, things turn stranger still, and even more menacing. Solving the mystery of the Institute and its devolution into mayhem and violence every seventh year quickly shifts from being an intellectual exercise to a matter of life and death. ''The phantom scientist'' is part thriller, part mystery, part systems theory—and all enthralling. The tale slyly draws together linguistics, biology, astrophysics, and robotics in a mind-bending puzzle that will thrill and inform readers.
Illustration
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The second volume tracing the history of Britain's most famous cinema circuit continues the story from 1942 when J. Arthur Rank took control after the death of its founder, Oscar Deutsch. Odeon expanded rapidly and was eventually merged with Rank's other circuit, Gaumont cinemas, as part of The Rank Organisation. The book shows in great detail how Odeon adapted to the(...)
février 2005, London
Odeon cinema 2 : from J. Arthur Rank to the multiplex
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The second volume tracing the history of Britain's most famous cinema circuit continues the story from 1942 when J. Arthur Rank took control after the death of its founder, Oscar Deutsch. Odeon expanded rapidly and was eventually merged with Rank's other circuit, Gaumont cinemas, as part of The Rank Organisation. The book shows in great detail how Odeon adapted to the wide screen and roadshow eras, built new cinemas and converted existing ones to two and three screens, but went into a sharp decline until the turnaround in cinemaattendances from 1985, fuelled by the arrival of American-style multiplex.By entering the race to build multiplexes and further subdividing its older sites, Odeon reasserted itself to become the largest chain in the UK. The book is copiously illustrated with 16 pages in colour and includes a list of the films given an Odeon circuit release from 1942 to 1959 and a complete record of all the cinemas ever operated by Odeon until it was sold by Rank in 2000.
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Cemeteries are virtual encyclopaedias of symbolism. Engravings on tombstones, mausoleums and memorials tell us just about everything there is to know about a person- date of birth and death as well as religion, ethnicity, occupation, community interests, and much more. In the fascinating new book "Stories in Stone: A Field Guide to Cemetery Symbolism and Iconography" by(...)
Stories in stone : a field guide to cemetery symbolism and iconography
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Cemeteries are virtual encyclopaedias of symbolism. Engravings on tombstones, mausoleums and memorials tell us just about everything there is to know about a person- date of birth and death as well as religion, ethnicity, occupation, community interests, and much more. In the fascinating new book "Stories in Stone: A Field Guide to Cemetery Symbolism and Iconography" by noted author Douglas Keister, the secrets of cemetery symbolism are finally revealed. "Stories in Stone" provides history along with images of a wide variety of common and not-so-common cemetery symbols, and offers an in-depth examination of stone relics and the personal and intimate details they display - flora and fauna, religious icons, society symbols, and final impressions of how the deceased wished to be remembered. Douglas Keister has created a practical field guide that is compact and portable, perfect for those interested in family histories and genealogical research, and is the only book of its kind that unlocks the language of symbols in a comprehensive and easy-to-understand manner.
Bouffe
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In this collection of essays, Murray Bookchin's vision for an ecological society remains central as he addresses questions of urbanism and city planning, technology, self-management, energy, utopianism, and more. Throughout, he opposes efforts to reduce ecology to a toothless "environmentalism," a task as vital today as when these essays were first published. Written(...)
Towards an ecological society
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In this collection of essays, Murray Bookchin's vision for an ecological society remains central as he addresses questions of urbanism and city planning, technology, self-management, energy, utopianism, and more. Throughout, he opposes efforts to reduce ecology to a toothless "environmentalism," a task as vital today as when these essays were first published. Written between 1969 and 1979, the essays in this collection represent a fascinating and fertile period in Bookchin’s life. Coming out of the unfulfilled promise of the sixties and trying to develop a revolutionary critique of social life that avoided the pitfalls of Marxism, he was entering his creative intellectual peak. He was laying the foundations of a truly social ecology: a society based on decentralization, interdependence, democratic self-management, mutual aid, and solidarity. Presented with clarity and fervor, these key works contain the kernels of concerns that would occupy him until his death in 2006. This edition also includes a new foreword by Dan Chodorkoff, someone who was with Bookchin at the founding of his Institute for Social Ecology and who understand his work better than anyone.
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The decades from 1500 to 1550 in Florence encompassed one of the most original and outstanding periods in the entire history of art. This gloriously illustrated book gathers and describes many of the beloved paintings, drawings, and sculptures created by the greatest masters of the period along with less familiar but equally beautiful and intriguing works. The(...)
Leonardo da Vinci, Michelangelo and the Renaissance in Florence
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The decades from 1500 to 1550 in Florence encompassed one of the most original and outstanding periods in the entire history of art. This gloriously illustrated book gathers and describes many of the beloved paintings, drawings, and sculptures created by the greatest masters of the period along with less familiar but equally beautiful and intriguing works. The contributors to the volume explore the masterpieces of Florence and challenge conventional interpretations of the evolution of this art. The book outlines the historical context of the Florentine High Renaissance and then discusses drawings, paintings, and sculpture in turn. Focusing on major artists and their contemporaries and allies, the authors demonstrate the great importance of drawing during this period and show that there was a consistency in the brand of creativity found in such artists as Michelangelo, Fiorentino, Cellini, and Bronzino. The authors question the relevance of terms like High Renaissance and Mannerism, and they contend that, contrary to commonly held assumptions, there was no strong stylistic division between art produced in Florence before and after the death of Raphael in 1520.
Histoire jusqu’à 1900
The witch studies reader
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Stories about witches are by their nature stories about the most basic and profound of human experiences—healing, sex, violence, tragedies, aging, death, and encountering the mystery and magic of the unknown. It is no surprise, then, that witches loom large in our cultural imaginations. In academia, studies of witches rarely emerge from scholars who are themselves witches(...)
The witch studies reader
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Stories about witches are by their nature stories about the most basic and profound of human experiences—healing, sex, violence, tragedies, aging, death, and encountering the mystery and magic of the unknown. It is no surprise, then, that witches loom large in our cultural imaginations. In academia, studies of witches rarely emerge from scholars who are themselves witches and/or embedded in communities of witchcraft practitioners. ''The Witch Studies Reader'' brings together a diverse group of scholars, practitioners, and scholar-practitioners who examine witchcraft from a critical decolonial feminist perspective that decenters Europe and departs from exoticizing and pathologizing writing on witchcraft in the global South. The authors show how witches are keepers of suppressed knowledges, builders of new futures, exemplars of praxis, and theorists in their own right. Throughout, they account for the vastly different national, political-economic, and cultural contexts in which “the witch” is currently being claimed and repudiated. Offering a pathbreaking transnational feminist examination of witches and witchcraft that upends white supremacist, colonial, patriarchal knowledge regimes, this volume brings into being the interdisciplinary field of feminist witch studies.
Social
Palladio's Rome
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Andrea Palladio (1508-1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome's ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the(...)
Architecture, monographies
janvier 1900, New Haven, London
Palladio's Rome
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Andrea Palladio (1508-1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome's ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the next. He also described ancient Roman rituals of birth, marriage, and death. Here translated into English and joined in a single volume for the first time, Palladio's guidebooks allow modern visitors to enjoy Rome exactly as their predecessors did 450 years ago. Like the originals, this new edition is pocket sized and therefore easily read on site. Enhanced with illustrations and commentary, the book also includes the first full English translation of Raphael's famous letter to Pope Leo X on the monuments of ancient Rome. For architectural historians, tourists, and armchair travellers, this book offers insights into the antiquarian and ecclesiastical preoccupations of one of the greatest of the Renaissance architectural masters.
Architecture, monographies
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In 1975 Bas Jan Ader disappeared at sea while trying to sail from the East Coast of the United States to Europe as part of a project titled In Search of the Miraculous. The circumstances of his disappearance have led many interpreters to identify Ader (as a person) with the role of the tragic romantic hero. The cult status of the artist as a hero whose work is(...)
Bas Jan Ader: in the search of the miraculous
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In 1975 Bas Jan Ader disappeared at sea while trying to sail from the East Coast of the United States to Europe as part of a project titled In Search of the Miraculous. The circumstances of his disappearance have led many interpreters to identify Ader (as a person) with the role of the tragic romantic hero. The cult status of the artist as a hero whose work is authenticated through his death, however, has obscured the fact that Ader's art was a critical investigation of precisely those romantic motives his persona has now come to be identified with. This book unpicks these ties in Ader's work in order to highlight the specific and unique way in which Ader explores the existential and emotional with an artistic approach that is as conceptual and analytic as it is poetic and personal. Jan Verwoert lives in Hamburg and works as a freelance writer. He is a member of the advisory board of the Kunstverein Munich and Guest Professor of Contemporary Art and Theory at the Academy of Umeå.
Théorie de l’art
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The Utopie group was born in 1966 at Henri Lefebvre's house in the Pyrenees. The eponymous journal edited by Hubert Tonka brought together sociologists Jean Baudrillard, René Lourau, and Catherine Cot, architects Jean Aubert, Jean-Paul Jungmann, Antoine Stinco, and landscape architect Isabelle Auricoste. Over the next decade, both in theory and in practice, the group(...)
Utopia deferred : Jean Baudrillard, writings for Utopie (1967-1978)
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The Utopie group was born in 1966 at Henri Lefebvre's house in the Pyrenees. The eponymous journal edited by Hubert Tonka brought together sociologists Jean Baudrillard, René Lourau, and Catherine Cot, architects Jean Aubert, Jean-Paul Jungmann, Antoine Stinco, and landscape architect Isabelle Auricoste. Over the next decade, both in theory and in practice, the group articulated a radical ultra-leftist critique of architecture, urbanism, and everyday life. "Utopia deferred" collects all of the essays Jean Baudrillard published in Utopie as well as recent interviews with Jean Baudrillard and Hubert Tonka. Utopie served as a workshop for Baudrillard's thought. Many of the essays he first published in Utopie were seminal for some of his books: "For a critique of the political economy of the sign", "The mirror of production", "Simulations", "Symbolic exchange and death", and "In the shadow of the silent majorities". But Utopie was also a topical journal and a political one; the topics of these essays are often torn from the headlines of the tumultuous decade following the uprisings of May 1968.
Théorie/ philosophie