Paul Rudolph : the late work
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The light- and breeze-filled modern houses in Florida of the 1950s -- featured in Paul Rudolph: The Florida Houses -- and the hard-lined silhouette of Yale's Art and Architecture Building (1962) are the two images that come to mind when one thinks of Paul Rudolph. Yet few people know the work of the last decades of his life, from the 1970s through the 90s. Published here(...)
Paul Rudolph : the late work
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The light- and breeze-filled modern houses in Florida of the 1950s -- featured in Paul Rudolph: The Florida Houses -- and the hard-lined silhouette of Yale's Art and Architecture Building (1962) are the two images that come to mind when one thinks of Paul Rudolph. Yet few people know the work of the last decades of his life, from the 1970s through the 90s. Published here for the first time, Rudolph's final works are explored through his masterful pencil drawings, models, and photographs, as well as the last interview of his life with architect Peter Blake. In a book that considers these projects in the context of his early success, Roberto de Alba explores the architect's buildings designed from 1969 to 1996 and includes an astonishing variety of projects, many built, such as houses, towers, bungalows, chapels, corporate buildings, and urban plans of a monumental scale. All show the complicated interplay of space, light, and mass that are the trademarks of Rudolph's genius. Through de Alba's close contact with the architect before his death, Rudolph's own vision is conveyed in descriptive texts and accompanying images. Paul Rudolph: The Late Work is designed as a companion volume to The Florida Houses, and is the second in a planned three-volume set of the complete works of this legendary architect.
Architecture, monographies
livres
Aalto: Alvar, Aino, Elissa
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To mark the 50th anniversary of the death of Alvar Aalto, one of the most important figures in architectural history, this exhibition will showcase the extensive body of work he created with his two wives, Aino and Elissa. The Aaltos revolutionised the humanist aspect of modern architecture by grounding it in an organic connection to nature, producing countless designs in(...)
Architecture, monographies
janvier 2025
Aalto: Alvar, Aino, Elissa
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To mark the 50th anniversary of the death of Alvar Aalto, one of the most important figures in architectural history, this exhibition will showcase the extensive body of work he created with his two wives, Aino and Elissa. The Aaltos revolutionised the humanist aspect of modern architecture by grounding it in an organic connection to nature, producing countless designs in the process. Between the two world wars, the Aaltos helped to create an identity for the young Finnish nation. They participated in the International Congresses of Modern Architecture and the Paris and New York exhibitions and designed masterpieces such as the Viipuri Library (now in Russia), Villa Mairea in Finland, Baker House in the United States and Maison Carré in France. Following the introduction of antibiotics, their Paimio Sanatorium set an example to the world by demonstrating how spaces could be made healthier and more accessible, through studies of solar incidence, natural ventilation and silent washbasins. Sanatorium is one of the thirteen Aalto-designed projects currently proposed as UNESCO World Heritage Sites. The book accompanying the exhibition features a preface by António Choupina, director of the Architecture Department at the Serralves Foundation and curator of the exhibition, and Jukka Savolainen, director of the Alvar Aalto Museum. It also includes contributions from architect Álvaro Siza and Juhani Pallasmaa, architect, professor emeritus at Aalto University, Helsinki, and writer.
livres
janvier 2025
Architecture, monographies
livres
$96.00
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Recognized in his own time for extraordinary architectural achievements, Leon Battista Alberti (14041472) five hundred years after his death continues to influence the practice and theory of architecture. This book is the first full-scale study of Alberti's life and architecture in more than a quarter century. Robert Tavernor provides a biographical account of the(...)
On Alberti and the art of building
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Recognized in his own time for extraordinary architectural achievements, Leon Battista Alberti (14041472) five hundred years after his death continues to influence the practice and theory of architecture. This book is the first full-scale study of Alberti's life and architecture in more than a quarter century. Robert Tavernor provides a biographical account of the Italian architect and a detailed consideration of each of the building projects with which he was involved. With new reconstructions of Alberti's buildings and new interpretations of his design intentions, this book will fascinate every reader with an interest in Renaissance architecture. From Alberti's supreme knowledge of the thought and buildings of antiquity, he developed a set of writings on science and the visual arts, including his important treatise on architecture, De re aedificatoria. In this volume, Tavernor examines Alberti's architectural writings and his practical example, his relations with his patrons, how he extended his theory into practice through major building projects across Italy, and how he succeeded in raising the status of architecture to an art-one that sought harmony with the natural world. Focusing on the analysis of Alberti's buildings, the author sets each in historical context; provides a building history; and considers source material, proportional systems, and iconography. He concludes the book with a fresh view of Alberti's theory and practice and a summary of his design process.
livres
décembre 1998, New Haven
Traités
livres
$60.00
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Conception and birth, growth and maturity, aging and death--these are important moments in the human life story. They are also stages in the existence of a building, says the author of this unconventional history of the rituals and practices that surround built structures in America. Drawing on sources as varied as Masonic manuals, promotional brochures, janitorial(...)
Building lives : constructing rites and passages
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Conception and birth, growth and maturity, aging and death--these are important moments in the human life story. They are also stages in the existence of a building, says the author of this unconventional history of the rituals and practices that surround built structures in America. Drawing on sources as varied as Masonic manuals, promotional brochures, janitorial contracts, tourist guidebooks, and religious texts, cultural historian Neil Harris explores the rites of building passage over the past one hundred and fifty years. In this generously illustrated volume, he offers fascinating new insights into the social and cultural roles of buildings. This book suggests that architecture is a performing art as well as a fine art. Harris provides entertaining accounts of building introductions and presentations; celebrations, including groundbreakings, cornerstone layings, dedication ceremonies, and milestone anniversaries; efforts by builders, designers, real estate agents, photographers, and users to endow buildings with personality; debates over the naming of buildings; and attempts to document the erection and aging of buildings. Harris details recent strenuous efforts to prolong building life and vitality, and the increasing concern over "sick" and endangered buildings. Observing the difficulty that people experience in saying goodbye to old buildings that feel like friends, he calls for ceremony to mark the end as well as the beginning of a building's life.
livres
octobre 1998, New Haven
Théorie de l’architecture
Generation X
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"Generation X" is Douglas Coupland's acclaimed salute to the generation born in the late 1950s and 1960s - a generation known vaguely up to then as "twentysomething." Andy, Claire, and Dag, each in their twenties, have quit "pointless jobs done grudgingly to little applause" in their respective hometowns and cut themselves adrift on the California desert. In search of the(...)
Generation X
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"Generation X" is Douglas Coupland's acclaimed salute to the generation born in the late 1950s and 1960s - a generation known vaguely up to then as "twentysomething." Andy, Claire, and Dag, each in their twenties, have quit "pointless jobs done grudgingly to little applause" in their respective hometowns and cut themselves adrift on the California desert. In search of the drastic changes that will lend meaning to their lives, they've mired themselves in the detritus of American cultural memory. Refugees from history, the three develop an ascetic regime of story-telling, boozing, and working McJobs - "low-pay, low-prestige, low-benefit, no-future jobs in the service industry." They create modern fables of love and death among the cosmetic surgery parlors and cocktail bars of Palm Springs, disturbingly funny tales of nuclear waste, historical overdosing, and mall culture. A dark snapshot of the trio's highly fortressed inner world quickly emerges - landscapes peopled with dead TV shows, "Elvis moments," and semi-disposable Swedish furniture. And from these landscapes, deeper portraits emerge, those of fanatically independent individuals, pathologically ambivalent about the future and brimming with unsatisfied longings for permanence, for love, and for their own home. Andy, Dag, and Claire are underemployed, overeducated, intensely private, and unpredictable. Like the group they mirror, they have nowhere to assuage their fears, and no culture to replace their anomie.
Littérature et poésie
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A celebrated figure in myth, song, and story, the nightingale has captivated the imagination for millennia, its complex song evoking a prism of human emotions,-from melancholy to joy, from the fear of death to the immortality of art. As philosopher and musician David Rothenberg shows in this searching and personal new book, the nightingale's song is so peculiar in part(...)
Nightingales in Berlin: searching for the perfect sound
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A celebrated figure in myth, song, and story, the nightingale has captivated the imagination for millennia, its complex song evoking a prism of human emotions,-from melancholy to joy, from the fear of death to the immortality of art. As philosopher and musician David Rothenberg shows in this searching and personal new book, the nightingale's song is so peculiar in part because it reflects our own cacophony back at us. As vocal learners, nightingales acquire their music through the world around them, singing amidst the sounds of humanity in all its contradictions of noise and beauty, hard machinery and soft melody. Rather than try to capture a sound not made for us to understand, Rothenberg seeks these musical creatures out, clarinet in tow, and makes a new sound with them. He takes us to the urban landscape of Berlin—longtime home to nightingale colonies where the birds sing ever louder in order to be heard—and invites us to listen in on their remarkable collaboration as birds and instruments riff off of each other's sounds. Through dialogue, travel records, sonograms, tours of Berlin's city parks, and musings on the place animal music occupies in our collective imagination, Rothenberg takes us on a quest for a new sonic alchemy, a music impossible for any one species to make alone.
Théorie du paysage
livres
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In this second volume in the Chora series, contributing authors take an interdisciplinary approach to architecture and other cultural concerns, challenging readers to consider alternatives to conventional aesthetic and technological reductions. Karsten Harris provides a new and long-overdue reading of Martin Heidegger's well-known(...)
Théorie de l’architecture
septembre 1996, Montréal
Chora 2 : intervals in the philosophy of architecture
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In this second volume in the Chora series, contributing authors take an interdisciplinary approach to architecture and other cultural concerns, challenging readers to consider alternatives to conventional aesthetic and technological reductions. Karsten Harris provides a new and long-overdue reading of Martin Heidegger's well-known essay "Building Dwelling Thinking." Donald Kunze and Stephen Parcell consider possibilities of meaningful architectural space for a visual culture, continuing themes they addressed in Chora 1. Further reflections on the spaces of literature, cinema, and architecture include an interview with French writer and film maker Alain Robbe-Grillet and articles by Dagmar Motycka Weston on the surrealist city, Tracey Eve Winton on the museum as a paradigmatic modern building, and Terrance Galvin on spiritual space in the works of Jean Cocteau. Jean-Pierre Chupin and Bram Ratner explore historical themes in their essays on French Renaissance architect Philibert de l'Orme and the Jewish myth of the Golem. Gregory Caicco addresses ethical questions in his essay on the Greek agora and the death of Socrates, as does Lily Chi in her meditation on the critical issue of use in architectural works. A concern with architectural representation and generative strategies for the making of architecture is present throughout, especially in the essay by Joanna Merwood on the provocative House by British artist Rachel Whiteread.
livres
septembre 1996, Montréal
Théorie de l’architecture
Domus 962
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The October issue of Domus focuses on the theme of affordable housing, tackling the question of what "minimum subsistence dwelling" could mean in the 21st century. It builds on the investigation started at the Min to Max international architecture symposium in Berlin. Guest edited by Ilka and Andreas Ruby, it starts with Berlin-based architecture studio Something(...)
Domus 962
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The October issue of Domus focuses on the theme of affordable housing, tackling the question of what "minimum subsistence dwelling" could mean in the 21st century. It builds on the investigation started at the Min to Max international architecture symposium in Berlin. Guest edited by Ilka and Andreas Ruby, it starts with Berlin-based architecture studio Something Fantastic's manifesto on the creative opportunities and innovation allowed by the world recession. Domus then surveys the globe in search of positive strategies where design is subjected to constant experimentation, from Burkina Faso — where, in Gando, Diébédo Francis Kéré runs his experimental architecture workshop —, to Athens — where a group of teachers and researchers finds in the typical Greek polykatoikia the possibility of generating a host of collective and shared spaces —, passing through Detroit, Houston, New York City, Berlin, and Rio de Janeiro. Fresh after the opening of the Venice Architecture Biennale, issue 962 presents Gabriele Basilico's photographic survey of the Biennale's national pavilions, empty and waiting for their annual occupation. Jean-Philippe Vassal's photo essay captures extraordinary moments in the production of everyday space in Africa, and, in Mexico, artist Pedro Reyes transforms agents of death into instruments of life: by converting half a tonne of confiscated weapons into musical instruments, Reyes challenges us to imagine a change for the better.
Revues
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Art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that produces, perceives, or(...)
An anthropology of images: picture, medium, body
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Art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that produces, perceives, or remembers images that are different from the images we encounter through handmade or technical pictures. Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, this publication presents a challenging and provocative new account of what pictures are and how they function. The book demonstrates these ideas with a series of case studies, ranging from Dante's picture theory to post-photography. One chapter explores the tension between image and medium in two "media of the body," the coat of arms and the portrait painting. Another, central chapter looks at the relationship between image and death, tracing picture production, including the first use of the mask, to early funerary rituals in which pictures served to represent the missing bodies of the dead. Pictures were tools to re-embody the deceased, to make them present again, a fact that offers a surprising clue to the riddle of presence and absence in most pictures and that reveals a genealogy of pictures obscured by Platonic picture theory.
Théorie de l’art
The Sweetsburg archives
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Jonathan Reid Sévigny was born and raised in Cowansville, in the Eastern Townships of Quebec, a culture so unique and full of rare and local treasures that become significant to those who grew up there but perhaps seem completely foreign and often tacky to outsiders. It isn’t the most glamorous town, nor does it have any particular sites or landmarks that one would go out(...)
The Sweetsburg archives
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Jonathan Reid Sévigny was born and raised in Cowansville, in the Eastern Townships of Quebec, a culture so unique and full of rare and local treasures that become significant to those who grew up there but perhaps seem completely foreign and often tacky to outsiders. It isn’t the most glamorous town, nor does it have any particular sites or landmarks that one would go out of his / her way to visit. In The Sweetsburg Archives Sévigny is attempting to use his Quebeçois boyhood as an archetype for the relationship between the individual, the hometown, and the bewildering beauty that connects the two. As adults, we tend to romanticize our youth, we try and remember the best things about our coming of age, but we’re also scarred by certain events which we wish we could go back and change; fight back, kiss back. At a glance Sévigny’s depictions of Cowansville seem crisply utopian, a neat little playground of nice boys and girls. However, a closer look reveals their human forms are corrupt, splayed, eaten, and absorbed by animal fraternities, by swords of ritualistic death, by minute veils of the macrocosmic sky in all its unknown intricacies. The scene becomes otherworldly in the kid’s play, pushing us to remember that what is around and inside is both innocent and dirty, violent and soft, and constantly revised.
Illustration