239 Résultats
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livres
livres
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$34.95
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Anywhere or Not At All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Setting out the claim that ‘contemporary art is postconceptual art’, the book elaborates a series of conceptual constructions and interpretations of works by Navjot(...)
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Anywhere or Not At All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Setting out the claim that ‘contemporary art is postconceptual art’, the book elaborates a series of conceptual constructions and interpretations of works by Navjot(...)
Titre:
Anywhere or not at all: philosophy of contemporary art
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Anywhere or Not At All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Setting out the claim that ‘contemporary art is postconceptual art’, the book elaborates a series of conceptual constructions and interpretations of works by Navjot Altaf, the Atlas Group, Amar Kanwar, Sol LeWitt, Gordon Matta-Clark, Gerhard Richter and Robert Smithson, among others. It concludes with new accounts of the institutional and existential complexities of ‘art space’ and ‘art time’.
Anywhere or not at all: philosophy of contemporary art
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Anywhere or Not At All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Setting out the claim that ‘contemporary art is postconceptual art’, the book elaborates a series of conceptual constructions and interpretations of works by Navjot Altaf, the Atlas Group, Amar Kanwar, Sol LeWitt, Gordon Matta-Clark, Gerhard Richter and Robert Smithson, among others. It concludes with new accounts of the institutional and existential complexities of ‘art space’ and ‘art time’.
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livres
livres
Publication:
juin 2013
juin 2013
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Description:
448 pages : illustrations (some color), maps (some color), portraits (some color) ; 30 cm
Description:
448 pages : illustrations (some color), maps (some color), portraits (some color) ; 30 cm
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Minneapolis : Walker Art Center, [2015], New York, NY : D.A.P./Distributed Art Publishers, ©2015
Minneapolis : Walker Art Center, [2015], New York, NY : D.A.P./Distributed Art Publishers, ©2015
Titre:
Hippie modernism : the struggle for utopia / [edited by] Andrew Blauvelt ; with contributions by Andrew Blauvelt, Greg Castillo, Esther Choi, Alison J. Clarke, Hugh Dubberly, Ross K. Elfline, Adam Gildar, Liz Glass, David Karwan, Paul Pangaro, Craig J. Peariso, Catharine Rossi, Tina Rivers Ryan, Simon Sadler, Jeffrey T. Schnapp, Felicity D. Scott, Susan Snodgrass, Lorraine Wild.
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448 pages : illustrations (some color), maps (some color), portraits (some color) ; 30 cm
Hippie modernism : the struggle for utopia / [edited by] Andrew Blauvelt ; with contributions by Andrew Blauvelt, Greg Castillo, Esther Choi, Alison J. Clarke, Hugh Dubberly, Ross K. Elfline, Adam Gildar, Liz Glass, David Karwan, Paul Pangaro, Craig J. Peariso, Catharine Rossi, Tina Rivers Ryan, Simon Sadler, Jeffrey T. Schnapp, Felicity D. Scott, Susan Snodgrass, Lorraine Wild.
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448 pages : illustrations (some color), maps (some color), portraits (some color) ; 30 cm
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livres
livres
Publication:
Minneapolis : Walker Art Center, [2015], New York, NY : D.A.P./Distributed Art Publishers, ©2015
Minneapolis : Walker Art Center, [2015], New York, NY : D.A.P./Distributed Art Publishers, ©2015
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livres
livres
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$37.95
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'Lessons' begins with Risselada's and Tupker's own student years, in which the famous Forum-group dominated the architectural debate with the illustrous Dick Apon, Jaap Bakema, Aldo van Eyck, Joop Hardy and Herman Hertzberger. International influences discussed in 'Lessons' come from designers like Charles and Ray Eames, Alison and Peter Smithson, John Hejduk, Peter(...)
$37.95
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'Lessons' begins with Risselada's and Tupker's own student years, in which the famous Forum-group dominated the architectural debate with the illustrous Dick Apon, Jaap Bakema, Aldo van Eyck, Joop Hardy and Herman Hertzberger. International influences discussed in 'Lessons' come from designers like Charles and Ray Eames, Alison and Peter Smithson, John Hejduk, Peter(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
avril 2005, amsterdam
avril 2005, amsterdam
Titre:
Lessons : Tupker\Risselada : a double portrait of dutch architectural education, 1953\2003
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'Lessons' begins with Risselada's and Tupker's own student years, in which the famous Forum-group dominated the architectural debate with the illustrous Dick Apon, Jaap Bakema, Aldo van Eyck, Joop Hardy and Herman Hertzberger. International influences discussed in 'Lessons' come from designers like Charles and Ray Eames, Alison and Peter Smithson, John Hejduk, Peter Eisenman and Tadao Ando, and from the historians Emil Kaufmann, Colin Rowe, Charles Jencks and Beatriz Colomina. 'Lessons' also gives an account of the work by students of Risselada and Tupker.
Lessons : Tupker\Risselada : a double portrait of dutch architectural education, 1953\2003
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'Lessons' begins with Risselada's and Tupker's own student years, in which the famous Forum-group dominated the architectural debate with the illustrous Dick Apon, Jaap Bakema, Aldo van Eyck, Joop Hardy and Herman Hertzberger. International influences discussed in 'Lessons' come from designers like Charles and Ray Eames, Alison and Peter Smithson, John Hejduk, Peter Eisenman and Tadao Ando, and from the historians Emil Kaufmann, Colin Rowe, Charles Jencks and Beatriz Colomina. 'Lessons' also gives an account of the work by students of Risselada and Tupker.
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livres
livres
Publication:
avril 2005, amsterdam
avril 2005, amsterdam
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$84.00
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This book highlights some of the historical sources of ecological approaches that are currently reshaping the architectural field, especially in the work of architects such as Aldo van Eyck, Alison and Peter Smithson, James Stirling and others. This volume follows the paradigmatic shift in thinking about the built environment as something inherently contextual and(...)
$84.00
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Résumé:
This book highlights some of the historical sources of ecological approaches that are currently reshaping the architectural field, especially in the work of architects such as Aldo van Eyck, Alison and Peter Smithson, James Stirling and others. This volume follows the paradigmatic shift in thinking about the built environment as something inherently contextual and(...)
Titre:
Habitat: ecology thinking in architecture
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$84.00
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This book highlights some of the historical sources of ecological approaches that are currently reshaping the architectural field, especially in the work of architects such as Aldo van Eyck, Alison and Peter Smithson, James Stirling and others. This volume follows the paradigmatic shift in thinking about the built environment as something inherently contextual and relational. By demonstrating the continuities, disruptions and transformations at stake, 'Habitat' deepens the ongoing conversation, while suggesting directions for future research.
Habitat: ecology thinking in architecture
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$84.00
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Résumé:
This book highlights some of the historical sources of ecological approaches that are currently reshaping the architectural field, especially in the work of architects such as Aldo van Eyck, Alison and Peter Smithson, James Stirling and others. This volume follows the paradigmatic shift in thinking about the built environment as something inherently contextual and relational. By demonstrating the continuities, disruptions and transformations at stake, 'Habitat' deepens the ongoing conversation, while suggesting directions for future research.
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livres
livres
Publication:
février 2021
février 2021
Sujet:
Architecture écologique
Architecture écologique
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livres
livres
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$55.95
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Experiments with Life Itself investigates five projects of domestic radical architecture, built between the end of the Thirties and the end of the Fifties by architects and artists -- relegated to the margins of civil reality by war, exile and disenchantment -- in which they are also the object of their own experimentation. Through intimate analysis and personal(...)
$55.95
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Experiments with Life Itself investigates five projects of domestic radical architecture, built between the end of the Thirties and the end of the Fifties by architects and artists -- relegated to the margins of civil reality by war, exile and disenchantment -- in which they are also the object of their own experimentation. Through intimate analysis and personal(...)
Publication:
septembre 2011
septembre 2011
Titre:
Experiments with life itself: radical domestic architectures between 1937 and 1959
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$55.95
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Experiments with Life Itself investigates five projects of domestic radical architecture, built between the end of the Thirties and the end of the Fifties by architects and artists -- relegated to the margins of civil reality by war, exile and disenchantment -- in which they are also the object of their own experimentation. Through intimate analysis and personal photographs, this publication offers a unique insight into projects by Charles and Ray Eames, Ralph Erskine, Alison and Peter Smithson, German Rodriguez Arias and Pablo Neruda, and Juan O'Gorman.
Experiments with life itself: radical domestic architectures between 1937 and 1959
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Experiments with Life Itself investigates five projects of domestic radical architecture, built between the end of the Thirties and the end of the Fifties by architects and artists -- relegated to the margins of civil reality by war, exile and disenchantment -- in which they are also the object of their own experimentation. Through intimate analysis and personal photographs, this publication offers a unique insight into projects by Charles and Ray Eames, Ralph Erskine, Alison and Peter Smithson, German Rodriguez Arias and Pablo Neruda, and Juan O'Gorman.
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livres
livres
Publication:
septembre 2011
septembre 2011
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livres
livres
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$69.95
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The neo-avant-garde and postmodern movements have long been understood in terms of their re-working of modernism and a narrative emphasizing rupture and new beginnings. Compelling continuities between the two, especially in postwar Britain, suggest that a new account is needed. This collection of provocative essays discusses the work of architects and their associates,(...)
$69.95
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The neo-avant-garde and postmodern movements have long been understood in terms of their re-working of modernism and a narrative emphasizing rupture and new beginnings. Compelling continuities between the two, especially in postwar Britain, suggest that a new account is needed. This collection of provocative essays discusses the work of architects and their associates,(...)
Titre:
Neo-avant-garde and postmodern: Post war architecture in Britain and beyond
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$69.95
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Résumé:
The neo-avant-garde and postmodern movements have long been understood in terms of their re-working of modernism and a narrative emphasizing rupture and new beginnings. Compelling continuities between the two, especially in postwar Britain, suggest that a new account is needed. This collection of provocative essays discusses the work of architects and their associates, including Alice and Peter Smithson, Robert Venturi and Denise Scott Brown, James Stirling, James Gowan, Eduardo Paolozzi, Leon Krier, Allan Greenberg, Reyner Banham, and Charles Jencks, and explores why the debate over postwar modernism was especially vocal in Britain.
Neo-avant-garde and postmodern: Post war architecture in Britain and beyond
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$69.95
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Résumé:
The neo-avant-garde and postmodern movements have long been understood in terms of their re-working of modernism and a narrative emphasizing rupture and new beginnings. Compelling continuities between the two, especially in postwar Britain, suggest that a new account is needed. This collection of provocative essays discusses the work of architects and their associates, including Alice and Peter Smithson, Robert Venturi and Denise Scott Brown, James Stirling, James Gowan, Eduardo Paolozzi, Leon Krier, Allan Greenberg, Reyner Banham, and Charles Jencks, and explores why the debate over postwar modernism was especially vocal in Britain.
Classification:
livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Post-modernisme
Post-modernisme
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livres
livres
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$74.95
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Public space is changing. Where in earlier times people met each other on a public square it seems that now a hotel lobby is the desired designation. This change in the notion of what the public area exactly is forms one of the most crucial themes in current architectural debate – Where are shared spaces presently to be found where people can meet each other and develop(...)
$74.95
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Public space is changing. Where in earlier times people met each other on a public square it seems that now a hotel lobby is the desired designation. This change in the notion of what the public area exactly is forms one of the most crucial themes in current architectural debate – Where are shared spaces presently to be found where people can meet each other and develop(...)
Titre:
Architectural positions: architecture, modernity and the public sphere
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$74.95
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Public space is changing. Where in earlier times people met each other on a public square it seems that now a hotel lobby is the desired designation. This change in the notion of what the public area exactly is forms one of the most crucial themes in current architectural debate – Where are shared spaces presently to be found where people can meet each other and develop and share a public meaning? This illustrated anthology brings together an impressive collection of writings by 36 leading architects, who have over the last fifty years presented different positions in relation to the debate over the idea and limits of what the public is, or should be. Contributors include: Aldo Rossi, Rem Koolhaas, Matthias Ungers, Daniel Libeskind, Peter Zumthor, Alison and Peter Smithson, Rob Krier, Ben van Berkel and Caroline Bos and Jean Nouvel.
Architectural positions: architecture, modernity and the public sphere
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Résumé:
Public space is changing. Where in earlier times people met each other on a public square it seems that now a hotel lobby is the desired designation. This change in the notion of what the public area exactly is forms one of the most crucial themes in current architectural debate – Where are shared spaces presently to be found where people can meet each other and develop and share a public meaning? This illustrated anthology brings together an impressive collection of writings by 36 leading architects, who have over the last fifty years presented different positions in relation to the debate over the idea and limits of what the public is, or should be. Contributors include: Aldo Rossi, Rem Koolhaas, Matthias Ungers, Daniel Libeskind, Peter Zumthor, Alison and Peter Smithson, Rob Krier, Ben van Berkel and Caroline Bos and Jean Nouvel.
Classification:
livres
livres
Publication:
juillet 2009
juillet 2009
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$73.95
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Taking as a guide Banham’s habit of structuring his writings around dialectical tensions, Todd Gannon sheds new light on Banham’s early engagement with the New Brutalism of Alison and Peter Smithson, his measured enthusiasm for the ''clip-on'' approach developed by Cedric Price and the Archigram group, his advocacy of ''well-tempered environments'' fostered by integrated(...)
$73.95
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Taking as a guide Banham’s habit of structuring his writings around dialectical tensions, Todd Gannon sheds new light on Banham’s early engagement with the New Brutalism of Alison and Peter Smithson, his measured enthusiasm for the ''clip-on'' approach developed by Cedric Price and the Archigram group, his advocacy of ''well-tempered environments'' fostered by integrated(...)
Titre:
Reyner Banham and the paradoxes of high tech
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$73.95
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Taking as a guide Banham’s habit of structuring his writings around dialectical tensions, Todd Gannon sheds new light on Banham’s early engagement with the New Brutalism of Alison and Peter Smithson, his measured enthusiasm for the ''clip-on'' approach developed by Cedric Price and the Archigram group, his advocacy of ''well-tempered environments'' fostered by integrated mechanical and electrical systems, and his late-career assessments of High Tech practitioners such as Norman Foster, Richard Rogers, and Renzo Piano. Gannon devotes significant attention to Banham’s late work, including fresh archival materials related to 'Making Architecture: The Paradoxes of High Tech', the manuscript he left unfinished at his death in 1988. For the first time, readers will have access to Banham’s previously unpublished draft introduction to that book.
Reyner Banham and the paradoxes of high tech
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Taking as a guide Banham’s habit of structuring his writings around dialectical tensions, Todd Gannon sheds new light on Banham’s early engagement with the New Brutalism of Alison and Peter Smithson, his measured enthusiasm for the ''clip-on'' approach developed by Cedric Price and the Archigram group, his advocacy of ''well-tempered environments'' fostered by integrated mechanical and electrical systems, and his late-career assessments of High Tech practitioners such as Norman Foster, Richard Rogers, and Renzo Piano. Gannon devotes significant attention to Banham’s late work, including fresh archival materials related to 'Making Architecture: The Paradoxes of High Tech', the manuscript he left unfinished at his death in 1988. For the first time, readers will have access to Banham’s previously unpublished draft introduction to that book.
Classification:
livres
livres
Publication:
janvier 2017
janvier 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$69.95
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In "That’s Brutal, What’s Modern?: The Smithsons," Banham, and the Mies-Image, Mark D. Linder offers an original understanding of New Brutalism as a consequential and generative episode in the history of post-photographic imaging practices. This episode exemplifies and anticipates the kinds of cognition and intelligence that dominate architectural imagination today.(...)
$69.95
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Résumé:
In "That’s Brutal, What’s Modern?: The Smithsons," Banham, and the Mies-Image, Mark D. Linder offers an original understanding of New Brutalism as a consequential and generative episode in the history of post-photographic imaging practices. This episode exemplifies and anticipates the kinds of cognition and intelligence that dominate architectural imagination today.(...)
Titre:
That’s Brutal, What’s Modern?: The Smithsons, Banham, and the Mies-Image
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$69.95
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In "That’s Brutal, What’s Modern?: The Smithsons," Banham, and the Mies-Image, Mark D. Linder offers an original understanding of New Brutalism as a consequential and generative episode in the history of post-photographic imaging practices. This episode exemplifies and anticipates the kinds of cognition and intelligence that dominate architectural imagination today. Linder aims to recover a specific and integral, yet overlooked, aspect of the peculiar novelty of New Brutalism by reconsidering the entirety of Alison and Peter Smithson’s work as a fitful and evolving fifty-year fascination with the imaging potential they found in the architecture of Mies van der Rohe. In six chapters and some forty arrays of images, the book progresses from historical research to theoretical speculations on the historical legacy and contemporary potential of the Smithsons’ pursuit of the "Mies-Image."
That’s Brutal, What’s Modern?: The Smithsons, Banham, and the Mies-Image
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$69.95
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In "That’s Brutal, What’s Modern?: The Smithsons," Banham, and the Mies-Image, Mark D. Linder offers an original understanding of New Brutalism as a consequential and generative episode in the history of post-photographic imaging practices. This episode exemplifies and anticipates the kinds of cognition and intelligence that dominate architectural imagination today. Linder aims to recover a specific and integral, yet overlooked, aspect of the peculiar novelty of New Brutalism by reconsidering the entirety of Alison and Peter Smithson’s work as a fitful and evolving fifty-year fascination with the imaging potential they found in the architecture of Mies van der Rohe. In six chapters and some forty arrays of images, the book progresses from historical research to theoretical speculations on the historical legacy and contemporary potential of the Smithsons’ pursuit of the "Mies-Image."
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livres
livres
Publication:
décembre 2025
décembre 2025
Sujet:
Modernisme
Modernisme
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livres
livres
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$79.95
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L’ouvrage, organisé en quatre grandes sections thématiques (l’image de la lumière, le dispositif, la séquence et la séance), présente les spécificités de la diapositive. La sélection iconographique intègre la diversité de ces pratiques afin de rendre compte de son impact sur la culture visuelle et de son évolution. Elle comprend des travaux d’amateurs et de photographes(...)
$79.95
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L’ouvrage, organisé en quatre grandes sections thématiques (l’image de la lumière, le dispositif, la séquence et la séance), présente les spécificités de la diapositive. La sélection iconographique intègre la diversité de ces pratiques afin de rendre compte de son impact sur la culture visuelle et de son évolution. Elle comprend des travaux d’amateurs et de photographes(...)
Titre:
Diapositive: histoire de la photographie projetée
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$79.95
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L’ouvrage, organisé en quatre grandes sections thématiques (l’image de la lumière, le dispositif, la séquence et la séance), présente les spécificités de la diapositive. La sélection iconographique intègre la diversité de ces pratiques afin de rendre compte de son impact sur la culture visuelle et de son évolution. Elle comprend des travaux d’amateurs et de photographes professionnels tels que Alfred Stieglitz et Helen Levitt ; elle montre ses usages dans le domaine de l’éducation et du divertissement populaire ; son intégration dans le domaine du design telles que les projections de Le Corbusier et de Charles et Ray Eames ; ainsi que des œuvres représentatives de l’intérêt des artistes conceptuels pour la projection à partir des années 1960 tels que Dan Graham, Robert Smithson, Jan Dibbets, Allan Sekula, Nan Goldin, Runo Lagomarsino, James Coleman, Peter Fischli et David Weiss, et Krzysztof Wodiczko.
Diapositive: histoire de la photographie projetée
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$79.95
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L’ouvrage, organisé en quatre grandes sections thématiques (l’image de la lumière, le dispositif, la séquence et la séance), présente les spécificités de la diapositive. La sélection iconographique intègre la diversité de ces pratiques afin de rendre compte de son impact sur la culture visuelle et de son évolution. Elle comprend des travaux d’amateurs et de photographes professionnels tels que Alfred Stieglitz et Helen Levitt ; elle montre ses usages dans le domaine de l’éducation et du divertissement populaire ; son intégration dans le domaine du design telles que les projections de Le Corbusier et de Charles et Ray Eames ; ainsi que des œuvres représentatives de l’intérêt des artistes conceptuels pour la projection à partir des années 1960 tels que Dan Graham, Robert Smithson, Jan Dibbets, Allan Sekula, Nan Goldin, Runo Lagomarsino, James Coleman, Peter Fischli et David Weiss, et Krzysztof Wodiczko.
Classification:
livres
livres
Publication:
août 2017
août 2017
Sujet:
Photographie- collections
Photographie- collections
