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$51.95
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Résumé:
Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept(...)
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Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept(...)
Titre:
The sympathy of things: Ruskin and the ecology of design, 2nd edition
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Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept in Ruskin's aesthetics, re-evaluating it as the driving force of the twenty-first century aesthetic experience. For Ruskin, beauty always comprises variation, imperfection and fragility, three concepts that wholly disappeared from our mindsets during the twentieth century, but which Spuybroek argues to be central to contemporary aesthetics and design.
The sympathy of things: Ruskin and the ecology of design, 2nd edition
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Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept in Ruskin's aesthetics, re-evaluating it as the driving force of the twenty-first century aesthetic experience. For Ruskin, beauty always comprises variation, imperfection and fragility, three concepts that wholly disappeared from our mindsets during the twentieth century, but which Spuybroek argues to be central to contemporary aesthetics and design.
Classification:
livres
livres
Publication:
juin 2016
juin 2016
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$56.95
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How do we live well? The first sentence of ''Grace and gravity'' raises the fundamental question that constantly occupies our minds-and of all those who lived before us. Paradoxically, the impossibility of answering this question opens up the very room needed to find ways of living well. It is the gap where all disciplines fall short, where architecture does not fit its(...)
$56.95
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How do we live well? The first sentence of ''Grace and gravity'' raises the fundamental question that constantly occupies our minds-and of all those who lived before us. Paradoxically, the impossibility of answering this question opens up the very room needed to find ways of living well. It is the gap where all disciplines fall short, where architecture does not fit its(...)
Titre:
Grace and gravity: Architectures of the figure
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How do we live well? The first sentence of ''Grace and gravity'' raises the fundamental question that constantly occupies our minds-and of all those who lived before us. Paradoxically, the impossibility of answering this question opens up the very room needed to find ways of living well. It is the gap where all disciplines fall short, where architecture does not fit its inhabitants, where economy is not based on shortage, where religion cannot be explained by its followers, and where technology works far beyond its own principles. According to Lars Spuybroek, the prize-winning former architect, this marks the point where the “paradoxical machine” of grace reveals its powers, a point where we “cannot say if we are moving or being moved”. Following the trail of grace leads him to a new form of analysis that transcends the age-old opposition between appearances and technology. Linking up a dazzling and often delightful variety of sources-monkeys, paintings, lamp posts, octopuses, tattoos, bleeding fingers, rose windows, robots, smart phones, spirits, saints, and fossils-with profound meditations on living, death, consciousness, and existence, ''Grace and gravity'' offers an eye-opening provocation to a wide range of art historians, architects, theologians, anthropologists, artists, media theorists and philosophers.
Grace and gravity: Architectures of the figure
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$56.95
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How do we live well? The first sentence of ''Grace and gravity'' raises the fundamental question that constantly occupies our minds-and of all those who lived before us. Paradoxically, the impossibility of answering this question opens up the very room needed to find ways of living well. It is the gap where all disciplines fall short, where architecture does not fit its inhabitants, where economy is not based on shortage, where religion cannot be explained by its followers, and where technology works far beyond its own principles. According to Lars Spuybroek, the prize-winning former architect, this marks the point where the “paradoxical machine” of grace reveals its powers, a point where we “cannot say if we are moving or being moved”. Following the trail of grace leads him to a new form of analysis that transcends the age-old opposition between appearances and technology. Linking up a dazzling and often delightful variety of sources-monkeys, paintings, lamp posts, octopuses, tattoos, bleeding fingers, rose windows, robots, smart phones, spirits, saints, and fossils-with profound meditations on living, death, consciousness, and existence, ''Grace and gravity'' offers an eye-opening provocation to a wide range of art historians, architects, theologians, anthropologists, artists, media theorists and philosophers.
Classification:
livres
livres
Publication:
novembre 2020
novembre 2020
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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264 pages : illustrations ; 25 cm.
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264 pages : illustrations ; 25 cm.
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Chichester : Wiley, ©2013.
Chichester : Wiley, ©2013.
Titre:
The digital turn in architecture 1992-2012 / edited by Mario Carpo.
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264 pages : illustrations ; 25 cm.
The digital turn in architecture 1992-2012 / edited by Mario Carpo.
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264 pages : illustrations ; 25 cm.
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livres
livres
Publication:
Chichester : Wiley, ©2013.
Chichester : Wiley, ©2013.
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livres
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$32.00
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Edited by a pioneer of the digital revolution, this new book takes its cue from the practice of mass-customization, one of the most important design and retail trends of recent years, to consider how variations on the same design idea can be applied to a broad spectrum of architectural, engineering, and construction solutions. The book has three parts: a group of essays(...)
$32.00
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Edited by a pioneer of the digital revolution, this new book takes its cue from the practice of mass-customization, one of the most important design and retail trends of recent years, to consider how variations on the same design idea can be applied to a broad spectrum of architectural, engineering, and construction solutions. The book has three parts: a group of essays(...)
Titre:
The architecture of variation
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$32.00
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Edited by a pioneer of the digital revolution, this new book takes its cue from the practice of mass-customization, one of the most important design and retail trends of recent years, to consider how variations on the same design idea can be applied to a broad spectrum of architectural, engineering, and construction solutions. The book has three parts: a group of essays by leading thinkers on design; comparative studies on variation; and case studies.
The architecture of variation
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Edited by a pioneer of the digital revolution, this new book takes its cue from the practice of mass-customization, one of the most important design and retail trends of recent years, to consider how variations on the same design idea can be applied to a broad spectrum of architectural, engineering, and construction solutions. The book has three parts: a group of essays by leading thinkers on design; comparative studies on variation; and case studies.
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livres
livres
Publication:
août 2009
août 2009
Sujet:
Architecture numérique
Architecture numérique
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livres
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320 pages : illustrations (some color), maps (some color) ; 25 cm.
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320 pages : illustrations (some color), maps (some color) ; 25 cm.
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Chichester : Wiley, ©2010.
Chichester : Wiley, ©2010.
Titre:
The diagrams of architecture / edited by Mark Garcia.
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320 pages : illustrations (some color), maps (some color) ; 25 cm.
The diagrams of architecture / edited by Mark Garcia.
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320 pages : illustrations (some color), maps (some color) ; 25 cm.
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livres
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Chichester : Wiley, ©2010.
Chichester : Wiley, ©2010.
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688 pages : illustrations (chiefly color), plans ; 24 cm
Description:
688 pages : illustrations (chiefly color), plans ; 24 cm
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Barcelona : Actar, [2003]
Barcelona : Actar, [2003]
Titre:
The Metapolis dictionary of advanced architecture : city, technology and society in the information age / authors, Manuel Gausa [and others] ; coordinación, Susanna Cros.
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688 pages : illustrations (chiefly color), plans ; 24 cm
The Metapolis dictionary of advanced architecture : city, technology and society in the information age / authors, Manuel Gausa [and others] ; coordinación, Susanna Cros.
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688 pages : illustrations (chiefly color), plans ; 24 cm
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Barcelona : Actar, [2003]
Barcelona : Actar, [2003]
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ix, 202 pages : illustrations ; 25 cm.
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ix, 202 pages : illustrations ; 25 cm.
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Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2022., ©2022
Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2022., ©2022
Titre:
The architectural imagination at the digital turn / Nathalie Bredella.
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ix, 202 pages : illustrations ; 25 cm.
The architectural imagination at the digital turn / Nathalie Bredella.
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ix, 202 pages : illustrations ; 25 cm.
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livres
livres
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Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2022., ©2022
Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2022., ©2022
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livres
livres
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The Virtual Dimension : Architecture, Representation, and Crash Culture / edited by John Beckmann.
The Virtual Dimension : Architecture, Representation, and Crash Culture / edited by John Beckmann.
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xi, 359 pages : illustrations ; 21 cm
Description:
xi, 359 pages : illustrations ; 21 cm
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New York : Princeton Architectural Press, ©1998.
New York : Princeton Architectural Press, ©1998.
Titre:
The Virtual Dimension : Architecture, Representation, and Crash Culture / edited by John Beckmann.
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xi, 359 pages : illustrations ; 21 cm
The Virtual Dimension : Architecture, Representation, and Crash Culture / edited by John Beckmann.
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xi, 359 pages : illustrations ; 21 cm
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livres
livres
Publication:
New York : Princeton Architectural Press, ©1998.
New York : Princeton Architectural Press, ©1998.
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périodiques
périodiques
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$29.95
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Résumé:
This book emphasises studio work done by the students of the Institute who were tutored by the staff and guest professors. This year the Institute invited Stan Allen, Ben van Berkel, Bruno Felix, Kenneth Frampton, Michael Hensel, Daniel Libeskind, Greg Lynn, Brendan MacFarlane, Thom Mayne, Farshid Moussavi, Bert Mulder, MVRDV,(...)
$29.95
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Résumé:
This book emphasises studio work done by the students of the Institute who were tutored by the staff and guest professors. This year the Institute invited Stan Allen, Ben van Berkel, Bruno Felix, Kenneth Frampton, Michael Hensel, Daniel Libeskind, Greg Lynn, Brendan MacFarlane, Thom Mayne, Farshid Moussavi, Bert Mulder, MVRDV,(...)
Sujet:
Revues
Revues
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
Titre:
The Berlage cahiers 6 - Studio '96'97 : conflict
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This book emphasises studio work done by the students of the Institute who were tutored by the staff and guest professors. This year the Institute invited Stan Allen, Ben van Berkel, Bruno Felix, Kenneth Frampton, Michael Hensel, Daniel Libeskind, Greg Lynn, Brendan MacFarlane, Thom Mayne, Farshid Moussavi, Bert Mulder, MVRDV, Jesse Reiser, Dick Rijken, Ignasi de Solà-Morales, Lars Spuybroek, Philippe Wegner, Nick West, and Alejandro Zaera-Polo. From the many lectures given at the Institute, those given by Michael Speaks and Kenneth Frampton are printed in full and represent part of the theoretical discussion that found place during the year.
The Berlage cahiers 6 - Studio '96'97 : conflict
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$29.95
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Résumé:
This book emphasises studio work done by the students of the Institute who were tutored by the staff and guest professors. This year the Institute invited Stan Allen, Ben van Berkel, Bruno Felix, Kenneth Frampton, Michael Hensel, Daniel Libeskind, Greg Lynn, Brendan MacFarlane, Thom Mayne, Farshid Moussavi, Bert Mulder, MVRDV, Jesse Reiser, Dick Rijken, Ignasi de Solà-Morales, Lars Spuybroek, Philippe Wegner, Nick West, and Alejandro Zaera-Polo. From the many lectures given at the Institute, those given by Michael Speaks and Kenneth Frampton are printed in full and represent part of the theoretical discussion that found place during the year.
Classification:
périodiques
périodiques
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
Sujet:
Revues
Revues
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livres
livres
Titre:
The war of appearances
The war of appearances
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$36.00
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Résumé:
Produced and designed by Joke Brouwer of the V2_Institute for the Unstable Media, this book presents new essays by nine contributors, among them Paul Frissen, Graham Harman, Luciana Parisi, Lars Spuybroek, and McKenzie Wark, plus artworks by Paolo Cirio, Wim Delvoye, Tomás Saraceno, and Diana Scherer. Two strategies (opacity and radiance) are developed against the(...)
$36.00
(disponible sur commande)
Résumé:
Produced and designed by Joke Brouwer of the V2_Institute for the Unstable Media, this book presents new essays by nine contributors, among them Paul Frissen, Graham Harman, Luciana Parisi, Lars Spuybroek, and McKenzie Wark, plus artworks by Paolo Cirio, Wim Delvoye, Tomás Saraceno, and Diana Scherer. Two strategies (opacity and radiance) are developed against the(...)
Titre:
The war of appearances
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$36.00
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Résumé:
Produced and designed by Joke Brouwer of the V2_Institute for the Unstable Media, this book presents new essays by nine contributors, among them Paul Frissen, Graham Harman, Luciana Parisi, Lars Spuybroek, and McKenzie Wark, plus artworks by Paolo Cirio, Wim Delvoye, Tomás Saraceno, and Diana Scherer. Two strategies (opacity and radiance) are developed against the Enlightenment ideal of transparency, since transformed into a global state of mediation and automation. Although they initially appear to be diametrically opposed, the strategies soon begin to overlap, together evolving into a kind of spook-phenomenology that opens up new ways of thinking and seeing.
The war of appearances
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$36.00
(disponible sur commande)
Résumé:
Produced and designed by Joke Brouwer of the V2_Institute for the Unstable Media, this book presents new essays by nine contributors, among them Paul Frissen, Graham Harman, Luciana Parisi, Lars Spuybroek, and McKenzie Wark, plus artworks by Paolo Cirio, Wim Delvoye, Tomás Saraceno, and Diana Scherer. Two strategies (opacity and radiance) are developed against the Enlightenment ideal of transparency, since transformed into a global state of mediation and automation. Although they initially appear to be diametrically opposed, the strategies soon begin to overlap, together evolving into a kind of spook-phenomenology that opens up new ways of thinking and seeing.
Classification:
livres
livres
Publication:
juin 2017
juin 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
